WOW - - WOW - - God Bless RAPHAEL FAYS who along with his father LOUIS FAYS is one of the guys who early on kept the DJANGO REINHARDT appreciation alive and well - - Lots of memories here for me at least - - I remember for a few times in the mid - 1980s jamming at Chris' Music Store on Long Island , New York with the violinist CHARLES WIZEN who long ago - - sometime ago - - played with Raphael Fays - - they have an album out too on the Carrere records label with Louis Fays and Patrick Saussois on rhythm guitars and Claude Mouton on bass - - Charles Wizen told me that at age 17 he actually played with Django in Paris in some pool hall or cafe / bistro !
Wonderful. He and his father, and Bireli were the first Gypsy Jazz guys I heard from a Jazz Alive broadcast of the Montreux Guitar Summitt, 1980. His work with Charles Wizen is stellar. Thanks Brah!
Hello Denis, I hope you are doing well, my friend ! Thanks so much for posting this great interview with Raphael Fays. He was one of the first Django guitarists I heard after Django....
His version of "Troublant Bolero" (on RUclips) is my favorite. Love the sound of the nylon string guitar -- especially in his hands. So fluid. BTW those subtitles, brah😜
J'ai du mal à accrocher. Le mode diminué a l'air essentiel au style (?), mais ça existe ? J'ai l'impression qu'il a des idées bien arrêtées... J'ai peut-être mal compris et me ferais sûrement une meilleure opinion avec une autre vidéo.
Libre à chacun de dire ce qu’il a envie de dire lol. Mais je comprends un peu ce qu’il essaie de dire, c’est vrai que dans le style manouche, les arpèges diminués sont utilisés d’une certaine manière très peu utilisée en bebop.
Be sure to check In The Style Of Raphael Fays on DC Music School www.dc-musicschool.com
WOW - - WOW - - God Bless RAPHAEL FAYS who along with his father LOUIS FAYS is one of the guys who early on kept the DJANGO REINHARDT appreciation alive and well - - Lots of memories here for me at least - - I remember for a few times in the mid - 1980s jamming at Chris' Music Store on Long Island , New York with the violinist CHARLES WIZEN who long ago - - sometime ago - - played with Raphael Fays - - they have an album out too on the Carrere records label with Louis Fays and Patrick Saussois on rhythm guitars and Claude Mouton on bass - - Charles Wizen told me that at age 17 he actually played with Django in Paris in some pool hall or cafe / bistro !
Legend
A true MAESTRO. How he has hus unique way of playing flamenco with a pick has always inspired me to tackle classical repertoire in that way
Those subtitles are next level.
Sick interview
Wonderful. He and his father, and Bireli were the first Gypsy Jazz guys I heard from a Jazz Alive broadcast of the Montreux Guitar Summitt, 1980. His work with Charles Wizen is stellar. Thanks Brah!
"yah, brah" awesome vid, and thanks for the killer subtitles. perfect..
Hello Denis, I hope you are doing well, my friend ! Thanks so much for posting this great interview with Raphael Fays. He was one of the first Django guitarists I heard after Django....
His version of "Troublant Bolero" (on RUclips) is my favorite. Love the sound of the nylon string guitar -- especially in his hands. So fluid. BTW those subtitles, brah😜
Great interview and hilarious subs!!
Wonderfull interview.
His nylon string guitar sounds way better and more 'gypsy' than a lot of GJ guitars? Hmmm
Raphael and Donatello - :P certainly Raphael is a Shredder! 🥷🐢 excellent video!
On Tico, I cracked up :D :D excellent video and excellent subtitles!
Moral of the story: si ça ne vient pas de Tico ce n'est pas du jazz manouche
😂
Everybody's a gypsy, until it's time to do gypsy skabala.
denis i see you lift in the gym, pretty tall guy, but raphael is a beast :DDdd
It s hard to see but i m actually sitting quite behind him to be farther from the mic so that my guitar doesnt over power his nylon string 😂😂😂
J'ai du mal à accrocher. Le mode diminué a l'air essentiel au style (?), mais ça existe ? J'ai l'impression qu'il a des idées bien arrêtées... J'ai peut-être mal compris et me ferais sûrement une meilleure opinion avec une autre vidéo.
Libre à chacun de dire ce qu’il a envie de dire lol. Mais je comprends un peu ce qu’il essaie de dire, c’est vrai que dans le style manouche, les arpèges diminués sont utilisés d’une certaine manière très peu utilisée en bebop.
@@DenisChangMusic Certes. En tout cas, c'est un fervent défendeur de la culture manouche ; j'apprécie. Ava, chtokos te rakrelo latss romeless.