One of the best Interpretations of Gerschwins Rhapsody in Blue that I have ever heard....Wonderful orchestra soloists, beautiful collabaration with orchestra and Soloist!!!! Just grand!!!
I didn’t know that Gershwin had an extended version of Rhapsody In Blue. If it doesn’t exist, then, I am sure that George Gershwin would be proud of this performance. Bravo to the conductor/pianist!
Truly made me cry with that awesome soft jazz solo bringing back this piece and the genre to its african american roots, one of the best versions in the entire history of this piece!
Quelle belle surprise! Une version de la Rhapsody in blue rafraichie, avec des parties improvisées. Ce n'est pas un sacrilège que de changer ou rajouter des notes dans une partition dite "classique". La musique est faite pour être revisitée; les compositeurs comme Bach et bien d'autres passaient leur temps à remanier leurs propres œuvres ou arranger celles des autres (ex: le concerto pour 4 violons de Vivaldi transcrit par Bach pour 4 pianos). Et c'est une bonne chose que ce soit un afro-américain qui ait pris la chose ne main, car cette musique, c'est du jazz, c'est leur musique! Et Wayne Marshall possède manifestement tout le talent et les compétences pour ce faire. Les musiciens de l'orchestre national d'IDF ont joué le jeu, et j'ai remarqué les sourires admiratifs et approbateurs de nombreux musiciens de l'orchestre. Merci beaucoup !!!
It was standard for soloists to provide their own cadenzas in the nineteenth century. Gershwin used the same tradition: Grofe's original orchestration was only for the orchestral musicians
Bravo Maestro Wayne Marshall. This is the best version of Rhapsody in Blue I've ever seen! "Velvet gloves, iron fist" playing! Sweet but "no nonsense', masterful, entertaining and enriching enthusiasm! You've made my day! Thank you! And thank you as well for your inspiration back in 1998 at the Bregenz Festspiele for those performances of Porgy and Bess.
Maestro Wayne Marshall’s rehearsed though innovative improvisation of the Rhapsody in Blue is a very eloquent, and grand piece turning the Rhapsody into an extremely expressive variation yet retaining Gershwin’s masterwork. His varied swings away from the true melody still retaining a full measure of the original is very surprising throughout and spellbinding. His incorporation of taking pieces of the Rhapsody into still more elements of a jazzed style was so on point bringing us and the members of the orchestra to look fixedly at him and listen to the marvelous interpretations of what was a very different manner in which to approach the piece. A totally enjoyable experience especially when he motioned for the orchestra to join him in Gershwin’s finalization of the music. Marshall is a master of his craft deserving great praise for this variation.
Great interpretation, superb musicians one and all. First class audio and video qualities too. When I compare to Leonard Bernstein and Andre Previn versions, great as they were, Wayne Marshall's performance leaves me thinking I am hearing a whole new 'Rhapsody' - pretty exciting. Thanks
I first heard Rhapsody in Blue conducted by Leonard Bernstein when I was 12, many decades ago and I’ve been listening ever since💕 I have to say, this interpretation of Gershwin’s Rhapsody in Blue was the most creative and jazzy/classical piece I’ve ever heard. What a trip!!
deformar una obra me parece absurdo. Me gusta escuchar la version original del maestro Gershwin, que merito tiene deformar una obra, porque si tantas ganas de hacer musica, hagan sus propias obras.
Wayne Marshall brought out the underlying engine of Rhapsody In Blue which was Jazz, which The African-American KNEW what it meant. It helped the blackman cope with life in racist USA. The African-American used Gospel on Saturdays and Sundays to seek God, and from Monday To Friday used Jazz to cope with everyday life in a racist America. So you can feel that Rhapsody In Blue has soul in it.!. Wayne played his heart out there! . The guy has got soul!
Great music, but did he save a baby from a burning fire or something? I wasn't aware he was a HERO. Maybe he is also a teacher since I saw a billboard last week say that all teachers are heroes. That word used to mean something
Wonderful. I've heard this song at the age of 10 years . Soft and strong at the same time. Great performance by the musicians on this classic from George Gershwin.
Ok, two years ago, I stated Maestro Marshall had me until minute 6:00, then no thanks. I just listened to the performance again and I now am love with the entire piece. What on earth could have I been thinking!!!
This performance is a perfect 21st century mirror to bernstein's 1959 performance with the columbia orchestra (the best recording of this piece ever imo). Magical performance
This is excellence personified. Rhythmic, exciting and bursting with life, and unique and very intelligent interpretation with wonderful beat changes and sense of style. Gershwin himself would have been supremely impressed! 💯❤️
First, I had to check to make sure my video playback wasn't set at 1.25 speed. I'm not accustomed to hearing this piece played at such quick a pace, but I ended up loving it---especially Marshall's little variations here and there. Great job!
Without a doubt, Wayne's personal musical voice is equal to that of Leonard Bernstein. In addition, the entire orchestra in both ensemble balance and solos is perfection, as is the video and audio production.
oh god it is always those two parts that is so unique and blends well, the gliss for the intro to reach that high beautiful note and the brass doing the melody at 0:51
The 10 down votes are from armchair critics that know nothing about music, jazz, piano, technique, music composition, improvisation, jazz history, and have no class. This is one of the best musical things I have ever heard. Period. Fight me.
Il adore improviser. En decembre il était ici à Lyon pour diriger l'opéra Candide de Bernstein, et il a improvisé à l'orgue sur la musique de cet opéra au cours d'un concert d'orgue qu'il donnait bénévolement pour la restauration de l'orgue Cavaillé-Coll de l'église St François de Sales.
Interprétation très rapide. Quasiment frénétique. Ne plaira pas à tous. Mais il faut admettre que ce rythme convient fort bien à cette pièce. L'une des meilleures interpréations que je connaisse. Bravo and cheers from Montréal
WWWWWWWoauuh! Je suis completement sur le cul! Ca decoiffe, on a le sourire du debut a la fin! C'est frais, c'est amusant, et réinventé! Tout en restant techniquement irreprochable! Chapeau M. Wayne Marshall! Et bravo l'orchestre qui est parfait saans bcp de direction.
The orchestra really boogies Grofe’s instrumental parts. Mr Marshall plays the piece like a jazzed up Mozart, adding and jiving Gershwin ‘s part with advanced cadenzas and riffs.
A British pianist, conducting a French orchestra completely sent Gershwin into the stratosphere!
Wayne, you never cease to amaze me!
One of the best Interpretations of Gerschwins Rhapsody in Blue that I have ever heard....Wonderful orchestra soloists, beautiful collabaration with orchestra and Soloist!!!! Just grand!!!
No doubt! Thank you Mr Wayne and company.
THE CADENZAS!!!! You see it in the musicians, Maestro Marshall did an unforgetable homage to Gershwin.
Incredible . . .... !!! . . . .Bravo Maestro . .. !!! . .. Thank You. ... . . !!!
I didn’t know that Gershwin had an extended version of Rhapsody In Blue. If it doesn’t exist, then, I am sure that George Gershwin would be proud of this performance. Bravo to the conductor/pianist!
This sounds jazz-improvised and not some original extended version.
The improvisations (of course), the conducting, the orchestra : this is the best Rhapsody in Blue I ever heard ... if not the best ever.
Truly made me cry with that awesome soft jazz solo bringing back this piece and the genre to its african american roots, one of the best versions in the entire history of this piece!
😍
Fantastic rendition! Wayne tickles the Ivory and conducts with his eyes...
Quelle belle surprise! Une version de la Rhapsody in blue rafraichie, avec des parties improvisées. Ce n'est pas un sacrilège que de changer ou rajouter des notes dans une partition dite "classique". La musique est faite pour être revisitée; les compositeurs comme Bach et bien d'autres passaient leur temps à remanier leurs propres œuvres ou arranger celles des autres (ex: le concerto pour 4 violons de Vivaldi transcrit par Bach pour 4 pianos). Et c'est une bonne chose que ce soit un afro-américain qui ait pris la chose ne main, car cette musique, c'est du jazz, c'est leur musique! Et Wayne Marshall possède manifestement tout le talent et les compétences pour ce faire. Les musiciens de l'orchestre national d'IDF ont joué le jeu, et j'ai remarqué les sourires admiratifs et approbateurs de nombreux musiciens de l'orchestre. Merci beaucoup !!!
I’m sitting here with happy tears in my eyes. This was the most WILD and REFRESHED version of this piece I’ve every heard and I LOVED IT!!!!✨🤩✨
What a dazzling cadenza thrown in there! I just LOVE when the conductor sits down and totally blow your mind with an instrument.
It was standard for soloists to provide their own cadenzas in the nineteenth century. Gershwin used the same tradition: Grofe's original orchestration was only for the orchestral musicians
Yes, truly beautiful!
His beautiful playing went through my body!!!!
Bravo Maestro Wayne Marshall. This is the best version of Rhapsody in Blue I've ever seen! "Velvet gloves, iron fist" playing! Sweet but "no nonsense', masterful, entertaining and enriching enthusiasm! You've made my day! Thank you! And thank you as well for your inspiration back in 1998 at the Bregenz Festspiele for those performances of Porgy and Bess.
And that crazy elegance
What a fun and exciting performance, just might be my new favourite interpretation!
Maestro Wayne Marshall’s rehearsed though innovative improvisation of the Rhapsody in Blue is a very eloquent, and grand piece turning the Rhapsody into an extremely expressive variation yet retaining Gershwin’s masterwork. His varied swings away from the true melody still retaining a full measure of the original is very surprising throughout and spellbinding. His incorporation of taking pieces of the Rhapsody into still more elements of a jazzed style was so on point bringing us and the members of the orchestra to look fixedly at him and listen to the marvelous interpretations of what was a very different manner in which to approach the piece. A totally enjoyable experience especially when he motioned for the orchestra to join him in Gershwin’s finalization of the music. Marshall is a master of his craft deserving great praise for this variation.
The music cannot represent modern Western civilization. Modernity should be about rejecting shameless tonal music just like Gershwin's.
Great interpretation, superb musicians one and all. First class audio and video qualities too. When I compare to Leonard Bernstein and Andre Previn versions, great as they were, Wayne Marshall's performance leaves me thinking I am hearing a whole new 'Rhapsody' - pretty exciting. Thanks
I first heard Rhapsody in Blue conducted by Leonard Bernstein when I was 12, many decades ago and I’ve been listening ever since💕
I have to say, this interpretation of Gershwin’s Rhapsody in Blue was the most creative and jazzy/classical piece I’ve ever heard. What a trip!!
deformar una obra me parece absurdo. Me gusta escuchar la version original del maestro Gershwin, que merito tiene deformar una obra, porque si tantas ganas de hacer musica, hagan sus propias obras.
I have fallen in love with Rhapsody in Blue all over again.
Inspired and inspiring.
Wayne Marshall brought out the underlying engine of Rhapsody In Blue which was Jazz, which The African-American KNEW what it meant. It helped the blackman cope with life in racist USA. The African-American used Gospel on Saturdays and Sundays to seek God, and from Monday To Friday used Jazz to cope with everyday life in a racist America. So you can feel that Rhapsody In Blue has soul in it.!. Wayne played his heart out there! . The guy has got soul!
Apt comment!
Channeling Gershwin! This honors the Soul of Gershwin like nothing I've ever heard before honors Gershwin. Bravo!
Original JAZZ !! Bravo !!
Top man who understands his craft. Wayne Marshall, absolute Hero
Great music, but did he save a baby from a burning fire or something? I wasn't aware he was a HERO. Maybe he is also a teacher since I saw a billboard last week say that all teachers are heroes. That word used to mean something
Is he not from Barbados?
@@robwilliams2265pathetic
The best ever version of the Rhapsody
Commanding performance of an old favorite; and my first LP as a 12 year old!
This is truely so beautiful!
the cadenza was of a staggeringly genius level
Wow, Wayne Marshall. I am a fan for real now. That was one of the best renditions of Rhapsody in Blue I've heard.
Wonderful. I've heard this song at the age of 10 years . Soft and strong at the same time. Great performance by the musicians on this classic from George Gershwin.
Fine, original, soft and modern arrenge and interpretation of the most beautifull of Gershwin.
Ok, two years ago, I stated Maestro Marshall had me until minute 6:00, then no thanks. I just listened to the performance again and I now am love with the entire piece. What on earth could have I been thinking!!!
I thought Maestro Wayne Marshall delivered a fantastic performance. His orchestra support him so well!
Incredible! Our Mom Eden also played this piece with the same beat "jazz". No orchestra just piano. Love this version.
This performance is a perfect 21st century mirror to bernstein's 1959 performance with the columbia orchestra (the best recording of this piece ever imo). Magical performance
Outstanding! Thank you Maestro Marshall.❤️👏🏻👏🏻👏🏻
Wayne Marshall is brilliant. The orchestra is amazing ❤️👍🏾
I have been listening to this song for years and have never heard a better version than this one. Thanks for sharing!
I want to marry the cellist lady with that reaction at 6:48... And Mr. Marshall, you are pure genius - thank you from the bottom of my heart!...
I love Gershwin, and this is the best interpretation I've listen since many years! Bravo!
Superbe! Excellente qualité d'enregistrement.
magnificent, mr. marshall. ochestra also great. thank you very much !
This is excellence personified. Rhythmic, exciting and bursting with life, and unique and very intelligent interpretation with wonderful beat changes and sense of style. Gershwin himself would have been supremely impressed! 💯❤️
Thank you, Maestro Marshall ! It was very exciting and beautiful performance. Congratulations!
First, I had to check to make sure my video playback wasn't set at 1.25 speed. I'm not accustomed to hearing this piece played at such quick a pace, but I ended up loving it---especially Marshall's little variations here and there. Great job!
GOOSEBUMPS!!!...♬
Thank you so much 🎼💙
wow……..never heard this lovely concerto perform better!! and the cadenza….wow….
Extraordinary! Bravo, Maestro!
Personalísima versión de un "clásico" de Gershwin. Excelente Marshall como pianista y director
Totally free and totally Gershwin !
Bravo, Take that Leonard!
Wow he just makes you want to listen and listen and listen he's a genius
Without a doubt, Wayne's personal musical voice is equal to that of Leonard Bernstein. In addition, the entire orchestra in both ensemble balance and solos is perfection, as is the video and audio production.
Tout simplement magistral !!! 🎹❤️❤️❤️❤️🙏
Truly a masterful performance and interpretation. George would be proud.
Performances like this one always remind me that pursuing music was the right choice. Thank you from the bottom of my heart, maestro Marshall.
i love the band an orchestra collab.. its SOO majestic! KEEP UP!!!
This is really great. The liberties of this are incredible to hear.
The most beautiful version yet
Virtuos und hervorragend! Vielen herzlichen Dank für diese wunderschöne Interpretation!
Magnifique ! Merci ! Francine.
oh god it is always those two parts that is so unique and blends well, the gliss for the intro to reach that high beautiful note and the brass doing the melody at 0:51
he is in all senses of the words a genious!
Yes, it's too fast. But... What a music played by Maestro Marshall?... 😮👌👏👏👏
The 10 down votes are from armchair critics that know nothing about music, jazz, piano, technique, music composition, improvisation, jazz history, and have no class. This is one of the best musical things I have ever heard. Period. Fight me.
Absolutely totally agree with you here.
100% agree. Wayne is fantastic.
At 5:58 I stared to sob in joy, and asked why I never head anything like this. 100% amazing
Unbelievable.
No, the tempo isn’t my favorite, so wah wah
WOW! Wayne Marshall. Awesomeness!
Minute 12:27 what such amazing musician and amazing orchestra!! My Gosh....goosebumps!!!
ABOVE AND BEYOND THE BEST OF PERFORMANCES
Very good!
WOW! Made my day. Thank you.
Браво, Маэстро! Браво, оркестр! Вы великолепны! 🤗💐💐💐
Bravooo Maestro!!!
JAZZ BABY JAZZ
Took my breath away.
Myriam Carrier à la clarinette
stupenda esecuzione bravissimi complimenti grande wayne
Magnificent!
Muy bien excelsa interpretación muchas gracias por tan hermosa pieza
Awesome👏👏
Masterful performance!
Marvelous!
Il adore improviser. En decembre il était ici à Lyon pour diriger l'opéra Candide de Bernstein, et il a improvisé à l'orgue sur la musique de cet opéra au cours d'un concert d'orgue qu'il donnait bénévolement pour la restauration de l'orgue Cavaillé-Coll de l'église St François de Sales.
Sensacional
Que trabalho maravilhoso deste pianista e desta orquestra
👏👏👏👏👏👏👏👏👏👏👏👏
Amazing
Excelente versión. felicitaciones para el violinista venezolano Alexis Cardenas, que forma parte de la orquesta.
Super expresivo; genial!! Gracias.
Il est tout simplement Monstrueux dans sa vue de Gershin...
00:18 abertura 01:24 piano 03:15 orquestra 05:55 piano 12:25 orquestra 14:13 piano 17:35 orquestra 18:52 piano 19:22 orquestra
Waw que interpretación tan original y brillante……
Wow fantastic
Interprétation très rapide. Quasiment frénétique. Ne plaira pas à tous. Mais il faut admettre que ce rythme convient fort bien à cette pièce. L'une des meilleures interpréations que je connaisse. Bravo and cheers from Montréal
I never heard the jazz aspect to the original. This one is undeniably jazzy, thanks to the conductor’s piano improvisation.
WWWWWWWoauuh! Je suis completement sur le cul! Ca decoiffe, on a le sourire du debut a la fin! C'est frais, c'est amusant, et réinventé! Tout en restant techniquement irreprochable!
Chapeau M. Wayne Marshall! Et bravo l'orchestre qui est parfait saans bcp de direction.
impressionant
Cacho E~ !!!
Excellentissimo !!!!!
That was awesome!!! Thank you! ❤
Grandiose Orchestersolistinnen!
Nice one Wayne x
Una verdadera joya!!
Sensacional!
The orchestra really boogies Grofe’s instrumental parts. Mr Marshall plays the piece like a jazzed up Mozart, adding and jiving Gershwin ‘s part with advanced cadenzas and riffs.
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Omg that was incredible
Really enjoyable - thanks so much