Color Grading in DaVinci Resolve: A Workflow Walkthrough
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- Опубликовано: 19 июл 2024
- A little goes a long way when it comes to color grading. Dean shows you how to color grade RAW footage in a way that visually tells the story you want. Dean color grades this video to look cinematic and dramatic; however, these tips can apply to any look you desire!
Watch more videos from this series!
- How to Film in LOG: A Beginner's Guide: bhpho.to/3qxZQm3
- Color Correction in DaVinci Resolve: bhpho.to/3DBi3H5
0:00 Intro
0:31 Adding LUT & Initial Adjustments
5:49 Power Windows, Skin Tones & Qualifiers
12:05 Storytelling Through Color
15:31 Soften & Glow
19:21 Grain
21:07 Adjustments
23:45 Before & After (Showing Each Step)
26:03 Final Thoughts
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#ColorGrading #DaVinciResolve18 #VisualStorytelling 
Наука
8:16 Skin (just chapter for me) :-) Thanks for this wonderful tutorial!
very helpful
useful content
Super!
Video thumbnail be like 💋
thanks
The Qazman would have a stroke if he saw this LOL
Does this tips also work in Final Cut Pro?
Grading is grading, but how you apply your grading varies depending on the tools and workflow within each software.
With the size of the clip you were editing the subtly parts were hard to tell
Question: In your other 'colour correcting' video, you have the serial nodes in a different order. And in this one, you state that the order is very important. In your other video you have them as, Exposure, Colour, Saturation, Contrast. But in this one you start with exposure but then move to Contrast, then Saturation, etc. So - my question is....which is it? For someone who is a TOTAL beginner in colour correction and grading, it's confusing to know which order the nodes should go in.
What he means by important is that the adjustments in a node will always affect all nodes before it.
So doing contrast before exposure or the other way round won't affect the final output, it will affect your workflow and the level of adjustments for each node though.
For the sake of simplicity, let use exposure and color alone for this description, and let us put the scale as 0 - 10.
Consider the following:
- You have a base clip/image with exposure and color at 1/10
- You are trying to have a desired output image classified as 4 (not in image quality, but in an imaginary image classification of 1, 2, 3, 4 and 5).
Let's assume node 1 is color and node 2 is exposure:
If you need to apply color 4/10 and exposure 5/10 to give you a desired image class 4
Flipping the order of the nodes may(most likely will) require you to change the values for color and saturation in each node to get the same image class.
Hence, the order of nodes is important to your workflow, but you can still achieve the same output regardless of the order, you just need to adjust values accordingly.
The reason the LUT node's position is important is because it's kind of like the final guiding adjustments (I don't know if guiding is the word I'm looking for). Despite applying it first, we still position it last, that is because we want all other adjustments in all other nodes to work towards the LUT node.
Look up table so
My God, where have you been？？？？？？？？？？？？？？
here...on the RUclipss.
Save yourself the work, just pick a color profile you like, and then minorly correct as needed. All this BS just to get a stop or two of dynamic range that NO ONE is going to notice.