Blues Guitar Lesson - The Stormy Monday Changes
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- Опубликовано: 7 янв 2011
- bluesguitarunleashed.com - Originally done by T-Bone Walker and also made famous by the Allman Brothers, Stormy Monday is a unique variation on the12 bar blues progression.
There are quite a few cool jazzy chords in this tune and I've demonstrated a couple of variations as well.
I hope you enjoy it and can learn these chords from it. 
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Excellent walk through of one of the most haunting blues songs ever written. Thank you very much !
Great lesson. Really love that walk down lick at the end.
Thanks so much for this video. I had played this version in a garage band in the early 70's. Lately I came back to it but was struggling with the changes. I also enjoy the intricate relationships in music theory and find your discussions most educational. Thanks again, you've made my day!
After viewing the other video lessons on Stormy Monday.
I find Your Blues Guitar Lesson - The Stormy Monday Changes is "Spot On".
Thanks! for the great lesson.
Been hacking around with this song for a while and decided to get serious about the chording and looked for a lesson. Thank you for your time and lesson!
Great instruction combined with just the right amount of theory. Good job.
Bet you were teachers pet at school.....did you snitch on the other kids too?
Griff, thanks. I'm a beginner so much of this was over my head but I did pick up some of the idea of what's going on and also learned some new chords. I've bought one of your series of lessons before and will probably again. You are a great teacher.
I liked the lesson a lot. Been playing off and on for 20 years. I like a bit of theory thrown in.
What a neat explanation and demonstration of an awesome rendition. Thanks for the details...
Thanks Griff - have been following you for years and this is another gem put into e-z terms.
That little lead run at the end is soooooo sweet!
Great structure I love that sound. 12 bar blues is just a fun thing to play in any key,
Love the T-bone sound. Interesting lesson.
Thanks Griff ..Love the chord breakdown .and the riff and the tab .....all helpful stuff !!
Such a classic song .....what is not to like about it !
Very nice job Thanks for taking the time.
Thanks for the cool lesson, every band I played in back in the 70s always jammed on this song.
And BTW to all the negative jackass comments ... REAL guitar players don't talk shit, they listen to every player and try to learn.
Your lesson on the coolness of the chord progression and the various ways to play it are exactly what me and my friends obsessed over.... great job!
It's said thats what type of player Duane was all-around. He would find different ways to play things and would break down songs and then put his spin on it. Throw his bit of attitude in there and make it all his own. That's just one of the many things that made his the greatest ever, IMO.
Thanks, I needed a refresher course. I had not played this one since 1976 and I was forgetting the right way to do it. I appreciate it man!
I am yet to ever see this man give a bad Guitar lesson. And I probably never will.
Very good lesson. You're a great teacher Sir.
Totally agree with that . I found the lesson fascinating. Thanks a million - really clear. (Lovely sequence of chords.)
Thanks Griff for taking time to educate us that want to learn. Talk all you want.... Its all good buddy
best Stormy Monday lesson on RUclips, thanks
Thank you! Just the info I was after... Great video, good of you to take the time.
I must agree with mika on his point of confusion, But I, am most grateful...
Thank you for all your efforts .
Beautiful!! Claps!!!
Yes, those 500T pickups are super hot. I always change out to a Seymour Duncan pair (JB bridge and '59 neck.) I actually have 2 Classics because I love the neck shape. It fits me perfectly.
The coolest guitar teacher online!!!!
Hey thanks brother, Although I have been a drummer for 40 years I keep 5 guitars and try to keep my skills up. I love this song. Great video.
very nice...thanks for sharing, this is my favorite explanation
Thanks Griff - great lesson once again!
Great job explaining the chord changes
Great lesson for a great song Griff!
A very nice version thanks for sharing
Great job Griff. This is a must have in your back pocket for any Blues Jam Night at your local tavern. Most folks pass over Stormy Monday at Jam Night thinking it's overplayed. However, if the tunes you selected for Jam Night are being played by other folks, this is good one to pull out in a pinch, not to mention Stormy in G is always a fan favorite and just plain fun to play. For BGU'ers, you can lay over lesson 25, just keep it to a 24 bar max for open mic's and jam nights.
First blues I ever played july 1976. The blues I most like.
blew my mind. I'm glad you talked about the progression fuck anyone else who says otherwise. just proves they don't care for actually understanding songs they just want to learn it without the theory behind it.
great lesson and great teacher
I especially like the link Griff throws in at the end, that's not part of the official lesson. But thanks to what I've learned from Griff, I can pick it up from his playing it! Great lesson!
Great lesson, Griff! Thank you!
Excellent lesson!! Thanks Griff.
LOVE THE COLOR THAT INLAYS GET THROUGH YEARS
I like your teaching style, please keep it up. I play this a little different due to the fact that I play acoustic, and like as much "string" as I can get...
Great lesson sir
Nice job, I like the Alt choices for chords. Thanks
This is awesome. Wish I could do it now....maybe later-like in couple years.
Sweet and clear, thanks
Thank you I picked up some great licks!
Great TAB !!! Great Lesson .... Thanks
Thank you for this excellent video :)
great lesson
beautiful guitar my friend
excellent presentation
so good class, thank you very much
Perfect video! Show the progressions, theory, and some different ways to play it. Live, there are so many things yiu could do with this song. A Hammond B3 would sound great on this song!
Nice video for learning an absolutely essential blues tune. The only critical point missing is that it needs to be played in 12/8 with a triplet feel. It took me a long time to learn how important it is to practice this and everything else with a correctly set metronome.
Great lesson thanks!
Very nice, thank you!!!
If you want to see him play it, first, the song starts at 7:19. Everything up to that point is instruction.
Great lesson.
Straight ahead, informative... Thanks! Peace!
The version I know best is the Fillmore East version. And my favorite version, also. I'd love to learn this. Guess I better bookmark this and dedicate some time. My dad would love to hear me play ANYTHING by his absolute favorite band. (and mine 😁❤️🎸)
Edit: IIRC, I think Jeff McErlain just did a sort of deep dive on this song. I'll have to check his channel next.
Great lesson. Thank you.
Great job! Thanks!
Very good, thanks
Cool Griff , nice stuff !
just came across this now in search of the chord progressions and it has opened up my eyes. Esp since the Allman Brothers use very interesting progressions all throughout their catalog. Great lesson, thanks for the explanations. Not a vid if you're just looking to pause and play along so if you can't sit through eight and a half minutes of someone explaining one of the most fundamental structures of music then keep searching.
love you man!! tks
Great lesson thank you
good job, cheers man
Thanks for this lesson. I've watched a few of them, and there a few variations indeed, on the turnaround in particular. I remember seing a EbMaj7 instead of the Cm7, and that seemed to work OK. What do you think?
tanks a lot, really appreciate this lesson, great stuff ;)
Awesome
Good to know the chord structure and options. Thanks.
I subscribed to your channel Griff.
Hey, thanx, i love it! Do you know the version of the Mccoys (rick derringer) from the album "human ball blues"?
This is good ! I've been trying to figure out where some of those chords were going to.
Really helpful, thanks...
I was playing along w Allman bros and yours was the next video. I was looking away and I heard Griff....my name also. At 61 I've only heard of possibly 8 Griff. I digress. That fact got me to watch the video. Well done!! I had learned off live at Fillmore East. Learned by ruining a record and stylus. Back then knew 10% of names of the chords. Now I could name 90%. Boy if there was u tube and great videos like Griff's id have progressed far faster.something gained something lost. I read through quite a few comments and even w Greg Allman at 1st saying a Bobby Blue Bland song no one mentioned him. Allman Bros pretty much exactly the same. Pass please is that words are nasal thing he does People don't Think of him. Serve a clearing your throat thing. Hey the guy rocks and hes got a ton of soul. But I've rambled thanks Griff regards Griff
Great to "meet" you! I've only met one other in my life, aside from my father and grandfather.
I'm a 4th. Have a son 5th poor fellow.
Another way to get from the Am7 to the Cm7 is to walk it up, Am7, Bbm7, Bm7, Cm7, frets 5, 6 ,7 and 8.
There is a reason I don't do that. Most students get an idea of how it's supposed to go when I play it and then they can't get past that to learn how it really goes. In a private lesson I can overcome it, but online I can't so you have to go through the process. If it doesn't work for you that's fine but the people who use my lessons appreciate that there is a method to how I do things and it is based upon my teaching experience.
For those of you interested Earl Hines, Billy Eckstine, and Bob Crowder wrote Stormy Monday Blues. Cited with the 1962 Advanced Music Corp Copywrite as well as the 1974 Warner Bros Copywrite.
Very helpful for where I am at. Very.
The classic is a great axe with a ton of tone and sustain. I own one and would never give it up and scored it used for $1000. Those 500T are the original pups that come with it and they are very hot.. only word of warning.. its probably the heaviest Les Paul you'll ever come across!!
thanks that cleared up some problems i was having
youare agreat teacher,make me want to learn thanks
Nice tone.
Very good
@Strummeronline What is the difference? is it mood? Or does it just sound more pleasing to you?
Good job
I sometimes go in and out of a minor pentatonic with a flatted root and flatted 5th, just to dance it also listen to the Allman Bros where they switch it up to 8 to the bar. The tempo is still 4/4 but when you switch it 8 to the bar from the 4 to the bar section it tricks the ear into thinking that the tempo has changed. Play for 12 bars or so bump back down to 4 to the bar. It keeps things interesting for the listener. Plus it gives the bassist a chance to do some serious walkin'.
Informative thanks
Dat was purdy Thanks
Griff,
Any suggestions when sololing on open mic acoustic versions and to keep the rhythm going?
Barry
Nice thanks!
Doesn't matter, great lesson - clean and precise can't get any better than that. You know, it's easy as hell to be cynical and complain all the time. In fact it's lazy as hell, a lazy mind. People need to stop tryin to hate so much.
Griff. Always love your videos. You have a wonderful knack for breaking things down. Might I make one suggestion however. It would give a really nice frame of reference if you started off the video playing the actual piece all the way through and THEN breaking it down. The context would be so much clearer I think. Thanks SO MUCH for offering up all these free lessons. I know for a fact I am a better guitar player for it.
Most people I know play (after the Am7 jazzy section) an Eb9 to a D9 right before the ending turn around instead of the Cm7.
Gary Moore covered it a little differently but also g maj
Ive never seen fret inlays like yours what year is that model?
Correct on the original key: G#/Ab. He wrote several songs in flat keys most likely for
the horn sections.
Very well done. No nonsense and great explanations
I like using the Cma9 during the verse except the during the walk down from Bm7/Bbm7/Am7 then I hit the Cm7 to the Daug.