How I Approach Tone...in 12-ish minutes
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- Опубликовано: 18 сен 2024
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Video outline:
1. Pickups: I prefer lower output humbuckers for their low-noise, push and clarity.
2. Run Stereo: Achieve wide, dramatic sounds from wet effects by running stereo.
3. Bridge Pickup: I rely on the bridge pickup most of the time, shaping my tone around it.
4. Tonal Goal: Define your tonal goal-balanced for Bethel or bright for Hillsong, Elevation, or Phil Wickham.
5. Wet Effects: Customize delay and reverb settings to match the song. Tailor your delay for each track and use tap tempo or delay programming for the perfect match. I use three reverb settings: solid base, added wash and near-ambient.
6. Dry Effects: Bookend your chain with boosts. Each pedal stands strong on its own-no stacking drives for my sound. Compressor: Evens things out, adds sustain, and can boost. Light OD: Preserves natural amp tone. Medium OD adds mids and treble. Boost cuts bass, adds treble and increases volume.
9. Swirly/Wobbly Effects: I use Vibrato, Chorus, Tremolo and Lo-Fi for modulation. Vibrato and Chorus have shallow settings; Tremolo varies from conservative to dramatic. Lo-Fi alters tone subtly.
10. Signal Chain: Compressor, Octave, Light OD, Med OD, Boost, Volume, Mono Delay, Reverb, Modulation, Stereo Delay, Reverb, Modulation.
11. Amps: I use digital amp modelers like HX Stomp and others. I prefer AC30/Matchless for ease and versatility.
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Launched in June 2015, GuitarforHISGLORY is dedicated to the worship guitar community. We pray these resources help you think less about tone and technique and more about worshiping our Lord Jesus Christ!
Currently, 71% of people who view this channel are not subscribed. By subscribing, you're helping me keep the channel going and, more importantly, it gets these videos in front of more people so they can hear the good news of Jesus Christ. So, if you find value in these videos, please consider subscribing. Thank you for your support; it means more than you know.
If this or other videos on this channel have been helpful to you and you're seeking more Christ-centered guidance, I invite you to join Guitarforhisglory.com. In addition to hundreds of song tutorials, there’s over 6 hours of training content to help you serve the Lord with greater confidence and skill.
The Gospel
God is perfectly holy and just. In His righteousness, He cannot ignore sin (Psalm 7). We, however, are not holy. We are sinners by nature. We have all fallen short of God's glory. On our own, we cannot bridge this gap (Romans 3:23; Isaiah 64:6).
The consequence of our sin is death, which means eternal separation from God (Romans 6:23).
But God, in His great love, responded to our plight by sending His Son, Jesus Christ, to live a life of perfect obedience on our behalf. He was crucified, and as he hung on the cross, dying, he bore the wrath of God that our sins deserved, so that those who trust in Him would not have to.
He died, and He was buried.
Yet Jesus, being fully God, conquered death and rose on the third day, securing our justification. To receive this gift of salvation, we must come before God, acknowledging our need for Him (Psalm 51) and placing our faith in the finished work of Christ (Romans 10:9; Acts 16:31).
In doing so, we are reconciled to God, brought into peace with Him, and adopted as His beloved children.
From this place of grace and peace, our calling is to share this good news with others (Matthew 28:18), live for His glory (Isaiah 43:7), and find our deepest satisfaction in knowing Him.
I just sent this to like 3-4 people at our church who are just starting out. So good and so clear. You’ve been such a blessing to the praise and worship community. Thank you!
@@torzsok949 I truly hope they find it helpful. Thank you for taking the time to write this. 😃
Thank you for this!!
Our church has a more traditional - or southern - leaning (even when doing newer songs), so I really struggle digging into the gainier parts and riding on my bridge more. In my personal music or blues rock stuff, I'm on the bridge primarily, but it just seems to clash so much at our church. I'm slowly warming them up to it... just a bit more each service haha. Good informative video, man.
@@guitardweeb I’m glad the info was helpful. You’re in a unique spot, because we always want our playing to complement the vibe of the music. For example, if we didn’t play with big synth tracks, big drums and bass, my approach would have to be modified a touch (less aggression). I’d still use the bridge pickup, but I would make sure to roll of some high end and play a little more reserved.
@@GuitarforHISGlory right. My main goal is to not take away from anyone's worship by sticking out too much.
@@guitardweebLove this!
I was in this position about a year ago. Believe it or not what helped me sneak electric sounds more and more was leaning more on single coils than humbuckers. Really helped me keep the gain levels under control.
@@eliasthury425 yup. I have a Gretsch with P90s that gets heavy rotation.
In the last 10 years I have used a modelor to work with a quiet stage environment. One of the challenges with starting with a clean amp (EOBU) is having a clean that isn't too thin sounding. There is a number of things that can help this, compression, EQ, and the right pickups. Recently I added a ToneX to my rig and the captures I found seem to be much more open and rich with harmonics and that also helped. I ended up with a 65 Fender Deluxe and an AC30 as my two go to amp captures.
@@jackprice7828 I use the same with the ToneX. Great minds!
Little different content but I appreciate it. Great video and great insight/info. Seems like a great induction into the many things you offer on your site. This is great indroduction for any new players in this genre.
Tough to add more to your work plate but a devotion from you once a week maybe would be cool and quite inspiring along with a dose of guitar goodness.
@@markinthemix6055 I would love to do this for everyone. Maybe I’ll have time someday!
Great video. The slideshow thing really works for you. Plus it saves you so much editing you would have if you went with a talking head shot.
@@BillySoundFarm It was fun to do it this way. I hope it was helpful!
This was great! Do you have a video on pedals for worship?
Glad it was helpful. There’s a ton of resources, including ones that cover your question, at GuitarforHISGLORY.com. I invite you to become a member and check them out!
Love the step by step layout. A lot of good information in this! Curious how to get some GFHG shirts or hats? Couldn’t find the links anymore.
Hey there! I handle shirts on Etsy. Here's the link: www.etsy.com/listing/1697353213/guitarforhisglory-t-shirt
Let me know if you have any questions! 😃🤝
Hello bro, peace from Brazil!
Awesome tips. I think I need to work close with my teamates to better know our style tonal range, because we play several different styles in my church. You know brazilian sounds... lol
We usually goes from reggae, bossa and samba to rock and CCM as fast as a blink of an eye. I think I need adapt my tone and board to this kind of situation. If you have some additional tips I highly appreciate 🙏
God bless you bro!
What's your octave settings?
I use a few different ones. Nothing crazy. Add a little low octave, and little high. Adjust as needed.
Examples on the tones you're describing would have been great. Good information though.
@@ALightShiningInDarkness This is just one layer, as you mentioned. The other layers are fully explained and demonstrated in the training videos at GuitarforHISGLORY.com. 🤝🏻
Maybe this is a dumb question, but with 2 different amp models hard-panned L and R, doesn’t this mean the people on the L and R sides of the church will hear more of L and R amps respectively? Maybe that’s okay, but just thinking of getting as consistent a sound everywhere. Also, in your in-ears, you can hear L amp in your L ear and R amp in your R ear, right? Thanks! Love you stuff. The ppt was very nice, I’m visual so it helps seeing your signal chain.
That's not a dumb question at all, and you're exactly right about both aspects of the question you asked. That's why it's not a terrible idea to run the same style amp on both sides. I think we overblow the benefits of running two separate amps; however, the big difference comes in when we are able to stereo pan, which takes the entire stereo signal (L and R) and tilts it toward the left or right side of the mix, so the net effects is that the ENTIRE stereo signal is being panned. Just have to make sure everything is in phase.
You didn’t mention mix level for delay and reverb. I’m assuming that for subtle delay/reverb the mix knob would be below 12 o’clock and for more strident reverb/delay, the mix knob would be in the 1 to 3 o’clock range? Great content!
@@duanebutler8484 There’s deeper dive videos on reverb and delay settings in the training videos at GuitarforHISGLORY.com. I hesitate to be specific about knob placement, as each delay is different. It’s more about what it sounds like than where the knob is. 👍🏻
Did I understand correctly that you place modulation after delay and reverb? I'll have to try that. Everything I've seen put any modulation between drives and delay/reverb. Obviously, there is not a "wrong" order if it works for you, I just wanted to clarify that I am following you correctly. Thanks!
I like modulation after, because the reverb doesn’t wash out the modulation as much. You’re totally right about there not being a “wrong approach.” That’s what has worked for me, so I’ve just stuck with it. 😃
@@GuitarforHISGlory thanks or the feedback!
Are all your mod pedals stereo?
@@daviddisharoon I run the Julia mono, but everything else is stereo.
@@GuitarforHISGlory so you run delay and verb mono, into mono chorus, and then into stereo mode pedals out? Am I understanding that correctly?
I feel like the bridge pickup on my Silver sky SE is too bright, even on my Strat. I dislike using it and I mainly have to stick to the neck pickup. Any tips on how to fix the bridge brightness?
@@JMartinDA Use the tone knob on your guitar, my bro!
@@JMartinDA Just a quick reminder from the video-when setting up your rig, it’s really helpful to EQ everything, starting from the amp, specifically with the bridge pickup in mind. This should help you get the best possible sound. Let me know if you need any further clarification. 😃