Postcommodity in "Borderlands" - Extended Segment | Art21

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  • Опубликовано: 14 окт 2024
  • Art21 proudly presents this special extended segment as a complement to the "Borderlands" episode from the tenth season of the "Art in the Twenty-First Century" series. Edited to focus on a singular artist narrative, this film contains original material not included in the television broadcast.
    "Borderlands" premiered in October 2020 on PBS.
    The interdisciplinary collective Postcommodity creates site-specific installations and interventions that critically examine our modern-day institutions and systems through the history and perspectives of Indigenous people. Influenced by growing up in the southwestern United States, the artists Cristóbal Martínez and Kade L. Twist revisit their 2015 public installation, "Repellent Fence," produced with previous Postcommodity artist, Raven Chacon. A two-mile-long line of enormous balloons across the Arizona-Sonora border, "Repellent Fence" symbolically sutured together cultures and lands that had been unified long before borders were drawn. To examine our cultural institutions and their demographic future, the pair thinks of the coming decades, when the U.S. Census Bureau predicts a non-White majority. “Our job is to allow a new public memory to be born,” says Martínez. “Here’s our lens; take a look at the world through it, and tell us what you think.”
    Other featured projects include "Do You Remember When?" (2009), produced in collaboration with previous Postcommodity artist Raven Chacon (2009-2018), co-founder Steven Yazzie (2007-2010), and co-founder Nathan Young (2007-2015).
    Learn more about the artists at:
    art21.org/arti...
    TRANSLATIONS
    Translated subtitles are generously contributed by our volunteer translation community. Visit our translation team at Amara for the full list of contributors: amara.org/vide...
    CREDITS | Executive Producer: Tina Kukielski. Series Producer: Nick Ravich. Directors: Rafael Salazar Moreno and Ava Wiland. Producer: Ava Wiland. Editors: Rafael Salazar Moreno and Russell Yaffe. Director of Photography: Rafael Salazar Moreno.
    Production Services: RAVA Films. Assistant Curator: Danielle Brock. Associate Producer: Julia Main. Post-Production Coordinator: Alexandra Lenore Ashworth. Design & Animation: Momentist, Inc. Composer: Joel Pickard. Additional Music: Amalia Mondragón. Advising Producer: Ian Forster. Additional Art21 Staff: Lauren Barnett, Lolita Fierro, Joe Fusaro, Meghan Garven, Jonathan Munar, and Emma Nordin.
    Additional Photography: Elan Alexenberg, Robert Biggs / Phoenix Drone Pros, Gina Clyne, Adrian Gutierrez, Nick Kraus, Christoph Lerch, and Alejandro Almanza Pereda. Tijuana Field Producer: Yadira Avila. Location Sound: Ariel Baca, Jacob Bloomfield-Misrach, Nikola Chapelle, Michael Cottrell, Rayell Abad Guangorena, Veronica Lopez, Baili Martin, Nathalie Piché, Chris Tolan, and Ava Wiland. Production Assistants: Ben Derico, Jake Grossman, Jacquelin de Hoyos, Keira Kennedy, Zac Settles, and Jorge Villarreal.
    Digital Intermediate: Cut + Measure. Post-Production Producer: Alex Laviola. Colorist: David Gauff and Jerome Thélia. Post-Production Sound Services: Konsonant Post. Re-Recording Mixer & Sound Editor: Gisela Fullà-Silvestre. Online & Conform: David Gauff. Additional Animation: Andy Cahill. Assistant Editor: Jasmine Cannon, Jonah Greenstein, and Mengchen Zhang. Translation: Ava Wiland and Russell Yaffe. Video Quality Control: Jonathan Hansen.
    Artwork Courtesy: Tanya Aguiñiga, Guillermo Galindo, Rafael Lozano-Hemmer, Richard Misrach, Postcommodity / Cristóbal Martínez & Kade L. Twist, Bockley Gallery, Fraenkel Gallery, Pace Gallery, and Volume Gallery. Past Postcommodity Collaborators: Raven Chacon (2009-2018), Steven Yazzie (2007-2010), and Nathan Young (2007-2015).
    Public Relations: Cultural Counsel. Station Relations: De Shields Associates, Inc. Legal Counsel: Barbara T. Hoffman, Esq. Interns: Shane Daly, Grace Doyle, Eda Li, Daniela Mayer, Jason Mendoza, Nikhil Oza, Anika Rahman, Ana Sanz, Sara Schwartz, Victoria Xu, and Sadie Yanckello.
    Postcommodity Artwork: "A Very Long Line," 2016. Whitney Museum of American Art, New York; purchase with funds from the Director’s Discretionary Fund, Russell Cowles and Stuart & Kate Nielsen.
    Major underwriting for Season 10 of "Art in the Twenty-First Century" is provided by PBS, National Endowment for the Arts, Lambent Foundation, The Anna-Maria and Stephen Kellen Foundation, The Andy Warhol Foundation for the Visual Arts, Toby Devan Lewis, The Horace W. Goldsmith Foundation, Henri Lambert, Nion McEvoy & Leslie Berriman, and Sakana Foundation.
    Series Creators: Susan Dowling and Susan Sollins.
    ©2020 Art21, Inc.
    #Postcommodity #Art21

Комментарии • 9

  • @afrocubanita1969
    @afrocubanita1969 4 года назад +5

    Thank you for making this video… It’s a powerful cause!!

  • @OddoFelacio
    @OddoFelacio 3 года назад +5

    I like the idea but I worry about the effect on birds.

  • @nullcat-pub
    @nullcat-pub 4 года назад +1

    So beautiful!

  • @SwAgSaMGaMePlAY
    @SwAgSaMGaMePlAY Год назад

    What was the music used in the end of the video?

  • @ashleybrock5228
    @ashleybrock5228 3 года назад

    💚

  • @FranciscoBurrola
    @FranciscoBurrola 3 года назад

    Our homes are actually unfinished

  • @muhammadakbar4885
    @muhammadakbar4885 4 года назад

    pertamaX

  • @santiagop23
    @santiagop23 4 года назад +3

    When you can’t make art, because you’re not an artist, make activism.

  • @tavo8756
    @tavo8756 3 года назад

    4 Trump followers didnt liked this