Thank you! for finally explaining Rhythm and soloing into one lesson. I have always wondered how this works? Your a star; a crunchy little star!🌟 Thank you for the secret!🤘😁
For acoustic guitar, avoid most of the fret board to play open chords can work because the open chords sound richer than bar chords but not on electric, Jazz or classical guitars. For those guitars, playing only at the top offers no benefit, only limitations.
1-6-2-5-1 When building harmonious chord progressions, follow this road map. 1- can precede any note in the scale. 2- goes to 5 3- goes to 6 4- goes to 1, except for blues style music where 4 also goes to 5 5- goes to 1 6- goes to 2 7- goes to 1 Play the 1 chord. Now play any chord in the scale. From the second chord you play, follow the guide from above. So, for example, play the 1 chord. Now play the 3 chord. 3 goes to 6. 6 goes to 2. 2 goes to 5. 5 goes to 1. Play 1, 3, 6, 2, 5, 1.
@@shunkadee1299 yes. The 7 is a diminished chord. The leading tone of the 7 chord is only a half step below the root which creates such tension that it only resolves to the 1. Play the 7 chord (diminished) and then play any of the other chords in the scale and your ears will show you where it resolves. If you can make it work elsewhere, have at it. I hope that helps
It's very strange when you say that "C, D, E, F" are "the actual names of the notes", because it's actually the other way around lol. Do, Re, Mi Fa, Sol, La, Si ARE the actual name of the notes, and C, D, E are a different notation method. If you go to Brazil or any other latin-language based country (including Italy, where much of the music conventions were established), people will understand the letter notation, but it will be VERY WEIRD to tell someone to play something in the key of C. People ALWAYS tell you to play in the key of Do, which is "the actual name of the note" :)
Fair enough, but I’ve been playing professionally for 20 years and never in my life have I worked with people who didn’t understand what it means to play in the key of “C” lol
@@OnwardAndEdward haha yes, like I said, everyone understands it; but the letter notation is basically only used in written form. It's a notation, not a word. When people mention notes or keys, it's always by their names, not by the notations. Except in English, of course haha
@@wilssantos2 Do, re, mi, etc are not the names of specific notes, they're the names given to the POSITION of notes within a Diatonic scale regardless of key. The notes themselves are called A, B, C etc. with sharps and flats added to make up a 12 note Chromatic scale. I hope you can understand the difference. Nobody ever says "This tune is in the key of Do. "
@@user-dh5bnafe4b like I said, that's how people think in English; in latin-based languages, in which the music conventions were conceived, it's the other way around. So in spoken language we say "this song is in the key of Do bemol" or it's "Re sustenido". NO ONE says "it's C bemol" or "D sustenido". The letter notation is just that, a notation, for written forms.
Man that guitar sounds so good! Love the chord progression and fills!
An awesome lesson, every beginner should watch this and practice it over and over until it sinks in, thanks Eddie you are a great teacher
Yep, ill be watching this one several times. This is #2 today.
I am so glad I found this channel. So clear and concise, it makes it all seem "do-able". Thank you! 😊
Being able to do this is such an important skill. Great lesson.
This should be learned and mastered. Good job Eddie!
What a great lesson. Very helpful. Thanks
Man o man, I mean you're teaching science, and music!!!
Great little lesson!! It makes you think outside of the box 👍🏻
Thank you! for finally explaining Rhythm and soloing into one lesson. I have always wondered how this works? Your a star; a crunchy little star!🌟
Thank you for the secret!🤘😁
Thank you very much for the lesson. It will be a much better exercise than just noodling around minor pentatonic. Cheers from.Indonesia.
Awesome lesson
My favorite instrument thanks Eddie for the teachings
Excellent video, clear and concise. Cheers from Canada.
Thanks! Love that open scale. So useful and fun.
Great lesson combining theory and how to use it while playing music. It makes theory fun and useful. Thanks Eddie
Great video. Thanks so much.
Thank you Eddie...another super lesson....
Thank you for your mentorship!
fantastic video !
Thanks Eddy!
Absolutely awesome ❤
For acoustic guitar, avoid most of the fret board to play open chords can work because the open chords sound richer than bar chords but not on electric, Jazz or classical guitars. For those guitars, playing only at the top offers no benefit, only limitations.
You are very awesome!
I learned the c major scale in the first position, is this just a variation of that? Sorry for the question lol
Yes it is! :)
❤ Love It 🎸 👈 🎥👀🤠🇨🇦
Thank you brother ❤️🔥 God Bless You In Jesus Name! 2:39
1-6-2-5-1
When building harmonious chord progressions, follow this road map.
1- can precede any note in the scale.
2- goes to 5
3- goes to 6
4- goes to 1, except for blues style music where 4 also goes to 5
5- goes to 1
6- goes to 2
7- goes to 1
Play the 1 chord. Now play any chord in the scale. From the second chord you play, follow the guide from above.
So, for example, play the 1 chord.
Now play the 3 chord.
3 goes to 6.
6 goes to 2.
2 goes to 5.
5 goes to 1.
Play 1, 3, 6, 2, 5, 1.
@@MrSDFD18So can you only play 7 after 1 and then have to return to 1 after playing 7?
@@shunkadee1299a diminished chord can pivot you many chords.
@@shunkadee1299 yes. The 7 is a diminished chord. The leading tone of the 7 chord is only a half step below the root which creates such tension that it only resolves to the 1.
Play the 7 chord (diminished) and then play any of the other chords in the scale and your ears will show you where it resolves. If you can make it work elsewhere, have at it.
I hope that helps
@Bubba-zu6yr . Thank you. Can you explain cos this answer seems to conflict with the other reply?
@@MrSDFD18 Thank you 😊
👍🏼👍🏼
Sol si👍
1. Inconsistent Levels. 2. No Contrast 3. Frequent Lack of a Focal Point. 4 . Mixes That Are Noisy. 5 . Mixes That Lack Clarity And Punch.
@@davidbalan6571 not sure what you’re referring to
You in the correct comment section ???
It's very strange when you say that "C, D, E, F" are "the actual names of the notes", because it's actually the other way around lol. Do, Re, Mi Fa, Sol, La, Si ARE the actual name of the notes, and C, D, E are a different notation method. If you go to Brazil or any other latin-language based country (including Italy, where much of the music conventions were established), people will understand the letter notation, but it will be VERY WEIRD to tell someone to play something in the key of C. People ALWAYS tell you to play in the key of Do, which is "the actual name of the note" :)
Fair enough, but I’ve been playing professionally for 20 years and never in my life have I worked with people who didn’t understand what it means to play in the key of “C” lol
@@OnwardAndEdward haha yes, like I said, everyone understands it; but the letter notation is basically only used in written form. It's a notation, not a word. When people mention notes or keys, it's always by their names, not by the notations. Except in English, of course haha
@@wilssantos2 Do, re, mi, etc are not the names of specific notes, they're the names given to the POSITION of notes within a Diatonic scale regardless of key. The notes themselves are called A, B, C etc. with sharps and flats added to make up a 12 note Chromatic scale. I hope you can understand the difference. Nobody ever says "This tune is in the key of Do. "
@@user-dh5bnafe4b like I said, that's how people think in English; in latin-based languages, in which the music conventions were conceived, it's the other way around. So in spoken language we say "this song is in the key of Do bemol" or it's "Re sustenido". NO ONE says "it's C bemol" or "D sustenido". The letter notation is just that, a notation, for written forms.
Music is mathematics