Low larynx... Secret to Singing High Notes? (Personal Experiment footage Revealed!)
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- Опубликовано: 28 авг 2024
- Can we really sing better high notes by lowering our larynx? We probably hear advice all over the internet telling us to lower our larynx by yawning or by producing a hooty or dopey sound to create a dark sound.
But does that really work? And is it really practical? In this video, I show you exactly why I never advocate for a lowered larynx, because it actually puts your tongue in a position that prevents you from applying the open throat technique.
And as a result, that prevents you from accessing your high Complete Mixed Voice™ Placement, like I've explained in my Perfect Tongue Position Video.
The key is really to keep a neutral larynx, like I've demonstrated in this video. That way, you will sound much more natural and you will be singing in your own voice, without artificially changing it and risk sounding stupid like what I've shown you.
In fact, you should not even be focusing on adjusting your larynx and you really should be solving the root cause of your singing problem, which is not being able to access your high Complete Mixed Voice™ Placement and allowing all your high notes to sit there.
If you'd like to discover how you can access your high Complete Mixed Voice™ Placement, follow this link here:
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First teacher that I actually undertood. Sir, I watched you’re tongue placements and things just became so much easier. I was told to have a flat tongue but when I came across you’re video, I understood tongue strain. When singing with a flat tongue, I have noticed the back of my throat closed off but with you’re technique it felt free and my throat felt open. I have noticed a huge difference. Thank you thank you thank you❤
Lowering the larynx is not bad advice. All the great singers did it and are on record as saying it’s the way to sing Corelli, Del Monaco, Caruso, Granforte, Tebaldi, etc… without out it you lack squillo and chiaroscuro the issue is not that it’s bad advice it’s that people are singing into mics and don’t need squillo and they also don’t understand how to do it properly.
Exactly 💯💯💯
Most of students don't know how to lower
I just stumbled upon this video. I did not do your course or your method or anything like that. BUT
I'm a baritone, my range goes from C2 to B5 where B4 is the highest note i can reach with a chesty sound, but that is very very strained and with a high larynx. Just very recently i discovered that i sang with a lower placement and understood what it means to place the resonance upwards on my soft palate (did the bite a pencil and feel where it vibrates test). In the past couple days, i've been trying to sing upwards, placing the resonance in the higher resonators through my raised soft palate and immediately i felt a release of the weight and tension, which also made my larynx relax in a more neutral position.
So i'm just here to comment that i agree with what you're saying here, that the high larynx is not a cause of my problems, but the consequence of my problems and that learning how to sing with a higher placement of the resonance have resulted in a lower larynx position and that worked much better than all the other exercises i tried to push my larynx down.
That said, the tension and high larynx problems of people have different causes, just because this relates to my causes it doesn't mean it would be the same for everyone, but im glad to see more people on youtube talking about how placing the resonance higher can potentially relieve high notes tension and therefore help on singing with a lower larynx. It wasn't this video that made me realize this, but a coupled days after i realized this i found this video and im happy to see people talking about it.
Good information here
Thank you Leonardo, I'm glad that you typed that out so that more people can benefit from your own experience as well :)
Man i am opera singer and i want to congratulate you.. you are incredibly true in all what you are saying about vocal technic.. really smart boy. What you are saying we can experiment that after 10 years of career.. and it is all true
Thank you so much, I thought I had to keep my larynx low and it had to stay static, but from you video, it is normal for larynx to move, but should be trained to move less when going higher.
Yoo, thanks for saving me so much time! This really helped alot! If you didn't made this video, I'll probably take more time for me to learn to sign or hit high note :DD
Thank you a lot for this video! I've discovered a bit of mixed voice feeling today, by using your method for the tongue position and it really worked! Now I'm just raising a bit too much my larynx and I'm going to try your tips, because I was victim as well of the low larynx that ruins your tongue position and gets you stuck in chest voice! I love your videos! I hope with hard work I'll finally develop my mixed voice! By the way, I'm born with a low larynx, but actually I don't feel that I have more space for my larynx to rise haha
EXACTLY dude. Even when you are born with a low larynx, you feel like you don't have more space for your larynx to rise... could you imagine how singers with naturally born high larynx feels? It's literal "death sentence" for them to sing high notes if they don't access their Complete Mixed Voice™ Placement like what you're trying to do now.
@@JayJaeOfficial Haha I see, thank you for your content, I hope that I'll soon coordinate weel my mix haha! iIs that normal that above E4/F4 when I start on the note I start it in head voice and then gradually move my tongue in the position you taught us so that I can put more nasal resonance and cord compression ?
@@musicval7462 It also happens to me. It's when i hit B4 that the complete mixed voice placement™ starts to enter
You are one in a million tr. Jay jae I've learn what no one can ever teach me
This was a great lesson. Thank you.
wow you just blew my mind with the stuff about being born with high or low larynx!!
also your voice sounds great in your demo, and you are hilarious. hats off.
Haha I took lessons from an opera singer even tho I was gonna sing modern music. It’s just I had heard they were the best at protecting the voice and I liked the idea of singing with power . Well I got tinnitus from it because she always had me belt through everything (we always worked on popular songs I liked after so it’s not like she didn’t know what style I wanted ). She never let me sing in this way , so I laughed so hard at your low larynx vid. I mean it was really like asking me to split and do a squat at the same time. She micro managed everything for opera belts and powerhouse sounds, basically controlled shouting.
Then I’d try to sing and I couldn’t write at home or anything because my voice is way too loud and flat . Opera singers don’t have that nice tone or texture it’s very open and beam like. Riffs were also something I couldn’t do. When I practiced on my own and took another online course she was like wow you got better quick! I didn’t tell her why .
Iv been struggling to nail my tone. I did find I always sang with tons of compression and I didn’t even know it was called compression.
Do you have a range of notes for tenors where they typically start to compress their voices more for head voice , like where the placement starts to shift and also the openness can be compressed ?
I’m always trying to find a tone and I find it makes me sound bad because idk how to lay it consistently , I try forward, backward, lower open sound in the larynx, compressed, rasp etc and I feel like if I had a basis of where to typically place the voice then I can build on that foundation .
I just find I’m either super open and then compressEd and it’s not polished . When I was with her I opened my range a lot but I was ultimately really loud and nasal , it was a terrible sound. Iv learned not to be so nasal since I don’t need it for high notes (unless I do it her way) and I also don’t need to constantly belt .
Thanks to JJ
Bro I tried your 3 ways to improve high notes but the fact is I can sing those high notes while practicing but cannot implement it while singing songs plzz help😭😭❤️❤️
That's always a struggle most singers who are learning vocal techniques face... I might do a future video to address applications
Ok thanks bro 🤠🤠
thanks man!
I feel like when in headvoice then compress into full voice that it is almost in the same place, but just slightly lower in mixed voice than in pure headvoice
Dude if that's what you're feeling, you're RIGHT on point. You've probably accessed your Complete Mixed Voice™ Placement already
@@JayJaeOfficial Yeah, I'm just trying tp get the mix to go higher before it turns into headvoice. Somewhere between A4 an C5 depending on the vowel it wants to go to headvoice. I want to be able to sing between A4 and D5 in a reliable mix before it goes to pure headvoice
@@justinpaquette224 That can absolutely be done. You have to understand that literally every single male pop singers who are famous can stay in mix AT LEAST up till C5, higher voices like Bruno Mars goes even up to E5 / F5. The key is to compress in your Complete Mixed Voice™ Placement without allowing it to migrate further up into the head placement. Once you can do that, staying in mix up to C5 is not going to be any issue :)
@@JayJaeOfficial For me, I've found that to get my mix to not go to headvoice, but rather continue way up there, I need to have a good amount of volume. A lot of people say singing in mix should be able to also be quiet, but I just can't see how I would stay quiet and also still be in mix from C5 and up. If I sing quietly I'll be in headvoice around A4. I sing mostly soul music and they seem to almost always be belting into their mix
i have high larynx and i used to sing so high before puberty and now just when i sing the larynx goes up so fast that i cannot even sing in tune its so bad i am really trying to get my voice back
Thanks for lesson. But. How can I find High Complete Mixed Voice Placement? Do you have lessons about it? How can I find this placement? Please, answer
Thank you 😊
I’m still having trouble identifying if I’m in head voice or not cause once I reach higher, I feel like I’m choking, straining, trying to reach for the note when I feel like I’m hitting in a wall with no way going up...just bought your course and I’m intimidated by it cause I’m not sure if I’m doing it it right, plus my siblings are hearing me and thinking like I’m crazy doing all these ridiculous noises 😔
Do you care about if you get that amazing singing voice you are working towards to, or do you care about what your siblings think about you? You can only choose one.
Keep fvcking going and stay focused brother, follow EXACTLY what I'm teaching in the course and you will see results soon. 💪🏻
@@JayJaeOfficial thanks man 💪🏼
I like your videos.
uh, so you mean people born with high larynx just can't singing high notes with larynx low and with that warm & dark tone like Lewis Capaldi?
I wish there was some programme to get a personal meeting or call with you where we can pay in indian rupee
Hi Jay , first of all thank you sooooooo much for putting in a lot of effort and helping us with commitment.
I find that when l sing high l flip to head voice and its soooo weak.like it's easily noticable and its soooo wierd .l lost the mix .Can you please help me ??like how can l enter comeplete mix voice placement.like how to compress head voice???pls pls pls help me
Sending you lots of love and gratitude ❤️🙏🙏🙏
Sister from India 🎸 ✨
If it's easily noticeable, then it's probably a head voice / falsetto and not a mixed voice, and you are in your head voice placement instead of your Complete Mixed Voice™ Placement. Don't worry, the Complete Mixed Voice™ Placement will only come once you've master your head voice first :)
@@JayJaeOfficial thank u for helping 🙏
Thank you!!!
I really thought you were one of those smug bullshitt-er guy who is all talk no show
Amd I'm sorry fr that (you did advertise urself like that)
But boy was i wrong!!!
I literally saw 6-7 videos before this one about larynx
And this was the video that helped me the most
So thank you!
Wish I could also pay u n get that boon of singing
Can you also tell about falsetto please
Sure, I've got a video on falsetto coming soon
@@JayJaeOfficial ok
Lol, I’ve never seen any of the RUclips vocal coaches tell people that they should retract their tongue.
Neither have I. The idea of "retracting the tongue to depress the larynx" is more of a wannabe bel canto vocal technique that some old school vocal coaches use. You'd know if you've experienced it before.
The key is lowering the larynx without using the tongue (tongue independence). Pretty easy with exercises. Hard to take this seriously with all the cursing in your videos.