10 Guitar Scales to play over Cmaj7 (How to play over a Vamp)
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- Опубликовано: 26 июл 2024
- What do we do when we have one chord for a while? Here are 10 colors and ideas we'll explore together!
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1. 1:45
2. 3:13
3. 4:56
4. 7:02
5. 8:50
6. 10:06
7. 12:39
8. 15:14
9. 18:33
10. 21:42
Gabrii Gonzales
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This has to be one of my favourite guitar lessons/jams in over 10 years of watching RUclips videos. I really appreciate you bringing all this knowledge and expression to a global audience.
This is exactly how music should be taught. Thank you. Love your music.
This was a liberating exercise. I probably play Cmaj7 more than any other chord.
Wonderful! Among the zillions of lessons and other resources on RUclips, I find myself coming back to your lessons again and again. To me, as a folk musician, your attention and respect for the soul and feel of the music really gets to me. Thank you so much.
The genius in introducing the c major scale after three different pentatonic roots.
💙
I've always find this stupidly confusing. Why A or whatever starting from "insert a chord degree" if you can just play C major pentatonic/whatever scale, because otherwise you have to remember that you have to start from different positions but why if it's all the same notes? You aren't forced to start lines from C anyway so why make it more complicated?
Example: If you say Cmaj7 - I can think of C major pentatonic, C ionian, C lydian, maybe C lydian dominant, C lydian augmented, C lydian augmented #2, C Ioninan #5, maybe C Augmented hexatonic scale. ALL IN C!!! Why should I care about all the other RELATIVE modes starting from different chord tone if it's all the same notes in the edn????? It's unnecessarily complicated!
Hi Rotem ! Once again very inspiring. Not Only you are gifted as a musician but you are also a brilliant teacher because you make this so exciting. You made my day.
Dear Rotem: I have watched hundreds of videos about playing electric guitar. And I have learned a lot, thanks to the musicians, like you, that make available so many knowledge. But I would like to emphasize that I developed a new skill just playing Cmaj7 and all the variations you teaches in this video. Really very helpful. It's not necessary to play a bunch of chords to have something amazing. Joys!
All I can say is THANK YOU. I dont know if my ears just opened or as I suspect, your teaching style opened them, but all I know is I suddenly am really listening to what I'm playing, which sounds crazy after starting guitar at 4 years if age in the 60s. So again...THANK YOU
I've been wondering about this topic for a least at year so thank you for clearing it up for me. Greatly appreciated.
Rotem, this is amazing! I remember we talked about number 8 in NYC and it just blowed up my mind. I practice these ideas every day since.
Dude you are such a vibe and I can't get enough of your videos. Opening up my eyes and ears and really making me take a step back to just listen and experiment.
i will be watching this many more times I'm sure. Would love to see a similar video using a minor7 chord. great video - thank you for sharing
So useful Rotem!. My favourite chords are the replacement maj7 . For years now I've practiced playing a major scale but with a chord to each note replacing the minors with min 7 and majors with maj7 this is where I stumbled across the maj7 but I've been playing over the maj7 with all sorts of stuff looking for the appropriate scale to use. I now know that there are several, So happy.I also have heard that a song may end with a maj7 and sometimes I get confused with the use of a maj7 and how it should be used. I love the way you explain the different colours and I guess its a real pretty coloured chord. Thanks very much Rotem.
I love this, “Don’t overlook C Major scale...it’s a melody !”
❤️
@@RotemSivanGuitar Avoid the 4th degree, because it will form a b9 with the E.
I often play it and it gives chilling effect which sounds like so beautiful to my ears.
Thank you Rotem❤ You're doing a very good job in teaching people aside from being a great musician. You're one of the reasons why I feel inlove with jazz so much because with you everthing seems easy to learn. Love from the Philippines.
Thanks!! 🙏
Beautifully eye, mind, and heart opening! Thank you for sharing your creativity!
That B minor pentatonic over Cmaj7 😍❤️
I like using that at the end of the piece. B - D F# A (Maj7-Maj9-#11-13)
It's like all the most delicious tension notes relative to C major, combined.
Nothing harsh about it. Its my favorite too!
indeed !
It's literally C Lydian (maybe even with b7 or #2) mode... hahaha but some people like it more complicated I guess...
What a great useful, practical video lesson. thanks guys!
This just opened my eyes
This is AMAZING! just what I needed, since I ve been thinking to get better at speed. Subscribed!!
Beautiful guitar tones guys!!
Very nice - some great ideas for melodies. I can hear a super melding of Joe Pass and John McLauchlin all the way through these examples 👏
Love your stuff! Thanks for new input.
That's amazing! I can hear Al Green's " Tired of Being Alone" song in the Cmaj7
This is still a little over my musical head, but i enjoy it anyway, i hope some day i can fully understand the underlying concepts, thank you both, great energy!
This is game changing for my guitar
Thanks for sharing...I'm learning a lot...
This is really a nice video to me, because I am sharing your philosophy completely. Oh, btw: I studied vocals as well - so this is really picking me up, where I am indeed! Thanx a lot, mate - greetings from Germany from the silverfox! ;)
Yeah!!! So great you blew me away with only do re mi fa sol la ti do c major ordinary scales
another master class that helps you jump lightyears! thanks
Who's the cat that disliked!? We need more of these
What an amazing explanation. Why didn't you exist about 20 years ago, when I started playing!!... My life would be much simpler :D
Next level teaching.
that DeAngelico guitar that Gabe has is stunningly beautiful.
Thank you for the video .
A melodic minor scale also works great as a Lydian sharp five
Great stuff!
Really great lesson, as always! Thanks ^^
🙏❤️
Amen, music does make us better people. It also improves our ability to see with our eyes closed
Rotem! thanks you so much for sharing your knowledge to us! Greetings from Argentina
🙏😊
Don’t forget C Bebop scale! Add that b6! Loved the Bm pentatonic.
Very cool stuff, I thoroughly enjoyed the playing.
The b minor pentatonic is quick way to get the Lydian feel as well as the full c Lydian scale as are the Lydian triad pair C-D. Really stretching the Lydian mode/feel. ;) Top it off with a Lydian pentatonic C, E, F#, G, B.
Superb 👌👍
Thanks Maestro
happy to come across your channel. amazing content👍👍👍
Really wonderful. I think it was Miles Davis who said “there are no wrong notes.”
Your tutorials are fantastic! Thanks so much @rotemsivan. One question: how are you making those super-sudden guitar drones?
I've never heard about guitar scales)))
Playin is feelin ..thinkin is analyzin ;)
Awesome help...Thank you
Just discovered your channel - great stuff! One quick question, though...what is that black object under your strings?
colours tension release ...great angles to come at things
GREAT......
🙏🙏
In Bm pentatonic you play an F#, it's the sharp four(not a flat five)..It gives you a Cmaj7(#11) Lydian sound
2:40 cool melody theree
💙❤️💙
I reaally dig the minute or so from 16:39 onward
When Mr. Gonzales played "All Colours" i personally lost it.
May I know what's the gadget you are using when you play and sustain the C note?
Bm pentatonic over cmaj7, greeat! Im not finished watching the video but yet it is awesome, thanks! Do we also have this much of possibilities for minor chords?
Yep! Even more actually 🎸
Please do this on minor7 and modes
so cool what is the guitar model ?
Do you count like your 9s and major 7s from c or like the e minor pentatonic b minor pentatonic
10 ... and still here.
I like the B locrian over C maj7....
Can they all be played in a 251 too?
Hey Rotem, really appreciate your videos. Ive been playing for a little over a year now. Can i ask you, how did you achieve that constant sustained note at 15:27? I want to practise this technique myself, and it doesnt really work with my looper pedal since it gets that obvious choppy loop sound :D Cheers
I used the freeze
@@RotemSivanGuitar Didnt know such a pedal existed, thats awesome. Thanks
Bm Pentatonic will yield that Lydian flavor.
triad pairs C and D too
For the certain minor pentatonics that can be played over C (Em, Bm)-is there the same structure available for different keys? Like... in the key of E, can I solo with the F#m pentatonic? Or C#m?
It's more about the distance between the chords or scales. If you are soloing over C Maj7, you can play e minor pentatonic (e minor is a Major 3rd above C). If you are soloing over E Maj7, you can play g# minor pentatonic (g# minor is a Major 3rd above E).
Both are the same musical interval away from the chord you are playing over.
But like he says at the end, you can play anything over anything. Solo in f minor pentatonic over a E Major 7 (just depends on if you like a sound that intense).
He's just offering some common options that are not too intense for the average listener, but nothing is holding you back from creating the most dissonant music ever heard (if you're into that kinda thing).
@@therealandrew185 oh man thanks for the info! Yeah I was just trying to understand why and how it worked well.
Just to add a little complement, as I understand music mostly by modes and degrees, I wouldn't call the F#/Gb of the Bm pentatonic over a Cmaj7 chord a flat five, but a raised forth. The raised forth clearly underline the Lydian nature of that particular Cmaj7 chord, which is a Lydian maj7, not a Ionian maj7. As for the G major scale to play over a Cmaj7 Lydian to underline the raised fourth. Don't you think it's a little confusing to talk about the G major scale instead of C Lydian even if you name it between parentheses ? I do think those details make a big difference, as they allow you to have a deeper understanding of what's harmonically going on. I love your content, and everything! I just hope to add a little constructive idea to it, and at the same time questioning my own way to conceptualize music ^^
y'all need to teach me in these comments
Good stuff.
How about Cm... Gives us a that bluesy favour.
sounds very exiting when it is mixed with Bm)))
15:35 light bulb moments, it is not about what note you start with, it is about what you played after the previous note
Yeah man - they're not "scales", they're just different melodies. That's the truth right there. 7:57
Time: 17:10... Over a pedal note... What he plays is what we do and hear in Turkey, or what I hear...
Guess I'm playing jazz today
🤘🤘🤘
@@RotemSivanGuitar 5 months later, lots of more lessons and your patreon, I am soloing over my loops and making such beautiful music, thank you thank you
Ah yes. The "Sing it" scale.
I have a hard time writing songs, I usually just write Vamps
Vamps are fun
Vamps are great in those awkward jam situations where no one knows each other's songs.
So there's no wrong notes!! Mind blown.
A disclamer is needed here: this is all about "where" to play but not at all about "what" to play. Otherwise one should call it "Best lesson teaching you how to play meaningless noodle-type solos")
⁰1
it’s obvious he’s on the spectrum
what a poor guitar. did she deserve that ? 🤣 she such a beauty - ahaa its a howard roberts gibson
I dont understand how you teaching bro im honestly getting frustrated ;
great playing bro but you gotta tone it down or close. you just kinda saying things feel me?
major 7ths are lame, play dominant 7ths
can u stop shaking ur guitar