Thanks Jeremy! Seeing the middle of the bar is still a favorite! I've been using MuseScore to notate some Circle of Fifth chord voicings for a post-Jazz II online group... Do you have any tips for enharmonics once it becomes double flats and sharps? Beam me up, Scotty!
The best short answer I know of is that flats are generally preferred, except for C#mi and F#mi. No two tones belonging to the same scale can be written on the same line or same space. Also, no two tones may have the same name or the same letter: such as C and C#, or Eb and E. These should be written as C and Db, or D# and E.
Beam me up Scotty - I was entertained by some of the crazy. It’s amazing how fast you stop thinking about here things when using electronic notation most of the time.
I was fortunate to take a college course from George Heussenstamm, the author of The Norton Manual of Music Notation. He focused on learning the skill of handwriting legible notation quickly. To this day, I’m much faster using a good pencil (Blackwing 602), triangle, and paper, than any electronic notation program.
@@JeremySiskind Composing is a completely separate process from playing for me. I usually start with a sketch of the form. Something like: Intro 1, Intro 2, A, Interlude, Solo, Interlude, Solo 2, B, Outro. Then it’s just a matter of assembling musical material to fill those sections, and crafting it to fit together as musically as I know how.
Beam me up, Scotty! Glad I knew most of these notation rules!
I'm glad too! 😉 Having legible charts sure does help people read....
Excellent,Sir. Great topic,Jeremy.🌹🌹😎🌹🌹 I received some cool tips. BEAM ME UP SCOTTY!!!!
I learned a few things. Thanks for sharing. Beam me up, Scotty!
Awesome! Thanks for watching!
Thanks Jeremy! Seeing the middle of the bar is still a favorite! I've been using MuseScore to notate some Circle of Fifth chord voicings for a post-Jazz II online group... Do you have any tips for enharmonics once it becomes double flats and sharps? Beam me up, Scotty!
It's so important! Thanks for watching, Chris!
The best short answer I know of is that flats are generally preferred, except for C#mi and F#mi. No two tones belonging to the same scale can be written on the same line or same space. Also, no two tones may have the same name or the same letter: such as C and C#, or Eb and E. These should be written as C and Db, or D# and E.
Beam me up Scotty - I was entertained by some of the crazy. It’s amazing how fast you stop thinking about here things when using electronic notation most of the time.
I was fortunate to take a college course from George Heussenstamm, the author of The Norton Manual of Music Notation. He focused on learning the skill of handwriting legible notation quickly. To this day, I’m much faster using a good pencil (Blackwing 602), triangle, and paper, than any electronic notation program.
Very cool! It is becoming a lost art, but there is a pleasure in working with pencil and paper, no?
@@JeremySiskind Composing is a completely separate process from playing for me. I usually start with a sketch of the form. Something like: Intro 1, Intro 2, A, Interlude, Solo, Interlude, Solo 2, B, Outro. Then it’s just a matter of assembling musical material to fill those sections, and crafting it to fit together as musically as I know how.
Definitely learned some things, and stayed for the entire video
Beam me up, Scotty!