159: Leonard Schick (Improvising Fugues)
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- Опубликовано: 24 ноя 2024
- Leonard's RUclips: @leonardschick5257
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0:00 Intro
0:36 Start
1:41 Musical background
4:31 Are you Swiss or German?
6:11 Why is the Schola Cantorum in Basel so special?
8:55 Rudolf Lutz and Sietze de Vries
10:45 Did you learn basso continuo before improvisation or at the same time?
11:56 Figured Bass vs Roman Numerals
14:23 What Figured Bass treatises or manuals did you use?
19:59 Should beginners start with 4-voices or less?
20:44 Studying with Sietze de Vries
22:45 Does it take a lot of time to be good at improvisation?
24:20 How much time would you dedicate to improvisation a day?
25:13 What should beginners work on to put them on the path to improvising fugues?
28:17 What's your perspective on counterpoint?
30:36 Where do you get your simple subjects and themes from?
31:36 What sort of sources did Bach draw from in his development?
33:07 Nicolas de Grigny (1672-1703)
35:07 Nicolaus Bruhns (1665-1697)
38:13 The difference between the different German organ schools
40:43 Who are your favorite keyboard composers from the 17th century
45:47 Leonard improvises a short fugue on the spot!
48:13 Leonard explains his improvisation
50:23 Is Bach too complicated for beginners to look at in terms of learning to improvise fugues?
51:43 How many fugues from the repertoire have you played?
53:58 Did the French write fugues? and other nationalities
56:09 Louis Marchand (1669-1732)
58:57 Tuning and Temperaments discussion
1:09:40 Best way to learn written counterpoint for learning composition?
1:11:42 How does knowing how to improvise affect how you interpret repertoire?
1:14:35 Do you have any favorite contemporary recordings you enjoy?
1:18:30 Leonard improvises a fugue on a slightly longer theme
1:21:10 Wrapping Up
1:22:01 Outro
Thanks, as always, for your receptivity to feedback and leads Nikhil. Your show makes my world better!
You're most welcome!
Great interview, Mr Schick was very interesting to listen to, thanks to both of you.
All those middle entries...! Chapeau, Mr. Schick ;)
Good episode! I really like how the humble Mr. Schick has his thoughts together. On the Marchand: I guess this story has been pushed a little becasue it'd fit the germano-centristic ideology of 19th- and early 20th century musicologists - the narrative of the suprimacy of "German rationality" over "french superficialty" (just as Chopin alledgedly learned his most valuable devices by studying the Welltempered Clavier). The mentioned D minor suite by Marchand is an absolute banger!
Thanks so much, Michael!
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That theme for the last fugue is really great!
Amazing improvisations and great interview! ❤🎹🎵
Thank you, Borna!
What a talent. Great, thanks!
You're very welcome!
I can vouch for Christensen's book; he presents simultaneously 2 complimentary french treatises (on facing pages) in the first half of the book, and 2 german treatises in the 2nd half. The book is not one sequential method; you can flip between the two parts as needed. Be advised, these 4 historical works are abreviated for the sake of comparison, but its a very good way to get aquainted with different approaches.
Well, the good news is it's easier to move a Harpsichord than a piano...but I fear it's harder to find a good one...especially in North America, since the first wave of replicas were so off the mark. Refreshing to hear a younger master of historical improvisation sharing so many insights. Thank you for another great interview! Listening to Zerer now, first time :)
Thanks! Appreciate it.
What is the closing music!?
Bach Brandenburg Concerto No. 3, 3rd movement