THE VIVALDI EDITION | 10 - Mottetti
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- Опубликовано: 16 окт 2024
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Vivaldi
Mottetti
“Longe mala, umbrae, terrores” RV 629
Mottetto per contralto, archi e continuo “Vestro Principi divino” RV 633
“Canta in prato, ride in monte” RV 623
Mottetto per contralto, archi e continuo “Invicti, bellate” RV 628
Mottetto per soprano, archi e continuo “Nulla in mundo pax sincera” RV 630
Anke Hermann (soprano)
Laura Polverelli (mezzo-soprano)
Academia Montis Regalis
Alessandro de Marchi
“The whole makes an attractive package, and, for newcomers, a handy and seductive introduction to the bold world of Vivaldi’s vocal music.” Gramophone
01 - Mottetto per contralto, RV 629: Longe mala, umbrae, terrores. Aria: Allegro
02 - Mottetto per contralto, RV 630: Longe mala, umbrae, terrores. Recitativo
03 - Mottetto per contralto, RV 631: Longe mala, umbrae, terrores. Aria: Larghetto
04 - Mottetto per contralto, RV 632: Longe mala, umbrae, terrores. Allegro
05 - Mottetto per soprano, RV 631: O qui coeli terraeque serenitas. Aria: Allegro
06 - Mottetto per soprano, RV 632: O qui coeli terraeque serenitas. Recitativo
07 - Mottetto per soprano, RV 633: O qui coeli terraeque serenitas. Aria: Largo
08 - Mottetto per soprano, RV 634: O qui coeli terraeque serenitas. Allegro
09 - Mottetto per contralto, RV 633: I. Vestro Principi divino. Aria: Allegro
10 - Mottetto per contralto, RV 633: II. Vestro Principi divino. Recitativo
11 - Mottetto per contralto, RV 633: III. Vestro Principi divino. Aria: Presto
12 - Mottetto per contralto, RV 633: IV. Vestro Principi divino. Presto
13 - Mottetto per soprano, RV 623: I. Canta in prato, ride in monte. Aria: Allegro
14 - Mottetto per soprano, RV 623: II. Canta in prato, ride in monte. Recitativo
15 - Mottetto per soprano, RV 623: III. Canta in prato, ride in monte. Aria: Allegro
16 - Mottetto per soprano, RV 623: IV. Canta in prato, ride in monte. Allegro
17 - Mottetto per contralto, RV 628: I. Invicti, bellate. Aria: Presto
18 - Mottetto per contralto, RV 628: II. Invicti, bellate. Recitativo
19 - Mottetto per contralto, RV 628: III. Invicti, bellate. Aria: Larghetto
20 - Mottetto per contralto, RV 628: IV. Invicti, bellate. Allegro
21 - Mottetto per soprano, RV 630: I. Nulla in mundo pax sincera. Aria: Larghetto
22 - Mottetto per soprano, RV 630: II. Nulla in mundo pax sincera. Recitativo
23 - Mottetto per soprano, RV 630: III. Nulla in mundo pax sincera. Aria: Allegro
24 - Mottetto per soprano, RV 630: IV. Nulla in mundo pax sincera. Allegro .
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"Away with woes, shadows, terrors, wars plagues, anger, rages, weapons and armor, eternal death
Clouds and lighting be gone, and crowned with the tranquil brightness of heaven, let the stars twinkle, let every soul from the earth to the stars rejoice and be alive!
Come down, voice from heaven, and wash us from on high, take away misery, Shine out, true light, you are a fearless leader, spread your light. Alleluia" (from the Longe Mala) I think we have a lot to learn from this great music
Vivaldi + Vocal = Great
Cuando estoy en mi amaca desde acapulco mexico escucho mi musica preferida este disco es lo maximo vivaldi. ASI PASO MI DESCANSO.
Grosso molto !!
Meravigliose. Quanto mi duole che questi capolavori non abbiano la giusta attenzione che si meritano. C'è troppa indifferenza nei confronti di questo Genio! I due lunghi secoli di oblio, sono stati, forse fatali per il Grande Vivaldi! Speriamo in bene!
56:04
My problem with Vivaldi is the repetition in his instrumental works….the beginning of the recording, and in places throughout the first aria, sounds exactly like “The Seasons,” which have been so overused and overplayed that I haven’t enjoyed them for years. I’m not crazy about that singer’s voice/technique, either.
I think the very common misunderstanding is to consider all "old" composers as the icons of "ethernal classical music" (I do not tell about personally you. It is just general observation). But in many cases, especially for late Vivaldi, they wrote the music for recreation like our movies. In some sence, Vivaldi's operas were as Marvel movies or Pirates of Carribean Sea. He created athmosphere for galant communication betwen men and women of those time. Therefore, repetitions is one of method to produce more "first night shows". It is valid also for Mozart and Bach with self plagiarism.