This popped up on my recommended and i’m so glad it did. Such a great and in detail analysis about how the anatomy of the voice works. I’m disappointed that this video didn’t include more of her sweetener world tour performances because those were even crazier and better than her previous tours, she also does beautiful whistle notes and can even do phrased whistle notes. So if you can id love to see your review/reaction to her sweetener tour high notes❤️
She is human though and that's what's so dumb founding. She had a lot of opportunity and she clearly used every ounce of it to improve. She also has a naturally high voice, but she wields it so precisely AND she sounds great. Tone is something you can only work so much on. She's extremely resilient and inspiring.
It’s so hilarious I was watching your Mariah video a while ago and decided to do my nightly Ariana binge and boom your videos popped up and now I’m subscribed! Love the content!!
Ariana is definitely one of the best female pop vocal nowadays. Btw, can u react to Nightwish -ghost love score? Ur analysis is one of the best of the best on RUclips !
Ariana Grande Vocal Analysis (2024) Voice type: Light-Lyric Soprano Vocal range: C3-B5-E7 (4 octaves and 2 notes) Range with the most consistent quality, comfort, and technique: G3-C#5/D5-A5 At best: F3-F5-C6 Lower register: (7/10) Low notes are bright and clear and have a good projection up to G3 consistently and F3 at best. Quite surprising for someone with a high tessitura considering her high sitting voice. However, she loses consistency, projection, and becomes airy and weak F3 and below. Mid-belts and mix: (7.5/10) Mid belts are surprisingly strong for someone who frequently utilizes a heady mix in her belts. Her approach in her mid-belts during her later years (2019 onwards) is more balanced compared to her honeymoon era (2014-early 2016) where her approach is more heady and dangerous woman era (late 2016-2017) where her approach is chestier. She has good control over her mid-belts and it is more balanced, consistent, accessible, and more tensionless than people assume resulting in an open, free, well-projected, and controlled sound consistently from G#4 to D5 especially from Bb4 to C5 at her best. She definitely improved this part of her voice over the years. Upper-belts/mix: (7/10) As a soprano like her, her ease and control in this area are good. She may not be the very best and the pinnacle of upper-belting out there, as some of her diehard fans tend to believe, but her consistency and stamina in this area is no joke. Although not consistently, she produces the best and balanced quality from Eb5-F5. As she goes higher beyond F5, she tends to sound thinner but still often avoids straining and too much tension up to G#5 (her signature upper-belting/mix note). However, she loses consistency when she reaches A5 and above which can sometimes be prone to tension, although this doesn't happen much as she was still able to possess a decent quality of mix up to Bb5 especially in her be my baby and breathin performances most of the time. This ease and consistency in her upper-belting range is due to her heady approach with her mix and mixed-belts. Nowadays, she utilizes a more balanced approach (balanced head and chest mix) to her upper-belts/mix especially in her thank u, next and yours truly era. This balanced approach is evidently showcased especially in her sweetener tour and 2023 yours truly 10 year anniversary live performance where she produced a decent but balanced mix. Although she has improved this part of her voice over the years, it has always been consistent in quality and technique with minor flaws and inconsistencies. Upper-register (head voice and falsetto): (7.5/10) Contrary to popular belief, Ariana utilizes her head voice just as much as she utilizes her falsetto. Her falsetto is probably one of the best that pop music has to offer. It is polished, smooth, controlled, and easily accessible. On the other hand, her head voice is also good and is consistently well-coordinated and connected up to A5. Performances such as moonlight, thinkin bout you, be alright, get well soon, and many more including song covers such as no one mourns the wicked and I wanna dance with somebody showcases her control and consistency in her head voice. She may not possess the best and most developed head voice in the music industry, but she can still keep up. Her head voice possesses a bright, strong, and roundness quality consistently up to F#5 and sometimes up to A5. However, her head voice can sometimes sound airy which limits her true potential. Further analysis with her head voice after the wicked (2024) movie will come out with her role as Glinda the good witch. Vocal Agility: (7.5/10) This may be the vocal skill she possess that has consistently improved over the years. She may not be as good as the best riffers out there like Mariah Carey, Tori Kelly, Beyonce, JoJo, and many others, but her vocal agility is definitely above average and is an integral part of her singing style. She can consistently execute vocal riffs and runs that are precise, fast, and complex with good creativity and musicality. The only downside is that there are few performances where she sounds pitchy and unstable and her vocal runs are sometimes repetitive. Lastly, during her early years, she tends to move her jaw a lot and fortunately, she got rid of that habit almost entirely. Whistle register: (9.5/10) One of the best whistle register user in her generation. Able to control her whistle with ease and is also able to create vocal runs and vocal phrases with it. Vocal Dynamics: (6.5/10) She has showcased vocal dynamics from time to time where she sang from pianissimo up to fortissimo. This is greatly showcased in her 2023 yours truly 10 year anniversary live performance. However, there are very rare cases of her showcasing crescendo and decresendo. Vibrato: (10/10) Her vibrato is one of the most controlled and well-developed that pop music has to offer. It can range from soft/subtle to aggressive/intense and can even shift to it smoothly. This great vibrato is also evident throughout all her register especially in her belts and upper-register. Vocal transition: (9/10) Able to easily and smoothly transition between registers from chest to head to whistle and with great control. Pitch: (8/10) Her wide vocal range allows her to hit high notes and low notes with good pitch accuracy. She rarely gets off-key and goes sharp/flat. Vocal stamina: (9/10) She is able to consistently perform in long periods and still able to maintain a decent to good technique and quality while doing a bunch of adlibs. The disadvantages she has with her stamina are the very few vocal performances where her voice got exhausted performing long periods and minor inconsistencies with some of her live vocal performances. Note: this analysis is based on an educated opinion and knowledge about vocals and music. Hence, this analysis is based on what I hear from the vocalist's live performances throughout the years. So feel free to politely disagree. Overall: 8.04/10 Overall comment: She is not as bad as critics say she is and also not as great as diehard fans made her out to be. Her development is distributed fairly evenly throughout range with her mid-belts and upper-register being currently the most developed register. Her major weakness may be that she tends to sing beyond her range with the most consistent quality, comfort, and technique. Fortunately, notes beyond her consistent range are rarely strained, tensed, or weak. Lastly, her biggest asset may be her whistle register, musicality/creativity, vocal stamina, vocal transition, and vibrato. At the end of the day, Ariana Grande is rather a stylistic vocalist with an adequate vocal technique and skill to back up her singing style. She tends to change her singing style depending on the era that she's in.
I think those 6th octave notes she's hitting are Head Voice notes that have a lighter coordination that can be mistaken as Falsetto, cause there's a little bit of power when she's hitting them notes. This is just my unprofessional opinion
I didn't really liked to hear technical stuff... but after hearing all of this, and at the same time, admiring her voice it was just amazing. Thank U Btw: Could you react to the Dangerous Woman Era (In the dangerous woman tour) And the Sweetener tour, pls more in deepness
i love ur vids!! could u do a video explaining the technique she does w her jaw? i’m a singer w TMJ so we carry a lot of tension as it is and have clicking/popping, so i wonder how she does it!
Every time Ariana builds above a before she tells her head back always the same thing as Taylor Swift I think they feel less constricted when they want to actually belt It's Curious that we can actually work in this example the first example we can hear that she is racing the note she's going up the octave so we can actually see that she slides into it
![Summer Walker - Heart Of A Woman [Official Lyric Video]](http://i.ytimg.com/vi/SFddctbZzw8/mqdefault.jpg)
This popped up on my recommended and i’m so glad it did. Such a great and in detail analysis about how the anatomy of the voice works. I’m disappointed that this video didn’t include more of her sweetener world tour performances because those were even crazier and better than her previous tours, she also does beautiful whistle notes and can even do phrased whistle notes. So if you can id love to see your review/reaction to her sweetener tour high notes❤️
loved this video! i just think the video was bit repetitive showcasing her high upper belts! her voice is very multidimensional
NO LITERALLY i got slightly annoyed lol
still one of if not the best analysis on Ariana's belting / mixed voice.
That clip was from this season of the voice a couple of days ago actually lol
Ariana is not human. God
She is human though and that's what's so dumb founding. She had a lot of opportunity and she clearly used every ounce of it to improve. She also has a naturally high voice, but she wields it so precisely AND she sounds great. Tone is something you can only work so much on.
She's extremely resilient and inspiring.
@@LesageSinging yeah🤍
@@LesageSinging her natural voice is actually pretty low (speaking wise at least) so it makes it even more impressive to me
enjoyed this very much, love seeing you analyze & explain things so well. would love to see more ariana :)
soooo informative and helpful! thank you I love ariana and your vids
It’s so hilarious I was watching your Mariah video a while ago and decided to do my nightly Ariana binge and boom your videos popped up and now I’m subscribed! Love the content!!
And yes, Ariana sangs every nigth astonishing high notes. Is insane
Ariana is definitely one of the best female pop vocal nowadays.
Btw, can u react to Nightwish -ghost love score? Ur analysis is one of the best of the best on RUclips !
Love this whole analysis video!
You should react to her VEVO live performances!!! It's so good and there's more tones and qualities in her voice!❤️
I like that he's handsome and nice but mostly informative
LOVE these ariana videos keep doing them 🤩🙌🏼
Ariana Grande Vocal Analysis (2024)
Voice type: Light-Lyric Soprano
Vocal range: C3-B5-E7 (4 octaves and 2 notes)
Range with the most consistent quality, comfort, and technique: G3-C#5/D5-A5
At best: F3-F5-C6
Lower register: (7/10)
Low notes are bright and clear and have a good projection up to G3 consistently and F3 at best. Quite surprising for someone with a high tessitura considering her high sitting voice. However, she loses consistency, projection, and becomes airy and weak F3 and below.
Mid-belts and mix: (7.5/10)
Mid belts are surprisingly strong for someone who frequently utilizes a heady mix in her belts. Her approach in her mid-belts during her later years (2019 onwards) is more balanced compared to her honeymoon era (2014-early 2016) where her approach is more heady and dangerous woman era (late 2016-2017) where her approach is chestier. She has good control over her mid-belts and it is more balanced, consistent, accessible, and more tensionless than people assume resulting in an open, free, well-projected, and controlled sound consistently from G#4 to D5 especially from Bb4 to C5 at her best. She definitely improved this part of her voice over the years.
Upper-belts/mix: (7/10)
As a soprano like her, her ease and control in this area are good. She may not be the very best and the pinnacle of upper-belting out there, as some of her diehard fans tend to believe, but her consistency and stamina in this area is no joke. Although not consistently, she produces the best and balanced quality from Eb5-F5. As she goes higher beyond F5, she tends to sound thinner but still often avoids straining and too much tension up to G#5 (her signature upper-belting/mix note). However, she loses consistency when she reaches A5 and above which can sometimes be prone to tension, although this doesn't happen much as she was still able to possess a decent quality of mix up to Bb5 especially in her be my baby and breathin performances most of the time. This ease and consistency in her upper-belting range is due to her heady approach with her mix and mixed-belts. Nowadays, she utilizes a more balanced approach (balanced head and chest mix) to her upper-belts/mix especially in her thank u, next and yours truly era. This balanced approach is evidently showcased especially in her sweetener tour and 2023 yours truly 10 year anniversary live performance where she produced a decent but balanced mix. Although she has improved this part of her voice over the years, it has always been consistent in quality and technique with minor flaws and inconsistencies.
Upper-register (head voice and falsetto): (7.5/10)
Contrary to popular belief, Ariana utilizes her head voice just as much as she utilizes her falsetto. Her falsetto is probably one of the best that pop music has to offer. It is polished, smooth, controlled, and easily accessible. On the other hand, her head voice is also good and is consistently well-coordinated and connected up to A5. Performances such as moonlight, thinkin bout you, be alright, get well soon, and many more including song covers such as no one mourns the wicked and I wanna dance with somebody showcases her control and consistency in her head voice. She may not possess the best and most developed head voice in the music industry, but she can still keep up. Her head voice possesses a bright, strong, and roundness quality consistently up to F#5 and sometimes up to A5. However, her head voice can sometimes sound airy which limits her true potential. Further analysis with her head voice after the wicked (2024) movie will come out with her role as Glinda the good witch.
Vocal Agility: (7.5/10)
This may be the vocal skill she possess that has consistently improved over the years. She may not be as good as the best riffers out there like Mariah Carey, Tori Kelly, Beyonce, JoJo, and many others, but her vocal agility is definitely above average and is an integral part of her singing style. She can consistently execute vocal riffs and runs that are precise, fast, and complex with good creativity and musicality. The only downside is that there are few performances where she sounds pitchy and unstable and her vocal runs are sometimes repetitive. Lastly, during her early years, she tends to move her jaw a lot and fortunately, she got rid of that habit almost entirely.
Whistle register: (9.5/10)
One of the best whistle register user in her generation. Able to control her whistle with ease and is also able to create vocal runs and vocal phrases with it.
Vocal Dynamics: (6.5/10)
She has showcased vocal dynamics from time to time where she sang from pianissimo up to fortissimo. This is greatly showcased in her 2023 yours truly 10 year anniversary live performance. However, there are very rare cases of her showcasing crescendo and decresendo.
Vibrato: (10/10)
Her vibrato is one of the most controlled and well-developed that pop music has to offer. It can range from soft/subtle to aggressive/intense and can even shift to it smoothly. This great vibrato is also evident throughout all her register especially in her belts and upper-register.
Vocal transition: (9/10)
Able to easily and smoothly transition between registers from chest to head to whistle and with great control.
Pitch: (8/10)
Her wide vocal range allows her to hit high notes and low notes with good pitch accuracy. She rarely gets off-key and goes sharp/flat.
Vocal stamina: (9/10)
She is able to consistently perform in long periods and still able to maintain a decent to good technique and quality while doing a bunch of adlibs. The disadvantages she has with her stamina are the very few vocal performances where her voice got exhausted performing long periods and minor inconsistencies with some of her live vocal performances.
Note: this analysis is based on an educated opinion and knowledge about vocals and music. Hence, this analysis is based on what I hear from the vocalist's live performances throughout the years. So feel free to politely disagree.
Overall: 8.04/10
Overall comment: She is not as bad as critics say she is and also not as great as diehard fans made her out to be. Her development is distributed fairly evenly throughout range with her mid-belts and upper-register being currently the most developed register. Her major weakness may be that she tends to sing beyond her range with the most consistent quality, comfort, and technique. Fortunately, notes beyond her consistent range are rarely strained, tensed, or weak. Lastly, her biggest asset may be her whistle register, musicality/creativity, vocal stamina, vocal transition, and vibrato. At the end of the day, Ariana Grande is rather a stylistic vocalist with an adequate vocal technique and skill to back up her singing style. She tends to change her singing style depending on the era that she's in.
Ariana is amazing, the woman sings upside down
I think those 6th octave notes she's hitting are Head Voice notes that have a lighter coordination that can be mistaken as Falsetto, cause there's a little bit of power when she's hitting them notes.
This is just my unprofessional opinion
she's working with more air, it sound like a falsetto. I think her falsetto is just really strong and thick, like Christina Aguilera's for example.
FIRST COMMENT MWUAHAHHAHA AND I LOVE YOU 😍❤️
I loved it 🥰
Glad you liked it VJ
I didn't really liked to hear technical stuff... but after hearing all of this, and at the same time, admiring her voice it was just amazing. Thank U
Btw: Could you react to the Dangerous Woman Era (In the dangerous woman tour) And the Sweetener tour, pls more in deepness
She’s only on The Voice this season. The video you’re watching was made very very recently cause that performance was almost 2 weeks ago
I love how he said that she probably can't do G5 in live performance hahaha
y all ariana reactiom video just blow now ! i need this 2 3 years ago n so now😂😂😅
i love ur vids!! could u do a video explaining the technique she does w her jaw? i’m a singer w TMJ so we carry a lot of tension as it is and have clicking/popping, so i wonder how she does it!
The best explanation in RUclips
What video is this ?
Every time Ariana builds above a before she tells her head back always the same thing as Taylor Swift I think they feel less constricted when they want to actually belt It's Curious that we can actually work in this example the first example we can hear that she is racing the note she's going up the octave so we can actually see that she slides into it
Also... could you check So Hyang?... she have so much technique that I want to understand- if you can and want obviously
Hi there. Please do more MARIAH CAREY!!!!!! The real heavenly voice..
Time to do some celine dion ✨💕
I can't with her. Next
What can't?
nobody cares 😂
Please react to So Hyang's performances! You will love her technique. She's is one of the best nowadays