Danke - This is exactly how concise and useful a jazz guitar lesson should be!! I have a bought a couple of your lesson because they're so directly applicable. There are some good players, but teaching is a rare gift. I have watched great musicians, famous guys teach badly very often. Crazy world!
Thanks so much for your kind words. I graduaded in jazz guitar pedagogy and was always made my own teaching concepts. It's basically about putting myself in the student's shoes. Some teachers forget how it felt when they started out. But also there's that limited time you have in videos. I know, that nobody watches a 60 minutes video. So I need to pack everything into 20 minutes. Not always easy.
Excellent theory explanation. You are definitely an exceptional teacher Sandra. I greatly appreciate your hard work and your great disposition to explain everything in a very clear manner.
Thanks so much for clearing up the mystery of the diminished arpeggio. I've used diminished chords, but always was afraid to use a diminished arpeggio for fear I'd place it wrong. Now I know the formula where to use them in relation to other chords.
Hi Sandra, Thanks so much for answering, I really apprecaite it! Everything is good now, and I've started on your Diminshed Arpeggio lesson and have downloaded the PDF! Hopefully have everything figured out now. Thanks so much for your patience , I'm kind of new to navigating these channels but it looks like I've go it all going now, so thanks for helping me through this.. Thanks, Allen
WOW.....I LOVE the Howard Roberts Fusion guitar. I remember when that guitar came out but have not seen anyone playing that guitar in 30 plus years. You rock Sandra. Or I should say you jazz Sandra😎
You are the best teacher in youtube, thanks for all your videos i really learned a lot. With you jazz music is so clear and esay to undestand. Grazie mille dall’italia!
I have a flu virus ,i watched you again ,had a delirious dream about pulling chords apart and putting them back together subbing them watching them evolve into new chords ,it was a surreal exhausting sleep ,me and my beautiful friend the diminished will be sleeping together again tonight,thank you for all the hours of hard work you have put in to get to a point you can help educate ,excite and enlighten others,love from NZ
I love the sound of the diminished triad when going from a I chord to a ii chord. Play the diminished arpeggio a half step above the root of the I chord.
@@GuitarversumSandraSherman I am not happy with your explanation but perhaps it is because I am missing something in my general understanding of music theory and cadences. Here’s why I am not happy with your explanation. The V of the next chord doesn’t always sound good. For example if you wanted a transition chord between the ii and V of a ii-V-I. A II7 is the V of the V but sounds awful. More concretely if you wanted to transition from a Dm7 to G7 a D7, which is the V relative to the G7, sounds awful (to me) as a transition chord. If I am missing something please help. Every new thing I learn is a gold mine to me. Thanks for your fantastic videos!
Well, first of, that depends on Eldar you like our not. But a V can always resolve to its I chord. It will always have that tendency and that's why it's usually pleasing to the ear. There's plenty of jazz standards that have : Dm7 - D7 - G7 - Cmaj7. About the example with the C#dim chord, the A7b9 INCLUDES the C#dim chord. So there's no, I don't like it here. If you like C to C#dim to Dm7, you do like C to A7b9 to Dm7, because it's the same thing 😉. I just explained you, why it works so well.
@@GuitarversumSandraSherman I like both the A7b9 and C#dim. I especially like them as melodic improvisational material when play a Cmaj7 to Dm7. We are in total agreement there. What I don’t like is the Dm7 D7 G7 as melodic improvisational material. But who knows, maybe you can convince me. So often the difference between something sound good and bad depends upon emphasis. Could be a great topic for a video! You make the best. In general I am presently very interested in discovering all sorts of transition chords that can be used to build melodic ideas around. I like just getting them in my ear and calling upon that sound when my mood takes me there. Perhaps you could do a video on all sorts of transition chords in various progressions. That would be soooo cool.
Sandra you have wonderful way of simplifying and presenting a full musical subject. Thank you. It took 10 months to get around to practicing it. Victoria Canada.
Try to practice by moving each position horizontaly, transposing through the cycle of fourths. Once you have all positions worked out horizontally, you can practice vertically, which means stay in an area and change the key. This will give you a new pattern each time you're changing the key. Best practice ever.
@@GuitarversumSandraSherman I will do that, I have been playing since the year 1980, many years playing classical, a few years of flamenco, more recently bossa nova, all fingerpicking styles. I will work on the hybrid picking soon.
I am so grateful to learn all the theory behind stuff I've been playing for years and also learning sooo much new stuff. I thank you, again and again Ms Sherman. 🎸
Way to go Sandra. Keep up the good work. Just downloaded Girl from Ipanema and Sunny. Anywhere I'm from Singapore. Very new to this genre. All this while have been playing Rock music. Now I've found . Thank you.
Thank you for this great lesson! Please more concept videos. Not that I don't like the song videos, but I need more concepts to work with. This is one of them and you've outdone yourself!
Guitarversum Sandra Sherman I did see your previous lesson. Great! ....I use dim arps over dominant 7, m7b5 and of course 7b9 chords. I already had a few licks but your lesson is opening many other possibilities for me. Thanks. Feel free to check out my RUclips channel too!!!! 😂
thank you for this course...great lesson ! It's coming together now! I have been playing these diminished licks in blues/jazz ... taking streaming lessons from big musicians (such as Robben Ford) but the way you explained, makes it prefect clear. Thank you!
You are a gemius mkusical teacher. So clear!!1 So wonderful explanation'. Simply unforgetable. I bought your solo from autumn leaves. i can play it fine and accurate. i know all of the arpeggios and scales very well but there is no way i can be so creative melodically and rhytmically like you. and i can not improvise on the fly, but only playing eight notes for all the piece!!!
Oh, thank you so much for this wonderful compliment! ❤️ Playing only 8th notes in the beginning is perfectly fine. It keeps you from cheating. It is actually a great exercise and I did that for the first year in the conservatory only. Later you can learn how to omit notes and phrase correctly. Btw, I have a lesson on phrasing up here on YT! Keep swingin, my friend!
Thank you very much and greetings from Ukraine! Diminished arpeggios are great in your explaining and by the way they are so much typical in gypsy jazz! Django Reinhardt did greatest diminished runs, and his best legacy today - Bireli Lagrene, Stochelo Rosenberg, Angelo Debarre, Yorgui Loeffler, Frank Vignola...
I love the 7b9 concept opens up a lot of doors, you can also move back one semi tone from the root of the parent key of the five chord to find the diminished arpeggio just another way to find it
That would give you the 3rd of the 7b9 chord. Never looked at it that way. I always say, however you memorize things is up to you. But you got to have some kind of reference to either the chord or the root, in order to move it around the neck to other keys.
Hi Sandra. This was a great lesson. Thank you! On a possibly related topic: Robben Ford talks about the half-whole diminished scale and how he uses it in blues, but I never was quite able to follow his explanation of it (he's maybe a better player than teacher?). Would you consider taking a shot at it?
Nice lesson, thanks :-). But.. as the diminshed arpegio is based on chord tones, why can I only play it when resolving ? I can't play it on a I=> V at the very end of a blues turnaround ?
Sure you can play it at the end of a Blues turnaroubd, bc it resolves back to the I chord 😊. The reason it needs to resolve is, you build up tension, which needs to be resolved. Sound funny if you leave the tension unresolved.
@@pedro6832 I already tried arranging it chord melody style, but gave up. I think I should try again when I have more time. Some things are hard to arrange, but worth the effort. This song is one of them.
I'm a little confused. is the dim chord you're playing actually a dim 7? The 7th is double flatted, turning it into an F for Abdim7. In the Ab half diminished chord, the 7th is F# (single flatted). Am I wrong? And I've read the chords to solo over the G7b9 is the half diminished arpeggio.
That's all wrong. If you use a ø chord, it makes it a G9, not b9. The (fully) dim chord majes it a G7b9. There is no f# in it. But you can purchase the lesson to clarify things. The link is in the info box below the video.
Thanks so much! Yes sure, that's a good topic. I prefer to call it mixo(lydian) #11, bc the scale is played over dominant chords, while lydian implies a major chord. Thanks for the suggestion. I'll pick it up!
Hi sandra thanks for this great lesson. Would you be able to do a lesson on Four miles davis? Im working on this tune for class mixed instruments and always good to get a guitar perspective, thank you muchly!
Bonjour, Malgré que je ne comprends pas votre langue, j'aime beaucoup vos vidéos. Pourriez-vous me dire quelle marque de cordes vous utilisez, et quel tirant. Merci beaucoup. Gérard Hello Although I do not understand your language, I really like your videos Could you tell me which brand of ropes you are using and which tie thank you so much Gerard
Merci Gerard, I don't know what "ropes and ties" are. I think the translator software spit out something funny, lol. Maybe you mean strings? I use Thomastik Bebop 12 strings. Looky, I have a video up where I show my equipment and give gear advice. It's called "Jazz Guitar Gear Recommendations and amp settings": ruclips.net/video/-6Tylw4gf0E/видео.html Enjoy the jazz ride!
@@GuitarversumSandraSherman I have 15 and understood perfectly Sandra. Age has nothing to do with understanding ...it is the PROFESSOR the responsible.You are GREAT.
That's the way scale and chord diagrams are. Sorry you find it confusing. I can't change it, or 99% of people who are familiar with the regular layout of scale diagrams will hate me, lol. I'm afraid you will have to get used to it 😉
Ahhh, penny drops. You just gave me that light bulb moment. Feeling unblocked ... well on this topic anyway. Actually, I could hear in the chord comparisons that you could almost make a chord melody progression of each dim chord note squeezed in there towards the resolve if you get time, do you think? Could be interesting. Just a thought. Maybe I'm totally way off base. I enjoy lessons like this. Thank you.
It can be confusing in the beginning. But it's really logical, if you write down the chord tones of a 7b9 chord and the ones of a diminished chord, starting from one of the chord tones from the alt chord and compare them.
@@GuitarversumSandraSherman thanks for your response. As I said, I just need to buy this lesson to get it on paper to fully digest the process. Plus, buying it continues to support you and your videos. 👍😊🎸
@@GuitarversumSandraSherman apparently, I liked the lesson so much that I bought it twice. I got confused by the RUclips title "diminished arpeggios over dominant chords vs over altered chords.". No harm no foul, I'm starting to understand it now that I can see it on paper. 👍👍👍
Wonderful breakdown, I have been chasing this theory all over the Internet, this is the only site that has presented this particular connection/hack. YES...!
That's your email client settings. The link is defiately clickable. If you can't even copy and paste it, that`s your emailo programm (or provider) restricing it. Please mark the email as NON-SPAM and activate links in the settings. If you continue to have problems with the download, please email me via the contact form in the shop.
Thanks, Robert ❤️. There is no story really. I just studied jazz guitar and guitar instruction at the conservatory, here in Vienna, like a lot of people, male and female. That's it.
So that's the secret...I've often wondered about the relations between those two chords. Is the diminished scale the scale that belongs to the diminished chord?
I'm afraid, but you'll have to get used to the way the diagrams are, bc that's how they always are. That's not my invention, but a standard. Sometimes they are turned 90 degrees which is really confusing, bc the fretboard is always held horizontally, not vertically. Good luck, my friend and keep swinging 😊
1:05 When To Alter Chords
2:22 Diminished Chords Theory
6:52 Diminished Arpeggios - Hands On -
10:42 Line 1
14:36 Line 2
15:50 Line 3
18:40 Line 4
For You to be teaching in a language that’s not Your Mother tongue and able to explain as clearly as You do is simply amazing . Thank You so much .
Wow, thank you! That means a lot to me ❤️. Glad you find my tutorials helpful. Keep swinging 🎸 🎶
Danke - This is exactly how concise and useful a jazz guitar lesson should be!! I have a bought a couple of your lesson because they're so directly applicable. There are some good players, but teaching is a rare gift. I have watched great musicians, famous guys teach badly very often. Crazy world!
Thanks so much for your kind words. I graduaded in jazz guitar pedagogy and was always made my own teaching concepts. It's basically about putting myself in the student's shoes. Some teachers forget how it felt when they started out. But also there's that limited time you have in videos. I know, that nobody watches a 60 minutes video. So I need to pack everything into 20 minutes. Not always easy.
Excellent theory explanation. You are definitely an exceptional teacher Sandra.
I greatly appreciate your hard work and your great disposition to explain everything in a very clear manner.
Grrrreetings from my short vaccation, my diligent jazz bee 🐝
@@GuitarversumSandraSherman Enjoy your very well deserved vacation Sandra!
Have a great time!
Thanks so much for clearing up the mystery of the diminished arpeggio. I've used diminished chords, but always was afraid to use a diminished arpeggio for fear I'd place it wrong. Now I know the formula where to use them in relation to other chords.
Glad it was helpful!
Master Class! So much to absorb. Have to work on this one. Danke Sandra!
So happy to see you enjoy all the tutorials so much.
Love the way you teach. Great great stuff
I appreciate that! Thank you! ❤️
Hi Sandra,
Thanks so much for answering, I really apprecaite it!
Everything is good now, and I've started on your Diminshed Arpeggio lesson and have downloaded the
PDF! Hopefully have everything figured out now. Thanks so much for your patience , I'm kind of new to
navigating these channels but it looks like I've go it all going now, so thanks for helping me through this..
Thanks,
Allen
WOW.....I LOVE the Howard Roberts Fusion guitar. I remember when that guitar came out but have not seen anyone playing that guitar in 30 plus years. You rock Sandra. Or I should say you jazz Sandra😎
I swing 😊🎶🎸
@@GuitarversumSandraSherman You sure do swing and I vibe with your jive👁
You are the best teacher in youtube, thanks for all your videos i really learned a lot. With you jazz music is so clear and esay to undestand. Grazie mille dall’italia!
Grazie, mio amigo! Your words are warming my heart ♥
you are a really good teacher Sandra!! Thank you so much for making these awesome videos!!
You're very welcome, Brian! ❤️ Enjoy the jazz ride on my channel 😊
Very cool! Thank you for the great lesson! You have a wonderful gift! A noirish mystery unfolds...
Glad it's helpful 😊
I have a flu virus ,i watched you again ,had a delirious dream about pulling chords apart and putting them back together subbing them watching them evolve into new chords ,it was a surreal exhausting sleep ,me and my beautiful friend the diminished will be sleeping together again tonight,thank you for all the hours of hard work you have put in to get to a point you can help educate ,excite and enlighten others,love from NZ
Haha, this made me laugh so hard 😂.
I wish you many more erotic dreams with parts of the jazz harmony team 😴❤️
I love the sound of the diminished triad when going from a I chord to a ii chord. Play the diminished arpeggio a half step above the root of the I chord.
In the key of C maj 7 that would be a C#dim. That equals the A7b9 chord and that's the V of the next chord, Dm7. That's why it works so well.
@@GuitarversumSandraSherman
I am not happy with your explanation but perhaps it is because I am missing something in my general understanding of music theory and cadences. Here’s why I am not happy with your explanation. The V of the next chord doesn’t always sound good. For example if you wanted a transition chord between the ii and V of a ii-V-I. A II7 is the V of the V but sounds awful. More concretely if you wanted to transition from a Dm7 to G7 a D7, which is the V relative to the G7, sounds awful (to me) as a transition chord.
If I am missing something please help. Every new thing I learn is a gold mine to me.
Thanks for your fantastic videos!
Well, first of, that depends on Eldar you like our not. But a V can always resolve to its I chord. It will always have that tendency and that's why it's usually pleasing to the ear. There's plenty of jazz standards that have : Dm7 - D7 - G7 - Cmaj7.
About the example with the C#dim chord, the A7b9 INCLUDES the C#dim chord. So there's no, I don't like it here. If you like C to C#dim to Dm7, you do like C to A7b9 to Dm7, because it's the same thing 😉. I just explained you, why it works so well.
@@GuitarversumSandraSherman
I like both the A7b9 and C#dim. I especially like them as melodic improvisational material when play a Cmaj7 to Dm7. We are in total agreement there.
What I don’t like is the Dm7 D7 G7 as melodic improvisational material. But who knows, maybe you can convince me. So often the difference between something sound good and bad depends upon emphasis. Could be a great topic for a video! You make the best.
In general I am presently very interested in discovering all sorts of transition chords that can be used to build melodic ideas around. I like just getting them in my ear and calling upon that sound when my mood takes me there. Perhaps you could do a video on all sorts of transition chords in various progressions. That would be soooo cool.
Thank you very much!! You are an amazing teacher!
Very good lesson! Great teaching style. Hello from Texas
Howdy 😊
Sandra you have wonderful way of simplifying and presenting a full musical subject. Thank you. It took 10 months to get around to practicing it. Victoria Canada.
Glad it helped you, Andrew :-)
Incredibly interesting and helpful ! Thanks !
Glad it was helpful! ❤️
Thanks Sandra. I will have a lot of fun improvising with those arpeggios as well as going through those chords.
Try to practice by moving each position horizontaly, transposing through the cycle of fourths. Once you have all positions worked out horizontally, you can practice vertically, which means stay in an area and change the key. This will give you a new pattern each time you're changing the key. Best practice ever.
@@GuitarversumSandraSherman I will do that, I have been playing since the year 1980, many years playing classical, a few years of flamenco, more recently bossa nova, all fingerpicking styles. I will work on the hybrid picking soon.
Whoever click the thumbs down must not understand the beauty of music or awesome instruction! Way to go Sandra! Thanks for sharing these lessons!
Hi Chris, hope this lesson helps.
Yeah, it's that one hater, that dislikes most of my videos minutes after they go online.
I am so grateful to learn all the theory behind stuff I've been playing for years and also learning sooo much new stuff. I thank you, again and again Ms Sherman. 🎸
Hey, that's really cool! So glad to be of help. Keep swinging 🎶 🎸
I love your thorough explanations. Many teachers don't explain as well as you.
Trying my best to keep things simple. Jazz is complicated enough 😊
Way to go Sandra. Keep up the good work. Just downloaded Girl from Ipanema and Sunny. Anywhere I'm from Singapore. Very new to this genre. All this while have been playing Rock music. Now I've found . Thank you.
I started out as a rock guitarist too. Good foundation. Enjoy the jazz ride on my channel 😊 ❤️
Thank you for this great lesson! Please more concept videos. Not that I don't like the song videos, but I need more concepts to work with. This is one of them and you've outdone yourself!
There will be more concept lessons in the near future! Stay tuned 😊
@@GuitarversumSandraSherman Looking forward to those!
Thank you! I've been working on superimposed arpeggios for awhile and your lesson is really helping. :-)
Cool! Check out my last week's video on superimpositions. Or did that one lead you here? Anyway, enjoy the jazz ride on my channel 😊
Guitarversum Sandra Sherman I did see your previous lesson. Great! ....I use dim arps over dominant 7, m7b5 and of course 7b9 chords. I already had
a few licks but your lesson is opening many other possibilities for me. Thanks. Feel free to check out my RUclips channel too!!!! 😂
thank you for this course...great lesson ! It's coming together now! I have been playing these diminished licks in blues/jazz ... taking streaming lessons from big musicians (such as Robben Ford) but the way you explained, makes it prefect clear. Thank you!
I'm so glad to help. Great to see you getting the pieces together. Keep swinging 🎶 🎸
Great lesson on diminished chords and arpeggios!! Thank you!
Glad it was of help 😊. Keep swingin 🎶 🎸
You are a gemius mkusical teacher. So clear!!1 So wonderful explanation'. Simply unforgetable. I bought your solo from autumn leaves. i can play it fine and accurate. i know all of the arpeggios and scales very well but there is no way i can be so creative melodically and rhytmically like you. and i can not improvise on the fly, but only playing eight notes for all the piece!!!
Oh, thank you so much for this wonderful compliment! ❤️
Playing only 8th notes in the beginning is perfectly fine. It keeps you from cheating. It is actually a great exercise and I did that for the first year in the conservatory only. Later you can learn how to omit notes and phrase correctly. Btw, I have a lesson on phrasing up here on YT!
Keep swingin, my friend!
Thanks Sandra - great lesson.
Thank you, glad you enjoy it. Keep swinging 🎶 🎸
Thank you very much and greetings from Ukraine! Diminished arpeggios are great in your explaining and by the way they are so much typical in gypsy jazz! Django Reinhardt did greatest diminished runs, and his best legacy today - Bireli Lagrene, Stochelo Rosenberg, Angelo Debarre, Yorgui Loeffler, Frank Vignola...
Oh, I'm a big Stochelo fan! Loved me some Gypsyjszz. Have you seen my lessons on Minor Swing and All Of Me?
@@GuitarversumSandraSherman Yes, already seen! Thank you very much! Great!
I like the way you teach!!! Thank you
Thank you! Glad you find my tutorials useful.
Another good lesson thanks Sandra , everytime I pop in I learn something new !
Goal achieved, yay 😊. I like making people smart 👍. Enjoy the jazz ride!
I love the 7b9 concept opens up a lot of doors, you can also move back one semi tone from the root of the parent key of the five chord to find the diminished arpeggio just another way to find it
That would give you the 3rd of the 7b9 chord. Never looked at it that way. I always say, however you memorize things is up to you. But you got to have some kind of reference to either the chord or the root, in order to move it around the neck to other keys.
Nice lesson, Sandra. Could you do a lesson about using diminished and augmented arpeggios over standard 12 bar blues?
Good idea! You can use the diminished arps for the VI7alt and the V7alt chord in a Blues.
Best jazz teacher in youtube!
Wow, what a compliment ❤️. Thank you, my friend!
I like your teaching style .
Great topic so clearly presented. Thanks ,Yankee
Thanks Steven ❤️. What qualifies me as a yankee 😁?
These lessons are just truly wonderful.
Thanks so very much!
I usually launch It off the major 3rd.................Another fast way to play it. Great lesson.
I guess everyone has their favorite 😊. Major third is my favorite too!
Excellent !!! Greetings from Chile !!!
Hola! Keep swingin 🎶 🎸
Hi Sandra. This was a great lesson. Thank you! On a possibly related topic: Robben Ford talks about the half-whole diminished scale and how he uses it in blues, but I never was quite able to follow his explanation of it (he's maybe a better player than teacher?). Would you consider taking a shot at it?
I can look into it.
@@GuitarversumSandraSherman Thanks!
thanks sandra! greetings from Chile!
Gettin better all the time,, This is a very, very great lesson...Thanks, Thanks, Thanks
Thank you Roman for your sweet words. ❤️
Nice lesson, thanks :-). But.. as the diminshed arpegio is based on chord tones, why can I only play it when resolving ? I can't play it on a I=> V at the very end of a blues turnaround ?
Sure you can play it at the end of a Blues turnaroubd, bc it resolves back to the I chord 😊. The reason it needs to resolve is, you build up tension, which needs to be resolved. Sound funny if you leave the tension unresolved.
Thank you Sandra for saving my day again :) this is a great benefit when playing jazz 😍
Glad you like it! Do you have any suggestions on concepts or topics I should cover?
Here`s That Rainy Day Wes Montgomery version is my one favorite song. But any arrangement is okay for me.
@@pedro6832 I already tried arranging it chord melody style, but gave up. I think I should try again when I have more time. Some things are hard to arrange, but worth the effort. This song is one of them.
Guitarversum Sandra Sherman. Hi, Don't Worry do then when you have a better time😊 Until then I already have a lot of joy from your earliest jazz 😎
I have another idea, Hi Heel Sneakers as Duke Robilard version. ruclips.net/video/n8UW7Iec13k/видео.html 😀😎
Nicely done. Pretty new to jazz but you explained it well. At least I think I understand a little more than I did.
Cool! Enjoy the jazz ride!
Very helpful, thanks 👍🏻
Glad it was helpful!
Very eye opening lesson, thank you very much!
Hey, that's cool! Thanks a lot ❤️
Thanks for another "arpeggioed" lesson Sandra..
I just had time for a quick sroll through, but the licks are awesome. Can't wait to get home from work.
Thanks so much. Glad you enjoy it!
Great lesson Sandra, thank you, and helow from Melbourne Australia, cheers Pete
Hi Pete, glad you like the lessons! Hope you can incorporate the arpeggio lines into your soloing. Greetings to the kangaroos 🦘.
great explanation Sandra thanks a lot!!
Glad to be of help!
I'm a little confused. is the dim chord you're playing actually a dim 7? The 7th is double flatted, turning it into an F for Abdim7. In the Ab half diminished chord, the 7th is F# (single flatted). Am I wrong? And I've read the chords to solo over the G7b9 is the half diminished arpeggio.
That's all wrong. If you use a ø chord, it makes it a G9, not b9. The (fully) dim chord majes it a G7b9. There is no f# in it. But you can purchase the lesson to clarify things. The link is in the info box below the video.
Very nice lesson, thank you.
your videos are amazing congrats and thanks for share your knowlege, can u talk about the tritone substitution?? and lydian b7??
Thanks so much! Yes sure, that's a good topic. I prefer to call it mixo(lydian) #11, bc the scale is played over dominant chords, while lydian implies a major chord. Thanks for the suggestion. I'll pick it up!
Hi sandra thanks for this great lesson. Would you be able to do a lesson on Four miles davis? Im working on this tune for class mixed instruments and always good to get a guitar perspective, thank you muchly!
Yay, I fee that tune. I'll see if I can come up with a good chord melody arrangement.
@@GuitarversumSandraSherman brilliant!!
This is Gold!
Glad you find it helpful 😊
I'll try it right now, I promise, so thanks for this lesson.
Only practice makes you a master of the craft 😉
but what if the dominant is #9 or b13, is it ok to play also a diminished arpeggio of the 3 5 or b7? because the b9 will not be already on the chord
Sure! It works well over every altered chord!
Great course! Thanks!
Great lesson. Thankyou!! 🙌🏾✨💜
Thanks ❤️
Bonjour,
Malgré que je ne comprends pas votre langue, j'aime beaucoup vos vidéos.
Pourriez-vous me dire quelle marque de cordes vous utilisez, et quel tirant.
Merci beaucoup.
Gérard
Hello
Although I do not understand your language, I really like your videos
Could you tell me which brand of ropes you are using and which tie
thank you so much
Gerard
Merci Gerard,
I don't know what "ropes and ties" are. I think the translator software spit out something funny, lol.
Maybe you mean strings? I use Thomastik Bebop 12 strings.
Looky, I have a video up where I show my equipment and give gear advice. It's called "Jazz Guitar Gear Recommendations and amp settings": ruclips.net/video/-6Tylw4gf0E/видео.html
Enjoy the jazz ride!
@@GuitarversumSandraSherman Merci beaucoup pour votre réponse,. le tirant est 12/50.
I just discovered your channel today Sandra . You're a great teacher !
Oh, thank you my friend! ❤️ Enjoy the jazz ride on my channel 😊
ok !! i have the tabs!;) a very useful and necessary lesson
Grrrrrrr......ttteeenngsss...from Venezuela ...Súper Good Videos...teacher!!!
Thank you, Gustavo! ❤️ Glad I could teach your something new.
Another great lesson! Thank you!
Thanks, my friend ❤️
Can I use C diminished scale over C major?
No.
but C h-w diminished has 1 3 5 notes
Sandra ____ Love your Lessons, even an Old Man can Understand. lol
Hey, that makes me really happy! I'm glad to be of help. Us old folks gotta stick together 😊
@@GuitarversumSandraSherman I have 15 and understood perfectly Sandra. Age has nothing to do with understanding ...it is the PROFESSOR the responsible.You are GREAT.
What would I play over a G Demented chord?
A g diminished arpeggio 😊
I find using a mirror image in your diagrams to the way the guitar is played confusing, try to change it to look like the guitar layout thanks
That's the way scale and chord diagrams are. Sorry you find it confusing. I can't change it, or 99% of people who are familiar with the regular layout of scale diagrams will hate me, lol. I'm afraid you will have to get used to it 😉
I love the Arpeggios. Thanks for another "arpeggioed" lesson. ;-)
Many more to come, my jazz friend!
awesome!
Do you have tutorial CD S
No. I'm working on a video course, but no CD.
great teacher
and maybe i'm just ready for you at this moment....
Welcome - and enjoy the jazz ride on my channel 😊
nice lesson ! have the tabs!✌️
I understood the theory of this for years but until I studied gypsy jazz I did not apply it-those players love this dim on Dom sound
Actually everybody in every jazz related style uses diminished arpeggios. But you are right, Gypsy players use them a lot.
Thanks a lot !
The pleasure's all mine :-) Glad you like it!
Master jazz. Super
Glad it helps! Thanks!
Thank you
You're very welcome! Enjoy the jazz ride!
Ahhh, penny drops. You just gave me that light bulb moment. Feeling unblocked ... well on this topic anyway.
Actually, I could hear in the chord comparisons that you could almost make a chord melody progression of each dim chord note squeezed in there towards the resolve if you get time, do you think? Could be interesting. Just a thought. Maybe I'm totally way off base.
I enjoy lessons like this. Thank you.
You got that absolutly right! Congrats on the light bulb moment 😊👍.
You think I should do more concept videos?
Oh wow, my brain hurts after watching this. 🤪 I need to buy the lesson and get everything on paper in front of me. 👍👍😊
It can be confusing in the beginning. But it's really logical, if you write down the chord tones of a 7b9 chord and the ones of a diminished chord, starting from one of the chord tones from the alt chord and compare them.
@@GuitarversumSandraSherman thanks for your response. As I said, I just need to buy this lesson to get it on paper to fully digest the process. Plus, buying it continues to support you and your videos. 👍😊🎸
@@GuitarversumSandraSherman apparently, I liked the lesson so much that I bought it twice. I got confused by the RUclips title "diminished arpeggios over dominant chords vs over altered chords.". No harm no foul, I'm starting to understand it now that I can see it on paper. 👍👍👍
gute Lektion, sehr hilfreich, grüßungen von Amerika
Thanks, Richard! Enjoy the jazz ride 😊.
Grüsse in die USA.
Wonderful breakdown, I have been chasing this theory all over the Internet, this is the only site that has presented this particular connection/hack. YES...!
Glad you like my channel, Donald! I hope you stay around for a while 😊. Enjoy the jazz ride!
Guitarversum Sandra Sherman Thank You, I’m in... 😎
Great info, Thank you. Your links on the download page is unclickable and way to long
It is also incompatible to copy and paste. Unable to download this lesson after purchase.
That's your email client settings. The link is defiately clickable. If you can't even copy and paste it, that`s your emailo programm (or provider) restricing it. Please mark the email as NON-SPAM and activate links in the settings.
If you continue to have problems with the download, please email me via the contact form in the shop.
I think this might just be the best jazz guitar channel on YT. I'm so happy
Aaaww, thanks, my friend ❤️
Wouldn't you be playing a2 a3 a4 and not &2 &3 &4?
Grrrrreat 😊
Grrreeetings 😊
what is your story of a female jazz guitarist? congratulations on your courage, your talent.and your patience!!!!!!!!!!!
Thanks, Robert ❤️. There is no story really. I just studied jazz guitar and guitar instruction at the conservatory, here in Vienna, like a lot of people, male and female. That's it.
So that's the secret...I've often wondered about the relations between those two chords. Is the diminished scale the scale that belongs to the diminished chord?
Secret revealed 😊
You are good. But as a beginner I find your diagrams on the screen very confusing, because they are turn the opposite direction vz. the guitar neck.
I'm afraid, but you'll have to get used to the way the diagrams are, bc that's how they always are. That's not my invention, but a standard. Sometimes they are turned 90 degrees which is really confusing, bc the fretboard is always held horizontally, not vertically.
Good luck, my friend and keep swinging 😊
😍😍😍😍
You say you want a resolution
Well, you know... ;0)
and excuse my ortography, i meant genius!
Все отлично ,но что-то с инструментом!
The more I hear. the more confused I get. what s a flat 9
Please check out my altered chords tutorials first. Go to my Chords and Comping Playlist and search for altered chords lessons.
accent
Good or bad? 😊