The EVO 4 was my first big boy interface after graduating from the UM2. It's a powerful little box, and it'll likely be the mainstay in my revolving door of microphones.
I am considering Evo4 because it is a digital a/i. Mixers are mostly digital now, and once you use a digital mixer it’s hard to go back to analog. I think small a/i will be become digital very quickly, and Audient made a good decision to develop Evo line. With Evo, I am expecting to be able to set the gain manually in DAW without having to reach for any knobs physically, and once gain is set for each track in a project, I don’t think I need to re-set the gain every time I record on a different track or if I closed the DAW and open again after using the interface for something else. Is that right? I think for Evo, the fact that it is a digital interface should be the biggest selling point. 😊
@@grqfes definitely. I had the UM2 before, and tried it with a Podmic. The background hiss was horrible. The EVO 4 does way better in delivering clear audio. But I mostly like it due to its price (cheaper in my country for some reason) and the 2 XLR inputs. If you just need one input, and want preamps where you can crank it up to max without worrying, you're better off with an M-Audio Air 192---just based on my experience.
@@itscarlosreally thanks, but it looks like the m audio is also 2 input at the very least? Not that it hurts to have more but just seems like I’d be paying more. Anyways, I’ll look into it, thank you!
I've been using this interface for about a year. I still love it. Easy to use, great preamps, and a very intuitive setup. Plus, the mix/minus capabilities are fabulous.
@@theway-backmusicmachinepod9953 how did you set up the volume knob with headphone to make music ? Im searching for informations because i wanna buy this interface
I ditched the much more expensive iD22 for this. It sounds clean, is super easy to use, and has a tiny footprint on my podcasting desk. Love it so far after about three months.
This is exactly the video I was looking for!! Your channel is awesome. I am new to all of this - I come from a stage vocal background and am just learning all this recording stuff to make my own music. I have NO idea why it took the algorithm so forking long to show me your videos, but whatevs, I'm here now. Thanks yo!
i have to say, I bought it the moment i saw the reviews on internet. Its the most non-funky looking, clean black and modern looking interface with 2 XLR inputs in a budget. Do not regret the purchase a bit. Thanks the review audiohaze...
The composition is beautiful, very different yet and at the same time very comfortable to listen to. However you characterize it, it’s a wonderful orchestration and approach, and I could listen to it all day.
I'm amazed at the quality the budget home musician can get these days. Had the EVO 8 for over a year and absolutely love it. Great video. The track sounded amazing too, through my very budget ATH M30 X headphones. :)
I have the EVO 16, it replaced my scarlet and I'm definitely a fan of it. the "Auto gain" is good for getting in the ball park with drums, it does sit on the more cautious side though.
Thank you a lot for the great review! It’s not without its flaws, but what video ever is? Still, you triggered nerdy me once more. I feel like preamps still matter, even without tubes that otherwise would color the sound. Because, when I upgraded from my Steinberg UR22 Mk II to a Behringer UMC202HD and then to a MOTU M4, I heard a difference each time. That being said, it wasn’t a big difference. A better microphone is ridiculously influential. Way more than any preamp could ever be. But I heard a difference nonetheless. On the Behringer, it was a downgrade in tonal quality in exchange for a vastly better noise performance. On the MOTU it was an upgrade in sound and equal noise performance with a ridiculously good ADC. But aside from that, we need to clarify a problem with the results in noise that you’ve shown. The noise that you’ve demonstrated, is ambiance noise. This is important to state, because the difference in noise came from the room, not the preamp. This is pretty much assured, because usually ambiance noise is much higher than self noise of the preamp. And the low end fuss sounded a lot like a vibration caused by something in the house. And then there is the question: Which microphone did you use? A condenser microphone produces so much noise relative to the signal, that not many preamps can actually drown the noise floor of even an ultra low noise condenser microphone. And even on a dynamic microphone, it’s not the same thing for all of them. With the RE20 the noise floor at the same signal strength is much lower, because of its high output, compared to the SM7B. You cannot really test noise performance with a microphone connected, because of that. But at the same time you cannot measure noise with no microphone connected, because with a microphone impedance of infinite, the noise a preamp creates is dramatically higher. Your solution here is soldering a resistor to a XLR plug with no cable. That resistor needs to have an impedance equal to the microphone in use. Either that, or you buy yourself a DMX termination plug. the letter is at least just 1db quieter than a 150 ohm resistor and thus pretty much identical to a Shure SM7B - but without any sound from the room. This is the only way to show preamp noise.
What mic is used in the test? Ricky claims to be using the SM7B for both, and though video is missing for the Scarlett, I believe him. The SM7B is definitely going to need enough boosting that you can hear the noise floor of a preamp in a quiet room. An excellent preamp has -130dB floor, both the EVO and Scarlett are worse than that, their specs say < -128dB EIN and -128dB EIN A rated respectively. The SM7B is maxed on the EVO which will raise the preamp's floor 58dB if the gain is perfectly clean, bringing the floor up to ~ -70dB. If the Scarlett is also maxed out, then its floor is being raised by 56dB to ~ -72dB. However, his voice level and the noise floors shown in the recordings combined with the claimed gains in post suggest to me that he's driving the Scarlett harder than the EVO. This might be unfairly favouring the EVO over the Scarlett if true. The noise demonstrated on the Scarlett at least is more than ambient noise. Even on cheap laptop speakers I can hear that the Scarlett is introducing electronic noise into the signal - you can see a spike on the Scarlett's spectrum that my ear tells me is ~2430Hz. He also mentioned there's stuff happening in the low end so I took out my in-ear monitors and am hearing a steady tone at ~56Hz, about right for the two peaks at and below ~100Hz. Both recordings also have a similar amount of white sounding noise that I am certain was not audible in the room.
I guess, i didnt catch the fact of the mic being used in the dead of night when i was writing my comment. So lets ignore that from my comment, shall we? But that being said, I stick by what i said about the noise, which was - as you kindly repeated, clearly audible. You can even clearly hear the modulation in frequency of whatever is running in the background. Also, on both recordings, you can see a steady decline in the frequency response from 10 hz all the way up to about 2 kHz on the EVO and 2.5 kHz on the Scarlett, with the difference explained by the slightly higher noise level. Yes, it seems obvious, that the scarlett is being driven harder. But actually, its the other way around. But thats neither here nor there. If you make yourselves the work of highpassing to about 2.5kHz, you will notice, that apart from the high frequency part of the machine running, that still sticks out, the Noise of the two recordings is pretty much identical. The RMS Noise difference - away from that bump from 2.5kHz downwards, that is the main difference, caused by the ambiance - is as close as 2-3dB between the two. How little the difference in SELF-Noise is, becomes apparent by the bump around 3500 Hz, which is easily visible on both frequency analys graphs, rising above the actual noise floor. In the end, the estimated difference in self noise between the two is about 2dB on these recordings.
@@AudioHaze Just trolling lol. I really like your guitar tone / style. Would you ever make a video talking about your influences? That'd be super cool.
@@TheHalfmanofOz haha you got me! Perhaps one day or as an extra video some day, but not in the immediately future. The algorithm would not treat that video well haha
Not considering your anyways really good type of musical gear content - your video quality in general has massively improved and I really appreciate that. Makes watching it even more pleasing next to enjoying the nerdy talk part.
Awesome track. Love it. My question would be, what's the difference between the iD series preamps and the evo line, as the iD's are more money. (wtih the exception that they are selling the mk1 iD's at a discount right now to get rid of them).
Thanks! I have both, and I plan to make to make a video on it, the main difference is the preamps used. The preamps in the iD series come from their console units, whereas the Evo has its own preamp design
For an entry level interface this is a good one to pick up. It's not going to break the bank. wish I saw this sooner. But I'm so vested with Scarlett solo!
I liked the sound you make at outside than in room 3:39 its feels more natural; it's not i dislike your sound in room but my ear feel more comfortable hearing that outside sound on my speaker
My EVO 4 picked up my cell phone signal like crazy, just by being in the same room, otherwise its a great interface. I have not had this issue with Focusrite Solo's, or the Audient iD4 (my favourite desktop interface).
Always on my recommended list for anyone that’s after a budget interface, especially if they have high impedance headphones. But the single control dial was a deal breaker for me for keeping mine long term.
@@AudioHaze I like to have my interface either set to direct monitor or pc playback, not a fan of having it set in the middle. so just found it more Effort than a switch or smaller knob like the older Scarlett or ssl2. I actual chose an ssl2 over the Audient id14 due to the ssl having a direct monitor knob vs the Audient software monitoring. Tiny details I know, and wouldn’t stop me recommending the evo to anyone. We are about to start a podcast at my work and am probably going with an evo 8 for the interface for £120 in the uk it’s a crazy deal for a four mic interface with clean preamps.
Thank u so much for this video… I’ve been searching for equipment to set up a RUclips channel.. I bought a SM7B .. a new MacBook and I was about to foolishly buy the scarlet and cldlifter set up… I know nothing about audio so I literally had to google what DB stood for … 😭😭😭😂😂😂😂.. this will be the easiest route for me … I even thought of emailing you to ask and then I came across this video… you are the best !!! Thank you so much !!!
Great review bro! and great production too, i'm really interested on this AI, looks like its great for mobile audio production, but id like to ask your experience, hows the power consumption in tablet ipad or macbook? It didnt have separate power like ID14 right?
Unfortunately I don’t think I can comment on that! I’ve always used it with my laptop plugged into my desk, it’s a could point though! I hadn’t considered measuring that
I am looking into getting a scarlet solo. Would u recommend this over a scarlet? They’re similar prices and I like how the scarlet looks more, but would it hold me back quality wise vs the Evo 4? I’m gonna pair the interface with an Nt1 also
So frustrated.... I really wanted to use this for live performance where my iPad is my 'pedalboard' or multi-fx processor; however this audio interface DOES NOT support sending audio signal out to the mains, and also out to my ear phones (IEMs) at the same time. For many guitarists, this dual output at the same time is a MUST. ALL - multi-fx processors (Helix, Axe-Fx, etc.) support this.... and I'm not certain why the folks at Evo thought this was OK. There is a HUGE gap in the market for guitarists using their iPad as their pedalboard or multi-fx processor as far as super small /compact audio interfaces.
fpr me the downside of evo4 is when it coes top the noise on the JFAT idk if it just on my guitar but recording high gain on it introduces a a lot of noise on top of it. still manageable tho. The ease of use is always fantastic due to its UI evo control.
Hey bud, hope you're doing well. I've recently tested the EVO 4 with the shure SM57, and I know you have a few videos talking about it though I couldn't find an answer to an issue I'm having. For some reason, I'm not being able to get enough volume pairing them, making me have to crank it up almost to full volume on the interface. Do you know what might be the issue? Wishing you the best always!
Would this work with a SM57 you think? I was looking at the Scarlett Solo (3rd Gen) and I was seeing reviews saying the gain wasn't enough. Also the song at the end was sick!
@@AudioHaze I tend to like more psychedelic music like that, so I really wish I could compose such stuff so effortlessly! I could listen to a whole album
thanks for the grate video. coming from my current Voice over/stream setup which include AT2020 + Focusrite Scarlett 2i2 3rd Gen with a fethead. As now I feel that its not adequate enough (specially in the self noise part) I am planing for an upgrade and was wondering what would you recommend for a mic (SM7B or RE20) and interface.
Dude I came back to this video just to listen to the song haha it was amazing!!!, reminds me of MGMT (which is a psychedelic rockish band I've been hooked on for years now haha so that explains a lot)
@@AudioHaze Thanks for the reply. Really grateful. Just FYI, there is a difference of about Rs. 3,000 between the Evo 4 and the Minifuse 2 here in India.
Using the Audient ID4 MKII with a Rode Procaster, Audient really manufactures quality products, I love it ! Completed the setup with a dbx 286s, but the audio interface alone was sufficient. It also drives my HD 600s when needed
Hey AudioHaze ! Would you recommand it with a MV7 ? I got a fuzzy background noise with my Focusrite 1st generation and I'm thinking about upgrading. Do you have any recommandation ? Just nee one entry. Thanks !
This might be out of line a bit, but I want to know, do interfaces differ in the quality of their direct monitor feature? I'm a singer-songwriter so hearing myself properly through my iem's is important to me.
Did you plug your guitar/instrument to the instrument jack or just the normal ones on the back, I'm wondering can I record multiple instruments because it only has one dedicated instrument input.
Maybe i missed the part, but does it have a mute-button? (for streaming in particular) That is something that bothers me with XLR-setups all the time, because the mics usualy dont have one and the interfaces also dont have one. :I
With the Shure SM7B mic did you have to use a cloudlifter when connected to the Audient Evo 4 audio interface? Or does the Evo 4 provide enough clean gain without using a cloudlifter? Thanks.
I bought this together with the SM58. And unfortunately I’m having nothing but problems… Keep in mind I don’t know anything about audio… So first of all when listening through the Evo4 I hear crackling and popping, it’s quiet, but still very annoying. Secondly, It’s so damn quiet… I have gain set to max, and it’s still quiet, people on discord have to set me to 180% and just complain that they can’t hear me. Do I have to get a cloudlifter of something? I’m really confused to be honest…
I'm using the evo8 and it is sick as well!!! got that with £10x and can't see why people's still going for scarletti 2i2 that this price point other than history xd
Auto gain is handy because setting gain level while you are playing something with two hands can be annoying. :) Also for vocal mic, I can’t reach the interface when the mic is on the mic stand, so auto gain is quite a handy feature even for ones who know how to set gain properly. :)
Sorry, but your great instruments is what makes all the difference. Audio interfaces are not the big deal nowdays. Even cheap aliexpress interfaces can do the job very well.
If this video convinced you, I would love if you used this link! It really helps support the channel: amzn.to/3QyTwFE
The EVO 4 was my first big boy interface after graduating from the UM2.
It's a powerful little box, and it'll likely be the mainstay in my revolving door of microphones.
Great choice!
I am considering Evo4 because it is a digital a/i. Mixers are mostly digital now, and once you use a digital mixer it’s hard to go back to analog. I think small a/i will be become digital very quickly, and Audient made a good decision to develop Evo line.
With Evo, I am expecting to be able to set the gain manually in DAW without having to reach for any knobs physically, and once gain is set for each track in a project, I don’t think I need to re-set the gain every time I record on a different track or if I closed the DAW and open again after using the interface for something else. Is that right? I think for Evo, the fact that it is a digital interface should be the biggest selling point. 😊
i also have a UM2 along with a podmic, not too impressed with it. would the evo be a big improvement?
@@grqfes definitely. I had the UM2 before, and tried it with a Podmic. The background hiss was horrible.
The EVO 4 does way better in delivering clear audio. But I mostly like it due to its price (cheaper in my country for some reason) and the 2 XLR inputs. If you just need one input, and want preamps where you can crank it up to max without worrying, you're better off with an M-Audio Air 192---just based on my experience.
@@itscarlosreally thanks, but it looks like the m audio is also 2 input at the very least? Not that it hurts to have more but just seems like I’d be paying more. Anyways, I’ll look into it, thank you!
I've been using this interface for about a year. I still love it. Easy to use, great preamps, and a very intuitive setup. Plus, the mix/minus capabilities are fabulous.
How much do i have to pay for this interface ? And is it good ?
@@Maffio786 I think around $100. It is very good. I use it daily.
@@theway-backmusicmachinepod9953 thank you friend : ) 💯📀
@@theway-backmusicmachinepod9953 how did you set up the volume knob with headphone to make music ? Im searching for informations because i wanna buy this interface
SICK new camera bro! lovin the visuals here
Thanks dude! Trying my best to up my game
I ditched the much more expensive iD22 for this. It sounds clean, is super easy to use, and has a tiny footprint on my podcasting desk. Love it so far after about three months.
This is exactly the video I was looking for!! Your channel is awesome. I am new to all of this - I come from a stage vocal background and am just learning all this recording stuff to make my own music. I have NO idea why it took the algorithm so forking long to show me your videos, but whatevs, I'm here now. Thanks yo!
i have to say, I bought it the moment i saw the reviews on internet. Its the most non-funky looking, clean black and modern looking interface with 2 XLR inputs in a budget. Do not regret the purchase a bit. Thanks the review audiohaze...
Enjoy it my friend!
@@AudioHaze Hows the noise levels on SM7B without the cloudlifter on this?
The composition is beautiful, very different yet and at the same time very comfortable to listen to. However you characterize it, it’s a wonderful orchestration and approach, and I could listen to it all day.
You made my day thank you so much :)
@@AudioHaze Any issues with this device as of today? I'm contemplating between the EVO8 vs the Volt 4/476
I'm amazed at the quality the budget home musician can get these days. Had the EVO 8 for over a year and absolutely love it. Great video. The track sounded amazing too, through my very budget ATH M30 X headphones. :)
Great content!!!! So much value! Thanks!!!!!
I have the EVO 16, it replaced my scarlet and I'm definitely a fan of it. the "Auto gain" is good for getting in the ball park with drums, it does sit on the more cautious side though.
Better cautious than not though, I can see it actually being super helpful on kit though, good point :)
Beautiful work as always! I loved every single part about it, and the song was genuinely very good! Good job man :D
Thank you!! Such kind words I really appreciate that
1 minute in but I am just loving the video quality! Great lighting.
Thank you!! I’m trying 😭
Thank you a lot for the great review! It’s not without its flaws, but what video ever is? Still, you triggered nerdy me once more. I feel like preamps still matter, even without tubes that otherwise would color the sound. Because, when I upgraded from my Steinberg UR22 Mk II to a Behringer UMC202HD and then to a MOTU M4, I heard a difference each time. That being said, it wasn’t a big difference. A better microphone is ridiculously influential. Way more than any preamp could ever be. But I heard a difference nonetheless. On the Behringer, it was a downgrade in tonal quality in exchange for a vastly better noise performance. On the MOTU it was an upgrade in sound and equal noise performance with a ridiculously good ADC.
But aside from that, we need to clarify a problem with the results in noise that you’ve shown. The noise that you’ve demonstrated, is ambiance noise. This is important to state, because the difference in noise came from the room, not the preamp. This is pretty much assured, because usually ambiance noise is much higher than self noise of the preamp. And the low end fuss sounded a lot like a vibration caused by something in the house.
And then there is the question: Which microphone did you use? A condenser microphone produces so much noise relative to the signal, that not many preamps can actually drown the noise floor of even an ultra low noise condenser microphone. And even on a dynamic microphone, it’s not the same thing for all of them. With the RE20 the noise floor at the same signal strength is much lower, because of its high output, compared to the SM7B.
You cannot really test noise performance with a microphone connected, because of that. But at the same time you cannot measure noise with no microphone connected, because with a microphone impedance of infinite, the noise a preamp creates is dramatically higher. Your solution here is soldering a resistor to a XLR plug with no cable. That resistor needs to have an impedance equal to the microphone in use. Either that, or you buy yourself a DMX termination plug. the letter is at least just 1db quieter than a 150 ohm resistor and thus pretty much identical to a Shure SM7B - but without any sound from the room. This is the only way to show preamp noise.
What mic is used in the test? Ricky claims to be using the SM7B for both, and though video is missing for the Scarlett, I believe him. The SM7B is definitely going to need enough boosting that you can hear the noise floor of a preamp in a quiet room. An excellent preamp has -130dB floor, both the EVO and Scarlett are worse than that, their specs say < -128dB EIN and -128dB EIN A rated respectively. The SM7B is maxed on the EVO which will raise the preamp's floor 58dB if the gain is perfectly clean, bringing the floor up to ~ -70dB. If the Scarlett is also maxed out, then its floor is being raised by 56dB to ~ -72dB. However, his voice level and the noise floors shown in the recordings combined with the claimed gains in post suggest to me that he's driving the Scarlett harder than the EVO. This might be unfairly favouring the EVO over the Scarlett if true.
The noise demonstrated on the Scarlett at least is more than ambient noise. Even on cheap laptop speakers I can hear that the Scarlett is introducing electronic noise into the signal - you can see a spike on the Scarlett's spectrum that my ear tells me is ~2430Hz. He also mentioned there's stuff happening in the low end so I took out my in-ear monitors and am hearing a steady tone at ~56Hz, about right for the two peaks at and below ~100Hz. Both recordings also have a similar amount of white sounding noise that I am certain was not audible in the room.
I guess, i didnt catch the fact of the mic being used in the dead of night when i was writing my comment. So lets ignore that from my comment, shall we?
But that being said, I stick by what i said about the noise, which was - as you kindly repeated, clearly audible. You can even clearly hear the modulation in frequency of whatever is running in the background. Also, on both recordings, you can see a steady decline in the frequency response from 10 hz all the way up to about 2 kHz on the EVO and 2.5 kHz on the Scarlett, with the difference explained by the slightly higher noise level. Yes, it seems obvious, that the scarlett is being driven harder. But actually, its the other way around. But thats neither here nor there. If you make yourselves the work of highpassing to about 2.5kHz, you will notice, that apart from the high frequency part of the machine running, that still sticks out, the Noise of the two recordings is pretty much identical. The RMS Noise difference - away from that bump from 2.5kHz downwards, that is the main difference, caused by the ambiance - is as close as 2-3dB between the two. How little the difference in SELF-Noise is, becomes apparent by the bump around 3500 Hz, which is easily visible on both frequency analys graphs, rising above the actual noise floor. In the end, the estimated difference in self noise between the two is about 2dB on these recordings.
I have the EVO 4's older brother, the OG iD4. Audient make great boxes.
Me too! Both are beasts
Best entry level audio interface. Sound's amazing.
Ethan nailed it. Great track!
Thanks! I was playing all those parts except the vocals though haha
@@AudioHaze Just trolling lol. I really like your guitar tone / style. Would you ever make a video talking about your influences? That'd be super cool.
@@TheHalfmanofOz haha you got me! Perhaps one day or as an extra video some day, but not in the immediately future. The algorithm would not treat that video well haha
AYY I see you added the B-cam! Nice! Lovely stuff.
Also wanna point out that the RE20 looks incredible in this lighting!!
Thanks dude! It’s actually all the same camera with multiple takes :)
@AudioHaze, I will support your channel for years to come bro, trying to develop a career as an audio Stagehand and a co-career as a Voice Actor.
Not considering your anyways really good type of musical gear content - your video quality in general has massively improved and I really appreciate that. Makes watching it even more pleasing next to enjoying the nerdy talk part.
Thanks dude! Yeah I’ve been trying my best to continually raise the production value, at the cost of sleep and free time lol
Maaaan that track... (chef's kiss)
Awesome track. Love it. My question would be, what's the difference between the iD series preamps and the evo line, as the iD's are more money. (wtih the exception that they are selling the mk1 iD's at a discount right now to get rid of them).
Thanks! I have both, and I plan to make to make a video on it, the main difference is the preamps used. The preamps in the iD series come from their console units, whereas the Evo has its own preamp design
Thanks for your video, I might just get this little baby after seeing your review. Sick track by the way at the end! 🔥🔥🔥
Thanks dude! If you end up grabbing one, enjoy it :)
For an entry level interface this is a good one to pick up. It's not going to break the bank. wish I saw this sooner. But I'm so vested with Scarlett solo!
Quite honestly most interfaces are absurdly good for what they are these days anyhow ya know :)
Ayo that track sounded fucking dope as shit! That sound made me want to bop my head out of pure enjoyment.
I liked the sound you make at outside than in room 3:39 its feels more natural; it's not i dislike your sound in room but my ear feel more comfortable hearing that outside sound on my speaker
Noted! Yeah its definitely a darker tone, to me its a bit boxy without the processing, but everyone has their own tastes I suppose :)
came for the review, stayed for the song 😮💨
My EVO 4 picked up my cell phone signal like crazy, just by being in the same room, otherwise its a great interface. I have not had this issue with Focusrite Solo's, or the Audient iD4 (my favourite desktop interface).
Always on my recommended list for anyone that’s after a budget interface, especially if they have high impedance headphones. But the single control dial was a deal breaker for me for keeping mine long term.
Aw really? I haven’t minded it over the last month, what was the drawback for you? Not being able to consistently monitor all the input levels maybe?
@@AudioHaze I like to have my interface either set to direct monitor or pc playback, not a fan of having it set in the middle. so just found it more Effort than a switch or smaller knob like the older Scarlett or ssl2. I actual chose an ssl2 over the Audient id14 due to the ssl having a direct monitor knob vs the Audient software monitoring. Tiny details I know, and wouldn’t stop me recommending the evo to anyone. We are about to start a podcast at my work and am probably going with an evo 8 for the interface for £120 in the uk it’s a crazy deal for a four mic interface with clean preamps.
thanks for the vid! my setup is basically the same with the cb1 and evo 4
Hilariious headphone mess J cut! I am glad I cought this just minutes after it came out. Made my day
Hahaha thanks!! Glad you enjoyed my friend :)
@@AudioHaze Alas...now I have seen the rest of the video....no clarinet on that track? sheesh...chicks dig the clarinet...as if
Thank u so much for this video… I’ve been searching for equipment to set up a RUclips channel.. I bought a SM7B .. a new MacBook and I was about to foolishly buy the scarlet and cldlifter set up… I know nothing about audio so I literally had to google what DB stood for … 😭😭😭😂😂😂😂.. this will be the easiest route for me … I even thought of emailing you to ask and then I came across this video… you are the best !!! Thank you so much !!!
Happy to help!
I love the EVO 4!!
hey man..do you still recommend this over a presonus 25 or scarlett 2i2?
Great review bro! and great production too, i'm really interested on this AI, looks like its great for mobile audio production, but id like to ask your experience, hows the power consumption in tablet ipad or macbook? It didnt have separate power like ID14 right?
Unfortunately I don’t think I can comment on that! I’ve always used it with my laptop plugged into my desk, it’s a could point though! I hadn’t considered measuring that
Great song at the end
Great video man! Mine came in some time last week and I agree with ya, Its great (:
Enjoy it dude!
I am looking into getting a scarlet solo. Would u recommend this over a scarlet? They’re similar prices and I like how the scarlet looks more, but would it hold me back quality wise vs the Evo 4? I’m gonna pair the interface with an Nt1 also
So frustrated.... I really wanted to use this for live performance where my iPad is my 'pedalboard' or multi-fx processor; however this audio interface DOES NOT support sending audio signal out to the mains, and also out to my ear phones (IEMs) at the same time. For many guitarists, this dual output at the same time is a MUST. ALL - multi-fx processors (Helix, Axe-Fx, etc.) support this.... and I'm not certain why the folks at Evo thought this was OK. There is a HUGE gap in the market for guitarists using their iPad as their pedalboard or multi-fx processor as far as super small /compact audio interfaces.
fpr me the downside of evo4 is when it coes top the noise on the JFAT idk if it just on my guitar but recording high gain on it introduces a a lot of noise on top of it. still manageable tho. The ease of use is always fantastic due to its UI evo control.
Ayo it's been a little bit since I last seen your videos!
Your mic sounds much better than famous SM7B
Hey bud, hope you're doing well. I've recently tested the EVO 4 with the shure SM57, and I know you have a few videos talking about it though I couldn't find an answer to an issue I'm having. For some reason, I'm not being able to get enough volume pairing them, making me have to crank it up almost to full volume on the interface. Do you know what might be the issue? Wishing you the best always!
Oh did you get an 85mm lense or something? Love the new look
I did!! Trying to navigate how to shoot with it :)
Would this work with a SM57 you think? I was looking at the Scarlett Solo (3rd Gen) and I was seeing reviews saying the gain wasn't enough. Also the song at the end was sick!
This song just came in LIKE THAT? You need to make a video on composition one day
AGREEEEED
Ah thanks so much! Maybe someday I will :)
@@AudioHaze I tend to like more psychedelic music like that, so I really wish I could compose such stuff so effortlessly! I could listen to a whole album
thanks for the grate video.
coming from my current Voice over/stream setup which include AT2020 + Focusrite Scarlett 2i2 3rd Gen with a fethead.
As now I feel that its not adequate enough (specially in the self noise part) I am planing for an upgrade and was wondering what would you recommend for a mic (SM7B or RE20) and interface.
Elgato Wave sounds very different than Behringer UMC22. And I liked more Behringer. :)
i got the same interface but currently i just use it to listen to stuff. Dorm is too noisy to record :(
Darn sorry to hear :( maybe you could incorporate the noise? Sometimes noise in the background can be super Indy :)
@@AudioHaze It's uneven dripping of water coming from the ac of the room directly above mine :( I will still try to incorporate it. Thanks
Dude I came back to this video just to listen to the song haha it was amazing!!!, reminds me of MGMT (which is a psychedelic rockish band I've been hooked on for years now haha so that explains a lot)
Thanks dude! I was really struggling with it when I was producing it, so that means a ton :)
Thanks for the excellent review. Would you pick up the Evo 4 over the 'Arturia MiniFuse 2'?
Personally, yes! I don't have enough experience with the MiniFuse but I believe the Evo's preamps are generally considered to be better
@@AudioHaze Thanks for the reply. Really grateful.
Just FYI, there is a difference of about Rs. 3,000 between the Evo 4 and the Minifuse 2 here in India.
Where can I listen to this track again! It's so sick!
Using the Audient ID4 MKII with a Rode Procaster, Audient really manufactures quality products, I love it ! Completed the setup with a dbx 286s, but the audio interface alone was sufficient.
It also drives my HD 600s when needed
Nice info, thanks for sharing!
I had an evo 8 it was not a bad interface, except that one day it stuck on loading or something. And customer service took a month to reply.
My ATR2100x-USB works better on USB, has more gain than through EVO4+XLR. I've decided to return the EVO 4 to the shop.
can I get a copy of that song please. it was quite enjoyable. thank you so much for testing the audient evo 4 through its paces, it was super helpful.
Nice Sundaras!
Thanks!
Hey AudioHaze ! Would you recommand it with a MV7 ? I got a fuzzy background noise with my Focusrite 1st generation and I'm thinking about upgrading. Do you have any recommandation ? Just nee one entry. Thanks !
This might be out of line a bit, but I want to know, do interfaces differ in the quality of their direct monitor feature? I'm a singer-songwriter so hearing myself properly through my iem's is important to me.
Cool visuals. Pls, Review a maono mic bro.
Did you plug your guitar/instrument to the instrument jack or just the normal ones on the back, I'm wondering can I record multiple instruments because it only has one dedicated instrument input.
Maybe i missed the part, but does it have a mute-button? (for streaming in particular)
That is something that bothers me with XLR-setups all the time, because the mics usualy dont have one and the interfaces also dont have one. :I
what kind of microphone did you use to record the insturments ?
Fire content
One question: with the only one knob, does that knob control all inputs uniformly or can you adjust the input gains separately?
Fall from the table, when looking at it.
I got an evo 8 but the 1st input had a crackling 8-bit sound, still love the evo, just gotta get it replaced
good thing audient has great warranties
Sorry to hear! Glad its getting fixed up though :)
With the Shure SM7B mic did you have to use a cloudlifter when connected to the Audient Evo 4 audio interface? Or does the Evo 4 provide enough clean gain without using a cloudlifter? Thanks.
No cloud lifter needed :)
@@AudioHaze Thank you!
I bought this together with the SM58. And unfortunately I’m having nothing but problems… Keep in mind I don’t know anything about audio… So first of all when listening through the Evo4 I hear crackling and popping, it’s quiet, but still very annoying. Secondly, It’s so damn quiet… I have gain set to max, and it’s still quiet, people on discord have to set me to 180% and just complain that they can’t hear me. Do I have to get a cloudlifter of something? I’m really confused to be honest…
How dod u solve it? I want to buy sm58 and a interface best for 58 which one will be good
i threw it out the window and bought a RODEcaster pro @@anaskhanazmi2862
😳fuc**ng amazing song!
Badass song!
Thank you!
I'm using the evo8 and it is sick as well!!! got that with £10x and can't see why people's still going for scarletti 2i2 that this price point other than history xd
I’m jealous!!
siick track!!
How does this thing work with M1 macbook (latency)?
It works great with my M1! No latency to report for the most part
How is this compared to something like the babyface pro?
Auto gain is handy because setting gain level while you are playing something with two hands can be annoying. :) Also for vocal mic, I can’t reach the interface when the mic is on the mic stand, so auto gain is quite a handy feature even for ones who know how to set gain properly. :)
True! I didn't consider that
The gain is good enough for low sensitivity
Audient Evo 4 or ID4?
This guy's hair reminds me of one of the triplets from "Brave". 😅 just saying
1:00 true
nobody tell you if youn can turn studio speakers up and down on it and how
only downsides to evo 4 is that it gets dirty pretty quick and that cables overweighting it lol
Hasn’t really happened for me too much thankfully!
and the best thing is that you can finally change volume from mac’s function keys!
audio interface...Julian Krause is the name
The goat
Cmon there must be a cheaper one
I want to record my Pocket Operator
Sorry, but your great instruments is what makes all the difference. Audio interfaces are not the big deal nowdays. Even cheap aliexpress interfaces can do the job very well.
6minutes in, still rambling about anything but the device
There are many, many channels that you could watch instead if you're not interested in the "why" behind the "what."
Lmao
It's called context.
It's called context.
It’s free knowledge , if you don’t value it just clic another video
“Sent for free” = fraud. Go away.
How do the evo preamps compare to the vocaster?
I love the EVO 4!!
Its awesome!!
@@AudioHaze I really want the EVO 16 though, recording drums would become a decent bit easier with that
Cool visuals. Pls, Review a maono mic bro.
Noted!