Shoya Chiba's debut generated considerable excitement. I hope is that he will gain more creative freedom and involvement in his music production. He is exceptionally talented and possesses a broad range, capable of expressing diverse musical styles. Fun4re and Illuvista's debut was particularly moving, initially, many anticipated a debut for those who hadn't won. While their split was initially shocking, the resulting groups exceeded expectations in a welcome and unexpected way. The difference lies in the audience choosing the winner group (XlamV), being a feeling of "we create something" meanwhile, with the trainees that it had'nt debut there's the feeling surprise and expectations. The second season showcased the franchise's impressive growth. As you mentioned, the show maintains a realistic portrayal of kpop auditions. Seeing Yamashita and Takeuchi it made me feels like "Welcome back, loulou*di!", although Toshiyuki is not here haha (I wanted to him to be there). I know that their ttalent is undeniable, and the opportunity to influence their roles within their respective groups makes this season particularly promising. Please 2025 suprise us ;-;
I'm here trying to manifest a good 2025 for fans of seiyuu artists and 2D groups. Yes, we had a lot of quality in 2024, but many seiyuu artists were innactive, seiyuu units disbanded or seiyuu artists stopped activities, and 2D franchises were active but not as much as in previous years. Is this a sign the music industry is changing for seiyuu artists and 2D music as a whole? Perhaps. I'm excited about this second season of VS AMBIVALENZ's audition and what type of music this group will release. Knowing the franchise so far and its track record of quality, I'm expecting good stuff 😁 Thanks for the comment, Unwelcome!
Shoya Chiba's debut generated considerable excitement. I hope is that he will gain more creative freedom and involvement in his music production. He is exceptionally talented and possesses a broad range, capable of expressing diverse musical styles.
Fun4re and Illuvista's debut was particularly moving, initially, many anticipated a debut for those who hadn't won. While their split was initially shocking, the resulting groups exceeded expectations in a welcome and unexpected way.
The difference lies in the audience choosing the winner group (XlamV), being a feeling of "we create something" meanwhile, with the trainees that it had'nt debut there's the feeling surprise and expectations.
The second season showcased the franchise's impressive growth. As you mentioned, the show maintains a realistic portrayal of kpop auditions. Seeing Yamashita and Takeuchi it made me feels like "Welcome back, loulou*di!", although Toshiyuki is not here haha (I wanted to him to be there). I know that their ttalent is undeniable, and the opportunity to influence their roles within their respective groups makes this season particularly promising.
Please 2025 suprise us ;-;
I'm here trying to manifest a good 2025 for fans of seiyuu artists and 2D groups.
Yes, we had a lot of quality in 2024, but many seiyuu artists were innactive, seiyuu units disbanded or seiyuu artists stopped activities, and 2D franchises were active but not as much as in previous years.
Is this a sign the music industry is changing for seiyuu artists and 2D music as a whole? Perhaps.
I'm excited about this second season of VS AMBIVALENZ's audition and what type of music this group will release. Knowing the franchise so far and its track record of quality, I'm expecting good stuff 😁
Thanks for the comment, Unwelcome!