Bernadette Murphy: Van Gogh and Gauguin | National Gallery

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  • Опубликовано: 24 ноя 2019
  • Gauguin's stay at the Yellow House is mired in controversy. What really happened? Bernadette Murphy, author of 'Van Gogh's Ear: The True Story', considers those fateful days from Gauguin’s point of view.
    The Credit Suisse Exhibition: Gauguin Portraits
    7 October 2019 - 26 January 2020
    Book tickets online and save, Members go free: bit.ly/2IspPWH
    The first-ever exhibition devoted to the portraits of Paul Gauguin. Spanning his early years as an artist through to his later years spent in French Polynesia, the exhibition shows how the French artist revolutionised the portrait.
    Exhibition organised by the National Gallery and the National Gallery of Canada, Ottawa.
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    The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
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Комментарии • 21

  • @RoulinBrooks
    @RoulinBrooks 4 года назад +11

    Bernadette does an outstanding job in her talk. Engaging and informative. Which, if you've read her book, is what you'd expect. She's an incredible researcher and writer.

  • @AI-xs4fp
    @AI-xs4fp 4 года назад +13

    By far the most in depth look at the tumultuous period in Arles. So well done! Could have gone on listening for hours.

  • @ChillVanille
    @ChillVanille Год назад +2

    That was amazing. She is such a great speaker.

  • @stuartayre7618
    @stuartayre7618 4 года назад +5

    This lecture was well worth watching. There were a couple of photos I hadn’t seen and I also like the mock-up of Gauguin’s room in the Yellow House.

  • @lydieferrand6598
    @lydieferrand6598 3 года назад +1

    Thank you ! Un récit très vivant et documenté de cette courte et tumultueuse amitié.

  • @enicander4137
    @enicander4137 Год назад +1

    Loved the book!

  • @purpigment
    @purpigment 4 года назад +3

    Thank you, a pleasure to listen to and a genuine attempt to understand and convey what transpired in 1888 between two artists whose lives were filled with such poignant Beauty and Sorrow as depicted in their paintings during their brief sojourn together.

  • @essejd
    @essejd 2 года назад +1

    Thanks for that, it was very intriguing 💐

  • @m.i.miller8008
    @m.i.miller8008 3 года назад +1

    This is absolutely a outstanding video. Very informative and was a pleasure to watch. A wonderful talk.

  • @kayfletcher4169
    @kayfletcher4169 3 года назад +1

    A wonderful talk. Learned so much from this. Thank you.

  • @milododd
    @milododd 4 года назад +6

    Wonderful lecture. Audio is fairly quiet, however.

  • @carolynhurlburt3054
    @carolynhurlburt3054 4 года назад +1

    turned up audio full strength but still couldn't hear her. sorry.

  • @stevebuk100
    @stevebuk100 4 года назад +4

    i have my computer turned up full and still cant hear her, shame..

  • @krisshackle5556
    @krisshackle5556 2 года назад

    Would have loved to listen to the whole thing but the sound level is much too quiet even after trying to listen on different devices.

  • @annonomysperson9664
    @annonomysperson9664 4 года назад +1

    30.53 painted by Gauguin or Vincent. ?

  • @demistoclesps5465
    @demistoclesps5465 4 года назад

    Consideración desdre to south, nowless un situación, must work me, suspect see Velázquez ,stop

  • @darklingeraeld-ridge7946
    @darklingeraeld-ridge7946 4 года назад +1

    Enjoyable and interesting to see the aerial photographs, but really there is not even the beginning of a convincing case - nothing that would stand up in court, or even compelling anecdotally. The statement that Bernadette Murphy makes at the beginning is fair enough - that it is a presentation from Gauguin's point of view. But that he made those very cryptic and sparse jottings after the events, then inconsistent accounts later for the autobiography, "proves" nothing. The thin facts being as they are (for what matters not that much anyway, set against the art) the only creditable approach must be to combine ALL the evidence.