Self-conducted Live Performance of "Le Sacre du Printemps" _ Going Home Project

Live Concert
📅 July 31, 2022
🎫 Lotte Concert Hall (Seoul)
I. Stravinsky “Le Sacre du printemps”
Part 1 l'adoration de la Terre
Introduction à l'adoration 00:42
Augures printaniers - Danses des adolescentes 04:36
Jeu du rapt 07:47
Rondes printanières 09:08
Jeux des cités rivales 13:12
Cortège du Sage 15:05
Danse de la Terre 15:48
Part 2 le sacrifice
Introduction au sacrifice 17:35
Cercles mystérieux des adolescentes 22:45
Glorification de l'élue 26:08
Évocation des ancêtres 27:40
Action rituelle des ancêtres 28:22
Danse sacrale 31:57
-
Going Home Project
Led by ‪@SvetlinRoussev‬
1st Violin
Svetlin Roussev, Florin Iliescu, 이재형, 민서희, 임창호, Susan Hwang, Michiko Yamada, 안준희, Claire Dassesse, 임지원, 정뉴리, Shaoling Jin, 최화은, 박지훈
2nd Violin
이직무, 이은주, 이윤지, 최정윤, 임수진, 이명은, Fillippo Zucchiatti, 이혜진, Alexander Kisch, 백나단, 안은샘, 김준
Viola
Hungwei Huang, Luke Turrell, Ralph Szigeti, 김규리, Ezra Woo, 심효비, 염호운, Hsiang Hsiang Thai, 유리슬, 김량하
Cello
김두민, 문웅휘, 김성준, 민서연, Gabriel Faur, 김지희, 최민지, 이세인, 유완
Double Bass
Burak Marlali, Blake Thomson, Wolfgang Güntner, 이가영, 이정욱, 고삼열
Flute
조성현, 조철희, 안일구, 유지홍, 한여진
Oboe
함경, 김지영, 홍기훈, 강신우, 함정준
Clarinet
조인혁, 이기우, Julien Desgranges, 남형준, Benoît Willmann
Bassoon
유성권, 조광현, 이하은, 신이솔, 최종선
Horn
김홍박, 송지향, 유해리, 박재만, 김민성, 최윤, 김병훈, 김주혜
Trumpet
Alexandre Baty, 최민, 남관모, 김현호, 차창현
Trombone
Jason Crimi, 노영남, 김태훈, 설용빈
Tuba
임정빈, 김태진
Timpani
Naoki Yasuda, 김범태
Percussion
김지연, 최금성, 이창섭, 황수진
Recorded by Sempre la Musica
Filmed by CCONBOX @CCONBOX

[@lavalse2737]

이 곡을.....지휘없이 연주하다니요....전 멤버가 거의 총보를 머릿속에 넣고 있다는 소리임...대단합니다!

[@sheepincastle]

최고 수준의 연주자들과 최고의 연주
지휘자가 없이 봄의 제전을 연주한다는 것은 불가능이라고만 생각해 왔었는데
이 연주는 정말 역사적인 도전입니다!

[@nope.goback]

오늘 베토벤 합창 보고 충격 받아서 들렀습니다. 등장 연출도 좋았고 120명 규모 합창단원도 처음이었어서 압도적이었습니다. 지휘가 없어서 더 충격적이었던 것 같아요. 채널에 더 충격적인 영상도 많아 보여서 구독하고 갑니다~

[@김수진-e1b8u]

지휘가 없는 오케스트라라니..!!!
이 멋지고 대단한 앙상블의 순간들이, 악기들 서로가 서로를 신뢰한 음악이라고 느껴져서 더 굉장하고 신선합니다. 시시각각 예민하게 귀기울이는 연주자들의 에너지가 살아 숨쉬는 생동감을 더해주는것 같아요. 압도적 사운드와 타이트하게 통일된 몰입감이 화면 밖으로도 줄줄 흐르는 기분입니다. 이 곡을 지휘자 없이, 이런 사운드로 들려주다니! 정말 감탄스러운 연주입니다! 커튼콜의 열기는 단숨에 공연장을 제전에 이은 축제로 바꿔놓는 모습이네요! 역사적인 순간의 기록 잘 감상하였습니다.

[@psy_che]

오또케 들을때마다 내 입이 안다물어지지....... 그냥 미친사람들이 모인거 같다.. ㅠㅠ 경이로워..

[@GoingHomeProject]

😃🙏

[@darkness8514]

That is crazy! Playing the rite without a conductor is just..

[@kimeunji0915]

악기들이 너안일어날꺼야 ?안일어나면 너 혼낸다 처럼 들리더라고요 ㅎㅎ다시보니까

[@ericwkr]

이게 되네 ㄷㄷ

[@Mezzotenor]

Amazing performance, many thanks for sharing this event online. I wish we could fly all of you here to Washington DC USA to play for us.

[@GoingHomeProject]

Thank you😊

[@psy_che]

간만에 찾아왔다🫡 짱이햐.. 짜릿해

[@jsbachmoo777]

맴이 쿵쾅쿵쾅, 연주도 듣고 연주자들과 채팅도😊😊😊, 그날의 감동도 다시 한번더🎉🎉🎉

[@psy_che]

매일 밤 이 영상을 찾게된다♡

[@alessiostabile5571]

Un mio insegnante di direzione d'orchestra gridava spesso "LASCIALI SUONARE" e spesso ripeteva che l'unica cosa che può disturbare un orchestra e quasi sempre il direttore...

[@lilianaalvarez7813]

Excelente versión , felicitaciones

[@konnakkol.argentina]

My respects and admiration to all these fantastic musicians.. anyone who has played this work with conductor (as I did) can imagine the enormous job they have done. Amazing. Congrats and greetings from Argentina

[@JahNawl]

So good! The early Bassoon part gets properly milked for dramatic effect too.

[@南邦夫-k4u]

すごい！ブラボー

[@seunghyunlee1872]

헐 저 이거 앞자리에서 이 날 봤었는데 영상 찾아서 너무 신기합니다.

[@sungkukson_composer]

This deserves at least 100m views

[@psy_che]

나의 극락좌표 2❤

[@Nightowl1981]

Amazing performance! The best I've seen!!! 🎶

[@JackRobertsUK]

That is performing on a high-wire without a safety net! Brilliant!!

[@psy_che]

내가 지금 뭘 보고 뭘 들은거지.... 와........ 감사합니다

[@georgispasov3099]

Прекрасно. Доста драма!

[@프루티프룬]

최고에요❤

[@lilacchoi2955]

Fantastic!

[@wingflanagan]

How?! Just...how...? I'm trying to imagine how I'd attempt it and the only thing that comes to mind is rehearsing it _ad infinitium_ using a recording as a reference, and then recording those rehearsals to adjust the dynamics. They're so...together. For a small ensemble, that's nothing special, but - damn! - a full orchestra?

[@Samui04]

Very nice 🥰😍😍😍

[@tuyosihosogoe824]

bravo!!

[@dunnedigby4957]

Well, I have to take a slightly different stand, I’m afraid. I’m not a youngster, I’m a long-retired musician of almost 80 - that might be relevant, to some people. As far as the sound of this performance, yes, it’s one-of-a-kind, incredible, fantastic, and all the “Wow”s you can fit in, and I agree with every one. It is amazing and frightening, I have to hide in the undergrowth and not move a muscle in case I’m discovered!
I do rather take issue with the “no conductor” ploy - firstly, watch the “lead violinist” - he’s not called “concertmaster” and the “orchestra leader” lightly. And HE is the conductor. Everybody who’s able to see him should be watching. I say “should be” deliberately: I was a conductor for many, many years and the majority of the players will look at you for the first note and the last note. After all the rehearsals, you could probably sit down on the podium and have a beer!
But the other point I want to make is - why did they do it like this, apart from visual shock? Sure, the ritual of the Rite of Spring is incredibly powerful, highly erotic, brutal and barbaric, but I don’t know that it warrants TEN timpani ! Was an orchestra of this utterly overpowering size really required for Stravinsky’s concept? And THAT’s my point here. The orchestra - or more accurately, the sponsor and marketing manager - is not serving the music. They are making the music serve them. That is something about which I feel uncomfortable, and I feel Stravinsky wouldn’t be too happy either.

[@marksteinhaeuser]

No offence to conductors, but, what ecxactly you are there for? This is amazing.

[@turquisestones]

Hide conductor in the concertmaster and call it "conductorless"! :)

[@kimeunji0915]

저는 화내는소리같았어요 막 덥벼드는것처럼요

[@charlescornner]

Two things: this piece, ultimately, needs a conductor. Secondly, amazing job without one!

[@violin5704]

이건 진짜 어떻게한거지

[@바다노을-j6b]

말러만큼이나 어려운 작품이네요,,