How extreme beauty! 😢❤ He lets the Interude speak by bass-baritone voice. For me it's like late Brahms speaks he's own voice about endless but mature and disilussionsless love to life and beauty...
Happened upon this maestro gifting me with this incredible piece that first brought me to Brahams. One of the best melodies ever composed, here so tenderly played. I’m so glad I discovered Luisasa. Thank you!
Aaah, I was just wondering how you were.. if you've played recently. I have watched your lessons on Chopins Mazurka and Gnoissiene, Satie. Capturing the feel of Chopins longings both high and so low. I hope you are well and, indeed ...play on!!🎉🎶💕🌹🌹🌹🌹
Ohhhh il me fait penser au monsieur dans ratatouille la j'ai oublier son prénom 😂 même il retombe en enfance quand il goûte la ratatouille c'est trop lui en vrai
...much too fussy! Liisada's incessant, self-indulgent "nuances" amount to nothing more than the smarmy gilding of the lily...Brahms expressed himself so beautifully, and a truly sensitive musician would realize this. Luisada's unnecessary and often exaggerated nuances are the musician's equivalent of virtue signaling. " Listen to me! Can you believe how sensitive I am! " This is an interpretation that stands between the listener and his ability to appreciate the true beauty of the music.
How extreme beauty! 😢❤ He lets the Interude speak by bass-baritone voice. For me it's like late Brahms speaks he's own voice about endless but mature and disilussionsless love to life and beauty...
Ancora Grazie. A Brahms e a lei Jean Marc Luisada.
2:41 Omg.. the change in focus to the Baritone voice… I got chills lol.
Exceptional rendition. My mind never wandered, nor did my feelings. Not easy to do with this piece.
Happened upon this maestro gifting me with this incredible piece that first brought me to Brahams. One of the best melodies ever composed, here so tenderly played. I’m so glad I discovered Luisasa. Thank you!
男性の大きな手で奏でる柔らかい音がより情緒的に響きますね。素敵です💓
好美的旋律。❤每個音都深深感動著我
Magnifique interprétation. Merci pour ce cadeau et Bravo Mr LUISADA.
聲音 非常乾淨 情感自然流露於指尖 ， 大師配名琴 再加上好的錄音記錄下來。非常棒～
Aaah, I was just wondering how you were.. if you've played recently. I have watched your lessons on Chopins Mazurka and Gnoissiene, Satie.
Capturing the feel of Chopins longings both high and so low.
I hope you are well and, indeed ...play on!!🎉🎶💕🌹🌹🌹🌹
Escuchar el Intermezzo de Brahms… al estarse despidiendo de este mundo.
この方はもう意味がわからないくらい上手い
Wonderful!
Meraviglioso!
Bravo!👏👏👏👏👏❤️❤️❤️
Bravo 👏👏👏👏👏
Better than the Gould!!!!!🌹🌹🌹🌹🌹🌹
Infinitely better!
👏👏👏
his interpretations must have been inspired by Gould s recording ...!
左手が歌い始める時の感じ、フィガロの結婚の二重唱のA-Durへの転調…………を思い起こさせる。
Ohhhh il me fait penser au monsieur dans ratatouille la j'ai oublier son prénom 😂 même il retombe en enfance quand il goûte la ratatouille c'est trop lui en vrai
hello waaaaaaa waaaaaa
Lass doch die Flossen an der Tastatur anstatt sie nach jedem Anschlag hochzureissen
...much too fussy! Liisada's incessant, self-indulgent "nuances" amount to nothing more than the smarmy gilding of the lily...Brahms expressed himself so beautifully, and a truly sensitive musician would realize this. Luisada's unnecessary and often exaggerated nuances are the musician's equivalent of virtue signaling. " Listen to me! Can you believe how sensitive I am! " This is an interpretation that stands between the listener and his ability to appreciate the true beauty of the music.