parmi les immenses operas tant aimés de Wagner Tannhauser est pour moi celui que j'emporterais sur une île deserte... à mon humble avis il resume à lui seul l'esprit de tous les autres et cet opus là le transcende ...toute l' ampleur l'homogénéité des sublimes talents qui s'y expriment nous font rentrer frissonner dans la legende devenue réelle ...jamais on ne fera mieux que cet opus là qui reste dans les annales "forever" laissant interdit par l'engagement de tous les intervenants... totale beauté... incandescent ❤🎶🎶❤
La mejor interpretación que he visto últimamente. La puesta en escena del MET, ya empleada anteriormente, es en sentido clásico , correcta y convincente. La orqueta magistralmente dirigida por el luego caído en desgracia James Levine, el coro insuperable en voces y teatralidad gracias al buen oficio de Donald Palumbo, Eva María Westbroeck, Gunther Groissböck, Peter Mattei y Johan Botha, prematuramente fallecido, elevan el nivel a la altura que nos tiene acostumbrado este teatro neoyokino. Una interpretación para ser disfrutada.
If only opera still had these sort of traditional productions......... it's all gone long before 2024, but I'm sure that we will return to opera as it was intended by the composrers, even if it takes more than a few years. What we get today, in most cases, is a pitiful representation of what grand opera should be! Just look at the splendour of this Schenck/Schneider Siemssen production!
I was at this matinee performance! What a cast! Botha managed to make Tannhauser sound easy. Westbroek was a radiant Elisabeth, although her high notes were shaky. DeYoung was a sultry Venus, she too with some wobbly high notes. Groissbeck, a sonorous king. And then there’s Mattei, the baritone with gold in his throat. Note: the harp that you hear during the song contest is played by Emannnuel Ceysson Here is this same cast, sans Botha, discussing the production ruclips.net/video/YFpkDfLxqUo/видео.html
I adore Eva Maria. I had hoped to see her as planned in Lady Macbeth of Msenk, but she canceled. I am now hoping to see her next month in Dialogues of Carmelites. I have already seen her as Sieglinde, Elisabeth (Tannhauser), and Minnie (Fanciulla).
It’s worthwhile if you have a great tenor. The performance from Bayreuth, with Gwyneth Jones as both Venus and Elisabeth, is my absolute favorite. It has Walther’s aria.
Yet another Met production that seems taken from an antiquary, even from Wagner himself times. Oh it is boring... The singing is overall good though and Levine's conducting is excellent.
Tres beau. Enfin un spectacle Wagner qui respecte l'oeuvre et l'auteur
Johan Botha (Tannhäuser) was a great Wagner tenor, absolutely reliable. Sad that he passed away so young in 2016😢
I listened his Tannhauser in a concert performance here in Turin under the conducting of the great Semyon Bychkov. Unforgettable !!
parmi les immenses operas tant aimés de Wagner Tannhauser est pour moi celui que j'emporterais sur une île deserte... à mon humble avis il resume à lui seul l'esprit de tous les autres et cet opus là le transcende ...toute l'
ampleur l'homogénéité des sublimes talents qui s'y expriment nous font rentrer frissonner dans la legende devenue réelle ...jamais on ne fera mieux que cet opus là qui reste dans les annales "forever" laissant interdit par l'engagement de tous les intervenants... totale beauté... incandescent
❤🎶🎶❤
Diese Inszenierung ist eine Augenweide und wagner würdig! Wunderschön!!!
Love the production. Otto Schenk and Günther Schneider Siemssen. Golden age!
Wow. The act had less than two minutes to go, before the beautifully satisfying conclusion of Tannhauser's exclamation, "To Rome!" and exit.
They couldn't let the video go for another 2 minutes or so?
Einfach tolle Musik Herrschafter Auftritt
what a beautiful elisabeth (eva maria westbroek).
She is radiant, although at this performance I attended, she had some difficulty on the high notes.
Yes she is lovely!
La mejor interpretación que he visto últimamente. La puesta en escena del MET, ya empleada anteriormente, es en sentido clásico , correcta y convincente. La orqueta magistralmente dirigida por el luego caído en desgracia James Levine, el coro insuperable en voces y teatralidad gracias al buen oficio de Donald Palumbo, Eva María Westbroeck, Gunther Groissböck, Peter Mattei y Johan Botha, prematuramente fallecido, elevan el nivel a la altura que nos tiene acostumbrado este teatro neoyokino. Una interpretación para ser disfrutada.
Definitivamente.
Which year was this?
@@vinzenzloffl6282 2015
Was this Gunther Schneider-Siemssen mise en scene?
@@edwardamosbrandwein3583 yes
Magnifiques décors, voix, mise en scène ! Bravo !
If only opera still had these sort of traditional productions......... it's all gone long before 2024, but I'm sure that we will return to opera as it was intended by the composrers, even if it takes more than a few years. What we get today, in most cases, is a pitiful representation of what grand opera should be! Just look at the splendour of this Schenck/Schneider Siemssen production!
MERAVIGLIOSE !!! STUPENDI...🎵🎶✨
I was a extra in this at Salzburg 40 years ago
You mean, not in a choir?
I will never understand why Botha was so highly ranked
I was at this matinee performance! What a cast! Botha managed to make Tannhauser sound easy. Westbroek was a radiant Elisabeth, although her high notes were shaky. DeYoung was a sultry Venus, she too with some wobbly high notes. Groissbeck, a sonorous king. And then there’s Mattei, the baritone with gold in his throat.
Note: the harp that you hear during the song contest is played by Emannnuel Ceysson
Here is this same cast, sans Botha, discussing the production ruclips.net/video/YFpkDfLxqUo/видео.html
Publicar uma beleza dessas sem os créditos é uma grande injustiça com cantores, musicos, maestro e diretores.
Thanks for your comment. If you know the names please write me, I will update the description.
Met Opera, around 2015, with Botha, Westbroek, Mattei, Groissbock, cond. Levine.
Grand March ! 👍👍👍
No esta completa para compartir?
Vielen dank!
EMW come back to the Met! And sing too. Let LD have a break sometime.
I adore Eva Maria. I had hoped to see her as planned in Lady Macbeth of Msenk, but she canceled. I am now hoping to see her next month in Dialogues of Carmelites. I have already seen her as Sieglinde, Elisabeth (Tannhauser), and Minnie (Fanciulla).
Une belle mise en scène.
Gruselig
yes, real trash.
does anyone know who Bitterolf is?
Люблю такую компанию.., поэтому Королев приводим в порядок!
so very historic: leni riefenstahl meets hollywood...
i wish they kept Walther's aria in the MET
It’s worthwhile if you have a great tenor. The performance from Bayreuth, with Gwyneth Jones as both Venus and Elisabeth, is my absolute favorite. It has Walther’s aria.
Paris version
It is cut in the Paris Version.
👏👏👏👏
❤
25:55
0:25
Endius Interruptus
Schenk really new how to stage masses. A lost art.
Botha &Westbroek,
MAGNIFICENT,! SAW THEM TOGETHER AT THE BICENTENNIAL CONCERT IN BAYREUTH SINGING TRISTAN & ISOLDE UNFORGETTABLE.
Yet another Met production that seems taken from an antiquary, even from Wagner himself times. Oh it is boring... The singing is overall good though and Levine's conducting is excellent.