Gracias for your demonstration! The magical passes themselves have lead me to "not-do" them in a peculiar mood. So, of course, every practitioner has their own flavor. Thanks again!
Hallo, watching your impeccable performance just brings me literally back to the mood of the Westwood seminar in 96 where I learned these movements (I never stopped practicing them) ... Just one question concerning a detail: It's about the 9th movement, Bringing Energy to the Center for Decisions from the Knees. It starts with two circles of the left hand and a diagonal whipping strike on the level of the center for decisions. You do the two circles with the hand already in the position of holding a whip. I remember it slightly different: The two circles are done with the open hand, palm facing down, on the level of the center, and only in the end of the second circle the thumb and the index grab an imaginary whip and strike diagonally. The description of the book also says: "The left hand and arm draw two circles about a foot in diameter in front of the V spot, a bit toward the left (fig. 136). The palm of the hand is facing downward. Once the second circle has been drawn, the forearm is raised to the level of the shoulder and the hand strikes away from the face, diagonally to the right, at the level of the V spot, with a flick of the wrist, as if holding a whip (fig. 137). The same movement is performed with the right hand". It's true that fig. 136 does not show an open hand, but the description seems to be clear. - But maybe you practiced it in the Sunday Classes a little bit different than at the Westwood seminar? It's surely not very important, but I'd like to know wheter there are perhaps two "valid" versions of this technique ...
@palisanderverlag986 Hi! Thank you! Regarding your question, I've never given it much thought, but now that you mention it, I think it could done both ways. I would say that if you went to the workshop and remember it differently, you should do it that way, because for this one, I don't have any specific instructions that I remember. I can make a short video showing that alternative.
Thank you very much for showing us this🙏Is there a way to ask questions and share what I experience when I do these exercises? Kind regards from Switzerland Priska
Hi! it is possible that the arms are a little low, particularly when coming up. You don't see what you do until you film it and then find out every little detail! That's why these things should be done with several takes, looking at what you do and correcting them, but I just did one shot for each pass!
Thanks for these good and clear videos. I hold your hands from far away.
Glorious to see ❤
Thank you for this fierce and inspiring demonstration. Full action!
You are welcome!
Thank you for this detailed and powerful demonstration. Looking forward to see more demonstrations :) Lovely regards from germany.
You're very welcome!
Excellent! Many, many thanks!
Thank you so much. Wonderful and powerful
You are so welcome
Gracias for your demonstration!
The magical passes themselves have lead me to "not-do" them in a peculiar mood. So, of course, every practitioner has their own flavor.
Thanks again!
You are welcome!
thanks! Some friends and I are using your video as a reference to practice together!
Fantastic!
thank you very much!
Welcome!
Hallo, watching your impeccable performance just brings me literally back to the mood of the Westwood seminar in 96 where I learned these movements (I never stopped practicing them) ... Just one question concerning a detail: It's about the 9th movement, Bringing Energy to the Center for Decisions from the Knees. It starts with two circles of the left hand and a diagonal whipping strike on the level of the center for decisions. You do the two circles with the hand already in the position of holding a whip. I remember it slightly different: The two circles are done with the open hand, palm facing down, on the level of the center, and only in the end of the second circle the thumb and the index grab an imaginary whip and strike diagonally. The description of the book also says: "The left hand and arm draw two circles about a foot in diameter in front of the V spot, a bit toward the left (fig. 136). The palm of the hand is facing downward. Once the second circle has been drawn, the forearm is raised to the level of the shoulder and the hand strikes away from the face, diagonally to the right, at the level of the V spot, with a flick of the wrist, as if holding a whip (fig. 137). The same movement is performed with the right hand". It's true that fig. 136 does not show an open hand, but the description seems to be clear. - But maybe you practiced it in the Sunday Classes a little bit different than at the Westwood seminar? It's surely not very important, but I'd like to know wheter there are perhaps two "valid" versions of this technique ...
@palisanderverlag986 Hi! Thank you! Regarding your question, I've never given it much thought, but now that you mention it, I think it could done both ways. I would say that if you went to the workshop and remember it differently, you should do it that way, because for this one, I don't have any specific instructions that I remember. I can make a short video showing that alternative.
@@SorceryPasses Thank you for your answer! It might not be bad to show sometimes different versions ...
wow que hermoso poder ver todos esos detalles que se escapan con la explicación de libro! gracias!!!
De nada! Acá esta la version en castellano: ruclips.net/video/Hb57yuJZQyw/видео.html
@@SorceryPasses que genia😍😍
Thank you very much for showing us this🙏Is there a way to ask questions and share what I experience when I do these exercises? Kind regards from Switzerland Priska
Hi Priska, you can ask here or in the reddit group at www.reddit.com/r/castaneda/
精彩的实践
Thanks!
yes
The center for decision is at the clavicle, not above the hips. Your movements aim at the vital centers, not the center for decision.
Hi! it is possible that the arms are a little low, particularly when coming up. You don't see what you do until you film it and then find out every little detail! That's why these things should be done with several takes, looking at what you do and correcting them, but I just did one shot for each pass!
@RetelTulio what a pertinent critique! And where may I ask is your (presumably perfected) version of this magical pass?
@@edencollins3430 In the book entitled Magical Passes by Carlos Castaneda (fig. 126)