Reginald Kell (clarinet) - Concertino for Clarinet and Orchestra, Op. 26 (Weber) (1939)

Reginald Kell, accompanied by Symphony Orchestra conducted by Walter Goehr plays Weber's 'Concertino for Clarinet and Orchestra,' recorded on 4 July 1939.
From Wikipedia: Reginald Clifford Kell (8 June 1906 - 5 August 1981) was an English clarinetist. He was noted especially for his career as a soloist and chamber music player. He was the principal clarinetist in leading British orchestras, including the London Philharmonic, Philharmonia, and Royal Philharmonic, and was also active as a solo recording artist.
Kell was influential as one of the first clarinetists to employ continuous vibrato to enhance the expressive quality of the instrument. He was also a noted teacher, serving two different appointments at his alma mater, the Royal Academy of Music in London. In 1948 Kell moved to the United States where he pursued a solo career and taught, with pupils including the jazz clarinetist Benny Goodman.
Born in York, England, Kell was awarded a scholarship to the Royal Academy of Music in London in 1929, where he studied with Haydn Draper until 1932. While still a student he was engaged as principal clarinetist of the orchestra of the Royal Philharmonic Society. After graduation he was Sir Thomas Beecham's choice as first clarinet for the London Philharmonic when the orchestra was formed in 1932. He left the LPO in 1936 and was succeeded as first clarinet by Bernard Walton. Kell was Arturo Toscanini's principal clarinetist in the Lucerne Festival Orchestra in 1939, and was invited, but declined, to take the same position in Toscanini's NBC Symphony Orchestra.
In addition to his orchestral work Kell taught at the Royal Academy between 1935 and 1939, and played in chamber music. His solo repertoire extended from Corelli and earlier to twentieth century works. He was the first prominent clarinetist to apply vibrato consciously and consistently to his tone, in which respect he modelled himself on the oboist Léon Goossens. (Kell's contemporary Jack Brymer was another pioneer of vibrato on the clarinet, but came to prominence later than Kell.) Inspired by the great singers with whom he came in contact, notably Kirsten Flagstad, Kell sought to emulate their warm expressive sounds on the clarinet.
During the Second World War Kell was principal clarinetist of the Liverpool Philharmonic Orchestra, at a time when its members included many of the country's leading players. When Walter Legge founded the Philharmonia Orchestra in 1945 Kell became its principal clarinetist. At its first concert, conducted by Beecham, Kell was the soloist in Mozart's Clarinet Concerto. The following year Beecham founded the Royal Philharmonic Orchestra and as the Philharmonia in its early days played few concerts, working mostly in the recording studio, Kell was able to serve as principal in both orchestras, as did the horn player Dennis Brain. In 1948 Kell gave up both positions; he was succeeded at the Philharmonia by Walton, and at the Royal Philharmonic by Brymer.
Kell moved to the United States in 1948, making a successful concert and recording career. He was also a noted teacher, his best-known pupil being Benny Goodman, who approached him for lessons in 1948-49. Kell initially refused, considering that any necessary changes would initially have an adverse effect on Goodman's playing before improving it; he did not want the American public to view him as 'the man who ruined our Benny Goodman.' Goodman persisted and Kell accepted him as a student in 1952 and taught him until his return to England. Kell's other pupils included the soloist and conductor Alan Hacker, and Peanuts Hucko. From 1951 to 1957, Kell was trustee and professor at the Aspen Music School in Colorado.
Kell returned to England in 1958, taking up an appointment at the Royal Academy of Music. Among his pupils was Harrison Birtwistle. Kell retired from playing in his early fifties, and returned to the US in 1959, where he was director of Boosey & Hawkes' band instrument division from 1959 to 1966. He retired in 1966 and died in Frankfort, Kentucky, in 1981.
This transfer has been made from a laminated Australian Columbia pressing.

[@The-Organised-Pianist]

I like to hear a clarinet skilfully played! Very nice, thank you.

[@mustexist7542]

This is an amazing -- and perhaps in certain parts more challenging to perform -- interpretation, distinct in a number of sections from the way the clarinetists (including the world's greatest) play it nowadays. Breath taking!

[@vintagesounds3878]

Thank you!

[@joeenglert]

all i can say is ah, kell

[@joeenglert]

you guys all know what Marcel Tabateu said about Kell, right? " either I am all wrong about music and he is right,,,but I know I am right" Harold Wright had a good point about Reggie as well saying that Reggie played it his way just to be different..and I have to agree..different does not mean better , and as far as Reggie is concerned..worse...If you want to hear "good" British playing , I recommend Fredrick Thurston...now he is good

[@BennyGoodman1977]

To me?
Nothing wrong with the vibrant vibrato in classical way to play clarinet...
Need it, sometimes 🎉

[@joeenglert]

Lip vibrato , Benny, sucks in classical music...now..as you know it's ok for jazz....vibrato aint so bad if it's diaphram like Harold Wright to give intensity..but lip vibrato distorts the pitch so reggy, here is flat half the time and sounds very much like you...Benny cheers