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Il trouve un timbre différent (et toujours juste) pour chacune des quatre mélodies. La diction est d'une clarté éblouissante. Et surtout, l'engagement psychologique est total. L'entente entre le chanteur et la pianiste est parfaite. Une merveille.
fantastique musique
@oreosandmik09 The recording took place on November 17, 1936.
Magnifique.
Marvelous.
Veramente un espressività sublime. Ottimo interprete di Faurè. Raffinato ma non lezioso.
#3 is too fast, but otherwise the definitive performance. Remarkably similar to Souzay's.
Too fast? Do you know Fauré dedicated the pieces to Panzéra who premièred them?
I mean it is even written in the description lol
@ that doesn't mean it's the best tempo, and, I'm entitled to have an opinion.
Wrong. Learn something about Faure and French melodies before embarrassing yourself again.
@@sherylpockrose4029 Wrong. Learn something about Faure and French melodies before embarrassing yourself again.
Il trouve un timbre différent (et toujours juste) pour chacune des quatre mélodies. La diction est d'une clarté éblouissante. Et surtout, l'engagement psychologique est total. L'entente entre le chanteur et la pianiste est parfaite. Une merveille.
fantastique musique
@oreosandmik09 The recording took place on November 17, 1936.
Magnifique.
Marvelous.
Veramente un espressività sublime. Ottimo interprete di Faurè. Raffinato ma non lezioso.
#3 is too fast, but otherwise the definitive performance. Remarkably similar to Souzay's.
Too fast? Do you know Fauré dedicated the pieces to Panzéra who premièred them?
I mean it is even written in the description lol
@ that doesn't mean it's the best tempo, and, I'm entitled to have an opinion.
Wrong. Learn something about Faure and French melodies before embarrassing yourself again.
@@sherylpockrose4029 Wrong. Learn something about Faure and French melodies before embarrassing yourself again.