I am very lucky.I am now 70, and worked in the opera wardrobe department at Covent Garden for many years.So, I have heard (and met) many of the great singers,well since 1965 when I started!
Giuseppina Scapparone il mezzosoprano vero nel medium canta con un colore di voce pastoso molto vicino del colore del contralto . la voce del mezzosoprano vero purtroppo quasi non esiste più . proprio come la voce del Basso vero . Zajick ha la voce del soprano drammatico ,la prova ? il colore della sua voce nel medium e i suoi passaggi . questa e' la mia modesta opinione . cordialità il vecchio P.S. un'altra prova che Zajick ha la voce del soprano vero come la Verrett e compagnia - entrambe cantano quest'aria con una facilità disarmante , una cosa assurda per un mezzosoprano vero .
BRAVA!!!! Que Voz!!!! Y esa carcajada en el minuto 2:50 es el broche de oro a esta Lady Macbeth, realmente perverso, capta la esencia de el personaje.... BRAVA, BRAVA, BRAVA!!!!!!
I got to the conclusion,that real mezzo-soprano voice type,does not exist,it was an morfology of the theater,that demanded or invented the voice type of mezzo-soprano and baritone. In. Mozart time,they were classified as soprano seconda. That classification still is use in the chorus.
One of the great mezzo sopranos of all time. When she first performed at the Met I listened to her Azucena and was bowled over. Then I listened to her Amneris and was awed by the brilliance of her performance. She is a legend, along with Stignani, Barbieri, and Simionato.
@@KajiVocals dimitrova's voice has an iciness to it while dolora's is fairly golden and warm. Hmm about her tessitura. I dont think she has the stamina up there to sustain lyric or spinto roles. What do you think? Lower lying soprano roles for sure but all that suggests she is a mezzo with good high notes.
Aqui Una vez mas esta maravillosa Cantante da una muestra de su aguerrido y tesorero trabajo sin ser una gran voz ha logrado cantar a casi todos los compositores mas importante del mundo de la opera llegando a colocarse entre las primeras figuras en los principales teatros de opera del mundo una voz muy bien aprovechada en todos los registros que logro dominar a orquestas como las del Metropolitan y la de la scala de Milán logrando ovaciones muy memorables en muchos de sus interpretaciones Bravo por ti
The way she ignores the triplets Verdi wrote in his score for "è necessario" in favor of a rhythm that's more natural for the language is exactly the kind of boss move you make when you truly understand the music.
questa è la sua vera voce,e questo è il suo repertorio! peccato che la Zajick ha scelta la carriera del mezzosoprano quando in verità aveva una voce meravigliosa del soprano lirico spinto - o drammatico,come volete. ma che peccato! in questo repertorio è semplicemente meravigliosa!
Could she really be an spinto or a Dramatic soprano,singing mezzo Repertoire? From the beggining Of her carrear,people always Talking if she was a real mezzo Or an spinto or a dramatic soprano.
Alfredo Loyola yes definitely a Dramatic Mezzo it’s just that her top is always there, unfortunately in this day an age were used to a lot of “screamy” Mezzos and that shouldn’t be so. What makes her a Mezzo is that added “5th” throughout the voice that gives the lower register a dominate temper over the voice. Meaning that her voice sits there vs let’s say Birgit Nilsson who just had really great low notes.
@@Marcus-xd8ux , that's not true at all. A "dramatic" voice is one that's big and powerful. It doesn't mean if a voice is "dramatic", then it's automatically a soprano, with an upper register that blooms and opens up, which is what makes a soprano a soprano. Even though many mezzo sopranos have a high range like sopranos, what makes them mezzos is the fact that the higher notes are focused and/or thins out. To assume that all dramatic mezzos are lazy, is perhaps is a form of laziness itself, in not doing a little more research.
To me she is dramatic soprano of a great size, I don't hear her mezzo. Especially on the higher notes it is very obvious. The color is of soprano, not mezzo. Wonderful singer, brava!
I have my doubts about a mezzo singing properly well the song as it should be sung by sopranos instead, however Zajick proved that the role might be actually even better sung for true mezzos, eventhough sacrificying a bit the upper coloratura lightier notes, yet the role for this huskier and darker voice type is actually fiercer and bitter awesome as the character does requieres it, whenever couldn´t be a proper dramatic coloratura soprano voice as Maria Callas did so well in her time, a cool mezzo as Dolora should instead be chosen as the best choice then. (It makes even better sense how she has Macbeth, a barytone, as her mate, whereas when a soprano sings it, mades some dissonance about how could she being a lightier and brightier voice type as soprano, eventhough as for an evil role, could be the match of a rather "evil"/complex antiheroic lead role as Macbeth who is a barytone - my guess is Verdi was playing on irony issue too as Lady Macbeth is rather more evil than her husband after all, yet still... odd soprano/barytone match, whereas a mezzo voice makes better sense too.)
Great singing but this is not the Azucena role. It needs to be a soprano to give it the required brilliance, like in the role of Abigaille (Nabucco). However it is a very enjoyable performance by itself.
Видеоклипы
That laugh in the middle of the aria always makes the hairs on the back of my neck stand on end!
Yep, I wouldn't like to meet her Lady Macbeth on a dark night! LOL
I am very lucky.I am now 70, and worked in the opera wardrobe department at Covent Garden for many years.So, I have heard (and met) many of the great singers,well since 1965 when I started!
Zajick can do no wrong. And blazing high notes! Force of nature! And that laugh!!!
Omg! She is brilliant! Bravissima! 👏🏻👏🏻👏🏻❤️💯💯💯
Omg, this laughter! Goes so well here! 2:50
Most sopranos should sing this aria as well as she does.
Splendida voce di mezzosoprano. Meravigliosa, un piacere ascoltarla!
Giuseppina Scapparone
il mezzosoprano vero nel medium canta con un colore di voce pastoso molto vicino del colore del contralto .
la voce del mezzosoprano vero purtroppo quasi non esiste più .
proprio come la voce del Basso vero .
Zajick ha la voce del soprano drammatico ,la prova ?
il colore della sua voce nel medium e i suoi passaggi .
questa e' la mia modesta opinione .
cordialità
il vecchio
P.S.
un'altra prova che Zajick ha la voce del soprano vero come la Verrett e compagnia - entrambe cantano quest'aria con una facilità disarmante , una cosa assurda per un mezzosoprano vero .
@@bodiloto sono completamente d'accordo!
BRAVA!!!! Que Voz!!!! Y esa carcajada en el minuto 2:50 es el broche de oro a esta Lady Macbeth, realmente perverso, capta la esencia de el personaje.... BRAVA, BRAVA, BRAVA!!!!!!
I got to the conclusion,that real mezzo-soprano voice type,does not exist,it was an morfology of the theater,that demanded or invented the voice type of mezzo-soprano and baritone. In. Mozart time,they were classified as soprano seconda. That classification still is use in the chorus.
Ela sabe que fez historia 🎉🎉🎉
Stupenda!!!
force of nature omg
Omg yaaaaaaas.
Glorious tone. this Verdi aria comes to life!.
One of the great mezzo sopranos of all time. When she first performed at the Met I listened to her Azucena and was bowled over. Then I listened to her Amneris and was awed by the brilliance of her performance. She is a legend, along with Stignani, Barbieri, and Simionato.
Une pure merveille vocale, un miracle comme en donne l'opéra une fois ou deux par siècle. Un vrai mezzo.
a great dramatic soprano voice
Actually dramatic mezzo
@@mugrad25 Nope. Her tessitura is too high. Very similar voice to Dimitrova.
@@KajiVocals dimitrova's voice has an iciness to it while dolora's is fairly golden and warm.
Hmm about her tessitura. I dont think she has the stamina up there to sustain lyric or spinto roles. What do you think? Lower lying soprano roles for sure but all that suggests she is a mezzo with good high notes.
Sencillamente magnifica
Divine wonderful voice
Stunning voice heavy
Brava. Dolora!!
quale MERAVIGLIA!!!! Favolosa!
She sung the &$&& out of this
Dang mamma tore La Luce Langue up.
Brava, brava!!!!!!!!!!!!!!!!!!!!!!!!!
Incredible
Bravissima
I am very impressed of this wonderful singing 😍
Big thanks for sharing
Just stunning 🥰
Aqui Una vez mas esta maravillosa Cantante da una muestra de su aguerrido y tesorero trabajo sin ser una gran voz ha logrado cantar a casi todos los compositores mas importante del mundo de la opera llegando a colocarse entre las primeras figuras en los principales teatros de opera del mundo una voz muy bien aprovechada en todos los registros que logro dominar a orquestas como las del Metropolitan y la de la scala de Milán logrando ovaciones muy memorables en muchos de sus interpretaciones Bravo por ti
The way she ignores the triplets Verdi wrote in his score for "è necessario" in favor of a rhythm that's more natural for the language is exactly the kind of boss move you make when you truly understand the music.
My mother loves her the candles flame started to dance 🪩
Meravigliosa ❤sublime 👑
Divine 👑👏💞
Bravo
Eccezionale
questa è la sua vera voce,e questo è il suo repertorio!
peccato che la Zajick ha scelta la carriera del mezzosoprano quando in verità aveva una voce meravigliosa del soprano lirico spinto - o drammatico,come volete.
ma che peccato!
in questo repertorio è semplicemente meravigliosa!
Soprano falcon, soprano sfogato... tanti nomi per una voce meravigliosa
bravaaaa dolora💖👏👍🎼 bravisima🌷🌼💐💖🍷🍇👏👏👏👏👏👏
Totalmente de acuerdo @bodiloto👏👏👏👏👏👏👏👏
Брава!!!! 👏👏👏
Demonic. 😱
Could she really be an spinto or a
Dramatic soprano,singing mezzo
Repertoire? From the beggining
Of her carrear,people always
Talking if she was a real mezzo
Or an spinto or a dramatic soprano.
Alfredo Loyola yes definitely a Dramatic Mezzo it’s just that her top is always there, unfortunately in this day an age were used to a lot of “screamy” Mezzos and that shouldn’t be so. What makes her a Mezzo is that added “5th” throughout the voice that gives the lower register a dominate temper over the voice. Meaning that her voice sits there vs let’s say Birgit Nilsson who just had really great low notes.
@@Marcus-xd8ux , that's not true at all. A "dramatic" voice is one that's big and powerful. It doesn't mean if a voice is "dramatic", then it's automatically a soprano, with an upper register that blooms and opens up, which is what makes a soprano a soprano. Even though many mezzo sopranos have a high range like sopranos, what makes them mezzos is the fact that the higher notes are focused and/or thins out. To assume that all dramatic mezzos are lazy, is perhaps is a form of laziness itself, in not doing a little more research.
@@tristanhnl ::
Thanks for the explanation ! If dramatic mezzos didn't exist, we would be in a world-of-hurt !
To me she is dramatic soprano of a great size, I don't hear her mezzo. Especially on the higher notes it is very obvious. The color is of soprano, not mezzo. Wonderful singer, brava!
I wish that we had been able to hear her sing the whole role at her prime.
I uploaded her full role: check in my videos.
❤️
Отменная вокальная техника !
Voce Sublime e Potente, che io Preferisco. ❤
she is a great singer, but to me she sounds like a big size dram soprano....mezzo has a different voice color.....she clearly has rich soprano voice
I have my doubts about a mezzo singing properly well the song as it should be sung by sopranos instead, however Zajick proved that the role might be actually even better sung for true mezzos, eventhough sacrificying a bit the upper coloratura lightier notes, yet the role for this huskier and darker voice type is actually fiercer and bitter awesome as the character does requieres it, whenever couldn´t be a proper dramatic coloratura soprano voice as Maria Callas did so well in her time, a cool mezzo as Dolora should instead be chosen as the best choice then. (It makes even better sense how she has Macbeth, a barytone, as her mate, whereas when a soprano sings it, mades some dissonance about how could she being a lightier and brightier voice type as soprano, eventhough as for an evil role, could be the match of a rather "evil"/complex antiheroic lead role as Macbeth who is a barytone - my guess is Verdi was playing on irony issue too as Lady Macbeth is rather more evil than her husband after all, yet still... odd soprano/barytone match, whereas a mezzo voice makes better sense too.)
Excelente excelente excelente excelente SOPRANO DRAMATICA E PUNTO.
Great singing but this is not the Azucena role. It needs to be a soprano to give it the required brilliance, like in the role of Abigaille (Nabucco). However it is a very enjoyable performance by itself.
That laugh WAS Lady
Macbeth.
was that italian?...not a single word was understandable...
Húúúúúúúúúúúúúúú