Gah! You people, she could be singing polish for all I care! This is glorious singing! And even then, though imperfect, I can still understand her french.
The language is unimportant, it is the BEAUTY of TONE THAT IS IMPORTANT because it is NON-EXISTENT in the world of opera today where howling, hooty, forced bellowing have replaced the FEMALE VOICE.
As a non-composer (but a roman philologist) I must admit that her French is slightly influenced by her natural accent. Yet it is not a bad French; Polish people, having for their mother language a very difficult one, learn foreign languages relatively easily. Anyway, I find this recording the closest to perfection that had been reached by Victoria de Los Angeles. After all, isn't the human voice yet another instrument for a classical music? If so, I believe that Bogna Sokorska made it.
I don't know if I could blame it on her being Polish. As a composer, I (and others should) realize that when using pitchest outside the standard chorale range (which is REALLY narrow in comparison to most professional ranges) one should expect vowels to HAVE to be changed to reach clarity of tone.
Gah! You people, she could be singing polish for all I care! This is glorious singing! And even then, though imperfect, I can still understand her french.
Genius!! I am crying for she performance!
Si, realmente maravilloso!!!
extra pani Bogno:) szkoda, ze juz nie ma pani wsrod nas, ale mozna byc dumnym z takiej Polki:)
What a nice voice !!
Цудоўны!
I've finally found another version other than Natalie Dessay's that I love :') this is beautiful
her french is just typically Polish. That's how we speak FRENCH :-)
She was great singer in Poland
+brawo Ariel Woy dzwięk super !!!!! Wykonawczyni moja ulubiona
Perfect.
l am sure she has been, very fresh voice and good looking woman
Don't be hurt ed if l has sung in Polish, surely l had sung quite badly.
The language is unimportant, it is the BEAUTY of TONE THAT IS IMPORTANT because it is NON-EXISTENT in the world of opera today where howling, hooty, forced bellowing have replaced the FEMALE VOICE.
As a non-composer (but a roman philologist) I must admit that her French
is slightly influenced by her natural accent. Yet it is not a bad French;
Polish people, having for their mother language a very difficult one, learn foreign languages relatively easily. Anyway, I find this recording the closest to perfection that had been reached by Victoria de Los Angeles.
After all, isn't the human voice yet another instrument for a classical music?
If so, I believe that Bogna Sokorska made it.
Tak wypowiedzieć się może tylko wdzięczny miłośnik klasyki.
I don't know if I could blame it on her being Polish. As a composer, I (and others should) realize that when using pitchest outside the standard chorale range (which is REALLY narrow in comparison to most professional ranges) one should expect vowels to HAVE to be changed to reach clarity of tone.
2:39 g6
The language is unimportant, it is the BEAUTY of TONE THAT IS IMPORTANT because it is NON-EXISTENT in the world of opera today.
voice is nice , but her French is not always correct. Sorry she could be a great singer.
Maybe because she is non french but polish? :) she is perfect. What an ignorance.