Koparkar Saab is so very generous in imparting training in the basics and advanced practical knowledge of Hindustani vocal.May God grant him longest & healthiest life.
Dr. Sameeran Valvekar Sir doing great work, giving oppertunity to our english learners as well as vide publicity of our Sangeet attached to spirituality & also my Dearest Guruji vijay Koparkar Sir for his outstanding knowledge & his dedication for upliftment of our Bharatiya Sanger giving massage to this World. Thank you very very much Sir....
I salute the gentleman who presents this, as much as the Pandit Ji 🙏 The presenter makes it very clear for the learning community by asking many doubts that would have been aroused by the audience. Later videos we don't see this kind of commitment from Mr Mukund who only tries to show off his singing instead of seeking the knowledge from the invited great musicians... Please start more videos like this, with this presenter who has a good knowledge and a good discipline which is important in classical music... And also conduct the program in English language so the audience from all over the world is blessed to learn. Thank you for your amazing program...
Very interesting way of explaining classical music. Vijayji makes it so informative , difficult structures of raga made easy to understand, very useful to learners .
Very informative but all these alaps, taans, and bandishies to be depicted on screen or seperately available then it will be of great use. Pl inform. Very good work
It is allowed as long as alaap descends from r. So d n s r, n d p., d n s r n s etc. can be used because r is being used in avaroha way. But phrase d n s r g is not allowed, because here r is used in aroha.
Thnx a lot to respected pandit ji for his humble presentation n explanation of raga but I don't like the way anchor asked questions from pandit ji..It's seems that he is not asking n showing his gyan to pandit ji...
Sir your explanation style is very good and it is very very helpful to us. Also Dr. Sameeran's interview taking style is very helpful to us. I use to follow your presentation. But from some interview & explanation we can't clear the consept of raag. So please sir think about it.
जब सब स्वर शब्द राग हमारी मातृभाषा में है तो अंग्रेज़ी को इतनी प्रधानता क्यूं दी जा रही है। कृपा करके हिंदी में बातें करें और अपनी मातृभाषा का पूरा सम्मान करें। बहुत 😢दुख होता है कि शास्त्रीय संगीत में केवल अंग्रेज़ी में बात करते हैं।
@@harmoniumteacher Very True... A nice idea to make the Hindustani Classical Music, which is purely in Hindi and other Indian regional languages, Universal.. I really appreciate this concept... Sir.
no offense… you are not even in the language you should suppose to? target audience is not sitting in london its us in india we understand English but we dnt understand the concept of you speaking in English we are not learning do re we are learning or hearing sa re… thank you
Address by the Achor must be in Hindi It is in Hindustan and we are all Hindus then to give this programme in English shows odd मैं चाहता हूं कि इस प्रोग्राम में अंग्रेजी का इस्तेमाल ना करके हमारी मातृ भाषा हिन्दी बोली जाय । धन्यवाद ।।
श्रीमान, हमारे हिन्दुस्तान में विशेष करके हिन्दी भाषी वाले लोग रहते हैं, कृप्या करके हिन्दी से भी समझाया करें आप विदेशी भाषा का प्रयोग करें परंतु साथ साथ में हिन्दी का भी प्रयोग किया करे, धन्यवाद एक संगीत प्रेमी 🌹🙏🌹😊👍👌😊
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Kopar ji is the honest Teacher .I salute him and I like most his honesty . Pranam kopar Sir ji
Koparkar Saab is so very generous in imparting training in the basics and advanced practical knowledge of Hindustani vocal.May God grant him longest & healthiest life.
Thank you very much for detail explanation .concept is too good ,तानसेन तैयार हो न हो कानसेन (good listeners )जरूर तैयार हो जायेंगे !
Dr. Sameeran Valvekar Sir doing great work, giving oppertunity to our english learners as well as vide publicity of our Sangeet attached to spirituality & also my Dearest Guruji vijay Koparkar Sir for his outstanding knowledge & his dedication for upliftment of our Bharatiya Sanger giving massage to this World. Thank you very very much Sir....
How simple pandit ji describe those raagas . Guru bin Gyaan nahi .
Wah such a good teacher.let this kind lessons be explained in different ragas by khoparkarji
Sooo very well explained the swaroop of Khamaj & such soothing singing 🙏🙏
Well lucidity explained ...KOPARKAR
GURUJI YOU ARE VERY KNOWLEDGEABLE AND PRESENTATION IS TOO GOOD
What a command , Sir..
I'm speechless... Sir
अप्रतिम पद्धतीने explain केले आहे. अत्यंत ज्ञानी कलाकार आणि ज्ञान देण्याची तितकीच आस दिसून येते. प्रश्न सुद्धा खूप उत्तम विचारले आहेत.
I salute the gentleman who presents this, as much as the Pandit Ji 🙏
The presenter makes it very clear for the learning community by asking many doubts that would have been aroused by the audience.
Later videos we don't see this kind of commitment from Mr Mukund who only tries to show off his singing instead of seeking the knowledge from the invited great musicians... Please start more videos like this, with this presenter who has a good knowledge and a good discipline which is important in classical music... And also conduct the program in English language so the audience from all over the world is blessed to learn. Thank you for your amazing program...
Amazing tutorial, very very informative.. Thanks to the entire team, specially Guru Pt. Vijay Koparkar Ji. Pranaam 🙏
Very interesting way of explaining classical music. Vijayji makes it so informative , difficult structures of raga made easy to understand, very useful to learners .
😅😅 nee
Best performance
Very nice teaching program.
Regards to every one 🙏🙏💐💐
EXCELLENT...nicely explained 👌👌🙏
Brilliant khamaj explanation amd application to my sarod playing iqbal Naroth south africa
Thank you for teaching us,,wahwah
अप्रतिम सर , तुम्ही अतिशय सुरेख, खमाज अंग समजावलं धन्यवाद सर
Vijayji, Aapanas khup khup Dhanyawad karan navashikyansathi evade sundar badhatiche aalap drukhshravya padhatinche sadarikaran pahun khupach aanand zala. Ek vinanti hoti, asech ajun kahi raganche hyach padhatinche sadari karan vhave jene karun sarwanna tyacha labh milun shakel. Dhanyawad.
Panditji, sir, you are teaching very nicely,
I am learning so much from you, 🙏🙏Thank you.
Very nice detailed explanation of rash Khamaj. Thank you sir!
Very helpful to learners❤
Can only appreciate the pedagogy .. one need to practice daily to understand the nuances of the raga..
Wonderful discussion. Learn many things form here. Thank you.
Sir it'svery beautifully explained
खुप छान सर ,खमाज थाट विविध छटा विस्तारित सांगितल्या बद्दल धन्यवाद .
The best exploration thank you sir
Beautiful... and knowledgeable..
I just to note the Sanvadi is Ni not dha in Khamaj
Jin sangeet ke avishkar karne wale mahan purush huye h unko pranam jinhone manav jati ko yah uphar diye
Very informative video sir🙏
wonder full class....❤️
Beautiful 🙏🙏🙏
Khup sundar sir ajun apalyala aase video soda
Thank you so much for the well explanation and Thumri punch
खूप छान गुरुजी
Very informative but all these alaps, taans, and bandishies to be depicted on screen or seperately available then it will be of great use. Pl inform. Very good work
खूपच छान सर ..... tnq
Jst awesome.....
Excellent explanation!! 🙏🏽
Great sir
samvadi swara is ni in khamaj
Very nicely u explained sir
Accept my Hearty Pranam both of You Sirs, can I get full Address and Mob no of Gurujee ?? I m from Odisha. 🙏🙏🙏🙏🙏
Ni is sawadi sur in khamaj
Nice sir
সুন্দর
Nice lesson
सुंदर
Why some has put the thumsdown sign.they r jelous with who sings very wel
The learning comunity will be highly benfitd if the notation of the bandishes are displayed
Thank u Sir.....
🙏🙏🙏🙏🙏🙏🙏🙏🙏
very interesting
🙏🙏🕉🕉
Vijay sirs voice is soo soothing but the other guy s voice is soo harsh just can’t get over
Sir...whats the difference between 'khamaj' and 'manj khamaj' ?
Bhalo
But how u can use re in aroha u r making aalap d n s r
It is allowed as long as alaap descends from r. So d n s r, n d p., d n s r n s etc. can be used because r is being used in avaroha way. But phrase d n s r g is not allowed, because here r is used in aroha.
18:12
🙏🙏🙏🙏🙏
Thnx a lot to respected pandit ji for his humble presentation n explanation of raga but I don't like the way anchor asked questions from pandit ji..It's seems that he is not asking n showing his gyan to pandit ji...
You r right.. Anchor is the misfit.
Samvadi is Nishad and not Dhaivat.
English language te kio lecture ker rahe ho sir baat aap bharti sanskriti ki ker rahe ho
🙏🙏
Walvekar sir asking good question than previous guy
Sir your explanation style is very good and it is very very helpful to us. Also Dr. Sameeran's interview taking style is very helpful to us. I use to follow your presentation. But from some interview & explanation we can't clear the consept of raag. So please sir think about it.
Pranam Guruji
धन्यवाद
मस्तच खमाज
It is very annoying to listen English from the Anchor, if you listen this video frequently
जब सब स्वर शब्द राग हमारी मातृभाषा में है
तो अंग्रेज़ी को इतनी प्रधानता क्यूं दी जा रही है।
कृपा करके हिंदी में बातें करें और अपनी मातृभाषा का पूरा सम्मान करें।
बहुत 😢दुख होता है कि शास्त्रीय संगीत में केवल अंग्रेज़ी में बात करते हैं।
I fail to understand the reason of English commentary for Hindustani classical Music...??
It is this very short-sighted thinking that has kept Hindustani music from being more universally accepted outside of India.
@@harmoniumteacher Very True...
A nice idea to make the Hindustani Classical Music, which is purely in Hindi and other Indian regional languages, Universal..
I really appreciate this concept... Sir.
no offense… you are not even in the language you should suppose to?
target audience is not sitting in london
its us in india
we understand English
but we dnt understand the concept of
you speaking in English
we are not learning do re
we are learning or hearing sa re… thank you
Address by the Achor must be in Hindi
It is in Hindustan and we are all Hindus then to give this programme in English shows odd
मैं चाहता हूं कि इस प्रोग्राम में अंग्रेजी का इस्तेमाल ना करके हमारी मातृ भाषा हिन्दी बोली जाय । धन्यवाद ।।
God the interviewer is unbearable
श्रीमान, हमारे हिन्दुस्तान में विशेष करके हिन्दी भाषी वाले लोग रहते हैं, कृप्या करके हिन्दी से भी समझाया करें आप विदेशी भाषा का प्रयोग करें परंतु साथ साथ में हिन्दी का भी प्रयोग किया करे, धन्यवाद एक संगीत प्रेमी 🌹🙏🌹😊👍👌😊
ekdam sahi Hindi mae hona chahiye
Pranam guruji
🙏🙏🙏
🙏🙏🙏