At least no credits confusion this time in yet another precious, mildly nostalgic tune :-) And no doubt either that we are hearing Irving Kaufman singing the refrain... Orchestrally, this performance is such a wonderful treat as well. Thank you so much for this superb Lou Gold rendition!
Thank You so much! Yes it was so lovely to look at this Cameo label and see Lou Gold instead of a pseudonym! And I truly LOVE this somewhat melancholy melody played in a lovely Fox Trot tempo myself!!
I think Ben Selvin's influence at Columbia Records in the electrical era kept Irving Kaufman going, both as a soloist and band vocals through 1931. Except for the Revelers, most of the other accustic stars had past their prime by 1926.
Yes it is! The syncopation of the counter melody going on behind the melody is just superb in this. The sax section @ 2:30 is a joy and needs another eight bars to suit me! This Lou Gold side from 1928 sounds hotter than some of my Golds from 1929! Grand
Wow, just wow ! roybo1930 you never cease to amaze us with these peppy pearls of lesser known , or even forgotten melodies. Please keep them coming. You feed our voracious yearnings for these tunes. Bravo , and again simply brilliant !!!
Well You just made my whole day very bright indeed! Thank You so much! And expect more to come as soon as I do a few touches on them! I got some more PLAZA - ARC goodies I hope You will love!
@@benzo4029 Thank You benzo! I told You I was going to post this come hell or high water! I LOVED playing it for You over the phone that night! By the way, none of this would not be possible at all if it weren't for your help and talent, and advice! Thanks for everything you did for me!!
@@roybo1930 Great tuba work Indeed. I love the sax syncopation behind the vocal, plus their own hot business near the end! The syncopation in this whole arrangement is top notch! Grand! Just wish the saxes would keep going a while longer!! Enjoy their sound so much❤ I swear, I get high on a good syncopated sax section groove!
Oh! There is nothing cheap about these arrangements on these wonderful five and dime delights, the quality of music to me is much more enjoyable for the most part, I do however in most cases wish they would have used better quality materials to make them! But I do have some that are equal to the same shellac used by Brunswick! Especially the earlier ones before around 1926!
The difference between most of the 25 and 35 cent labels and the orchestras of the 75 cent varieties is they don't have stringed instruments. This particular record had minimal surface noise and was taken care of for the past 95 years. That's why it sounded so good.
Irving kaufman his voice is an angel ❤beautiful song 🎵 ❤️ love Irving kaufman with all of me...❤
Great record. I learned how to drive in a 1931 Model A Tudor (an old burner). Thanks!
Also released on Lincoln 3020 and Romeo 795.
At least no credits confusion this time in yet another precious, mildly nostalgic tune :-) And no doubt either that we are hearing Irving Kaufman singing the refrain... Orchestrally, this performance is such a wonderful treat as well. Thank you so much for this superb Lou Gold rendition!
Thank You so much! Yes it was so lovely to look at this Cameo label and see Lou Gold instead of a pseudonym! And I truly LOVE this somewhat melancholy melody played in a lovely Fox Trot tempo myself!!
I think Ben Selvin's influence at Columbia Records in the electrical era kept Irving Kaufman going, both as a soloist and band vocals through 1931. Except for the Revelers, most of the other accustic stars had past their prime by 1926.
Lou Gold’s arrangement is fabulous. Of course Irving Kaufman’s voice always gets me. Thank you Roybo!
Thank You Barbara!
Yes it is! The syncopation of the counter melody going on behind the melody is just superb in this. The sax section @ 2:30 is a joy and needs another eight bars to suit me! This Lou Gold side from 1928 sounds hotter than some of my Golds from 1929! Grand
Wow, just wow ! roybo1930 you never cease to amaze us with these peppy pearls of lesser known , or even forgotten melodies. Please keep them coming. You feed our voracious yearnings for these tunes. Bravo , and again simply brilliant !!!
Ain't it the truth?!!! 😊
Well You just made my whole day very bright indeed! Thank You so much! And expect more to come as soon as I do a few touches on them! I got some more PLAZA - ARC goodies I hope You will love!
@@benzo4029 Thank You benzo! I told You I was going to post this come hell or high water! I LOVED playing it for You over the phone that night! By the way, none of this would not be possible at all if it weren't for your help and talent, and advice! Thanks for everything you did for me!!
Oh! what gets me as well as the lovely melody in this, is the bass beat around 0:38! OH! I LOVE!
@@roybo1930
Great tuba work Indeed. I love the sax syncopation behind the vocal, plus their own hot business near the end! The syncopation in this whole arrangement is top notch! Grand! Just wish the saxes would keep going a while longer!! Enjoy their sound so much❤ I swear, I get high on a good syncopated sax section groove!
And by the way, if this and other similar quality bands were considered Dime Store quality, then I am Snow-white…….
Oh! There is nothing cheap about these arrangements on these wonderful five and dime delights, the quality of music to me is much more enjoyable for the most part, I do however in most cases wish they would have used better quality materials to make them! But I do have some that are equal to the same shellac used by Brunswick! Especially the earlier ones before around 1926!
The difference between most of the 25 and 35 cent labels and the orchestras of the 75 cent varieties is they don't have stringed instruments. This particular record had minimal surface noise and was taken care of for the past 95 years. That's why it sounded so good.