2 Pentatonic Scales you NEED
HTML-код
- Опубликовано: 9 июл 2024
- 🔥 Unlock your FREE Open Studio trial to become a better player today → osjazz.link/trial
Ready to level up your jazz piano? Nothing beats LIVE practice with Peter Martin
📜 FREE PDF to follow along → osjazz.link/bluesPentatonics
🎶 PDF & play-along for Open Studio members → osjazz.link/playAlong
ABOUT OPEN STUDIO
------------------------------------------------------------------------------------------------------------------------------------------------------------
As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.
Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you’re a total beginner, or an advanced pro-level improvisor.
Try OS Membership today! → osjazz.link/about 
Видеоклипы
I'm from Swanquarter NC I'm 70 still playing soul,blues, rock , a little Jazz. With my band The Mighty Saints of Soul
Another great lesson. Clear audio and keyboard pics so we can see the shapes you're playing. No PDF notes needed, just follow along is all the fun I need. Got challenging at the end, but if I get over halfway, that feels like success to me! Thanks Peter!
I've loved jazz for over 60 years as a listener-who-understood-nothing. (and as a wannabe musician) I never came across such a clear tutorial before. Thank you very much.
This is the PERFECT lesson for ME at this time in my development. Practical Tools, useful and fun. For My own toolbox, taught at a normal pace. I enjoyed not having to wait for the talented teacher to over explain every finger until the video becomes too painful to endure. (Sorry ). But you’re in a natural groovy pace that I found in sync with my brain. It made it more fun to play follow the leader using the most basic and important notes. Singing the lines making sure you can sing before you play..Pure gold right there. Lots of gems in this video. I came for the piano lesson, piano lesson, which was great, and as a guitarist, singer, songwriter etc these ideas transfer like it was meant to be. Easy and fun and useful. Thank you, now exuse me please, I’m gonna play along with this video again 35x in a row. See ya on the other side 👍
Starting on the 5th. Bingo! You just opened a whole new window, Peter. Thank you.
Another wonderful lesson, thanks a lot Peter!!
Brilliant Peter. Right on the button. Congratulations to all the team..
This channel puts out gems ,always!!!
This is the real deal.
Thx so much.
Thank you for your teachings; you are great
New York City here (thanks for visiting couple of months ago!)
Appreciate Open Studio so much!
man i love your videos and playing! tysm!
Awesome, as always!!
Plus 1 on the gospel piano course!
Actually plus 20!
Make that 21
Loved the lesson and the material posted! Many thanks and greetings from Montevideo, Uruguay!
As player for 45 years who learned this sound from some old Chicago blues cats I think of this a little differently and it broadens the use away from a set 5 note pentatonic.
The “major blue note” is the minor third, a passing tone used in conjunction with the major third. Added to a major pentatonic created the major blues scale. Key is that it is passing tone up to major third or down from major third.
The “minor blue note” is what most refer to as the “blue note”, flat 5. added to a minor pentatonic creates the minor blues scale. But key is that it is passing tone up to 5th or down to 4th.
These two notes played over a Dom7 will give either a major or minor bluesy feel. In this lesson what are two “pentatonic” scales can also be seen as Major 6 arpeggio and a Dominant 7 arpeggio with the added “major blue note” passing tone. Again this is the minor 3rd -> major 3rd.
Whatever else is played, that passing sounded is one of the key sounds to the blues.
Only stipulation is this is all for playing over dominant 7. If playing over Minor 7 chord you avoid the major 3rd of course.
Great lesson
So happy to have found your tutorial tonight! I’m classically trained and have studied some Jazz improv.
Excellent shedding of Da Blues
😊Great stuff. Much Appreciated from South Africa
London, UK. Thanks Peter!
Drummer here watching from Danmark. Loving your stuff.
Sitting here on a small yacht on the island of Porto Santo Portugal. Not too far from Morocco and en route to the Canary Islands!
I'm Per from Copenhagen Denmark, and you have taught me a lot allready... ;-)
Tampa Fl enjoying your playing. Great music to complete the inevitable drudgery of paperwork. I'd rather be playing along.
merci.
In my books, these are not pentatonics per se, you use them as such and that's great.
Including the appoggiatura as a distinctive note transforms this melodic movement in a five note scale, indeed.
Still the ear knows that it is an appoggiatura trying to nicely lure you away from the major third, while preparing the fourth degree (7th). It's also the b13 on the dominant (triton).
Simply put, It's a tension.
However, technically it's a lot simplier, it's just the notes of F6 with an appoggiatura on the third on which you insist, with a melodic start on the fifth.
On the fourth degree it's just the notes of Bb7 with an appoggiatura on the third on which you insist, with a melodic start on the fifth.
If someone as another explanation please comment I'll be happy to have another insight on this.
- First "pentatonic" at 12'00''. In F it's F G# A C D F (G# or Ab depending on the context)
- Second "pentatonic" at 18'45". Played on the fourth degree: Bb C# D F Ab (the on;ly difference with the first "pentatonic" is the dominant 7, Ab, instead of the sixth, G)
By the way, you talk too much. This video could have been less than 1 mn, demo included. Anyways, I had to think it through, so thank you.
Beautiful Rotorua, New Zealand
I'm in Aalborg Denmark you do it very well Peter
Genious Peter
Is there live jazz there?
Neat!
I'm a bass player but this might be the best lesson I've ever had ...
Florida
Milan, Italy ✌️🎺
Lagos, Nigeria
Chicago
Middle England!
Hello from Tel aviv
Eugene, Oregon.
Switzerland, Europe !
Melvin from Salisbury/ Charlotte NC
Udine, Italy
Zurich, Switzerland
Vancouver BC
Jacksonville, OR. It’s triple digits for several days.
I am in Eugene. Very hot here too.
@@kevinhornbuckle thank God we’ve got our keyboards!
Oakland, CA
Minneapolis, MN
how does it work if we reharm the dominant 7th chords ? if we replace them with tritone subs or some other reharm. do we need to do something different ? thanks
Annapolis Royal, Nova Scotia!
Blackpool Uk
Dave. Ibiza Spain.
Orlando
Norway Oslo
On the bus in Chicago. And, I’m a reed player, with only some elementary knowledge of piano voicings.
bro do they announce these lives? I always miss them somehow
Kraków, Poland
Margine, Romania
Ajijic Mexico
Piano guy from Hood River, Oregon
Ann Arbor checking in
Karlsruhe, Germany
Bangkok Thailand
Do you start that Fblues with your index finger?
😁
Peter: This is Joe from Nawlins. Wah ya at?
England.
The real lesson here is the left hand bass 😁
If i run up and down stairs really quickly, can I call that 'dancing' ?
Hello from Israel
Barthelona in da houth
I noticed something - I feel like your teaching style moves fast enough that a beginner might have a hard time keeping up with you (without the PDF, at least) - but you're teaching relatively rudimentary concepts (like a pentatonic scale variation), that someone, if they were at a musical level to be able to follow along at the pace you teach, would likely already know about in some capacity. I think it's useful for someone like me who feels as though they have a good grasp on ear, theory, and playing but wishes to change their vocabulary - but I feel like it will be relatively inaccessible to people who take a little bit longer to hear things out or be able to "assume" some of the things us musicians typically learn to just "know." Am I explaining this well? Not sure. Something I noticed... This goes for some of the podcast episodes too. I don't want you to spoonfeed us though - maybe my demographic of musical level is the one you're looking to reach. Thanks - regardless, all of Open Studio's videos have been more than inspiring and helpful in my journey!
Actually for me it is very good because I can follow pretty easily since I am a musician, but not very familiar with jazz, so I'm very thankful he is not explaining and waiting for every single detail a beginner might need, this can be unbearable over a long time
Welcome to jazz. 🎉
I agree. Some teachers show how good they are, others help students.
He shows how well he's understood this or that, as if taking an exam and demonstrating how well he's mastered the concepts and techniques. It's good for self-esteem, but not very useful for students.
That’s a bit harsh when he has a pdf this time.
Watching from Jeffrey's bay South Africa
Away from my piano thats im my tiny cabin on the north west coast of oregon
Love your channel
Totally agree with last post - one quick but short layout of scales / chords a bit slower for this old stoner would make mental absorption easier
Love what you guys are putting out here🙏
I’M confused one minute your saying use pentatonics, then you say you don’t need pentatonics and these vids are two days apart.🤯
You put a pdf out there, but I can’t print it. WHY NOT????
it sends a link to a pdf embedded in the webpage. First you have to open the pdf in your pdf viewer (right click it or something), then it can be printed.
Cant handle the level of adverts anymore. Great content, but EVERY 3 minutes, 2 adverts? Just too much
I don't know if this is a lesson or just showing off his skills