Planing, Closed-Position, and Drop Two: Three Ways to Harmonize a Melody

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  • Опубликовано: 29 авг 2024
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    Pianist, author, and mathemagician Jeremy Siskind shares the similarities and differences between planing, closed-position, and drop two voicings, using the lead-in to the bridge of "Misty" by Erroll Garner as an example.

Комментарии • 15

  • @melius9525
    @melius9525 Год назад +4

    Don't know about the verb for planing, but when I comp and try planing behind a soloist, after the gig he will come right up to me complaining about my comp-planing 😂... Anyways, thanks for the lesson once again Jeremy!

  • @Kalaish_Stanley
    @Kalaish_Stanley Год назад

    A proof by induction for you to think about:
    - The 1st Jeremy Siskind video I watched was the best
    - Each Jeremy Siskind video is better than last
    I only discovered you a few months ago and already have I purchased your book.
    I also can't wait for your open studio course. Thank you for being such an incredible teacher.
    Love from Sydney

  • @francescomanfredi
    @francescomanfredi Год назад +1

    Great lesson maestro!

  • @DojoOfCool
    @DojoOfCool Год назад

    Never heard the term planing before, what you described it as is something I did a lot on guitar and just called it harmonizing with a cluster (of intervals). On guitar because of the slide rule aspect of the neck it's actually easy to do. I had some traditional harmony zealots say it is called Parallel harmony, all I know is it's a cool sound especially with an ugly cluster of intervals and the melody on top making it work.

  • @humblemai2211
    @humblemai2211 Год назад +1

    Great teacher always

  • @brendaboykin3281
    @brendaboykin3281 Год назад

    Thank you,Maestro🌹🌹🌹🌹

  • @federicorubin1864
    @federicorubin1864 Год назад +2

    Great! The note in the left hand, bar 2, at 6:30? Why F, and not Bflat ?

    • @somedude-tr1mj
      @somedude-tr1mj Год назад

      Looks like a notational mistake; he played it as a Bb at 6:43

  • @Pooter-it4yg
    @Pooter-it4yg Год назад +1

    You can drop the second voice in rootless voicings as well. This lets you incorporate situations where the melody is a 7th, 9th (2nd) and 13th (6th).
    Incidentally, this general type of harmonised voicing is the bread and butter of big band arranging: generally melody doubled drop two for saxes, close position for trumpets and drop three or drop two and four for bones. Drop three and drop two and four are generally too wide to be used standalone though, as with piano comping.

    • @JeremySiskind
      @JeremySiskind  Год назад

      Yes, indeed! Thanks for the great comment!

  • @ivanovich3able
    @ivanovich3able Год назад

    Amazing harmonic devices. Thank you

  • @paulward1586
    @paulward1586 Год назад

    :start planing and figure out how to resolve: - that's a strategy I can put my head around :) By the same token, if you know the setlist in advance, you could practice/prep specific planing strategies at key moments (choose to use or not depending on the vibe in the moment). I'm not sure my brain could work backwards from the target voicing in real time.

  • @peterbodofsnik9429
    @peterbodofsnik9429 Год назад +1

    Nice. Thx

  • @JohnColerMusic
    @JohnColerMusic Год назад

    He/She “planes”. I think it checks out Jeremy. 😅👍🏼

  • @blakewhatcott1909
    @blakewhatcott1909 Год назад

    "Plane that!"