BARRY HARRIS ONCE TALKED ABOUT FAMILY OF KEYS ITS FUNNY HOW IM ONLY ASORBING IT NOW AFTER A FEW YEARS.. HE STATED THE NOTES IN C DIMINISHED ARE ALL FAMILY OR LINKED WHICH WE CAN TRANSITION BETWEEN THE REST OF THEM , SAME APPLIES TO OTHER TWO DIMINISHED SCALES, THANKS SEAN, THEORY JUST DOESNT ABSORB OVERNIGHT, THANKS AGAIN SEAN✊🙌🙌🙌🙌🙌
Thank you Sean. I always loved this progression sound from Take 6. Never even thought to try to figure it out because it sounded so beyond my ability to sound out. Now, thanks to you, I can play it and its so lovely 😍 God bless you always.
I’ve been watching this video over and over😭😭 and one thing I picked up is that when he’s doing the 2-5-1 progression as he changes keys, it can also be seen as a 7-3-6 progression in the original key (but the 6 would be a major chord because at the moment you’re thinking of 2-5-1) I hope that helps and hopefully if you guys see anything interesting to point out y’all drop it in the comment section too!✨
This is what I have been trying to understand. I even enrolled in a class to understand this but my teacher could not communicate the concept. Thank you sir.
Hello Sean, you are such a phenomenal teacher. You are able to break chords down in a manner that all classes of pianist can understand. God bless you real good. I learnt alot here today!!!
I'm a self-taught, jazz accordionist and stumbled upon this about two years ago. I found the progressions so intriguing, but didn't know the theory. Now I know because of you. Thanks a mill Sean, much appreciated.
All his lessons are excellent but this one sparked something in me to practice more. Sometimes we get busy and complacent. So I appreciate all this brother do.
Brutha I myself as a church musician definetly needed this!!!!! Very very helpful in undsrstanding the method to the madness! Please keep giving us the game! Thank you greatly
My only regret is that I have only 1 like I'm allowed to give. Your videos are SO thoughtful, instructive... I've learned a LOT from you Sean. Thanks SOOO much.
17:03 is really interesting! I've been playing at a primarily "CCM" style church recently, the subject of 'emotion' vs 'theory and structure' comes up a lot. I keep telling them "you have to just feel it"
An alternative song to that Take6 song is Michs move by the late Parris Bowen🙏🏽...exact same moves the nice thing about it is that it actually changes keys after each cycle
Brother Wilson, I really appreciate what you shared in your 3 minute rant. You have no idea how much that connected with me. Your understanding is very inspiring. Thank You. God bless you.
EXCELLENT VIDEO! To a guy that was labeled as "gifted" playing by "ear" and playing the piano & organ for my church the age of 11 - 18, growing up in the church, where I was doing some of this without able to describe it at the time...but I had developed an excellent "ear" from my practice in being in a professional boy's choir, from ages 9 -12. Now, as I'm getting back into playing as an adult, I will take advantage of your training, to help me get back into it again. Thank you so much.
This is gold! I was just thinking about this while I was playing yesterday and it was so frustrating to not know how to weave into other keys. This tho…this really opened up my understanding to the relationship between keys. Thank you!
That was awesome man. It makes sense. I want to play out of the box but sometimes I hear these changes from Cory, quennel Gaskin, but wasn't sure what they were doing.
I've been a vocalist for many years and now I understand the relationship between the key & transitions. I can hear it but playing it needs practice. Thank you so much for sharing this. Truly a great teacher and communicator. God bless you. I might watch this everyday for awhile till I get it. Sending love.♥️💖💝✌🏾
You are unlocking so much I’ve heard this done never understood it until now with the relationship of the thirds …thank you so much easy to follow very very clear!!!
Loved this video, Sean. I’ve always understood the relationship between the relative minor and major, but never considered going the opposite direction and moving UP a minor third instead of down! Can’t wait to practice this!
Excellent lesson Sean. Yes, it motivates me to do some homework. I've always loved that song but never knew the name of it. Now I'm motivated to work on it and the related key changes. You're a great teacher and a great motivator.
Sean, I was gonna say that Mitch’s Move by Paris Bowens has been my practice for doing the minor relationship going up instead of down (C - Eb- F# - A) ((he starts in Db)) I learned Septembro thanks to this video. Thank you for all your content and help.
I've been discouraged about this kind of harmony for very long since I heard some snob say that you just have to ''get it'' if you ever want to understand jazz. If you dont ''have it'', dont bother. This was very enlightening, such good explainations. I want you to know it inspired me deeply, thank you very very much.
Ohh man, i knew about the relationship between the relative major and minor but I never knew I could use them like this, it's a game changer for me... God bless you Mr Sean.
You are an excellent teacher u just opened the ceiling, I hardly play keys but I love the instrument. I’m hoping to make time to grow because I really purely on my ear
I gotta watch this again ....i got lost!!!😅 This is good stuff. God bless you for sharing. Many folks wont share with their brothers and sisters. Iron sharpens iron folks!!!!
Minor third relationships, natural relationships... makes sense Sean. I guess I hadn't thought about that so in essence: • If you're in the key of C, the relationship is either Eb • If you're in the key of C#, the relationship is either E • If you're in the key of Eb, the relationship is either F# So on and so forth... :) ...thus going out of the key/ or applying the "transitional." Incredibly useful tip. Thank for for sharing this, I had to come back to this video and really hear your comments again. This video is Amazing folks, ...absolute FIRE!
Reharm has never made more sense. I watched this video a few times then went and played and it made perfect sense with what I already know. Dope video fam
Sean thank you so much ,this lesson did resonate with me I'm at a Crossroads of being actually more excellent in my understanding or dropping out and forgetting about it I really appreciate your Insight and overstanding thanks again👌😌👍
Chromatic Mediants are the theoretical terms for this. As you were explaining it, I remember a Rick Beato video I saw long time ago. Sean video helped me make it practical. Good stuff.
Thank you Sean for another excellent lesson. I think the chord chosen for the transition is really important - u choose the coolest chords/voicings for that. Really appreciated 👍🏿..
The B minor seven flat five (b d f a) chord belongs to the C major scale as a seven chord. The B minor seven flat five (b d f a) chord also belongs to the A harmonic major scale as a two chord. This makes it a great chord to pivot from C to A. Sean says when we hear this chord b d f a where are we? In C or A? Thanks Sean for your gifted perspective.
Hmm kind of reminds me of the Barry Haris diminished thing. C, Eb and A are all part of the same diminished 7 chord. Even how you went to the F# from A. Your videos are amazing! Such a wealth of knowledge.
@@SeanWilsonPiano the good thing master you have given me the key now because i was reaching at a certain point i get lost 😭 for now i know the secret behind ✌️🙏
Something Like A Musical Testimony From The Musician. While Hearing U Play "Mary Had A Little Lamb, I Heard Chords That The Musician From "Charlie Brown" (piano) Would Play.🔥🎵😏
Wow! I’ve been missing out! Although the majority of the content on youtube unfortunately still is sub par or uninteresting, I am starting to find these true gems. Recently found Aimee Nolte and Open studio, now this too! Couldn’t be more grateful! Thank you! Really, thank you! Inspiring and motivational! And keep the rambling coming 😄 Best wishes from Sweden, we hear you out here man ❤️
@@SeanWilsonPiano dont know if that question mark is a typo. If its not, I apologize if my English was off. I really only wanted to express sincere gratitude!
This lesson about borrowed chords or modal interchange is taught clearly and simply the most exciting and challenging manner I've could ever hope to find. You patiently, with enthusiasm - probably over the pracrice challenge - j/k taught and explained the using the parallel (maj/min) and relative (maj/mjn) chords within the key the song is performed. What I'm just about jumping out of my skin with joy is; voice is my primary instrument performance, teaching/coaching and I've always heard in my head notes that signs probably be heard as not fitting in the key structure. In many cases I've maintained both vocal & instrument responsibilities. Over the years I've been learning and shall continue to learn piano/organ to better serve, striving to get better day by day, performance by performance. I hear modal changes in my head as a vocalist - well now - thanks to you Professor I'm feling stronger already- I have not done the practice assignment....to think that what I hear in my head I have options - sing it, play it or both!! Your heart and burden for music and musicians is evident to the eye ear and heart! Thank God for the gift that is you and investing in all who are benefited!! Loving you God bless
This is so interesting and I hardly know anything about music. But what you play and describe is interesting to the ears. When you say 'something happened there' I know just what you mean.
Love your comments on theory vs Ear. That has been an issue with me and maybe a lot of musicians who play by "ear" alone. I never rose to the heights because I didn't understand the theory.
Amazing video. The fact that you WANT US TO GET WHAT YOU ARE EXPLAINING AND SHOWING IS REAL ! It is tangible so it's really helpful Thank very much 🙏😁❤️
HI Sean.This is a great lesson to understand how harmony works. If possible, make another video with such content and using the example of famous songs in order to better understand how you can use and replace chords. And maybe there are ideas for more exercises. Please. Thank you Sean very much for your work. I always find something useful in every lesson..
Such a great video. I’m a guitar player studying Barry Harris’ ideas, and this fits in so perfectly. You are so clear in explaining how you perceive the movements - it’s extremely helpful. Thank you 🙏
![KSI - Thick Of It (feat. Trippie Redd) [Official Lyric Video]](http://i.ytimg.com/vi/tXEPbotEjZE/mqdefault.jpg)
BARRY HARRIS ONCE TALKED ABOUT FAMILY OF KEYS ITS FUNNY HOW IM ONLY ASORBING IT NOW AFTER A FEW YEARS.. HE STATED THE NOTES IN C DIMINISHED ARE ALL FAMILY OR LINKED WHICH WE CAN TRANSITION BETWEEN THE REST OF THEM , SAME APPLIES TO OTHER TWO DIMINISHED SCALES, THANKS SEAN, THEORY JUST DOESNT ABSORB OVERNIGHT, THANKS AGAIN SEAN✊🙌🙌🙌🙌🙌
WHY ARE YOU YELLING BROOO
Thank you Sean. I always loved this progression sound from Take 6. Never even thought to try to figure it out because it sounded so beyond my ability to sound out. Now, thanks to you, I can play it and its so lovely 😍 God bless you always.
I’ve seen it from Barry Harris also, all this keys share the same diminished, half a step bellow them, that’s actually why it works.
Nice
@@slimsauu389 😂
Most clarifying piano lesson I’ve had so far in 40 years
I’ve been watching this video over and over😭😭 and one thing I picked up is that when he’s doing the 2-5-1 progression as he changes keys, it can also be seen as a 7-3-6 progression in the original key (but the 6 would be a major chord because at the moment you’re thinking of 2-5-1) I hope that helps and hopefully if you guys see anything interesting to point out y’all drop it in the comment section too!✨
Exactly.
2-5-1 just a relationship, in substitution, they always change major to minor, minor to diminish, or….
The video cracked my brain open. Thank you Sean!!
This is what I have been trying to understand. I even enrolled in a class to understand this but my teacher could not communicate the concept. Thank you sir.
yeah man, it’s a difficult concept to explain! Thanks for the comment
Hello Sean, you are such a phenomenal teacher. You are able to break chords down in a manner that all classes of pianist can understand.
God bless you real good.
I learnt alot here today!!!
Wow! Appreciate it man!
Welcome Sir. I hope to one day understand music and play like you. More grace and anointing on you and your ministry in Jesus name.
I'm a self-taught, jazz accordionist and stumbled upon this about two years ago. I found the progressions so intriguing, but didn't know the theory. Now I know because of you. Thanks a mill Sean, much appreciated.
Appreciate it man, thanks so much!
All his lessons are excellent but this one sparked something in me to practice more. Sometimes we get busy and complacent. So I appreciate all this brother do.
Those diminished shapes are like portals to different sonic multiverses allowing you to weave in and out of different realities
Everything is diminished!
3 families of fully diminished chords are all the keys we know. It’s so astounding!!!!
Brutha I myself as a church musician definetly needed this!!!!! Very very helpful in undsrstanding the method to the madness! Please keep giving us the game!
Thank you greatly
Yessir doc!
My only regret is that I have only 1 like I'm allowed to give. Your videos are SO thoughtful, instructive... I've learned a LOT from you Sean. Thanks SOOO much.
I appreciate it bro?
17:03 is really interesting! I've been playing at a primarily "CCM" style church recently, the subject of 'emotion' vs 'theory and structure' comes up a lot. I keep telling them "you have to just feel it"
An alternative song to that Take6 song is Michs move by the late Parris Bowen🙏🏽...exact same moves the nice thing about it is that it actually changes keys after each cycle
Yes, Parris used this technique a lot, due to length of vid couldn’t bring it in
Brother Wilson, I really appreciate what you shared in your 3 minute rant. You have no idea how much that connected with me. Your understanding is very inspiring. Thank You. God bless you.
Appreciate it man!!
You had me at Take 6. Sean is the Essential MisterRogers Educator of Good Music. Much Respect.
EXCELLENT VIDEO! To a guy that was labeled as "gifted" playing by "ear" and playing the piano & organ for my church the age of 11 - 18, growing up in the church, where I was doing some of this without able to describe it at the time...but I had developed an excellent "ear" from my practice in being in a professional boy's choir, from ages 9 -12. Now, as I'm getting back into playing as an adult, I will take advantage of your training, to help me get back into it again. Thank you so much.
This is gold! I was just thinking about this while I was playing yesterday and it was so frustrating to not know how to weave into other keys. This tho…this really opened up my understanding to the relationship between keys. Thank you!
Yes! Glad it helped!
That was awesome man. It makes sense. I want to play out of the box but sometimes I hear these changes from Cory, quennel Gaskin, but wasn't sure what they were doing.
I wore this album out, man. Beautifully played.
@seanwilson I can't believe this whole lesson is free. Praying God's blessings on your ministry sir... outstanding!!!
🔑👏
This has definitely opened my mind because it never made sense to me before how they were reharming as if it was so normal and easy.
Glad it was helpful man!
He shows you his flaws and development process. Such a natural teacher. Thank you, Sean Wilson.
Thank you!!! Your teaching is truly helping me. I am trying to find my way back. I have rededicated myself and not going to quit until I get it.
One of the most productive videos I’ve ever seen. Thank you Sean and please keep doing more like these. Glory to God!
I've been a vocalist for many years and now I understand the relationship between the key & transitions. I can hear it but playing it needs practice. Thank you so much for sharing this. Truly a great teacher and communicator. God bless you. I might watch this everyday for awhile till I get it. Sending love.♥️💖💝✌🏾
My guy. Your calm, sedate manner effectively cloaks your insatiable voraciousness for the music theory brain-game 😉.
Keep the training going, brother.
Oh my.... this is gold!!!! Thank you for sharing your gift so freely, God bless you for this....
You are unlocking so much I’ve heard this done never understood it until now with the relationship of the thirds …thank you so much easy to follow very very clear!!!
Thanks Lorraine!
Loved this video, Sean. I’ve always understood the relationship between the relative minor and major, but never considered going the opposite direction and moving UP a minor third instead of down! Can’t wait to practice this!
Thanks Josh!!
The light bulb literally just went off! Thank you 🙏🏿
I've heard many versions of this song, but it's something about the way you play it. O my! So Beautiful.
I just wish you would cover this song and play it without saying a word.
Sean Wilson, you're amazing! God bless you more🥰🥰🥰🥰🥰🥰🥰
Excellent lesson Sean. Yes, it motivates me to do some homework. I've always loved that song but never knew the name of it. Now I'm motivated to work on it and the related key changes. You're a great teacher and a great motivator.
Appreciate it Jeanetta!!
I truly agree. I love that song also.
Sean, you have a special gift of communication and teaching which is like a desert that accompanies your amazing music talent.. !
Appreciate the kind words man!!
Sean, I was gonna say that Mitch’s Move by Paris Bowens has been my practice for doing the minor relationship going up instead of down (C - Eb- F# - A) ((he starts in Db)) I learned Septembro thanks to this video. Thank you for all your content and help.
Yeah, that should get similar results. Good work
I've been discouraged about this kind of harmony for very long since I heard some snob say that you just have to ''get it'' if you ever want to understand jazz. If you dont ''have it'', dont bother.
This was very enlightening, such good explainations. I want you to know it inspired me deeply, thank you very very much.
Thanks , I''m so glad someone finally explained what I've been hearing for the last 15 years but could not prove or explain !!!
His teaching is amazing! Even it’s complex for me !
Ohh man, i knew about the relationship between the relative major and minor but I never knew I could use them like this, it's a game changer for me... God bless you Mr Sean.
Thanks man! You explained in minutes what i find difficult to understand for years
Appreciate it man!
I've never heard anyone break down the relationship of keys in music. I was blown away by your thought process, which resonated with me. Thank you.
You are an excellent teacher u just opened the ceiling, I hardly play keys but I love the instrument. I’m hoping to make time to grow because I really purely on my ear
This is a game changing lesson. Thank you Sean 🙏🏼
It really🔥 so excited to practice.
I just think that you are such a genius! Now If I can just start applying this to my playing the way I’m supposed to
The 3 min sermon at the end was everything I didn’t know I needed 🙏🏽
yeah man, thanks for watching
I gotta watch this again ....i got lost!!!😅 This is good stuff. God bless you for sharing. Many folks wont share with their brothers and sisters. Iron sharpens iron folks!!!!
Perfect lesson Mr Wislson, you re a Gift, from France 🇫🇷.Thans a lot.
Minor third relationships, natural relationships... makes sense Sean. I guess I hadn't thought about that so in essence:
• If you're in the key of C, the relationship is either Eb
• If you're in the key of C#, the relationship is either E
• If you're in the key of Eb, the relationship is either F#
So on and so forth... :) ...thus going out of the key/ or applying the "transitional."
Incredibly useful tip. Thank for for sharing this, I had to come back to this video and really hear your comments again. This video is Amazing folks, ...absolute FIRE!
This is Transformational...This video deserved an award from RUclips..it must hit millions view...
Yeah man, appreciate the support!
Reharm has never made more sense. I watched this video a few times then went and played and it made perfect sense with what I already know. Dope video fam
Whew! Sean we all thank you so much for sharing. This is a big help.
Sean thank you so much ,this lesson did resonate with me I'm at a Crossroads of being actually more excellent in my understanding or dropping out and forgetting about it I really appreciate your Insight and overstanding thanks again👌😌👍
One of the greater tutorial EVER! Very uplifting and inspiring. Thank you 🙏🏽
Wow just last week i was studying these relationships, now just found this video and Sean just hits the nail on head here
As a saxophonist 🎷, I found your presentation of this concept simple and straightforward! Thank you! 🎹
I love this! Thank you, Sean! Now I can make sense out of what I keep hearing time and again. Wonderful breakdown!
Thanks Sean for all of your help, I appreciate your hard work and your willingness to help us learn and improve our playing🙏🏾🙏🏾
Yeah man, Thanks for watching!
God bless yu Sean. Such a gr8 lesson. U've indeed opened my eyes👀 on d concept of key changes.👍
Yessir doc!
Wow. Your explanations are easy to hear and see on the keyboard. I better understand what I have been doing. Thanks!
Such a great lesson.
This will be so nice to use in how great is our God.
Chromatic Mediants are the theoretical terms for this. As you were explaining it, I remember a Rick Beato video I saw long time ago.
Sean video helped me make it practical. Good stuff.
Your setting fires Sean! so much to play around with now... thank you!
I love this ....I play guitar but this is really helpful for me ...thanks very much
Thank you Sean for another excellent lesson. I think the chord chosen for the transition is really important - u choose the coolest chords/voicings for that. Really appreciated 👍🏿..
This helped me a lot am so grateful, God bless you for the good work man
This was an excellent explanation. So many Broadway pieces use this technique. Love it !
Yes they do, thanks for the comment!!!
This tutorial is Gold💯
The B minor seven flat five (b d f a) chord belongs to the C major scale as a seven chord. The B minor seven flat five (b d f a) chord also belongs to the A harmonic major scale as a two chord. This makes it a great chord to pivot from C to A. Sean says when we hear this chord b d f a where are we? In C or A? Thanks Sean for your gifted perspective.
Sean, you're just an awesome, great music educator. Thanks a mil for sharing this valuable information. God bless you❤
Hmm kind of reminds me of the Barry Haris diminished thing. C, Eb and A are all part of the same diminished 7 chord. Even how you went to the F# from A. Your videos are amazing! Such a wealth of knowledge.
Wow this is amazing and i was trying to play it but i needed more knowledge thanks 🥰👏💯
Knowledge is key 🔑
@@SeanWilsonPiano the good thing master you have given me the key now because i was reaching at a certain point i get lost 😭 for now i know the secret behind ✌️🙏
what is the tittle of the song pls
Something Like A Musical Testimony From The Musician. While Hearing U Play "Mary Had A Little Lamb, I Heard Chords That The Musician From "Charlie Brown" (piano) Would Play.🔥🎵😏
Excellent lesson.
Listening to you play Mary had a little lamb with key change 😱😱
Wow! I’ve been missing out! Although the majority of the content on youtube unfortunately still is sub par or uninteresting, I am starting to find these true gems. Recently found Aimee Nolte and Open studio, now this too! Couldn’t be more grateful!
Thank you! Really, thank you! Inspiring and motivational! And keep the rambling coming 😄
Best wishes from Sweden, we hear you out here man ❤️
Appreciate it, thanks so much
@@SeanWilsonPiano dont know if that question mark is a typo. If its not, I apologize if my English was off. I really only wanted to express sincere gratitude!
This lesson about borrowed chords or modal interchange is taught clearly and simply the most exciting and challenging manner I've could ever hope to find. You patiently, with enthusiasm - probably over the pracrice challenge - j/k taught and explained the using the parallel (maj/min) and relative (maj/mjn) chords within the key the song is performed. What I'm just about jumping out of my skin with joy is; voice is my primary instrument performance, teaching/coaching and I've always heard in my head notes that signs probably be heard as not fitting in the key structure. In many cases I've maintained both vocal & instrument responsibilities. Over the years I've been learning and shall continue to learn piano/organ to better serve, striving to get better day by day, performance by performance. I hear modal changes in my head as a vocalist - well now - thanks to you Professor I'm feling stronger already- I have not done the practice assignment....to think that what I hear in my head I have options - sing it, play it or both!! Your heart and burden for music and musicians is evident to the eye ear and heart! Thank God for the gift that is you and investing in all who are benefited!!
Loving you
God bless
Wow, thanks man!
My that openned my heart to a great feeling. I do not understand it yet, but I will.
So glad God showed me this channel. It's been a year!
This is so interesting and I hardly know anything about music. But what you play and describe is interesting to the ears. When you say 'something happened there' I know just what you mean.
Thank you for showing me this I went and applied this immediately 😃😃😃
Awesome man!!!
Awesome, simply awesome--AND-- simply explained. I am encouraged!!
Glad it was helpful!
Fantastic tutorial, you opened a whole new world of possibilities before me!
I wonder what other kind of relationship there are between keys
I love geeking out on music theory!!! Great great video!!! Helps so much as a bass player!!!
Love your comments on theory vs Ear. That has been an issue with me and maybe a lot of musicians who play by "ear" alone. I never rose to the heights because I didn't understand the theory.
Glad this was helpful!
Wow learned a lot basically all keys are related, the minor third is amazing!!!!!!!
Amazing video. The fact that you WANT US TO GET WHAT YOU ARE EXPLAINING AND SHOWING IS REAL ! It is tangible so it's really helpful Thank very much 🙏😁❤️
Thanks so much for the support!!
You inspire me a lot man
Excellent !
Excellent !!
Excellent !!!
Love your course from france 🇫🇷 😊😘
Doc!! Much appreciated man!
Amazing. I will definitely incorporate this. 🙏🏾
You're an amazing teacher my brother
Appreciate it man!! Thanks for watching!
"Septembero.."/Brazilian Wedding Song--Sean!!🎵🎶
Yup!!
The Promise by Andrae Crouch too uses multiple key centers flowing into each other😋
I love this song!!! I learned it a long time ago!!! But I also learned that this a remake!!! Look up Ivan Lins the original is just as beautiful
Wow just looked it up man! I learn something new every day 👏
THIS IS GOLD!
Appreciate it doc!!!
HI Sean.This is a great lesson to understand how harmony works. If possible, make another video with such content and using the example of famous songs in order to better understand how you can use and replace chords. And maybe there are ideas for more exercises. Please. Thank you Sean very much for your work. I always find something useful in every lesson..
Such a great video. I’m a guitar player studying Barry Harris’ ideas, and this fits in so perfectly. You are so clear in explaining how you perceive the movements - it’s extremely helpful. Thank you 🙏
Just brilliant......pure genius presentation. THANKS!!!!!!!!!!!!!
Thanks for sharing l now get it well grateful for your teaching
Sean, #beast! Thanks for the inspiration! Pattern recognition is everything!