"A series of unfortunate events" you have NO idea. If there ever was a sentence to explain the lore of LobCorp and Library and Limbus, that's definitely it
@@neptunia_counseling8419 when I saw Philip's very first EGO, I thought that he could become a hero or at least find a fitting end... How disappointed I am.
@@neptunia_counseling8419 we see what happens to those who are too altruistic when finn enters the library. The closest thing the city has to a hero are people like the red mist but even they aren't heroes in the conventional sense.
"It sounds like it's either protagonist or villain..." Project Moon: THERE'S A DIFFERENCE?! Kinda dark is an understatement. Protagonist of the first game in the series is a mad scientist that started what amount to a world war, participated in human experimentation, basically created humanoid abominations from people and abused an AI he made in the image of the dead lover whose brain stem he used for his projects. Protagonists of the second game is said abused AI turned callous and homicidal, responsible for 4 days of people turning into monsters and rampaging, and a washed-up fixer who went on a grief-stricken rampage after he lost his wife, which resulted in the death of dozens. This one's for Limbus Company, the third game in the series, and the fact that the playable characters are all known as 'Sinners' is very telling.
''dozens'' is an understatement, Roland killed minimum hundreds and likely thousands during just his rampage, and throughout his life tens of thousands. Ayin likely has the highest indirect kill count, but Roland has the highest direct count.
the lines "If you wanted me to X" are connected with the next time they say "Why X"? If you wanted me to speak - Why’d you make my voice stutter? If you wanted me to think - Why do truths never matter? If you wanted me to carry on our dreams - Why’d you curse me with “you’re a natural born genius”? If you wanted me to live - Why do deaths end my torture? If you want me to forgive - Why can’t anyone feel my hurt? If you want us to pretend like we’re civilized human - Why’d you crown the most violent to be champions?
you really need this sort of information to fully enjoy the song also this was mentioned in an interview but i forgot which is which but one is singing in the past and the other the future so the different colored subtitles are from different times.
If you want some context, this song was used for the trailer of Limbus Company, which is an upcoming mobile game created by Project Moon. The “hell” is open to interpretation, but is most likely a reference to the setting of the game, where people live in a divided world that relies on technology powered by human suffering and sacrifice. A cycle of violence and cruelty is repeated, and the protagonist’s attempts to end it in previous games (Lobotomy Corporation and Library Of Ruina) result only in contributing it. Thank you for reacting to the MV!
This is made from the same people who made String Theocracy this is not a anime but a new game coming out this December the game is also made from the same people who made the game which string Theocracy is in which is from Library of runia
This is the opening theme for Limbus Company, the newest chapter in the current trilogy of Project Moon. Chronologically you must play: 1. Lobotomy Corporation 2. Library of Ruina 3. Limbus Company.
parts of the song link up, like in the last couple of lines "if you wanted me to live" matches with the later "why does death end my torment" and its a zig zag of matching lines and its beautiful when you understand
Some of these make me laugh. The voice "confusion" part u said at the end is actually the "identity" the Sinner has to wear to fight. "Identity" is them, but in another reality. Milli always cares and does research about the theme and the moral of the work she makes, so small things like this really make the song extraordinary. P/s: and why does people keep making comments on the image? It is just a placeholder for me. Many reactions do this and I cannot understand why.
@@silverlock373 Project Moon makes some awesome stuff, I don't care about the gacha in this case, I know the company and I KNOW they'll do it well and fairly, given what we've seen so far it'll play like no gacha before or after (I play the Neir game as it's A BANGER and works really well)
@@Sintarzus You'll never know when a company suddenly gets greedy. That being said, Project Moon has a really great track record and if there is one upcoming gacha game that checks all the boxes then it's this one. I can also recommend their other games set in the same city which are Lobotomy Corporation and its sequel Library of Ruina. They are both great games though the difficulty spikes can be vertical at times.
Knowing nothing about the way limbus is going to work, the idea of it being a gacha is morbidly hilarious to me. Unless they're going to make it a bunch of originals, pulling for any of the established characters/abnos feels absolutely ridiculous.
@@iambadverybad8524 Ok do you want to correct what I got wrong or you just want to point out that my analysis was wrong, cus I couldnt care less about something I cant change
@@QofyReacts Well, if they're not going to do it, I will. The Forbidden fruit is knowledge. The setting of the games is extremely technologically advanced, but society and morality has broken down to the extreme. It's actually straight out comical how dark the setting of LobCorp/Ruina/Limbus is. And the setting's supernaturally incredible technology's inner workings is kept secret for that entire reason. The focus person has eaten the 'forbidden fruit of knowledge' and has gained understanding of the truth of the setting. The entire song is based on their rage and sorrow at this. Thus 'In hell we live'. One of these, T Corp/Timecorp, is time manipulation. Which is the knowledge, and the suffering they've acquired. And how that knowledge, and the endless looping of time, has beaten the empathy out of them and turned them into the very thing they hated initially. This is where the first chorus begins and the voices split. Much like String Theocracy, this is two versions of the same person, past and present self overlapping through the song. Their talents and traits, good and bad, brought them to this terrible point. The next section is a bit hard to parse without Limbus being out, but can easily be read as them having engaged in the violence of the setting in order to escape it, only to learn the very place they were escaping to was worse. The City in the setting is divided into two district types, Nests, and Backstreets. Nests being controlled by the major corporations with the misery powered technology, and the backstreets being total societal collapse. In escaping that hell of violence... they just escaped to a place not so different from where they were trying to escape from.... And that that very place was even worse. The rant on life is a rejection of that prepackaged, predestined life of being a cog in a machine of suffering. "Lament, if you wanted me to live, if you want me to forgive, if you want us to pretend like we're civilized humans" is a hate rant against the setting and its rules as laid down by the city's ruling body. Two important lines in this section are "The ego fending me" and "Why'd you crown the most violent to be champions". The former refers to a specific type of setting-breaking superpower that people can unlock for themselves by being pushed to the brink, and in the words of a character from Ruina 'Make a choice that no person of the City could ever make'. Notably, as you've heard Iron Lotus, that very event is what triggers the theme, as the character that theme is attached to does something nobody in the setting would be expected to do. The latter is a truth of the setting. Anything capable of slaughter and destruction on a horrifying scale gets called a "Star of the City", a champion of it in other words. The entire song is one rage rant against the setting of the Project Moon games, from someone who has finally gained the ability to see the forest for the trees. And is forced to live it eternally.
@@QofyReacts Honestly do listen the dude. The beauty in music is that you can interpret it in your own way. This is the case in a alot of Mili songs where it makes sense if you connect it witht he games but fans can still connect it in other ways. There is no right or false its just your own opinion.
Check out all reactions 😊 :
Mili : ruclips.net/p/PLBxxPN1NmvZovJjr1V6Ii7ijv-uBMu0pI
Anime : ruclips.net/p/PLBxxPN1NmvZqSgqVdQgNQKwS1KLuWvWAA
"A series of unfortunate events" you have NO idea. If there ever was a sentence to explain the lore of LobCorp and Library and Limbus, that's definitely it
"Unfortunate" haha that's the whole city. Its one big tragedy where the word "Hero" doesn't exist
@@neptunia_counseling8419 when I saw Philip's very first EGO, I thought that he could become a hero or at least find a fitting end... How disappointed I am.
@@ideiran2818 this is the City don't expect heros that easily. Pm don't make conventional storys.
@@neptunia_counseling8419 we see what happens to those who are too altruistic when finn enters the library. The closest thing the city has to a hero are people like the red mist but even they aren't heroes in the conventional sense.
@@kindred6453 The Red mist is the closest yes
"It sounds like it's either protagonist or villain..."
Project Moon: THERE'S A DIFFERENCE?!
Kinda dark is an understatement.
Protagonist of the first game in the series is a mad scientist that started what amount to a world war, participated in human experimentation, basically created humanoid abominations from people and abused an AI he made in the image of the dead lover whose brain stem he used for his projects.
Protagonists of the second game is said abused AI turned callous and homicidal, responsible for 4 days of people turning into monsters and rampaging, and a washed-up fixer who went on a grief-stricken rampage after he lost his wife, which resulted in the death of dozens.
This one's for Limbus Company, the third game in the series, and the fact that the playable characters are all known as 'Sinners' is very telling.
Death of dozens is an understatement when the dude went after a whole syndicate
Project Moon teaches the real villain was the society we made along the way 🙂
Limbus is a clockhead, vroom vroom, Danteeeh, and 12 lunatics
''dozens'' is an understatement, Roland killed minimum hundreds and likely thousands during just his rampage, and throughout his life tens of thousands. Ayin likely has the highest indirect kill count, but Roland has the highest direct count.
and mf is a clock 💀
the lines "If you wanted me to X" are connected with the next time they say "Why X"?
If you wanted me to speak - Why’d you make my voice stutter?
If you wanted me to think - Why do truths never matter?
If you wanted me to carry on our dreams - Why’d you curse me with “you’re a natural born genius”?
If you wanted me to live - Why do deaths end my torture?
If you want me to forgive - Why can’t anyone feel my hurt?
If you want us to pretend like we’re civilized human - Why’d you crown the most violent to be champions?
you really need this sort of information to fully enjoy the song
also this was mentioned in an interview but i forgot which is which but one is singing in the past and the other the future so the different colored subtitles are from different times.
@@ihatemylife3509 Milli part is past. Myth&Roid is future. Apparently.
Each of those quotes are also connected to a sinner too ^^
If you want some context, this song was used for the trailer of Limbus Company, which is an upcoming mobile game created by Project Moon.
The “hell” is open to interpretation, but is most likely a reference to the setting of the game, where people live in a divided world that relies on technology powered by human suffering and sacrifice. A cycle of violence and cruelty is repeated, and the protagonist’s attempts to end it in previous games (Lobotomy Corporation and Library Of Ruina) result only in contributing it.
Thank you for reacting to the MV!
To be FAIR, if Angela didn't take the light the very first time, EGO would've eroded the cycle until it shattered.
2:25 Well it's a Project Moon Game so the hero is probably a villain and the actual villains are absolute psychos
This is made from the same people who made String Theocracy this is not a anime but a new game coming out this December the game is also made from the same people who made the game which string Theocracy is in which is from Library of runia
Yes, String Theocracy is part of the To Kill a Living Book album by Mili for the game Library of Ruina.
It's so weird seeing people make that connection before other one.
This is the opening theme for Limbus Company, the newest chapter in the current trilogy of Project Moon.
Chronologically you must play:
1. Lobotomy Corporation
2. Library of Ruina
3. Limbus Company.
Dang know I am a huge fan of the games and I sound like I have never played them before in this comment lol
parts of the song link up, like in the last couple of lines "if you wanted me to live" matches with the later "why does death end my torment" and its a zig zag of matching lines and its beautiful when you understand
It's not an anime, it's a game that has yet to come out called "limbus company"
Between two worlds by Mili !
Some of these make me laugh. The voice "confusion" part u said at the end is actually the "identity" the Sinner has to wear to fight. "Identity" is them, but in another reality.
Milli always cares and does research about the theme and the moral of the work she makes, so small things like this really make the song extraordinary.
P/s: and why does people keep making comments on the image? It is just a placeholder for me. Many reactions do this and I cannot understand why.
Ok, now Between two worlds by Mili :”)))
This song is really beautiful and dark as hxxl, especially if you could see it cross over the metaphor to ironic side.
Очень нежный, очень молодой....благодарю. успехов🌹🌹🌹
🎶😊🎵
my man im affraid its no anime, its something far worse...its a gacha game
Project moon is amazing.. I don't care if I have to play a gacha game
@@silverlock373 Project Moon makes some awesome stuff, I don't care about the gacha in this case, I know the company and I KNOW they'll do it well and fairly, given what we've seen so far it'll play like no gacha before or after (I play the Neir game as it's A BANGER and works really well)
I hope we will have another gacha like Arknights, with deep lore, gameplay, and good attitude towards f2p.
@@Sintarzus You'll never know when a company suddenly gets greedy. That being said, Project Moon has a really great track record and if there is one upcoming gacha game that checks all the boxes then it's this one. I can also recommend their other games set in the same city which are Lobotomy Corporation and its sequel Library of Ruina. They are both great games though the difficulty spikes can be vertical at times.
Knowing nothing about the way limbus is going to work, the idea of it being a gacha is morbidly hilarious to me. Unless they're going to make it a bunch of originals, pulling for any of the established characters/abnos feels absolutely ridiculous.
i like how you are so wrong in analyzing the lyrics cause you never play the game
Care to correct how wrong my analysis were?
@@QofyReacts You see the lyrics are mostly related to the game story
and the story is nothing close to your analysis
@@iambadverybad8524 Ok do you want to correct what I got wrong or you just want to point out that my analysis was wrong, cus I couldnt care less about something I cant change
@@QofyReacts Well, if they're not going to do it, I will.
The Forbidden fruit is knowledge. The setting of the games is extremely technologically advanced, but society and morality has broken down to the extreme. It's actually straight out comical how dark the setting of LobCorp/Ruina/Limbus is. And the setting's supernaturally incredible technology's inner workings is kept secret for that entire reason. The focus person has eaten the 'forbidden fruit of knowledge' and has gained understanding of the truth of the setting. The entire song is based on their rage and sorrow at this. Thus 'In hell we live'.
One of these, T Corp/Timecorp, is time manipulation. Which is the knowledge, and the suffering they've acquired. And how that knowledge, and the endless looping of time, has beaten the empathy out of them and turned them into the very thing they hated initially. This is where the first chorus begins and the voices split. Much like String Theocracy, this is two versions of the same person, past and present self overlapping through the song. Their talents and traits, good and bad, brought them to this terrible point.
The next section is a bit hard to parse without Limbus being out, but can easily be read as them having engaged in the violence of the setting in order to escape it, only to learn the very place they were escaping to was worse. The City in the setting is divided into two district types, Nests, and Backstreets. Nests being controlled by the major corporations with the misery powered technology, and the backstreets being total societal collapse. In escaping that hell of violence... they just escaped to a place not so different from where they were trying to escape from.... And that that very place was even worse.
The rant on life is a rejection of that prepackaged, predestined life of being a cog in a machine of suffering.
"Lament, if you wanted me to live, if you want me to forgive, if you want us to pretend like we're civilized humans" is a hate rant against the setting and its rules as laid down by the city's ruling body. Two important lines in this section are "The ego fending me" and "Why'd you crown the most violent to be champions". The former refers to a specific type of setting-breaking superpower that people can unlock for themselves by being pushed to the brink, and in the words of a character from Ruina 'Make a choice that no person of the City could ever make'. Notably, as you've heard Iron Lotus, that very event is what triggers the theme, as the character that theme is attached to does something nobody in the setting would be expected to do. The latter is a truth of the setting. Anything capable of slaughter and destruction on a horrifying scale gets called a "Star of the City", a champion of it in other words.
The entire song is one rage rant against the setting of the Project Moon games, from someone who has finally gained the ability to see the forest for the trees. And is forced to live it eternally.
@@QofyReacts Honestly do listen the dude. The beauty in music is that you can interpret it in your own way. This is the case in a alot of Mili songs where it makes sense if you connect it witht he games but fans can still connect it in other ways. There is no right or false its just your own opinion.