This is something a lot of classic 70s and 80s records have in common, little details that you don't really notice but they still add to the experience. You can hear a lot of them in Rick Beato's "What Makes This Song Great" videos where he solos each of the tracks.
@@beatsbykeremtry listening to zutomayo. There's such a layering going on that I repeat the song multiple times just to listen an instrument at a time. Those are the things only limitless tracking can achieve
These are why Hip-Hop exists, we were listening to those long tracks and those special pieces in the track and always wondered what is that and how do I make it front and center in my thing. Even now despite the strength of the lyrics or lack there of producers are still looking for that special moment except now we are adding our own thanks to technology and videos like this helping us recreate and expand on our ideas
I don't know how to properly express how much I want you to explain every single detail of how this music is made. You really have an invaluable treasure of knowledge that the world needs to learn from.
This guy was totally pressing equipment to its full capabilities back then. Most weekend warrior synth owners wouldn’t have scratched the surface with these synths. Incredible work, hats off man!
It's weird how in different decades this particular song - the people who made it - has occupied my thinking. When it came out I was in my Van Halen phase, it was all about the guitar solo. I spent hours listening to Eddie's amazing passionate playing. About twenty years ago I became aware of Steve Lukather's part on the song - an amazing session player who you bring in when you want a particular job done. Very tight playing. Now I'm composing my own music in Ableton and I spend hours thinking about building a palette of sound, and here you are pointing out a sound I must have heard - but not heard - a thousand times, creating a texture that I just don't think my ears were capable of distinguishing within a mix when I was younger
Hello Anthony, MJ always had these on all of his solo stuff and it's so fun to hear them. I was just watching an interview with his Invincible album producer Darkchild and MJ was so hooked on these that he told him to make a snare from a light bulb exploding and the drums for one track he and MJ was passing a construction site and MJ heard the kick and Darkchild had to run back later with a studio recorder to hopefully capture that sound before they finished. MJ also wanted him to create the sound of lightning all because he had heard so much stuff that a regular anything didn't excite him anymore or it was reserved in his mind for that one track already created at least when it comes to his own stuff. He really wanted to dance on lightning that's how far this went ❤
You're awesome Anthony. This video is a sound design, analog synth architecture and pop song arrangement lesson rolled into one. Thanks for posting this!
And musical archeology, it is a historical document as well on a cultural masterpiece. Thank you Anthony for making these videos and thank you for making the original sounds long ago.
I still find it amazing that we're learning about all these intricate details straight from you, the guys who back then happened to be at the right place, creating this whole magic world for us. I was just a kid, currently transformed into a nerd, who can't thank you enough for bringing all this to us.
This is INCREDIBLE. Listen to it with earbuds or headphones. I actually remember this sound from back in the day. All these years and finally an explanation. Thank you!
That's an awesome addition to the song Anthony, increasing the tension and making it more vibrant and also the decisions made by Swedien. Excellent springboard for Eddie's solo. Amazing! Thank you for breaking this down 🙏🏼
For decades I’ve always noticed this sound and wondered if I was crazy only hearing it in the lead to the guitar solo. Thank you so much for this breakdown and your brilliance!
Absolute genius. Not a complex sound at all, but the fact the idea came to you in the first place and it fit so perfectly is what is so amazing. Gives those fast-paced 80s action movie/shits about to go down vibes. Then EVH just takes it next level.
I truly don't understand people that don't hear this kind of stuff. I was well aware of this sound and the track would not be the same without it. If nothing else it let you know the solo was coming. Great job.
Watching this as someone who has only ever made music using VSTs and software really helps you appreciate the how easy we have it these days. All that equipment that was needed that would be a such a simple sound to create these days, so impressive.
@Anthony I love the music history lessons! It’s so cool to hear the behind the scenes “mechanics” of how this music was made. The stories are beyond fascinating! Thanks for the synth lessons as well! Absolute Gold! =)
Oh this is fuckin dope! I love that youtube allows for things like this to exist. Peak into the life of all the engineers and drummers and writers and producers that helped MJ craft. All legends in their own right.
There are so much details in Michael Jackson music. Thanks again Anthony. I'm learning so much stuff from you that i'm implementing on my Korg Arp 2600M
anthony your creativity, has changed my childhood ....when i was 8 i listen MJ's cassettes all the day long and all this sounds inspired me to became a musician and soundengineer i wanna thank you so much for that.
The first time I realised this song isn't what I thought it was, was when I heard it in guitar hero where the guitars where mixed differently. It sparked an entire journey of discovery. Your videos perpetuate this journey.
Very interesting. Thanks. Now I need to go back and relisten very closely to Beat It and also watch Blue Thunder...........again. (One of my favorite Helicopter movies.)
I love picking apart songs and finding these little gems throughout, I think it really makes the difference between an average song and a great one. Thanks for your insight again Anthony.
Amazing time we live in were we can now see these amazing studio techniques straight from the source. Had to listen to "Beat It" again and it's definitely there like a pad, it adds more tension but very subtle. I know we hear so many subtle things in these great recordings. Sometimes i just think they're just a harmonic effect of the overall mix. I guess its very intentional. Thank you so much for sharing! I learned so much in this short video.
This 😮is fascinating to see how these parts were created! I appreciate the modern ease of using an arpeggitator instead of patching cables for a time clock gate.
Thank you so much Anthony for sharing some of the magic with us. Helps us appreciate the amount of detail and hard work that went into these timeless classics!!!
My ears tend to focus on those Lukather guitar parts, since they were so hooky. But your synth serve it's purpose. Sorta like a space filler so the mix doesn't feel like "missing a foot step", as i like to describe mixes that aren't flowing. I find it funny how collab/composers/producers always seems to enjoy all these little hidden elements of the tracks. There's a Swedish documentary about "The Look" by Roxette and Per Gessle says "Do you remember the angry bull" to his collab guy and they mute the tracks and you hear something that's supposed to sound like a bull buried in the mix. It's one of my favourite "Swede" songs, yet i've never noticed it.
Also on Beat it there are other sounds that are almost inaudible on the final cut that you can clearly hear on the instrumental. For example there is a picking guitar sound on the second and fourth verses as well as a synth that sounds like an electric guitar on the fourth verse that you barely hear on the final cut. I have noticed this alot on the Thriller album.
Wow! Excellent! The first part of this covering how you created the sound is interesting even though I'm not mad into synthesis, but the extra depth and value you bring to these with the glimpses and photos behind the scenes with explanations of the principles at work in the arrangement and mixing of these tracks is wonderful! Thank you so much
I am a guitar player that only got into synths 2 years ago. love playing with my hardware synth. with your videos you help me building up my sound design skills. very cool, thanks a lot!
Another fantastic video Anthony. So detailed yet to the point. Thank you. I've been with you from the start of your RUclips channel after seeing your first few posts on Instagram, StoriesInTheRoom and following you there. It's so good to see your channel subscribers growing and was a real treat & surprise to see you with Doctor Mix recently. I'd love to shake your hand the next time I'm in LA. Greets from London.
Heck, I always thought it was either EVH or another guitarist strumming those 16th notes. It certainly doesn't sound like a synth on the record. Love it!
It's a peach of a tune. I used a Clavinet on a track recently with a similar intention, mixed very low in sections to keep the momentum and staccato. Blue Thunder was also a classic movie from my early days, seems you may have shaped a fair bit of my taste without me even knowing.
Thank you for posting these, such wonderful history and ingenuity in a 'pop' song. It's no wonder these hit number one had stand the test of time looking back. Just fascinating and wonderful to learn all these years later.
Thanks for these videos- I pick up wisdom from each one. Even outside of the synth bits- the advice to give the song room to breathe through the mix and arrangement is one that I constantly need to remind myself.
Hello Anthony! I wanted to thank you for finally proving I was right when it seemed I heard another sound on these tracks, before the solo! I don't like internet that much these days but I'm glad that I found your channel, which became my favorite overnight! Ahah All the Best!
Thanks for sharing this Anthony. In BAD I hear a similar thing but that's more like a hi resonance filter in self oscillation. It's sounding like a chopper... It's actually swirling around in the track. Once you hear it, you keep hearing it. Somehow it is not annoying. I guess that's Michael's charm.
This is crazy. In the best of ways. Thank you for such valuable insight. The production aspect of so many songs are really a testament to the craftsmanship of the artist and the producers like yourself. Just amazing!
I just saw the video short for this and to come here to see the full video. Very interesting. I had no idea how much knowledge was needed to make synth music back then.
Talk about impressive guy. I love all of your videos and learn so much from you. Talk about a person who knows his stuff. Wish I could have known about you years ago. Keep em coming bro. You're the best 😊
Love this man! I have the "Beat It" stems and first thought this sound was an electric guitar. Looks like you used a similar sound in the first verse playing a pattern that sits nice with the rhythm guitars. Soooo cool!!
Love your content Anthony, that sound for some reason was in my brain since i hear that sound for the very first time. It's amazing to finally learn about how it was made!
Greetings from Groovin High Studios in Texas. What a gem! Thanks for the sharing of your synth knowledge. Can’t wait to find musical moments to utilize this and other gems you’re sharing.
I was three years old in 1983 when I first heard Michael Jackson‘s music, specifically *Thriller.* Back then, I didn’t notice this sound in the mix. Could I had 23 years; I purchased a copy on CD, the Deluxe Edition with bonus material and Quincy’s interviews. Listening to beat it then, I did pick up on the sound. For some reason, I got it in my head that it involved 16th-note slapback delay of the type employed by Georgio Moroder in the production of Donna Summer single “I Feel Love”. Furthermore, I was convinced usage of the word machine gun sound referred to the door knocking thing that Michael himself did just before the solo kicked in.
Thanks for sharing such precious tips… I wanted to say that you’ve made the finest job as possible in all productions you were involved especially with MJ.
The first one of your videos I saw you didn’t really name drop which was classy, but I’m thinking like who the hell does this guy think he is talking about how to create the sound? How would he even.. oh OH! He was in the studio with Michael Jackson writing the song. OK I guess he knows his shit. I love all these behind-the-scenes songwriters and collaborators that are coming out on RUclips To share their experiences in such a fascinating world I love this. The transparency is amazing. Demystifying such a magical industry.
I've subconsciously noticed it on some level I think and believe! It is AMAZING and completely other level stuff I promise! This sound is unreal and brilliantly executed! It is genius how this is utilized! It actually sounds really scary and VERY intense! It also sounds really scary because it is VERY intense, lol!
You are the man, Anthony. I’m so grateful for you sharing your knowledge, it wants me to be a better musician and buy more gear. Which I just did : a Behringer 2600 😂
Great video 👍 9:18 I used to do that in my 4-track days to plan out what had to be recorded to which track and when so that I could plan the bounce-downs such that the final 4 tracks had everything in the right spot for the final mix.
Thank you. I'm an artist/musician who paints sculpts and transforms the ordinary into extraordinary once every blue moon. Although we may never meet. I know you are my friend You speak to communicate the flow of an idea., You just defined the sublime sonic wave. It's lovely knowing you're out in the world. and shared your ability with Micheal . He must have loved you with heartfelt appreciation. What a moment that must have been.
Thanks, Anthony! Your videos are so deeply informative and fascinating. Both from an amazingly expert technical and musical perspective and also for unique and cool insights into music recording history. You are so effortlessly knowledgeable about programming synths and arranging. I look forward to every video and soaking up everything I can learn.
This is something a lot of classic 70s and 80s records have in common, little details that you don't really notice but they still add to the experience. You can hear a lot of them in Rick Beato's "What Makes This Song Great" videos where he solos each of the tracks.
Music nowadays does too. In fact so good you really can’t hear it…
😊😊😊aa@@beatsbykerem
@@beatsbykerem😊@qq1q
@@beatsbykeremtry listening to zutomayo. There's such a layering going on that I repeat the song multiple times just to listen an instrument at a time. Those are the things only limitless tracking can achieve
These are why Hip-Hop exists, we were listening to those long tracks and those special pieces in the track and always wondered what is that and how do I make it front and center in my thing. Even now despite the strength of the lyrics or lack there of producers are still looking for that special moment except now we are adding our own thanks to technology and videos like this helping us recreate and expand on our ideas
I don't know how to properly express how much I want you to explain every single detail of how this music is made. You really have an invaluable treasure of knowledge that the world needs to learn from.
Well he was there and made it in the first place.
Subtleties we can appreciate so many years later! This is what makes a "classic" . Thanks for being an artist Anthony. Tone painting indeed.
Same haha@@dubcat4232
No idea how to say it, but, you are making this world better by sharing all of this priceless experiences and knowledge.
This guy was totally pressing equipment to its full capabilities back then. Most weekend warrior synth owners wouldn’t have scratched the surface with these synths. Incredible work, hats off man!
As did nearly EVERY contemporary musician those days....
It's weird how in different decades this particular song - the people who made it - has occupied my thinking. When it came out I was in my Van Halen phase, it was all about the guitar solo. I spent hours listening to Eddie's amazing passionate playing. About twenty years ago I became aware of Steve Lukather's part on the song - an amazing session player who you bring in when you want a particular job done. Very tight playing. Now I'm composing my own music in Ableton and I spend hours thinking about building a palette of sound, and here you are pointing out a sound I must have heard - but not heard - a thousand times, creating a texture that I just don't think my ears were capable of distinguishing within a mix when I was younger
Hello Anthony,
MJ always had these on all of his solo stuff and it's so fun to hear them. I was just watching an interview with his Invincible album producer Darkchild and MJ was so hooked on these that he told him to make a snare from a light bulb exploding and the drums for one track he and MJ was passing a construction site and MJ heard the kick and Darkchild had to run back later with a studio recorder to hopefully capture that sound before they finished. MJ also wanted him to create the sound of lightning all because he had heard so much stuff that a regular anything didn't excite him anymore or it was reserved in his mind for that one track already created at least when it comes to his own stuff. He really wanted to dance on lightning that's how far this went ❤
You're awesome Anthony. This video is a sound design, analog synth architecture and pop song arrangement lesson rolled into one. Thanks for posting this!
And musical archeology, it is a historical document as well on a cultural masterpiece. Thank you Anthony for making these videos and thank you for making the original sounds long ago.
I still find it amazing that we're learning about all these intricate details straight from you, the guys who back then happened to be at the right place, creating this whole magic world for us. I was just a kid, currently transformed into a nerd, who can't thank you enough for bringing all this to us.
Blue Thunder and Beat It; you made the sounds on all of my favorite things as a 10 year old
This is INCREDIBLE. Listen to it with earbuds or headphones. I actually remember this sound from back in the day. All these years and finally an explanation. Thank you!
The wisdom and tricks right from the original crew members - that's what makes your channel even more awesome. Thanks!
I’ve been following Anthony now for a while and these behind the scenes looks at MJ’s studio sessions never get old…
That's an awesome addition to the song Anthony, increasing the tension and making it more vibrant and also the decisions made by Swedien. Excellent springboard for Eddie's solo. Amazing! Thank you for breaking this down 🙏🏼
This sound is such a great little secret on beat it, album’s full of them too. Thanks for sharing Anthony
For decades I’ve always noticed this sound and wondered if I was crazy only hearing it in the lead to the guitar solo. Thank you so much for this breakdown and your brilliance!
Absolute genius. Not a complex sound at all, but the fact the idea came to you in the first place and it fit so perfectly is what is so amazing. Gives those fast-paced 80s action movie/shits about to go down vibes. Then EVH just takes it next level.
I truly don't understand people that don't hear this kind of stuff. I was well aware of this sound and the track would not be the same without it. If nothing else it let you know the solo was coming. Great job.
Watching this as someone who has only ever made music using VSTs and software really helps you appreciate the how easy we have it these days. All that equipment that was needed that would be a such a simple sound to create these days, so impressive.
@Anthony I love the music history lessons! It’s so cool to hear the behind the scenes “mechanics” of how this music was made. The stories are beyond fascinating! Thanks for the synth lessons as well! Absolute Gold! =)
Oh this is fuckin dope! I love that youtube allows for things like this to exist. Peak into the life of all the engineers and drummers and writers and producers that helped MJ craft. All legends in their own right.
There are so much details in Michael Jackson music. Thanks again Anthony. I'm learning so much stuff from you that i'm implementing on my Korg Arp 2600M
It was so excited to see you on the MJ Thriller 40 years..You are a true inspiration...!!
I love the addition of the S&H randomising. It really brings it to life
I'm glad Michael wrote this song along with Wanna Be Startin Somethin, another of my favorites.
anthony your creativity, has changed my childhood ....when i was 8 i listen MJ's cassettes all the day long and all this sounds inspired me to became a musician and soundengineer i wanna thank you so much for that.
I always think of this type of sound/sequence to be "propeller" rather than "machine gun". Thx for another excellent video.
"The good energy" This is also what your videos bring us Anthony, thank you!
I've said it before and I'll say it again. The best content on YT right now!
The first time I realised this song isn't what I thought it was, was when I heard it in guitar hero where the guitars where mixed differently. It sparked an entire journey of discovery. Your videos perpetuate this journey.
Very interesting. Thanks.
Now I need to go back and relisten very closely to Beat It and also watch Blue Thunder...........again. (One of my favorite Helicopter movies.)
What a lovely picture of you guys with Michael & Quincy
Great mixes start with great arrangements! Thanks Anthony!
I love picking apart songs and finding these little gems throughout, I think it really makes the difference between an average song and a great one. Thanks for your insight again Anthony.
Every video is an education. Thanks so much, Anthony!
Amazing time we live in were we can now see these amazing studio techniques straight from the source.
Had to listen to "Beat It" again and it's definitely there like a pad, it adds more tension but very subtle. I know we hear so many subtle things in these great recordings. Sometimes i just think they're just a harmonic effect of the overall mix. I guess its very intentional. Thank you so much for sharing! I learned so much in this short video.
Awesome. So cool to hear the stories behind the sounds.
This 😮is fascinating to see how these parts were created! I appreciate the modern ease of using an arpeggitator instead of patching cables for a time clock gate.
We're so lucky for you to share this. It just makes me appreciate the work that much more.
Thank you so much Anthony for sharing some of the magic with us. Helps us appreciate the amount of detail and hard work that went into these timeless classics!!!
My ears tend to focus on those Lukather guitar parts, since they were so hooky. But your synth serve it's purpose. Sorta like a space filler so the mix doesn't feel like "missing a foot step", as i like to describe mixes that aren't flowing. I find it funny how collab/composers/producers always seems to enjoy all these little hidden elements of the tracks. There's a Swedish documentary about "The Look" by Roxette and Per Gessle says "Do you remember the angry bull" to his collab guy and they mute the tracks and you hear something that's supposed to sound like a bull buried in the mix. It's one of my favourite "Swede" songs, yet i've never noticed it.
Also on Beat it there are other sounds that are almost inaudible on the final cut that you can clearly hear on the instrumental. For example there is a picking guitar sound on the second and fourth verses as well as a synth that sounds like an electric guitar on the fourth verse that you barely hear on the final cut. I have noticed this alot on the Thriller album.
Wow! Excellent! The first part of this covering how you created the sound is interesting even though I'm not mad into synthesis, but the extra depth and value you bring to these with the glimpses and photos behind the scenes with explanations of the principles at work in the arrangement and mixing of these tracks is wonderful! Thank you so much
Truly amazing work Anthony. Fantastic your film documenting these important details to the 2024 World.
I am a guitar player that only got into synths 2 years ago. love playing with my hardware synth. with your videos you help me building up my sound design skills. very cool, thanks a lot!
This channel should be in a museum.
Awesome lesson,Anthony ! From Córdoba City,Argentine Republic! Cheers!!!
Another fantastic video Anthony. So detailed yet to the point. Thank you. I've been with you from the start of your RUclips channel after seeing your first few posts on Instagram, StoriesInTheRoom and following you there. It's so good to see your channel subscribers growing and was a real treat & surprise to see you with Doctor Mix recently. I'd love to shake your hand the next time I'm in LA. Greets from London.
I am so happy to be able to access your content on my phone while I'm sitting right in front of my keyboards on a night off. Thank you very much.
Heck, I always thought it was either EVH or another guitarist strumming those 16th notes. It certainly doesn't sound like a synth on the record. Love it!
It's a peach of a tune. I used a Clavinet on a track recently with a similar intention, mixed very low in sections to keep the momentum and staccato. Blue Thunder was also a classic movie from my early days, seems you may have shaped a fair bit of my taste without me even knowing.
Thank you for posting these, such wonderful history and ingenuity in a 'pop' song. It's no wonder these hit number one had stand the test of time looking back. Just fascinating and wonderful to learn all these years later.
Thanks for these videos- I pick up wisdom from each one. Even outside of the synth bits- the advice to give the song room to breathe through the mix and arrangement is one that I constantly need to remind myself.
Blue Thunder is such an amazing score - I’ll have to check that video out - great stuff and great soundtrack
Hello Anthony!
I wanted to thank you for finally proving I was right when it seemed I heard another sound on these tracks, before the solo!
I don't like internet that much these days but I'm glad that I found your channel, which became my favorite overnight! Ahah
All the Best!
This is the coolest.
I love this video, randomly recommended thankfully.
Great song and a great hidden sound I never conciously picked uo on.
Thanks for sharing this Anthony. In BAD I hear a similar thing but that's more like a hi resonance filter in self oscillation. It's sounding like a chopper... It's actually swirling around in the track. Once you hear it, you keep hearing it. Somehow it is not annoying. I guess that's Michael's charm.
This is crazy. In the best of ways. Thank you for such valuable insight. The production aspect of so many songs are really a testament to the craftsmanship of the artist and the producers like yourself. Just amazing!
This was so on point for my current project. Not so much that actual sound but the thinking behind it.
I love these "behind the music (or in this case mixing desk) videos.
Wow this is so 80s...heard that in every 80s Action movie :)
I noticed that.and thought it made the song.fabulous. thank you for sharing.,❤
Ohh this sound! Awesome thank you so much Anthony! HAPPY NEW YEAR to you!!! 🤟
Crazy! Took me a second to hear it in original.
I just saw the video short for this and to come here to see the full video. Very interesting. I had no idea how much knowledge was needed to make synth music back then.
The entire track is just so damn brilliant.You guys made magic with beat it. 😊Still love everything about the track🔥🔥🔥🔥🔥🔥🎶🎧
🌌💓
Michael was banging drum sounds in the room🥁💯🎶🔥😊
Talk about impressive guy. I love all of your videos and learn so much from you. Talk about a person who knows his stuff. Wish I could have known about you years ago.
Keep em coming bro. You're the best 😊
brother you a genius🔥🔥🔥
Love this man! I have the "Beat It" stems and first thought this sound was an electric guitar. Looks like you used a similar sound in the first verse playing a pattern that sits nice with the rhythm guitars. Soooo cool!!
Love your content Anthony, that sound for some reason was in my brain since i hear that sound for the very first time. It's amazing to finally learn about how it was made!
absolute font of knowledge. amazing
Happy new year, Maestro Marinelli 🎉 very well explanation 🎹
Thank you, thank you, thank you ✨👑✨
2:08 Nice picture
Greetings from Groovin High Studios in Texas. What a gem! Thanks for the sharing of your synth knowledge. Can’t wait to find musical moments to utilize this and other gems you’re sharing.
I was three years old in 1983 when I first heard Michael Jackson‘s music, specifically *Thriller.* Back then, I didn’t notice this sound in the mix. Could I had 23 years; I purchased a copy on CD, the Deluxe Edition with bonus material and Quincy’s interviews. Listening to beat it then, I did pick up on the sound. For some reason, I got it in my head that it involved 16th-note slapback delay of the type employed by Georgio Moroder in the production of Donna Summer single “I Feel Love”. Furthermore, I was convinced usage of the word machine gun sound referred to the door knocking thing that Michael himself did just before the solo kicked in.
Mind blowing. I don't have words. So, 👍👍👍👍 👍👍👍👍 👍👍👍👍 👍👍👍👍
Considering all the different clock and Sinc formats back then I bet the Dr Click was valuable tool.
Clearly it still is. I’m glad the manufacturers got over the idea that Sinc formats shouldn’t be universal. Is what I’m saying.
Thanks for sharing your knowledge to us. Your videos are top notch. 👍🏻
This album is nothing without your talent.
Great information, Anthony. So glad you're sharing. Keep up the great work!
OMG 😱You are a National Treasure, part of greatest music history 🙌🙌🙌🙌
as a kid in the 80's i really love Blue Thunder score 😍
Thanks Anthony! Your channel is gold.
Thanks for sharing such precious tips… I wanted to say that you’ve made the finest job as possible in all productions you were involved especially with MJ.
Thank you for passing on your knowledge
The first one of your videos I saw you didn’t really name drop which was classy, but I’m thinking like who the hell does this guy think he is talking about how to create the sound? How would he even.. oh OH! He was in the studio with Michael Jackson writing the song. OK I guess he knows his shit.
I love all these behind-the-scenes songwriters and collaborators that are coming out on RUclips To share their experiences in such a fascinating world
I love this. The transparency is amazing. Demystifying such a magical industry.
I've subconsciously noticed it on some level I think and believe! It is AMAZING and completely other level stuff I promise! This sound is unreal and brilliantly executed! It is genius how this is utilized! It actually sounds really scary and VERY intense! It also sounds really scary because it is VERY intense, lol!
You are the man, Anthony. I’m so grateful for you sharing your knowledge, it wants me to be a better musician and buy more gear. Which I just did : a Behringer 2600 😂
More gear doesn’t make you a better musician, it’s all about what you do with the gear you have!
This is really cool! Love watching you with your 2600.
Great video 👍
9:18 I used to do that in my 4-track days to plan out what had to be recorded to which track and when so that I could plan the bounce-downs such that the final 4 tracks had everything in the right spot for the final mix.
Always enjoy your explanation and insight.
This is really fun to watch. Much more entertaining than someone demonstrating software. 🙂👍
Thank you. I'm an artist/musician who paints sculpts and transforms the ordinary into extraordinary once every blue moon. Although we may never meet. I know you are my friend You speak to communicate the flow of an idea., You just defined the sublime sonic wave. It's lovely knowing you're out in the world. and shared your ability with Micheal . He must have loved you with heartfelt appreciation. What a moment that must have been.
Great Stuff as always , very interesting
Still listening to your videos for hidden sauce bro lol respect 🔥🔥🔥🔥
Thank you for the great lesson. 🎉
A happy and healthy new year to you.
Thanks, Anthony! Your videos are so deeply informative and fascinating. Both from an amazingly expert technical and musical perspective and also for unique and cool insights into music recording history. You are so effortlessly knowledgeable about programming synths and arranging. I look forward to every video and soaking up everything I can learn.
Such amazing work. Thank you for your service❤