Thank you for the two episodes! Hope you’ll keep creating these. For students who have moved away from their gurus because of jobs, etc or live outside of India but wanted to stay connected and relearn what they had learnt as children, this is very helpful! Thank you again
PANDITJI UPLOAD CHALAN OF SOME JOR RAGAS SUCH AS BASANT BAHAR, PANCHAM BHATIYARI ,ANJANI TODI AND MANY MORE. ALSO UPLOAD VIDEOS ON RAGANGA RAGAS, ALAP ETC.LOVE TO YOU BOTH. Arun dey
Thank you for the wonderful education on Ashavari. I have one query though. In one of the swar combinations, pandit ji has mentioned ni re sa ga re sa. Does that mean that ni is allowed in aroh on some occasions?
In the bandish in two places nishad to shadja is used.but nishad is varjya in aroha.is it ok to use nishad as arohatmak in the bandish?i am confused can the guru please clarrify my doubt
English is essential for international students. I think often text should uses in English language. English Dhrupad, Khyal and Thumri are established since 2016.It uses the note Do Re Me Fa So La Ti instead of SaReGaMa..
Bandish has some traces of Jaunpuri but that is fine. Many great gayaks (Omkarnath Pandit comes to mind) didn't think Jaunpuri was independent of Asawari but rather a part of it, and so older bandishes (esp this bandish of Miya Sadarang) and in certain gharanas Asawari is sung containing some Jaunpuri anga.
Mohit Kumar haha I agree with what you’re saying, which is why I think Komal Rishabh Asawari was sung more predominantly. But calling this Jaijaivanti is a bit prosperous to me 😂
Very good teaching...! Excellent demonstration of the phrases typical of the Raga... I’m just puzzled about why this video couldn’t simply be made in Hindi. After all, I doubt there is anyone aspiring to learn Hindustani Shastriya Sangeet that’s unable to understand/speak Hindi 🙂
It is exactly this type of thinking that has kept Indian music from having worldwide acceptance. There are many people who listen to, and want to learn Indian music but do not speak Hindi!
Although channel is good but is it for British people ?? हमारी राष्ट्र भाषा हिंदी है , भीमसेन जोशी जी भी और पंडित जसराज जी भी केवल तीसरी कक्षा पास थे । बहुत से अच्छे गायकों को अंग्रेजी नही आती। / मराठी अपली माय बोली आहे .
Explaining the Hindi classical music in English...What a bogus idea. The raag is असावरी and not आशावरी, as told by the person talking with singer. The singing is superb.
Good channel for Hindustani Classical Vocal learners.💐
खूप छान आणि स्वच्छ आलाप.. स्पष्टपणे कळतं आहे
Pranam 🙏🙏🙏🙏🙏
Thank you for the two episodes! Hope you’ll keep creating these. For students who have moved away from their gurus because of jobs, etc or live outside of India but wanted to stay connected and relearn what they had learnt as children, this is very helpful! Thank you again
Beatifully explained.is there another episode.
Guru Vijay ji ko koti koti naman ❤❤
I am from Sri Lanka. Thank u 🙏 very much sir.
Panditji explanation is super for Learning which inspired me to take attention seriously. Thanks a lot
Excellent, helpful to মাসিক learners
Excellent ! Namaste Sir.
Vaah Panditaji, excellent explanation 🥰🙏🙏🙏🙏❤️
Just flawless,awesome excellent ,clear explanation with everything, Bravo please keep it up in this manner!!!!!
এই সংগীত শুনে মন চলে যায় অন্য জগতে আর যিনি গেয়েছেন তার প্রতি অসীম শ্রদ্ধা আর ভক্তির এক অপূর্ব অনুভূতি জেগে ওঠে। আমার প্রণাম নেবেন।
Nice presentation sir 🌹
This is amazing stuff especially that the explanation is in English from UK 🙏
I liked the bandish in teental,comparison with some near ragas,aalap and taan
Thank u so much ❤️,for rag asavari details...pt.ji🙏🙏❤️
Greatest effort. Keep it carry on
Excellent 👌 ..💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕
वाह , छान , विजय जी
Excellent teaching
Wah.wah wah.
PANDITJI UPLOAD CHALAN OF SOME JOR RAGAS SUCH AS BASANT BAHAR, PANCHAM BHATIYARI ,ANJANI TODI AND MANY MORE. ALSO UPLOAD VIDEOS ON RAGANGA RAGAS, ALAP ETC.LOVE TO YOU BOTH. Arun dey
Well explained ,Really helpfull chanl.
Thank you so much.Pranam
The real Guru !
Please explain difference between Jaunpuri and Aasavari,please 🙏🙏🙏
Nice presentation
15:50
Thank you for the wonderful education on Ashavari. I have one query though. In one of the swar combinations, pandit ji has mentioned ni re sa ga re sa. Does that mean that ni is allowed in aroh on some occasions?
Namskar gurujji 🙏🙏
🎉🎉
Clearly explained 🙏
I request you to explain all main ragas from all 10 that's in same manner please 🙏🏼☺️
🙌💐🙏👍
Ca u pls let me know tha lyrics of this chota khyal...
Very nice guruji
In the bandish in two places nishad to shadja is used.but nishad is varjya in aroha.is it ok to use nishad as arohatmak in the bandish?i am confused can the guru please clarrify my doubt
Very very Raag and song
Very nice
English is essential for international students. I think often text should uses in English language. English Dhrupad, Khyal and Thumri are established since 2016.It uses the note Do Re Me Fa So La Ti instead of SaReGaMa..
What do you want to implement ?
The bandish notations violate asawrari and make it jaijaivanti because there is Ni(k) sa re in it in the antara's second line.
Would it not just be jaunpuri if he used the nishad. Because jaijaivanti uses both gandhars and nishads ?
Bandish has some traces of Jaunpuri but that is fine. Many great gayaks (Omkarnath Pandit comes to mind) didn't think Jaunpuri was independent of Asawari but rather a part of it, and so older bandishes (esp this bandish of Miya Sadarang) and in certain gharanas Asawari is sung containing some Jaunpuri anga.
Mohit Kumar haha I agree with what you’re saying, which is why I think Komal Rishabh Asawari was sung more predominantly. But calling this Jaijaivanti is a bit prosperous to me 😂
@@Blissful_seeker Yes I agree with you, am sorry for the confusion. This is definitely not Jaijaiwanti :)
Wonderful teaching
Very nice Sir 🙏🎶
Panditji's rendition is heavenly. And his explanations reflect his modesty. In contrast, the interviewer seems overbearing.
Sanjeevappa Nagesh I thought I was the only one who felt it like that
Interviewer is very annoying I have to forward him all the time
Very good teaching...! Excellent demonstration of the phrases typical of the Raga... I’m just puzzled about why this video couldn’t simply be made in Hindi. After all, I doubt there is anyone aspiring to learn Hindustani Shastriya Sangeet that’s unable to understand/speak Hindi 🙂
Hindi kaprayogkaren
It is exactly this type of thinking that has kept Indian music from having worldwide acceptance. There are many people who listen to, and want to learn Indian music but do not speak Hindi!
Absolutely there are many people who doesn't know hindi, but extremely interested in learning classical music
Great guru but only for artiest nor for beginer
Thank uh sir
Thank you so much sir🙏🌹💖
I am very please sir
Although channel is good but is it for British people ?? हमारी राष्ट्र भाषा हिंदी है , भीमसेन जोशी जी भी और पंडित जसराज जी भी केवल तीसरी कक्षा पास थे । बहुत से अच्छे गायकों को अंग्रेजी नही आती। / मराठी अपली माय बोली आहे .
Sir,
I felt more like a jaunpuri
Explaining the Hindi classical music in English...What a bogus idea.
The raag is असावरी and not आशावरी, as told by the person talking with singer.
The singing is superb.
Very good