I have your book and can't thank you enough for including the "Table of Triad Pairs" on pages 20-23. The tables unlocked to ability to relate to chords and subsequently experiment with the various sounds available from the Triad Pairs. I finally gained access via the Tables. My instrument is the Guitar.
Cool I have this book and your book Around the Horn, my only problem is the getting the time to stay on schedule, I commute about 5 hours a day for work, but fortunately I can practice at work for hour or so, in the IT Server Room. I have not been able you incorporate the Triad Pairs in to my playing as of yet but I'm going to try and spend time after I get more of my Wheels up under me from Around the Horn, as I like to be able to fully grasps and hear all. I also am a member of the Jazz Conception that you and Jim teach. Good work!
Are you also a Sax Player? Did you think of trying to get a job closer to your home or move to a Home closer to your job. Five Hours a Day sound like a pretty long comuute.
These are F and G concert (C instruments), right? Thanks for the demonstration of triad pairs. Does this system work as well for adjacent triads in the modes of melodic and harmonic minors as well?
This guy has a f'n sweet sound.
Hes one of the most in depth instructors Ive ever come across.His knowledge over John Coltrane's techniques is un paralleled.
I have your book and can't thank you enough for including the "Table of Triad Pairs" on pages 20-23. The tables unlocked to ability to relate to chords and subsequently experiment with the various sounds available from the Triad Pairs. I finally gained access via the Tables. My instrument is the Guitar.
Best Sax face ever!
I remember watching this two years
Thanks walt, your book has helped me tremendously with my improvising.
From Walt's book: Intervalic Improvisation - The Modern Sound: A Step Beyond Linear Improvisation
nice sound!.....but your face does look hilarious when you play. thanks for the clip.
You are a very generous personne !thank's again !i hope to meet you once !
I love his improvising and, of course, he really knows his stuff. Thanks for the vid.
Those last two patterns always sound so good!
Love your music!
Absolutely killer playing in the beginning
First lick was cold-blooded
THANK YOU ONE MORE TIME WALT (DISNEY)LOL!
Cool I have this book and your book Around the Horn, my only problem is the getting the time to stay on schedule, I commute about 5 hours a day for work, but fortunately I can practice at work for hour or so, in the IT Server Room. I have not been able you incorporate the Triad Pairs in to my playing as of yet but I'm going to try and spend time after I get more of my Wheels up under me from Around the Horn, as I like to be able to fully grasps and hear all. I also am a member of the Jazz Conception that you and Jim teach. Good work!
Reuben Yahsrael
Are you also a Sax Player? Did you think of trying to get a job closer to your home or move to a Home closer to your job. Five Hours a Day sound like a pretty long comuute.
Thanks!!!
that sound is fucking killing
We want to know is what you practiced to have such tone!!!! Everything else doesn't matter if you don't have the tone!
The last pattern you play is not G and A. It is G and F and the sheet music shown is completely off as well, but thanks anyway. Good exercise.
YEAH!
These are F and G concert (C instruments), right? Thanks for the demonstration of triad pairs. Does this system work as well for adjacent triads in the modes of melodic and harmonic minors as well?
Merci infiniment
Walt, seria possível disponibilizar esses e os de Arpeggios em .pdf?
Motivo: estou com dificuldades em ler a pauta.
Grato pela atenção.
5* with 3soft Reed..wow
OK § thank's i iam working on your scales !
Walt - your eyes really get bugged out when you play - it looks like you really took a big hit off of a big stinky bong!
Everyone that thinks you need to be playing on a 15* opening with a #6 reed needs to listen to this. Also if you want to not suck in general.
He seems Josuah Redman
my eyes glaze over when he talks modes.
maybe he got his tone from practicing hundreds of triad pair excersizes... lol.
how did you put that music on the bottom of the screen??? does anybody know?
if you haven't seen it by now, you're not a real musician
may I have the pdf.
It’s in his book
What is the name of the book and how can I get it?
weird faces :/