Richard Misrach in "Borderlands" - Extended Segment | Art21
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- Опубликовано: 14 окт 2024
- Art21 proudly presents this special extended segment as a complement to the "Borderlands" episode from the tenth season of the "Art in the Twenty-First Century" series. Edited to focus on a singular artist narrative, this film contains original material not included in the television broadcast.
"Borderlands" premiered in October 2020 on PBS.
A pioneer of large-format color photography, Richard Misrach has photographed the American desert for decades, examining the impact of human activity on the natural landscape. This segment follows the artist as he travels to remote parts of the desert, photographing the visual contradiction of the ominous wall against beautiful landscapes and collaborating with the composer Guillermo Galindo to create installations and musical performances that utilize the items found in the desert. Collectively, Misrach’s work chronicles the places where nature and culture collide, highlighting where beauty and ugliness exist side-by-side.
Learn more about the artist at:
art21.org/arti...
TRANSLATIONS
Translated subtitles are generously contributed by our volunteer translation community. Visit our translation team at Amara for the full list of contributors: amara.org/vide...
CREDITS | Executive Producer: Tina Kukielski. Series Producer: Nick Ravich. Directors: Rafael Salazar Moreno and Ava Wiland. Producer: Ava Wiland. Editors: Rafael Salazar Moreno and Russell Yaffe. Director of Photography: Rafael Salazar Moreno.
Production Services: RAVA Films. Assistant Curator: Danielle Brock. Associate Producer: Julia Main. Post-Production Coordinator: Alexandra Lenore Ashworth. Design & Animation: Momentist, Inc. Composer: Joel Pickard. Additional Music: Amalia Mondragón. Advising Producer: Ian Forster. Additional Art21 Staff: Lauren Barnett, Lolita Fierro, Joe Fusaro, Meghan Garven, Jonathan Munar, and Emma Nordin.
Additional Photography: Elan Alexenberg, Robert Biggs / Phoenix Drone Pros, Gina Clyne, Adrian Gutierrez, Nick Kraus, Christoph Lerch, and Alejandro Almanza Pereda. Tijuana Field Producer: Yadira Avila. Location Sound: Ariel Baca, Jacob Bloomfield-Misrach, Nikola Chapelle, Michael Cottrell, Rayell Abad Guangorena, Veronica Lopez, Baili Martin, Nathalie Piché, Chris Tolan, and Ava Wiland. Production Assistants: Ben Derico, Jake Grossman, Jacquelin de Hoyos, Keira Kennedy, Zac Settles, and Jorge Villarreal.
Digital Intermediate: Cut + Measure. Post-Production Producer: Alex Laviola. Colorist: David Gauff and Jerome Thélia. Post-Production Sound Services: Konsonant Post. Re-Recording Mixer & Sound Editor: Gisela Fullà-Silvestre. Online & Conform: David Gauff. Additional Animation: Andy Cahill. Assistant Editor: Jasmine Cannon, Jonah Greenstein, and Mengchen Zhang. Translation: Ava Wiland and Russell Yaffe. Video Quality Control: Jonathan Hansen.
Artwork Courtesy: Tanya Aguiñiga, Guillermo Galindo, Rafael Lozano-Hemmer, Richard Misrach, Postcommodity / Cristóbal Martínez & Kade L. Twist, Bockley Gallery, Fraenkel Gallery, Pace Gallery, and Volume Gallery.
Archival Materials: AMBOS Project; Antimodular Research; AP Archive; Aperture
Artbound / KCET; Isaac Arnstein / Cinewest Archives; Jenna Bascom, Courtesy of Museum of Arts and Design, New York; Border Art Workshop / Taller de Arte Fronterizo; Cecilia Brawley; Critical Past; Cory Doctorow; Sam Wainwright Douglas / Big Beard Films; Benjamin Duffield / Fierce Bad Rabbit Pictures; Filmoteca UNAM; Jason Grubb; John McNeil studios; NASA; Pond5; and Jack Snell.
Public Relations: Cultural Counsel. Station Relations: De Shields Associates, Inc. Legal Counsel: Barbara T. Hoffman, Esq. Interns: Shane Daly, Grace Doyle, Eda Li, Daniela Mayer, Jason Mendoza, Nikhil Oza, Anika Rahman, Ana Sanz, Sara Schwartz, Victoria Xu, and Sadie Yanckello.
Major underwriting for Season 10 of "Art in the Twenty-First Century" is provided by PBS, National Endowment for the Arts, Lambent Foundation, The Anna-Maria and Stephen Kellen Foundation, The Andy Warhol Foundation for the Visual Arts, Toby Devan Lewis, The Horace W. Goldsmith Foundation, Henri Lambert, Nion McEvoy & Leslie Berriman, and Sakana Foundation.
Series Creators: Susan Dowling and Susan Sollins.
©2020 Art21, Inc.
#RichardMisrach #Art21
Rewatching this beautiful Art21 documentary over and o et again. Richard Misrach is such a great photo artist.
Awesome mini documentary on a phenomenal photographer!
Great documentary of a great photographer! Thank you!
He came up to me and complimented my painted suit. We took a photo. Kind human :)
Compelling work, I had the pleasure of seeing this work and the work for the color photography exhibit at the Amon Carter in Fort Worth.
I love Misrachs work. His politics are left wing simplistic, but his images are superb.
Moving.
Legend
a very privileged person that is part of the art industry will document something that will never affect his life, not sure what to think of it.
I love your comment
It seems that everything he has photographed has affected him, and thereby motivated him to explore these organic connections through his photography, and we can travel with him as he makes this exploration!
Wall of China, man, can be seen from space.
This has been done by other photographers before in a better way. A slanted approach to a hackneyed affair. it's funny he never mention the word Mexico in all the video, never cross his mind to cross at the other side, his points of view are disgustingly conservative and the guy seems very self indulgent inside his confort zone.
Must we all have the same response?His approach is his own insight.
It is nice for him that he is making money out of other people's misery
At least the work he puts in doesn't actually continue to contribute to peoples misery
@J H what's is the problem if you adapt something for a movie ? it's a completely new work with a new vision
He is making a living as an artist, drawing our attention to situations not covered much through any other mediums. It evokes questions. How can places be so beautiful and controversial at the same time. It is evocative not only aesthetically, but from a social documentary perspective, not dissimilar from a long tradition of American social documentary photography.