Ravel: Complete Piano Music
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- Опубликовано: 17 июл 2024
- This set of Ravel’s piano solo works was the most complete when released, as it contains both Ravel’s transcription of La Valse, and the little known La Parade. Fortunately this is not the main attraction of this issue, that being the superlative quality of François Dumont’s playing. His pianism is of the highest order, a virtuosity which doesn’t want to impress for its own sake, but a means of conveying the wonderful harmonics, colours and atmospheres of these works of genius.
Dumont lets each work grow organically under his hands, bringing out the inner logic, power and beauty, eschewing all extravagance or exhibitionism (Ravel himself wanted his works “to be played, not interpreted”). An ideal performance, if such does exist. The recording puts the Steinway in a rich acoustic without sacrificing any detail. Francois Dumont is one of the most interesting pianists of his generation, a prize winner of several international competitions, notably the 2010 Chopin Competition, where his performance in the finals made a lasting impression.
Composer: Maurice Ravel
Artist: François Dumont (piano)
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Tracklist:
00:00:00 Miroirs, M. 43: I. Noctuelles
00:04:32 Miroirs, M. 43: II. Oiseaux tristes
00:09:15 Miroirs, M. 43: III. Une barque sur l'océan
00:16:28 Miroirs, M. 43: IV. Alborada del gracioso
00:22:50 Miroirs, M. 43: V. La vallée des cloches
00:29:07 Sonatine, M. 40: I. Modéré
00:33:11 Sonatine, M. 40: II. Mouvement de menuet
00:36:12 Sonatine, M. 40: III. Animé
00:39:57 Menuet in C-Sharp Minor, M. 42
00:40:53 Menuet antique in F-Sharp Minor, M. 7
00:46:46 Menuet sur le nom de Haydn in G Major, M. 58
00:48:39 Le tombeau de Couperin, M. 68: I. Prélude
00:51:45 Le tombeau de Couperin, M. 68: II. Fugue
00:55:05 Le tombeau de Couperin, M. 68: III. Forlane
01:00:39 Le tombeau de Couperin, M. 68: IV. Rigaudon
01:03:54 Le tombeau de Couperin, M. 68: V. Menuet
01:08:58 Le tombeau de Couperin, M. 68: VI. Toccata
01:12:55 Prélude, M. 65
01:14:23 Gaspard de la nuit, M. 55: I. Ondine
01:21:08 Gaspard de la nuit, M. 55: II. Le gibet
01:28:01 Gaspard de la nuit, M. 55: III. Scarbo
01:37:10 A la manière de... Emmanuel Chabrier in C Major, M. 63/2
01:38:59 A la manière de... Borodine in D-Flat Major, M. 63/1: I. Valse
01:40:42 Jeux d'eau in E Major, M. 30
01:46:14 Sérénade grotesque
01:49:41 La parade, M. 11
02:01:06 Valses nobles et sentimentales, M. 61: I. Modéré - très franc
02:02:24 Valses nobles et sentimentales, M. 61: II. Assez lent
02:04:40 Valses nobles et sentimentales, M. 61: III. Modéré
02:06:04 Valses nobles et sentimentales, M. 61: IV. Assez animé
02:07:15 Valses nobles et sentimentales, M. 61: V. Presque lent
02:08:27 Valses nobles et sentimentales, M. 61: VI. Vif
02:09:04 Valses nobles et sentimentales, M. 61: VII. Moins vif
02:11:46 Valses nobles et sentimentales, M. 61: VIII. Epilogue - Lent
02:15:48 La valse, M. 72
02:27:17 Pavane pour une infante défunte in G Major, M. 19 
Видеоклипы
He is one of the most highly praised pianist for Ravel piano works.
God, Francois plays an absolute beauty of Gaspard de la nuit. What a stellar interpretation.
Just finishing up listening through it during work. Great way to keep the mind stimulated. Ravel's music is priceless, and this recording is beautiful.
Like!!!!!!!
Francois Dumont… May god bless you. What an incredible recoding. The pleasure you give me listening to this daily is immense. Great recording as well. Thank you for the incredible dedication this required of you to achieve… What sensitivity, what nuances, your timing… Your sound… You are a blessed individual. I truly hope life is smiling back to you daily!
Bravo M. Ravel ! Bravo François Dumont ! 🧚🏻♀️
I think dumont playing is the closest to ravel’s ideal technical interpretation that he was always talking about, it’s fantastic in his own way
Brilliant sound quality in this upload and fabulous performance. Thanks for sharing.
Thank you for listening, we're glad you enjoyed it!
Agree with William. Captivating!
Extraordinary achievement! Marvelous! Thank you!
Stunning recording. Thank you for sharing, beautiful humans among you who so tenderly issue these exquisite pieces of art for our enlightenment.
Does anyone know the painting used on the album cover, as is visible in the video?
extraordinary interpretations!! Fantastic playing
It's one of my favourite!
Ah, Ravel… he stretches the ears without breaking them.
Maravilloso!!!!!!!!! Este es un trabajo fabuloso!!!!! Muchas gracias por compartir!!!!! Bravooooooo!!!!
Excelente!
Paint: Naiade - Henri Fantin-Latour
the melody around 1:34:00 reminds me of Stravinsky's Rite of Spring
Pavane pour une infante défunte does not start at Track 2:27:17 and is in fact not anywhere to be heard on this recording.
It's a Rachmaninov piece instead.
It's the barcarolle from Rachmaninov's 1st suite for 2 pianos. Presumably it's a mistake, but I think it rounds off this Ravel marathon really well!
Thank you! I knew it wasn’t the Pavane, and was thinking it didn’t sound much like Ravel either.
The most joyful ant tonic interpretation I've ever heard, a new Ravel to me ! It sounds like Jean Wiener. Many thanks for the revelation. But where's the Pavane gone ?
The song was wrong!!!
The song correctly was Suite No. 1 in G Minor, Op. 5: I. Barcarolle by Rachmaninov!!!
@@telllmeewhyy
Thx ! Actually " a new Ravel " !!! 😁
The GOAT
좋은 곡들 정말 많네요 ㅎㅎ
Last one is incorrectly titled, that's not Pavane
I just wish someone would list the names of the pieces. I don't want to buy a $$$ book just to find this one piece.
Hey Barbara, we're glad you enjoyed this album. For the pieces you can find the tracklist in de description of the video with timestamps!
02:27:17 the song was wrong!!!
2:01:06
48:39
What is the last piece? The search of that name on RUclips does not match the one here.
Rachmaninoff’s suite No.1 for 2 pianos
18:29 My funny Valentine
ads kill it
ok, you can pay
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
희빈 장씨(1659∼1701) : 조선 19대왕 숙종의 후궁.
본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다.
1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다.
이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다.
이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다.
이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다.
이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다.
기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다.
이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다.
소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다.
그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다.
이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.
馄饨汤味道不错。这也是比弹钢琴更好的事情。
@@Alekos-Maniatis 너는 탕수육 소스에 빠진 모기니라.
That is interesting. The keys go up from the bottom. Top down, then up, down. Why doesn't it just stay below? Then it doesn't always have to go back and forth. I don't find Ravel very amazing. A weird French piano soup.
Debussy was my childhood focus and maturing influence. I think Ravel is also for every young child to hear. Take off all the nonsense, the rap and the loud chanty rebellious headache music we hear in shops and put this on. People need to be led back to sanity. As a nurse working with people with dementia I was saddened to hear that Ravel had dementia and was affected by amusia and agraphia- how terrible for an artist.