Triumph: Iconic Motorcycles Which Were the Choice of Steve McQueen and James Bond

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  • Опубликовано: 4 окт 2024
  • “How can we make this so it physically works, but also how can we make it so that it looks amazing as well?”
    From James Bond to Mission Impossible to The Great Escape, chances are you have probably seen a Triumph #motorcycle on the silver screen. Triumph’s most famous bikes are probably their iconic 1960s Bonneville range, but they make a wide range of classic, urban, and adventure bikes, and also supply engines for racing bikes, with some models having even broken land-speed records. The company was founded in 1902 and they currently sell around 100,000 bikes each year all around the world.
    The sleek design which made the 1960s models so famous is very important to the brand, but they also need to include all of the modern hardware that today’s consumers expect, from cruise control to infotainment. In this episode of The Third Angle, our producer Helen visited Triumph’s headquarters in Hinckley to meet Chief Design Office Geoff Hurst. He showed her around their offices and the on-site Visitor Centre, and explained how clever design is required for their contemporary bikes to maintain all the style of their 1960s models, but include all of the technological advances of the 2020s.
    We also hear from Mark Lobo at PTC, who tells us why PTC's Windchill #PLM software is ideal for automotive and motorcycle manufacturing companies like Triumph that value quality and attention to detail.
    Find out more about ‪@OfficialTriumph‬ here: triumphmotorcy...
    Find out more about ‪@WindchillaPTCTechnology‬ here: ptc.com/produc...
    Your host is Paul Haimes from industrial software company ‪@ptc‬: ptc.com
    Find out more about The Third Angle: ptc.com/resour...
    Episodes are released bi-weekly.
    Follow us on LinkedIn: / ptcinc
    Follow us on Twitter: / ptc
    Third Angle is an 18Sixty production for PTC.
    Executive producer is Jacqui Cook.
    Sound design and editing by Clarissa Maycock.
    Location recording by Helen Lennard.
    Music by Rowan Bishop.

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