I bought an Eastman sb59 "Varnish" two years ago for about $1k. It's a work of art. The varnish is a violin finish. I have been playing for over fifty years and own more guitars than I care to admit. It's hands down it's the finest guitar I have ever played. I'm riding into the sunset with it.
I recently purchased an Eastman T486 sunburst. Awesome. Hand made, Seymour Duncans, ebony board, I put vintage Kluson locking tuners on it, nitro finish, beautiful flame top, I love it! One third the price of a figured top 335. Compare this to a Gibson.
LOL. I could've written those exact words myself (down to every detail actually)! In fact, I love my varnished version (with Antiquities) SO much that I soon after went and bought a gorgeous gloss sunburst version with SD '59 Classics. (From '19 NAMM.) So, different pickups, one "aged" guitar and one new looking burst. I'm finished now. Sold my Gibson LP™ cuz I simply never played it anymore. It was really a disappointment after playing the Eastmans. Surprised. All IMO and IME.
To me the Heritage sounded airier, more complex and def the best of the three. And dude, along with G&L, Heritage are the real thing and the people holding those legacies. Props to them both.
I will take that Eastman any day of the week. I cannot justify the price of that Les Paul. Rhett- We Missed one very key point here. All Eastman guitars are completely hand carved and hand made. No CNC in their workshop. They all weigh at least 2 pounds less than a Les Paul (Usually under 8 pounds) and the wood is top notch and they come with very good quality hardware.
Agreed. I bought a used Eastman 'Hog/Addy acoustic for $900 and am so happy! I couldn't get rid of my Taylor fast enough! It all worked out well since a friend of mine bought it and really loves it. All guitars eventually find the right hands.
Their laminate guitars are not hand carved. They'd be made out of pressed paper thin sheets of wood. I tried a thin line & I found the frets to be too big, my fingers were dragging on them. I wonder if this was a bad example.
Consumers and Makers are equally to blame for this product nonsense we are in. The question is not if that Les Paul sounds good, I'm sure it does and as far as the video goes it sounds good. But returning to the cash-grab well of a 60 year old design with modern manufacturing and sourcing, and charging 7,000 USD for it is a hard pass for me. It cost 300 USD in 1959, equivalent to about 2,500 USD now, and it was a standard release model. To get a similar guitar now you have to pay nearly triple on an exclusive top of the line custom shop model. If you have the money and it makes you happy go for it. I just can't, on principle, especially with so many good rationally priced options around, even made in the USA.
I also wonder how much difference there between that $2500 Les Paul model and the $7000 model both made by Gibson. Is it $5500 in materials costs? $5500 in additional labor costs for the people that build the $7000 guitar? My guess is probably not.
@@michaeltaylors2456 I don’t care about gibson even a little, and I gotta say that is totally wrong. I own japanese copies - Burny, Greco, Orville - and the custom shop gibson stuff is definitely on a different level. Is it worth 7000? No. But it’s significantly better than the copies out there. And the high end lawsuit copies that rival custom shops cost about the same at this point anyways.
@@MiclainKeith part of the problem here is that Gibsons price sets the relative price standard for replicas as well. Gibson is certainly not the only company cashing in on nostalgia. But they and Fender are the biggest culprits. For obvious reasons . A Schwarts St Helen's or a quality PrS sc594 will cost from 3k to 4.5k depending on year model and condition. Exceptional quality and then there's the Eastman Sb59-V for around 2k....
A better comparison would have been the Eastman SB59/V. The finish is different, and the pickups are Lollar Imperial low winds. More like the Murphy Lab that you played. And yes, I’m lucky enough to own one.
Wow... did not expect that at all! That Eastman sounds ffkin phenomenal man. I mean if I wanna be honest as a working session player who owns couple of high-end CS LPs, I really dig the sound of that Eastman. To my ears it sounds crisp, articulate, meaty and very Les Pauly indeed. And at times in the video it even sounded better than both Gibson and Heritage! I'm truly impressed wow... Cheers!
Rhett is such a masterful guitarist, he can get a good tone out of any guitar, with the right pedal, amp, or signal processor. Because of this, other factors, such as playability and weight matter a lot. The Heritage weighs too much. Who owns an Eastman and can comment on its heft?
I’ve seen multiple Heritage guitars with QC issues, predominantly the pickup alignment and neck angle. A lot of Heritage’s bridge and tailpiece are way off the deck because the neck angle is so far off
That is for sure. But right now, the Gibson’s are better than they’ve ever been. I’m including the bursts in that statement. Even those new, weren’t as good as what’s out now. Just playing a guitar will smooth it in.
@@imgonnagetbanned I own three Eastman‘s, and they are all fantastic! I have an OM, One of their mandolins, and a T185mx 335 inspired guitar, and all of them are very special to me. Would love to check out the SB56 someday, as I really enjoyed the SB59 I tried
@@imgonnagetbanned I have one and like my comment up there I A/Bed it with a GCS and it was as good if not better. the hand rubbed finish and Lollar imperials make it sound way different than the standards.
Rhett your honestly my favourite RUclipsr right now, feels me with joy seeing a new video from you in my notifications. Keep up the good work Rhett and I'm glad to see your well again and back playing.
I would take 1 "lifer" guitar over 6 mediocre guitars any day. Any great guitar comes down to the way it feels. You can always change pickups. Cool video Rhett!
Very True Tone and feel are 50 and 50. equally important all things considered. It’s so hard to portray that through videos but they did a good job explaining it in the video
I would take a guitar that stays in tune all night as it's just damn embarrassing when the drummer counts you in and you're not ready as you're still tuning your guitar.
I agree, my son and I bought a late 80's Greco SG Standard and now my Korean Epiphone Les Paul Standard which feels really good and sounds pretty good with either the Duncan 59' or the Dimarzio Super Distortion I have. After getting that Greco I don't need a Gibson nor do I desire to buy any mediocre guitars anymore 🤣.
With headphones all three sounded pretty close to the same. I’d go with an Eastman SB59/V even though it wasn’t featured here. More of the broken in feel but still waaay less than $7k.
Better pickups too. My ear thinks that if they'd done a 59v, the tone would have been more uncompressed like the Heritage. That's been my experience when I try to justify not buying the V model. The V is noticeably more 3D when it breaks up.
@@theonlyrobot Indeed. My 'V' also came stock with SD Antiquities. OMG, maybe my new fav pickup. Very 'talkative'. Besides that, I loved the V so much that I soon bought the SB59 (actually from '19 NAMM) loaded with SD '59 Classics. Wow. Soon after, I sold my Les Paul. Not a $7000 model but probably about $3k new (got it used). It just wasn't needed anymore.
I go with the one that stays in tune all night and that's my H150. My Kalamazoo built Gibson's need retuning after each song which is just damn annoying when you're trying to have a drink between numbers.
I did my first listen through without looking at the screen, then went back and noticed the Eastman and Murphy's Lab sounded the best to me...I couldn't see anyone being disappointed with the tone of the Eastman after smoothing out the playability differences between it and the Murphy's Lab...
I'm being hyperbolic here but I agree if you and your audience is always blindfolded while listening. I agree with your logic but the guitars I play I want to be "cool" and sound good. I'm also not a good enough guitar player to make the guitar I play cool, so the guitar itself has to be cool. Even though 7K is WAY more than I would want to spend on a guitar I can see the logic of biting the bullet to get the one I want as opposed to 4 guitars that would be a compromise.
If you like that worn-in feel to your LP, try the Eastman SB59v. It's nicely aged (using violin lacquer), and has better pick-ups (lollars i think). They will set you back a few hundred extra compared to the regular SB59. The neck shape will always be a little different from Gibson though. But they sound so much better than any regular new LP standard I have played these last 20 years.
I just bought a Heritage and I may not have owned as many Les Pauls in my life but it's really holding up to everything I've played, it's really good quality
Rhett, thx for this review. I bought an Eastman SB59 and I'm SO happy with it. I feel like it's every bit as good as a Gibson Les Paul. I'd even put it up against a custom shop Gibson Les Paul for sure.
I bought a Murphy lab LP which is right at 8lb in weight, I sold a Gibson LP standard for it, which I liked but it was heavy. I do not regret a tiny bit. I am literally in love with the Murphy lab LP, I love it to pieces, every single thing about it. When I play it, it feels magical, it is such a special piece of gear, so perfect. ( own much cheaper guitars also, and recently bought Fender MB strat and MB Tele -pandemic yolo I guess-, which I like a lot. But the LP has a special place in my heart now). Also, for anyone comparing vintage LPs to Murphy Lab; real vintage Gibson 59 LPs go for hundreds of thousands of dollars nowadays...
That Gibson finish is beautiful. My grandpa gave me his Gibson acoustic that he bought new in 61, and the way that finish has aged over time just can't be replicated. But the finish on that Gibson was damn close.
Love Eastman guitars. Love my acoustic by them. I've always been really impressed by them and I've had a 59 with a vintage finish on my wishlist for awhile now. Thanks for the shootout!
An Eastman SB59/V, which has an aged finish, better pickups and retails around $2000 would have been a better shootout choice, but still a worthy exercise. Nice work!
Probably had to deal with what ever was in the shop. I think for that matter the new Standard Les Paul from the Original collection would have fit in well here too. Some of the best Gibson USA’s they have put out in decades!
@@arnolddealiii4259 currently playing my 2020 Gibson Les Paul Standard 50’s in Dark Cherry Burst I scored from Wildwood last year and it is absolutely perfect. A killer guitar.
I've had and Eastman sb59 with the varnish finish for about a month now. I have three other Les Paul's all great guitars. That being said the Eastman is better than any of them. If I could only have one of those guitars the Eastman is a no-brainer. The lollar Imperial pickups are fantastic and the fretwork is ridiculously good the guitar plays itself.
How a guitar makes you feel is often overlooked for price vs specs etc. When you connect with a guitar I think it makes you play better. In my own experience, the finer (and pricier) guitars win out, and I feel more inspired to play and write. That's what resonates with me when Rhett says that the Murphy Lab LP made him "more me". I have a custom shop Les Paul, but not one that's quite that level of "holy shit!" lol Lucky for me I'm more of a Tele guy anyway!! haha
Yep. I've found myself with 4 of them now. 2 acoustics and two LPs - an SB59 that I would happily put up against my old Gibson LP Custom, and a SB56 with P90s, both of which are amazing guitars!
The Heritage sounded great to me. It was clearer and more defined. The off the production line Heritage guitars I’ve played have been about equal to a custom shop Gibson and their custom line is like a real 50’s Gibson
The higher end LPS tend to be a pound + lighter, which really makes a difference. I know Gibson and Heritage Plek everything, so the fretboard is probably the same regardless.
Indeed, as Rhett said, there's a point of diminishing returns. Sure, you get improvements, but actual "value" of the improvements is nearly negligible or strictly cosmetic. For $1600-1700, you get the Eastman, get the fret/fingerboard rounded out a bit. Get the back of the neck "relic'ed" for that worn in feel.
A surprising amount of the input costs in higher end guitars is going into the fretboard. Having done a few full fret jobs, I can see why. There's a lot of work that you just can't automate away.
i totally agree.... most of the "feel" is just a well set up neck and properly crowned and polished frets.... and , of course, whatever your neck profile of choice is....
Yep, Joey. I don't care what you play, or how well you set it up, until you polish the frets, you've no idea what you're sleeping with. I came to this realization, relatively recently, and it shames me to say it.
I bought the Eastman a few years ago, when they first came out. I’m working on that lightly aged, broken in feel. I don’t think it’s worth $7k yet, but it’s close. 😎
I own a few Gibson Les Pauls, have played a few Custom Shop Les Pauls, and own a Heritage H-150, and an Eastman SB59/v and SB56/v. They're all very nice guitars and I have nothing negative to say about any of them, but the Eastmans are the two best guitars I've ever played.
You are sooo spot on when you say “the way it make me feel when I play it”. Do you feel inspired, vibrant, alive, creative etc… Thats it! People always write about price, sound and what else you could buy to that price, but no one knows what it activates in you, and thats whats make it worth it. The feel :-)
@@simon_patterson A lie is worth repeating even more, then. Repeat it enough times, and it becomes the truth, which is worth repeating, which is worth repeating, which is worth repeating...
Played an Eastman LP not too long ago. By far the best LP I’ve ever played. Especially for the price. Hangs right in there with any Studio, Traditional or Standard LP.
Things that REALLY matter when buying guitars: 1. Does it stay in tune? Do the tuning machines have a smooth and steady tension? 2. Does it intonate well? 3. Is the fretboard flat? 4. Do the frets buzz? 5. Does it have some heft to it? 6. Is the hardware of decent quality? 7. Is it comfortable to play? 8. Does it resonate well when unplugged? If the instrument you're buying meets the criteria above, congrats! You don't need a '7-thousand-dollar guitar because it sounds better than a cheaper guitar', because it doesn't. Anything within the US$ 500 / US$ 1200,00 range is going to be decent enough for 99.999999999999% of all musicians.
Very true, but guitar players are dogmatic and typically far less than educated or skilled enough to know left from right. They spend the $$$ which is fine, but particularly from Gibsons they don’t know whether the quality is good or bad, only what is on the headstock.
@@HBSuccess Well, if you hear any difference and have the dough, fine by me. All I'm trying to do is stop people from feeling alienated because they don't have a 7k guitar.
My 2006 Heritage H150 is the only guitar that stays in tune on my pub/club gigs. I tune it once and it pretty much stays in tune all night long and that is a MASSIVE thing if you're out there playing live.
I have the Eastman sb59/v... it's aged and is finished with a thin layer of violin lacquer...also it comes with custom lollar pickups it's definitely a great playing & sounding guitar
Hey Rhett, Good to see you up and running again,It's all subjective from the beginning of a Les Paul style built guitar. I have played and owned aprrox a dozen or so Custom Gibson Les Pauls through my 40 years as a professional touring and recording artist and made a ton of money on resale. I moved on to building my own custom guitars at a fraction of the price that perfectly fits my need for playability & sound. The quality control on guitar building today is unbelievable good compared to 40 years ago. Very simple way of looking at it. If you can afford a $3-7 grand guitar and it makes you happy, That's all that counts. To those that can't afford high end brand name guitars be thankful for those companies out there that offer great playing and sounding guitars for a affordable price with the option to customize your own PUPS,Tuners nut ,bridge ECT. Final note,Yes there is a $5,500 difference to some. If it plays & sounds good and makes you happy.That is all that matters.There are so many great players with great tones, That is the secret to a happy successful music journey. I hope you find happiness with whatever guitar you decide on.
For a listener, they sound (almost) the same, at least "when the band kicks in". But - if a guitar reacts better for you as a player or inspires you you play or write better, that's the main point. As for myself, I bought a Gibson Les Paul Standard when I turned 18, swapped the PUs a couple of times until settling for a DiMarzio PAF Pro (neck) and Bill Lawrence L500XL (bridge) and played the hell out of it. Whenever I hand that guitar to someone to try it for a few minutes the reaction from experienced Les Paul players is always the same. They are VERY surprised regarding the quality and transparency of the sound. My assumption is that it aged so well because it was played so much. So a "standard" guitar turned into something really special by just playing it.
I agree....I have an Eastman T-58V (not a Les Paul) and it is seriously one of the best guitars I've ever played. The Eastman company has a heritage of handcrafting violins for a long time and have a pretty good idea of how to make a quality instrument
Eastmans varnish finish is a uniquely good joy to have in your hands. The necks on my SB59v is fantastic. I also have a light age ML59 which is awesome and the same low weight (7lb 15oz) as my Eastman. Both great in their own way, which the huge difference in price tag does not reflect by any means.
@@549of1k I only discovered Eastman last year and I'm still shocked by how well made and flawless they are. I have an LP Standard also but the Eastman SB59 I bought blows it away. Wish I got the varnish version with lollar pup's tho
I just went to the Righteous Guitars store for the first time this week. The young man, Daniel, was there to show me around. He knew his stuff. A real gear nerd that's hard to find in stores these days. Incredibly impressed with the place.
I have an SB59 burst and love it, but if I would of had a few extra bucks, I think the SB59V hand varnished model sounds so much better with the Lollar pickups. I wish you would of had that model in the comparison and I think you would of been even more impressed. Great Video though!
I put a poker chip and a pickguard on my SB59 Goldburst and it looks sssoooooo good. It already played amazingly and sounds awesome so that was the cherry on top. It's a lifer for me!
I closed my eyes during the shootout, opening them when I heard what I thought was the best, and preferred the sound of the Heritage each time. It sounded more open and articulate to me. I’m a 335 player so maybe that has something to do with my preference?
Both the Eastman and Heritage had a 'chime' that the Gibson didn't quite get . . . but, a matter of taste. I avoid Chinese products as they are an insidious power (insert conspiracy theories here) and as we are 20% of their rapacious economy, we can fight back by not giving them our support.
@@leonarddaneman810 I'm surprised it's that small, actually. Their economy is really doing poorly of late. They're bleeding off manufacturing to the South Pacific and India, due to increased labor costs, and they've got a real estate crisis going on right now. The joys of having a middle class, that don't go away when you drape a red flag over them. We don't hear that, because for some reason I can't figure out, our media doesn't seem to cover bad news from China that much. I'm sure it's just an oversight.
@@theonlyrobot Yes. A robust Middle Class is essential, and China is ignoring that in favor of raping globally through the CCP. Another good observation is the animated GDP of nations from the 1600's to present day. It is an eye-opener.
I love this so much! And love it more because Righteous Guitars is my home shop too! Surprisingly, I have one of each of these too! My first Les Paul is my Heritage 150 in Butterscotch, then a LP Std in cherry burst, and last but most definitely not least, I have the Eastman in its vintaged finish. And wouldn't ya know it, my "go to" is the Eastman. it's the one that feels and plays the most rock-n-roll.
The Gibson’s finish is called “factory burst” by the way. “Tomato soup” is a burst finish they only do on the 1960 Standard at the moment (with the V3 neck in 2020… the thinnest of the neck profiles). Factory burst is typically a bit darker red round the outsides… it’s meant to replicate how a original ‘59 would have looked coming out of the factory without any fading.
I have an Eastman SB56. It's a Goldtop with Lollar P90's and I absolutely love it. I can't speak about the difference between it and a Custom Shop Gibson, as I've never played one. However I did have a 2012 Gibson Les Paul Traditional Pro II and the Eastman absolutely blows that guitar out of the water.
Great review guys. Thank you! By the way this was my 4th or 5th review of the Eastman I have seen and heard! I have become a really big fan of their Tone!
You compared apples to oranges. If you want the "played in/aged " feel like the Murphy lab LP, play the Eastman SB59/V. It's $2400, and it's a fantastic guitar. I'm a huge Gibson fan, but since I bought the Eastman SB59/V, I don't play my Gibsons anymore. Yes, the Eastman is that much better.
Rhett - Really enjoyed the shootout! Ben at Righteous is super nice guy and very honest. I can afford pretty much anything under $5,000, I've bought 2 Eastman's because of quality for the $$. My #1 is an SB55/V (varnish finish). It looks much like a Gibson junior, however build and sound wise it blows the Gibson away. It has one Lollar P90 and plays like butter. I just bought a mint SB56 Goltop that's almost as good. Be glad to bring them to your studio or Righteous to try. Would love to play your Novo, definitely something special going there. Keep up the great video work! Hope you get some gigs soon.
I love my heritage guitars. i think the thing that gets overlooked is that no one compares the standard h150 to a USA LP... always custom shop at 2x or more. Chapman did the worst because you cannot compare a SD59 or worse a Schaller to a Gibson Custombucker....
whatever difference you hear in a video like this is probably due to the pickups, all other features that might influence the sound are too similar in these guitars. I guess the main difference to them is in how these guitars feel when playing them, and possibly also the quality.
@@martinpaddle i can tell you, if you get to play one of the heritage custom core artisan aged or bespoke custom models, they can hang with the Murphy's... it was ex Murphy apprentices that went to the Heritage as I understand it.
Dig the shootout/comparison. I’m aligned with others per “blind” so as to not influence the testers mind. With that said, it’s similar to falling in love … when all 5 senses are involved … ya just know it’s right - regardless of brand, model, price. Keep up the exceptional content! ✌️
I stopped by Righteous on my last visit to Alpharetta (from Ohio) and it is an awesome shop. the wall of PRSs is jaw dropping. they had a custom shop Gibson Firebird in black with white binding - I'd never seen one of those. Incredible. Can't wait to stop by again the next time I'm in town.
Interesting what you said about the "new" feel on the Eastman, Rhett. If you have the opportunity, try their varnish finish guitars. I have an SB59/V-AMB and the finish on that is probably a lot closer to what I understood you were saying the Murphy Lab LP was like. I've also had it on very good authority from someone who has a very famous '59, that ... "it's a keeper".
I'm a Les Paul guy for sure.... BUT, I love that new Eastman Juliet that Henry James plays with Robert Jon and the Wreck..... They make some great quality instruments.
And to add to my rant, ha ha...I could hand any of my well looked after and well set up $500 guitars to Joe Satriani, John Mayer, Eric Clapton..and they might say...'Mmm, not my usual guitar, but I could get used to this', (perhaps??). There are so many great guitars around now, it's kind of hard to find a dud...I'd love to see you hand a 'cheap', but well set up guitar to some famous guy, and see what he says about it...There...a whole new series of YT videos... :)
They would be polite, say "it's fine," and then go back to their preferred instrument because it's got "magic" that other instruments don't have. I mean, there's concert footage of John Mayer playing a random Jackson 80s hair metal guitar just because he could. And he's back to his several thousand dollar PRS made exactly to his specifications.
LOVED the nod to "Since I've Been..." One of my FAVORITE AWESOME Les Paul Tone Eargasm tunes EVER!!!!! WELL done shootout, Rhett - THANKS! Grateful you both shared your impressions of the FEEL of playing these guitars, the ONLY info we listeners can get from the vid is TONE. Of course, playability is JUST as important. I've got a '95 Les Paul Standard w/a wine red finish, and it's a RIGHTEOUS sounding and playing LP - think I'll go give it a thrash! 'C'mon Everybody' by Humble Pie, anyone?
Yeah for me the ML is the only way to go since i want a 1958-59 clone that is as close to a original in looks and play ability as possible and is going to maintain value. As great as the Eastman and Heritage may be there are visual things about them i cannot get past that really bother me. since these things would always bother me mentally i would never be 100% happy. so the lower price is not worth it to me.
After watching this my question is. How does the Gibson Les Paul Standard figure in this equation. Is the Eastman a better option, or maybe the heritage.
Rhett thankyou so much for showing that Eastman….I have one and on Thursday next week I WAS going to trade it in for a new les paul classic…..now I feel much better about keeping my Eastman SB 59 so you just saved me a $1000 in your currency I live in the UK once again many thanks.
Dang. The bridge pup on the Murph, and the neck on the Eastwood. The Eastwood sounded so good regardless of price. Gotta think that's the ultimate LP for gigging bars. Cool vid Rhett!
You shoud tried the SB59-V from Eastman... antique aged varnish (the closest to real 50's nitro you can get these days) and Lollar Imperial Pafs...is a game changer!
I went to my local Guitar Center and tried almost every Gibson/Epiphone 335 in the shop. I wound up buying the Eastman DB59/v, their version of a 335. It is, simply amazing. I highly recommend checking out Eastman's, unless the name on the headstock is more important than the build quality and tone.
I'm all about that Heritage. What a beauty. $6,500 for that Les Paul from Gibson Custom Shop and Murphy Lab finish is obviously a stratospheric price, but I had prepped myself for a $10k price tag with every top end appointment aside from overly ornate inlays on it. I'm not going to call it a bargain but that price doesn't seem criminal.
I know your pain! I had a really nice 60's standard and ran across an unreal R0 and had to upgrade. Fast forward a month (yes, one stinking month) and the Murphy Lab LP's come out. Thankfully for me I played a 58 Murphy and, while gorgeous, it just didn't quite have the tone of my R0, to my ears. I know they are all a little different, though. I think my R0 is really special. Still, I think I'll decline to play a 59 or 60 Murphy if given the chance, lol.
@@adamgray8009 I played probably 6 LPs at two different shops when I bought mine. They all sounded different. I ended up with a 50s thinking I wanted a 60s. The 50s cherry burst sounded too good to pass up and now I love the neck profile.
Rhett, it was clear from your face and the way you played the Gibson Custom Shop that the guitar felt and sounded right to you. I had a similar experience July 4th weekend when I was shopping for new acoustic (although not to the tune of $7000). I was looking for some good and inexpensive to replace a Seagull that I failed to keep humidified. I thought I would walk out with another Seagull or maybe Epiphone Inspired By Gibson. I set a budget for myself. That budget went out the window when they handed me the right guitar. I saw a similar thing on Dan's of That Pedal Show) face today when he had one of his trusty Fender Teles and they opened up both a Deluxe Reverb and Princeton Reverb and he went into a happy place and the playing soared with the tone. People think it's all your head. No, it's in your heart and soul. That's where the right guitar lives
Ben has to measure his words because he sells them and keep all 3 sellable. Eastman's a killer. The Eastman can be anyone's last guitar and not be lacking. And the pickups can be switched if desired. Handmade quality monster. I can't imagine finding a better single cut for the money. All three of these are super.
In my experience, 594s sound way brighter than Les Paul's. They sound incredible and are built with an attention to detail that Gibson can only dream of, but they're not the same.
@@314jrock I have both the SC 594 and the HollowbodyII (McCartey). The are both wonderful guitars. I also have a LP Standard 2019 and it too is a great guitar. I guess I am not that critical, because I love all of my guitars. Not really disappointed in any of them.
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I bought an Eastman sb59 "Varnish" two years ago for about $1k. It's a work of art. The varnish is a violin finish. I have been playing for over fifty years and own more guitars than I care to admit. It's hands down it's the finest guitar I have ever played. I'm riding into the sunset with it.
That’s a great used prices these days. When they show up they tend to be $1400-1600 and the new price went up as well.
I recently purchased an Eastman T486 sunburst. Awesome. Hand made, Seymour Duncans, ebony board, I put vintage Kluson locking tuners on it, nitro finish, beautiful flame top, I love it! One third the price of a figured top 335. Compare this to a Gibson.
Amazing
LOL. I could've written those exact words myself (down to every detail actually)!
In fact, I love my varnished version (with Antiquities) SO much that I soon after went and bought a gorgeous gloss sunburst version with SD '59 Classics. (From '19 NAMM.) So, different pickups, one "aged" guitar and one new looking burst. I'm finished now.
Sold my Gibson LP™ cuz I simply never played it anymore. It was really a disappointment after playing the Eastmans. Surprised.
All IMO and IME.
I just bought an Eastman T59/v. Love the finish. Now I have to learn how to play it.
They should have done an apples to apples comparison and done an antique varnish Eastman
To me the Heritage sounded airier, more complex and def the best of the three. And dude, along with G&L, Heritage are the real thing and the people holding those legacies. Props to them both.
I also can't help but think that the way a company does business matters.... Heritage all day
By sound alone I like the Heritage too.
Yes! My favorite guitars are my G&L ASAT classic an my Heritage 535. Both fantastic guitars. i should say they are fine instruments.
I love heritage but can’t stand the headstock
@@cardbored_ same dude, I want to look it over so bad but I can’t
I will take that Eastman any day of the week. I cannot justify the price of that Les Paul. Rhett- We Missed one very key point here. All Eastman guitars are completely hand carved and hand made. No CNC in their workshop. They all weigh at least 2 pounds less than a Les Paul (Usually under 8 pounds) and the wood is top notch and they come with very good quality hardware.
Agreed. I bought a used Eastman 'Hog/Addy acoustic for $900 and am so happy! I couldn't get rid of my Taylor fast enough! It all worked out well since a friend of mine bought it and really loves it. All guitars eventually find the right hands.
The have moved to CNC machines in recent years for some operations.
Heritage were built on the old Gibson machinery
Their laminate guitars are not hand carved. They'd be made out of pressed paper thin sheets of wood. I tried a thin line & I found the frets to be too big, my fingers were dragging on them. I wonder if this was a bad example.
My favorate take on this is "i don't think my skill worth $5500".
Consumers and Makers are equally to blame for this product nonsense we are in. The question is not if that Les Paul sounds good, I'm sure it does and as far as the video goes it sounds good. But returning to the cash-grab well of a 60 year old design with modern manufacturing and sourcing, and charging 7,000 USD for it is a hard pass for me. It cost 300 USD in 1959, equivalent to about 2,500 USD now, and it was a standard release model. To get a similar guitar now you have to pay nearly triple on an exclusive top of the line custom shop model. If you have the money and it makes you happy go for it. I just can't, on principle, especially with so many good rationally priced options around, even made in the USA.
I also wonder how much difference there between that $2500 Les Paul model and the $7000 model both made by Gibson. Is it $5500 in materials costs? $5500 in additional labor costs for the people that build the $7000 guitar? My guess is probably not.
Weird feedback loop we are in.
The Korean and Indonesian copies slay these overhyped hunks of wood easily for the money
@@Amish_Trivedi and considering this isn’t even the very top Gibson you can buy. Price gouging at its worst!
@@michaeltaylors2456 I don’t care about gibson even a little, and I gotta say that is totally wrong. I own japanese copies - Burny, Greco, Orville - and the custom shop gibson stuff is definitely on a different level. Is it worth 7000? No. But it’s significantly better than the copies out there. And the high end lawsuit copies that rival custom shops cost about the same at this point anyways.
@@MiclainKeith part of the problem here is that Gibsons price sets the relative price standard for replicas as well. Gibson is certainly not the only company cashing in on nostalgia. But they and Fender are the biggest culprits. For obvious reasons . A Schwarts St Helen's or a quality PrS sc594 will cost from 3k to 4.5k depending on year model and condition. Exceptional quality and then there's the Eastman Sb59-V for around 2k....
A better comparison would have been the Eastman SB59/V. The finish is different, and the pickups are Lollar Imperial low winds. More like the Murphy Lab that you played. And yes, I’m lucky enough to own one.
Do you still own it and like it?
That “Since I’ve Been Loving You” bit was beautiful 👌🏻🎸
Wow... did not expect that at all! That Eastman sounds ffkin phenomenal man. I mean if I wanna be honest as a working session player who owns couple of high-end CS LPs, I really dig the sound of that Eastman. To my ears it sounds crisp, articulate, meaty and very Les Pauly indeed. And at times in the video it even sounded better than both Gibson and Heritage! I'm truly impressed wow... Cheers!
Yep
“Rhett plays fancy boy guitars”
-jhs
yes...yes I do.
My fanciest guitar is actually an Eastman t186. I like the scale and nut size on those.
You beat me to this comment, 😂
@@ScottMcdonaldMusic it had to be done. The jhs takeover was hilarious.
Rhett is such a masterful guitarist, he can get a good tone out of any guitar, with the right pedal, amp, or signal processor. Because of this, other factors, such as playability and weight matter a lot. The Heritage weighs too much. Who owns an Eastman and can comment on its heft?
Honestly, Heritage guitars have been so consistently good over the years, and Gibsons have been hot and cold.
I’ve seen multiple Heritage guitars with QC issues, predominantly the pickup alignment and neck angle. A lot of Heritage’s bridge and tailpiece are way off the deck because the neck angle is so far off
That is for sure. But right now, the Gibson’s are better than they’ve ever been. I’m including the bursts in that statement. Even those new, weren’t as good as what’s out now. Just playing a guitar will smooth it in.
I have the Eastman SB59 and it is fantastic regardless of the price.
Love eastmans. I would argue that their finishes look better than Gibsons as well. But hey that’s just my opinion man
The Eastman acoustic and electric lines have been some of the BEST guitars I’ve ever played! Definitely want an SB59 one day.
My SB59/v is bar none the best double humbucker guitar I have ever owned or played... and I've owned a lot of the high end of things.
@@imgonnagetbanned I own three Eastman‘s, and they are all fantastic! I have an OM, One of their mandolins, and a T185mx 335 inspired guitar, and all of them are very special to me. Would love to check out the SB56 someday, as I really enjoyed the SB59 I tried
@@imgonnagetbanned I have one and like my comment up there I A/Bed it with a GCS and it was as good if not better. the hand rubbed finish and Lollar imperials make it sound way different than the standards.
I glad to see you back on track dude, cheers
I wonder how looks a driftwood version of the murphy labs
Rhett your honestly my favourite RUclipsr right now, feels me with joy seeing a new video from you in my notifications. Keep up the good work Rhett and I'm glad to see your well again and back playing.
I would take 1 "lifer" guitar over 6 mediocre guitars any day. Any great guitar comes down to the way it feels. You can always change pickups. Cool video Rhett!
Indeed, I gone through this and that, and ended up with 1 PRS Core, and that was it.
Very True Tone and feel are 50 and 50. equally important all things considered. It’s so hard to portray that through videos but they did a good job explaining it in the video
I would take a guitar that stays in tune all night as it's just damn embarrassing when the drummer counts you in and you're not ready as you're still tuning your guitar.
I agree, my son and I bought a late 80's Greco SG Standard and now my Korean Epiphone Les Paul Standard which feels really good and sounds pretty good with either the Duncan 59' or the Dimarzio Super Distortion I have. After getting that Greco I don't need a Gibson nor do I desire to buy any mediocre guitars anymore 🤣.
With headphones all three sounded pretty close to the same. I’d go with an Eastman SB59/V even though it wasn’t featured here. More of the broken in feel but still waaay less than $7k.
The Varnish SB59 plays sooo good. I got the nitro SB59 which is awesome but the varnish neck feels soooo good to play
Better pickups too. My ear thinks that if they'd done a 59v, the tone would have been more uncompressed like the Heritage. That's been my experience when I try to justify not buying the V model. The V is noticeably more 3D when it breaks up.
@@theonlyrobot Indeed. My 'V' also came stock with SD Antiquities. OMG, maybe my new fav pickup. Very 'talkative'.
Besides that, I loved the V so much that I soon bought the SB59 (actually from '19 NAMM) loaded with SD '59 Classics. Wow.
Soon after, I sold my Les Paul. Not a $7000 model but probably about $3k new (got it used). It just wasn't needed anymore.
I go with the one that stays in tune all night and that's my H150. My Kalamazoo built Gibson's need retuning after each song which is just damn annoying when you're trying to have a drink between numbers.
Man it's great to see you well and playing guitar
Nice video by the way
I think a blind test would've been cooler here. There's a bit of a reality distortion field in knowing that one is a custom shop.
Agreed, if we’re talking about sound and feel they should be blind tests. The blind tests I’ve seen have yielded some surprising results.
+1 for the blindfold test.
All less pauls sound the same
I did my first listen through without looking at the screen, then went back and noticed the Eastman and Murphy's Lab sounded the best to me...I couldn't see anyone being disappointed with the tone of the Eastman after smoothing out the playability differences between it and the Murphy's Lab...
I'm being hyperbolic here but I agree if you and your audience is always blindfolded while listening. I agree with your logic but the guitars I play I want to be "cool" and sound good. I'm also not a good enough guitar player to make the guitar I play cool, so the guitar itself has to be cool. Even though 7K is WAY more than I would want to spend on a guitar I can see the logic of biting the bullet to get the one I want as opposed to 4 guitars that would be a compromise.
If you like that worn-in feel to your LP, try the Eastman SB59v. It's nicely aged (using violin lacquer), and has better pick-ups (lollars i think). They will set you back a few hundred extra compared to the regular SB59. The neck shape will always be a little different from Gibson though. But they sound so much better than any regular new LP standard I have played these last 20 years.
I just bought a Heritage and I may not have owned as many Les Pauls in my life but it's really holding up to everything I've played, it's really good quality
Heritage makes great guitars!
I love my Heritage, too!
@@schmoemi3386 Same here...Heritage H150 Artisan Aged Dirty Lemon. Its a great guitar.
Sweet, had mine about 20 years, sounds amazing just heavy af
Congratulations! 👏👏👏
Rhett, thx for this review. I bought an Eastman SB59 and I'm SO happy with it. I feel like it's every bit as good as a Gibson Les Paul. I'd even put it up against a custom shop Gibson Les Paul for sure.
I have an Eastman SB59...for me, it has the low end and the output, plus the tone. I love it.
I bought a Murphy lab LP which is right at 8lb in weight, I sold a Gibson LP standard for it, which I liked but it was heavy. I do not regret a tiny bit. I am literally in love with the Murphy lab LP, I love it to pieces, every single thing about it. When I play it, it feels magical, it is such a special piece of gear, so perfect. ( own much cheaper guitars also, and recently bought Fender MB strat and MB Tele -pandemic yolo I guess-, which I like a lot. But the LP has a special place in my heart now).
Also, for anyone comparing vintage LPs to Murphy Lab; real vintage Gibson 59 LPs go for hundreds of thousands of dollars nowadays...
I've been super impressed with my Eastman '56 Goldtop. For the money it's pretty hard to go wrong!
That Gibson finish is beautiful. My grandpa gave me his Gibson acoustic that he bought new in 61, and the way that finish has aged over time just can't be replicated. But the finish on that Gibson was damn close.
Love Eastman guitars. Love my acoustic by them. I've always been really impressed by them and I've had a 59 with a vintage finish on my wishlist for awhile now. Thanks for the shootout!
Eastman makes killer guitars....and that's all their guitars, not just the SB59. Even their acoustics are stellar 👌
Eastman - great little secret ;0)
I always thought the quality of a guitar, copy or not, is simply up to individual, but I am always looking forward to another shootout!
For sure!! Always the Humbucker single cut not necessarily whether it’s a Gibson or not
@@ryansnydercg ahh gotcha man!
The edited playing of the three guitars knocked it out of the field for me. Thank you.
An Eastman SB59/V, which has an aged finish, better pickups and retails around $2000 would have been a better shootout choice, but still a worthy exercise. Nice work!
That was my thought too, and i was actually hoping that would be represented in this video.
100 % correct
I agree. i have the V and I love it. Feels old, what I Like.
Probably had to deal with what ever was in the shop. I think for that matter the new Standard Les Paul from the Original collection would have fit in well here too. Some of the best Gibson USA’s they have put out in decades!
@@arnolddealiii4259 currently playing my 2020 Gibson Les Paul Standard 50’s in Dark Cherry Burst I scored from Wildwood last year and it is absolutely perfect. A killer guitar.
I've had and Eastman sb59 with the varnish finish for about a month now. I have three other Les Paul's all great guitars. That being said the Eastman is better than any of them. If I could only have one of those guitars the Eastman is a no-brainer. The lollar Imperial pickups are fantastic and the fretwork is ridiculously good the guitar plays itself.
I got 2 Eastman they’re the Beast
How a guitar makes you feel is often overlooked for price vs specs etc. When you connect with a guitar I think it makes you play better. In my own experience, the finer (and pricier) guitars win out, and I feel more inspired to play and write. That's what resonates with me when Rhett says that the Murphy Lab LP made him "more me". I have a custom shop Les Paul, but not one that's quite that level of "holy shit!" lol Lucky for me I'm more of a Tele guy anyway!! haha
Great shootout guys, love the way you did it!
The Eastman line is excellent. Their LPJr is incredible.
Yep. I've found myself with 4 of them now. 2 acoustics and two LPs - an SB59 that I would happily put up against my old Gibson LP Custom, and a SB56 with P90s, both of which are amazing guitars!
The 335 style thinline eastman are killer
@@steveo44 Agreed. Incredible value esp the 386.
@@northsongs That SB56 has got my eye.
@@kingcormack8004 That SB56 is something you gotta play!
They all sounded fantastic but my personal favorite was the Heritage H-150. Plus it had a killer “tiger-stripe” finish, which is an added bonus.
No one does figured tops as well as Heritage
Agreed. That Heritage looked and sounded fantastic.
What about the Epiphone 1959 Les Paul Standard at about $800?
Amen!
Dude this should have definetely been a pick because Ive heard this guitar and it sounds so good
I have that guitar and I’m blown away every time I play it. Got rid of my Gibson.
I have never played an Epiphone that I would want to own. To each is own.
@@Joe-mz6dc than you have not played a 59 Outfit.
The Heritage sounded great to me. It was clearer and more defined. The off the production line Heritage guitars I’ve played have been about equal to a custom shop Gibson and their custom line is like a real 50’s Gibson
I feel like it really doesn't matter after a certain price point with electric guitars. Just polish the frets and do a set up.
The higher end LPS tend to be a pound + lighter, which really makes a difference. I know Gibson and Heritage Plek everything, so the fretboard is probably the same regardless.
Indeed, as Rhett said, there's a point of diminishing returns. Sure, you get improvements, but actual "value" of the improvements is nearly negligible or strictly cosmetic.
For $1600-1700, you get the Eastman, get the fret/fingerboard rounded out a bit. Get the back of the neck "relic'ed" for that worn in feel.
A surprising amount of the input costs in higher end guitars is going into the fretboard. Having done a few full fret jobs, I can see why. There's a lot of work that you just can't automate away.
i totally agree.... most of the "feel" is just a well set up neck and properly crowned and polished frets.... and , of course, whatever your neck profile of choice is....
Yep, Joey. I don't care what you play, or how well you set it up, until you polish the frets, you've no idea what you're sleeping with. I came to this realization, relatively recently, and it shames me to say it.
I bought the Eastman a few years ago, when they first came out. I’m working on that lightly aged, broken in feel. I don’t think it’s worth $7k yet, but it’s close. 😎
I own a few Gibson Les Pauls, have played a few Custom Shop Les Pauls, and own a Heritage H-150, and an Eastman SB59/v and SB56/v. They're all very nice guitars and I have nothing negative to say about any of them, but the Eastmans are the two best guitars I've ever played.
Those SB56/v are a rare bird these days.
You are sooo spot on when you say “the way it make me feel when I play it”. Do you feel inspired, vibrant, alive, creative etc… Thats it! People always write about price, sound and what else you could buy to that price, but no one knows what it activates in you, and thats whats make it worth it. The feel :-)
"There's never been a better time to be a guitar player"
-Rhett Shull in every video
Repetition legitimizes
He’s right… if we ignore the fact the general public couldn’t careless about guitar music anymore lol
Music is Win
Truth is worth repeating
@@simon_patterson A lie is worth repeating even more, then. Repeat it enough times, and it becomes the truth, which is worth repeating, which is worth repeating, which is worth repeating...
@@bakters that's what the OP was implying. I was providing the alternate viewpoint, which in this case I agree with.
Played an Eastman LP not too long ago. By far the best LP I’ve ever played. Especially for the price. Hangs right in there with any Studio, Traditional or Standard LP.
BTW, thanks for raising the price of the “No Name” brand LPs that we’re still saving to get😉
Things that REALLY matter when buying guitars:
1. Does it stay in tune? Do the tuning machines have a smooth and steady tension?
2. Does it intonate well?
3. Is the fretboard flat?
4. Do the frets buzz?
5. Does it have some heft to it?
6. Is the hardware of decent quality?
7. Is it comfortable to play?
8. Does it resonate well when unplugged?
If the instrument you're buying meets the criteria above, congrats! You don't need a '7-thousand-dollar guitar because it sounds better than a cheaper guitar', because it doesn't.
Anything within the US$ 500 / US$ 1200,00 range is going to be decent enough for 99.999999999999% of all musicians.
Amen!
often well beyond " Decent" its truly amazing what your $400 - $600 can buy today!!
Baloney.
Very true, but guitar players are dogmatic and typically far less than educated or skilled enough to know left from right. They spend the $$$ which is fine, but particularly from Gibsons they don’t know whether the quality is good or bad, only what is on the headstock.
@@HBSuccess Well, if you hear any difference and have the dough, fine by me. All I'm trying to do is stop people from feeling alienated because they don't have a 7k guitar.
Great comparison man! I had never heard of heritage before, that thing is sick!
My 2006 Heritage H150 is the only guitar that stays in tune on my pub/club gigs. I tune it once and it pretty much stays in tune all night long and that is a MASSIVE thing if you're out there playing live.
Love the honesty of the salesman! So nice to hear him say he doesn't know about something rather than trying to BS you!
I have the Eastman sb59/v... it's aged and is finished with a thin layer of violin lacquer...also it comes with custom lollar pickups it's definitely a great playing & sounding guitar
Hey Rhett, Good to see you up and running again,It's all subjective from the beginning of a Les Paul style built guitar. I have played and owned aprrox a dozen or so Custom Gibson Les Pauls through my 40 years as a professional touring and recording artist and made a ton of money on resale. I moved on to building my own custom guitars at a fraction of the price that perfectly fits my need for playability & sound. The quality control on guitar building today is unbelievable good compared to 40 years ago. Very simple way of looking at it. If you can afford a $3-7 grand guitar and it makes you happy, That's all that counts. To those that can't afford high end brand name guitars be thankful for those companies out there that offer great playing and sounding guitars for a affordable price with the option to customize your own PUPS,Tuners nut ,bridge ECT. Final note,Yes there is a $5,500 difference to some. If it plays & sounds good and makes you happy.That is all that matters.There are so many great players with great tones, That is the secret to a happy successful music journey. I hope you find happiness with whatever guitar you decide on.
I would love to see you do a comparison between the Eastman and a regular usa Gibson 50s standard
This is a really valuable video. Accessing guitars can be confusing. These guy’s comments are super smart.
For a listener, they sound (almost) the same, at least "when the band kicks in". But - if a guitar reacts better for you as a player or inspires you you play or write better, that's the main point.
As for myself, I bought a Gibson Les Paul Standard when I turned 18, swapped the PUs a couple of times until settling for a DiMarzio PAF Pro (neck) and Bill Lawrence L500XL (bridge) and played the hell out of it. Whenever I hand that guitar to someone to try it for a few minutes the reaction from experienced Les Paul players is always the same. They are VERY surprised regarding the quality and transparency of the sound. My assumption is that it aged so well because it was played so much. So a "standard" guitar turned into something really special by just playing it.
I'd get the Eastman and not because I am cheap, it sounds great.
You need to try out one of the Antique Varnish Eastman SB's...
I agree....I have an Eastman T-58V (not a Les Paul) and it is seriously one of the best guitars I've ever played. The Eastman company has a heritage of handcrafting violins for a long time and have a pretty good idea of how to make a quality instrument
Eastmans varnish finish is a uniquely good joy to have in your hands. The necks on my SB59v is fantastic. I also have a light age ML59 which is awesome and the same low weight (7lb 15oz) as my Eastman. Both great in their own way, which the huge difference in price tag does not reflect by any means.
@@549of1k I only discovered Eastman last year and I'm still shocked by how well made and flawless they are. I have an LP Standard also but the Eastman SB59 I bought blows it away. Wish I got the varnish version with lollar pup's tho
that's what I'm talking about. those things look fantastic.
I just went to the Righteous Guitars store for the first time this week. The young man, Daniel, was there to show me around. He knew his stuff. A real gear nerd that's hard to find in stores these days. Incredibly impressed with the place.
I have an SB59 burst and love it, but if I would of had a few extra bucks, I think the SB59V hand varnished model sounds so much better with the Lollar pickups. I wish you would of had that model in the comparison and I think you would of been even more impressed. Great Video though!
I put a poker chip and a pickguard on my SB59 Goldburst and it looks sssoooooo good. It already played amazingly and sounds awesome so that was the cherry on top. It's a lifer for me!
I closed my eyes during the shootout, opening them when I heard what I thought was the best, and preferred the sound of the Heritage each time. It sounded more open and articulate to me. I’m a 335 player so maybe that has something to do with my preference?
Agreed. The Murphy sounded muddy to me.
Eastman makes a really good 335 with hand rubbed varnish and Lollars for about $1700 street.
Both the Eastman and Heritage had a 'chime' that the Gibson didn't quite get . . . but, a matter of taste.
I avoid Chinese products as they are an insidious power (insert conspiracy theories here) and as we are 20% of their rapacious economy, we can fight back by not giving them our support.
@@leonarddaneman810 I'm surprised it's that small, actually. Their economy is really doing poorly of late. They're bleeding off manufacturing to the South Pacific and India, due to increased labor costs, and they've got a real estate crisis going on right now. The joys of having a middle class, that don't go away when you drape a red flag over them. We don't hear that, because for some reason I can't figure out, our media doesn't seem to cover bad news from China that much. I'm sure it's just an oversight.
@@theonlyrobot Yes. A robust Middle Class is essential, and China is ignoring that in favor of raping globally through the CCP. Another good observation is the animated GDP of nations from the 1600's to present day. It is an eye-opener.
I love this so much! And love it more because Righteous Guitars is my home shop too! Surprisingly, I have one of each of these too! My first Les Paul is my Heritage 150 in Butterscotch, then a LP Std in cherry burst, and last but most definitely not least, I have the Eastman in its vintaged finish. And wouldn't ya know it, my "go to" is the Eastman. it's the one that feels and plays the most rock-n-roll.
The Gibson’s finish is called “factory burst” by the way. “Tomato soup” is a burst finish they only do on the 1960 Standard at the moment (with the V3 neck in 2020… the thinnest of the neck profiles). Factory burst is typically a bit darker red round the outsides… it’s meant to replicate how a original ‘59 would have looked coming out of the factory without any fading.
Yup, factory burst. I think it's my favorite of all the Gibson bursts.
@@DDWyss yep… my favourite too. I have one of the 60th Anniversary 1959 Standards in that finish and it’s gorgeous.
Nice playing Rhett... nailed the Jimmy.
I have an Eastman SB56. It's a Goldtop with Lollar P90's and I absolutely love it. I can't speak about the difference between it and a Custom Shop Gibson, as I've never played one. However I did have a 2012 Gibson Les Paul Traditional Pro II and the Eastman absolutely blows that guitar out of the water.
I remember the traditionals they're so heavy.
Great review guys. Thank you! By the way this was my 4th or 5th review of the Eastman I have seen and heard! I have become a really big fan of their Tone!
I also subscribe to your channel! Thanks again for the reviews.
As my playing gets better in the future I really look forward to eventually getting the Eastman.
Thanks Rhett, that was great. Definitely subjective to each person’s budget. The “affordable” guitar market quality gets better all the time…..
You compared apples to oranges. If you want the "played in/aged " feel like the Murphy lab LP, play the Eastman SB59/V. It's $2400, and it's a fantastic guitar. I'm a huge Gibson fan, but since I bought the Eastman SB59/V, I don't play my Gibsons anymore. Yes, the Eastman is that much better.
Every guitar seems to have its own personality. Your advice is solid, get the one that feels right, that seems to express YOU.
Congrats on the new house and new studio
Eastman all day for me and I own a Les Paul. No brainer. Looks great, sounds great and it a steal!!
I think the bulbous horn on the cutaway and the headstock shape is ugly, but otherwise, it's a great guitar.
Nope. That lower rounded horn looks stupid.
Rhett - Really enjoyed the shootout! Ben at Righteous is super nice guy and very honest. I can afford pretty much anything under $5,000, I've bought 2 Eastman's because of quality for the $$. My #1 is an SB55/V (varnish finish). It looks much like a Gibson junior, however build and sound wise it blows the Gibson away. It has one Lollar P90 and plays like butter. I just bought a mint SB56 Goltop that's almost as good. Be glad to bring them to your studio or Righteous to try. Would love to play your Novo, definitely something special going there. Keep up the great video work! Hope you get some gigs soon.
The Heritage sounded the best to me. I'm guessing that extra clarity probably came from the uncovered pickups. Great vid👍
I love my heritage guitars. i think the thing that gets overlooked is that no one compares the standard h150 to a USA LP... always custom shop at 2x or more.
Chapman did the worst because you cannot compare a SD59 or worse a Schaller to a Gibson Custombucker....
whatever difference you hear in a video like this is probably due to the pickups, all other features that might influence the sound are too similar in these guitars. I guess the main difference to them is in how these guitars feel when playing them, and possibly also the quality.
@@martinpaddle i can tell you, if you get to play one of the heritage custom core artisan aged or bespoke custom models, they can hang with the Murphy's... it was ex Murphy apprentices that went to the Heritage as I understand it.
Dig the shootout/comparison. I’m aligned with others per “blind” so as to not influence the testers mind. With that said, it’s similar to falling in love … when all 5 senses are involved … ya just know it’s right - regardless of brand, model, price. Keep up the exceptional content! ✌️
My wallet can't afford this channel... all I hear is that I have justified options at many price points!
I stopped by Righteous on my last visit to Alpharetta (from Ohio) and it is an awesome shop. the wall of PRSs is jaw dropping. they had a custom shop Gibson Firebird in black with white binding - I'd never seen one of those. Incredible. Can't wait to stop by again the next time I'm in town.
Interesting what you said about the "new" feel on the Eastman, Rhett. If you have the opportunity, try their varnish finish guitars. I have an SB59/V-AMB and the finish on that is probably a lot closer to what I understood you were saying the Murphy Lab LP was like. I've also had it on very good authority from someone who has a very famous '59, that ... "it's a keeper".
Glad to see you’re on the mend, man.
Eastman! $ left over buys a killer tube amp & a few righteous pedals.
That's what I would do if I was smarter and less of a sucker than I am. Oh well, I gotta be me!
Yeah a nice vox ac30 amp and another 500 on some sweet pedals. A wedge in the back pocket and a smile on the face
Finally someone who’s giving since I’ve been lovin you some cred
Oh I bet Gibson will LOVE hearing “Eastman Les Paul” 🤣
Mark Agnesi's "Authentic-o-Meter" will be hitting rock bottom.
I'm a Les Paul guy for sure.... BUT, I love that new Eastman Juliet that Henry James plays with Robert Jon and the Wreck..... They make some great quality instruments.
And to add to my rant, ha ha...I could hand any of my well looked after and well set up $500 guitars to Joe Satriani, John Mayer, Eric Clapton..and they might say...'Mmm, not my usual guitar, but I could get used to this', (perhaps??). There are so many great guitars around now, it's kind of hard to find a dud...I'd love to see you hand a 'cheap', but well set up guitar to some famous guy, and see what he says about it...There...a whole new series of YT videos... :)
They would be polite, say "it's fine," and then go back to their preferred instrument because it's got "magic" that other instruments don't have. I mean, there's concert footage of John Mayer playing a random Jackson 80s hair metal guitar just because he could. And he's back to his several thousand dollar PRS made exactly to his specifications.
Tomo already shows how good cheap guitars play and feel.
LOVED the nod to "Since I've Been..." One of my FAVORITE AWESOME Les Paul Tone Eargasm tunes EVER!!!!!
WELL done shootout, Rhett - THANKS! Grateful you both shared your impressions of the FEEL of playing these guitars, the ONLY info we listeners can get from the vid is TONE. Of course, playability is JUST as important.
I've got a '95 Les Paul Standard w/a wine red finish, and it's a RIGHTEOUS sounding and playing LP - think I'll go give it a thrash! 'C'mon Everybody' by Humble Pie, anyone?
I played a Murphy Lab this week and it absolutely blew my mind.
I had to reassess my idea of quality.
I've played nothing like it.
Yeah for me the ML is the only way to go since i want a 1958-59 clone that is as close to a original in looks and play ability as possible and is going to maintain value.
As great as the Eastman and Heritage may be there are visual things about them i cannot get past that really bother me.
since these things would always bother me mentally i would never be 100% happy. so the lower price is not worth it to me.
@@Murphy_R9 my thoughts exactly
Agreed. I have a 65 ES and it’s awesome. But I’m thinking of getting an Eastman as well for everyday playing.
@@Bluepilled-c5t I was looking at Sire Larry Carlton actually.
I was able to play a few heritage LPs and they were so impressive. Easily the most beautiful tops I’ve ever seen
After watching this my question is. How does the Gibson Les Paul Standard figure in this equation. Is the Eastman a better option, or maybe the heritage.
Rhett thankyou so much for showing that Eastman….I have one and on Thursday next week I WAS going to trade it in for a new les paul classic…..now I feel much better about keeping my Eastman SB 59 so you just saved me a $1000 in your currency I live in the UK once again many thanks.
Not surprised the Eastman stood up. I have an Eastman T486 and the build quality is unreal - way better than any Gibson I've owned.
Dang. The bridge pup on the Murph, and the neck on the Eastwood. The Eastwood sounded so good regardless of price. Gotta think that's the ultimate LP for gigging bars. Cool vid Rhett!
Eastman, not Eastwood.
You shoud tried the SB59-V from Eastman... antique aged varnish (the closest to real 50's nitro you can get these days) and Lollar Imperial Pafs...is a game changer!
Not a LP man myself. Not for lack of trying, mind you. But if I was, I’d give that eastman close look.
You should have used the Eastman Varnish series. So much better “played in feel”.
This video about has me sold on the Eastman because of the pricing. This was a great video. Thank you!
I went to my local Guitar Center and tried almost every Gibson/Epiphone 335 in the shop. I wound up buying the Eastman DB59/v, their version of a 335. It is, simply amazing. I highly recommend checking out Eastman's, unless the name on the headstock is more important than the build quality and tone.
Based on what I hear in my headphones it was super hard to tell which guitar you were playing, which says a lot to me. Thanks!
I'm all about that Heritage. What a beauty. $6,500 for that Les Paul from Gibson Custom Shop and Murphy Lab finish is obviously a stratospheric price, but I had prepped myself for a $10k price tag with every top end appointment aside from overly ornate inlays on it. I'm not going to call it a bargain but that price doesn't seem criminal.
I own two 90's left handed Heritage guitars. H-150 burst and H-157 Custom. Never part with them.
Eastman sounded as good as the other two. You can always touch up the frets and neck finish and still be wayyyyy ahead of the game.
That’s what I was thinking. So easy to fix those “problems” if you felt like it.
I finally got a Standard and now they come out with the Murphy Lab LPs... Something new to dream about, I guess.
A good Standard is still a good guitar and a life long dream to a lot of people. Enjoy it man👍
And play that guitar alot!
I know your pain! I had a really nice 60's standard and ran across an unreal R0 and had to upgrade. Fast forward a month (yes, one stinking month) and the Murphy Lab LP's come out. Thankfully for me I played a 58 Murphy and, while gorgeous, it just didn't quite have the tone of my R0, to my ears. I know they are all a little different, though. I think my R0 is really special. Still, I think I'll decline to play a 59 or 60 Murphy if given the chance, lol.
@@marions.120 every day, sir!
@@adamgray8009 I played probably 6 LPs at two different shops when I bought mine. They all sounded different. I ended up with a 50s thinking I wanted a 60s. The 50s cherry burst sounded too good to pass up and now I love the neck profile.
Rhett, it was clear from your face and the way you played the Gibson Custom Shop that the guitar felt and sounded right to you. I had a similar experience July 4th weekend when I was shopping for new acoustic (although not to the tune of $7000). I was looking for some good and inexpensive to replace a Seagull that I failed to keep humidified. I thought I would walk out with another Seagull or maybe Epiphone Inspired By Gibson. I set a budget for myself. That budget went out the window when they handed me the right guitar. I saw a similar thing on Dan's of That Pedal Show) face today when he had one of his trusty Fender Teles and they opened up both a Deluxe Reverb and Princeton Reverb and he went into a happy place and the playing soared with the tone. People think it's all your head. No, it's in your heart and soul. That's where the right guitar lives
Would have liked to see an FGN LS30 in this mix too. FGN rocks.
Ben has to measure his words because he sells them and keep all 3 sellable. Eastman's a killer. The Eastman can be anyone's last guitar and not be lacking. And the pickups can be switched if desired. Handmade quality monster. I can't imagine finding a better single cut for the money.
All three of these are super.
I’d actually probably go with a PRS S2 594 Singlecut. Good shoot out though.
The just dont look as good as a real Les Paul
The PRS 594 is one of my dream guitars. I'm going to get the double cut version when I'm able to afford one.
@@314jrock I do like the doubles cuts, friend of mine has one and its pretty awesome
In my experience, 594s sound way brighter than Les Paul's. They sound incredible and are built with an attention to detail that Gibson can only dream of, but they're not the same.
@@314jrock I have both the SC 594 and the HollowbodyII (McCartey). The are both wonderful guitars. I also have a LP Standard 2019 and it too is a great guitar. I guess I am not that critical, because I love all of my guitars. Not really disappointed in any of them.
I would take the Heritage in a heartbeat. Great video.