mvment 1: Part "1" for clarinet is at about 1:25 Part "2" for clarinet is at about 3:40 Part "3" for clarinet is at about 5:30 mvment 2: part "1" for clarinet is at about 7:52 mvment 3: part "1" for clarinet is at about 11:30 part "2" for clarinet is at about 11:50 part "3" for clarinet is at about 12:22 (oops, that was the cadenza. The cadenza ends at 12:40)
I believe that your clarinet performance is the best one in the world. thank you very much for giving us your great performance. With My Love from Japan!
What a performance, bravo! Great to see the Korean people appreciate the 250-old music of Czech émigré composers such as Karel Stamic, son of Jan Stamic - composers who established the clarinet as a serious symphonic (as well as solo - 13 concertos by Karel) instrument at Mannheim. Mozart wrote admirably of the Stamic's Mannheim orchestra having a "glorious sound of clarinets ..." (which to me, as a serious Czech/Bohemian American clarinetist, is "music to my ears"!) As far as this performance, the soloist is a great artist and I appreciated her "spunk" & energy as well as musical creativity in ornamentation & embellishments, making this performance of the No. 3 quite unique in the last 50 years. At a few places in the piece, however, I would be a bit more conservative & observe carefully that, just because a "riff" is repeated, does not automatically imply embellishment, as repetition also accentuates the composer's intended emphasis effect. That said, the embellishments I heard here were quite amazing and fairly tastefully done in the spirit of the rococo style of the music. I look forward to hearing more recordings from Jaehee Choi, I am sure she is quite aware of more clarinet music by the Stamic's as well as other early Bohemian composers.
전고전파 스타미츠의 숨겨진 걸작이군요. 모차르트의 클라리넷 협주곡 비슷합니다. 아마도 모차르트가 이곡을 들었거나 알고 있었을것 같다는 추측이 듭니다. 최재희 클라리넷 연주자분 테크닉은 신기에 가깝네요. 시원하고 쭉쭉 벗는 음색이 너무나 좋습니다. 최상의 연주, 숨겨진 걸작을 알게 되어 감사 합니다.
There are a number of embellishments or alternate phrases in this performance that I don't see written into my sheet music for the same piece. Can anyone explain why this might be? The edition I am working from is C. F. Peters # 4859. For example, in the first movement, the first two beats of both measure 139 and measure 145 are quite different from what is written in my edition.
Probably because of the editor? I heard that there were some mistakes or something with the tounging/articulation in some of the parts of the pieces. I think it just might be that it's a different editiong? IDK the song has a few trills that I don't have on my music.
I dont know if you are still wondering but this piece is mostly about improvisation and the soloist changing things to fit how they like to play while fitting into what is written. That is part of it, and the rest is because of editors interpreting the original version into something the musicians of today can play and each one does it a little bit differently.
I don't think the mouthpiece type affects the playing much unless you're using a specially created one vs. the one that comes with a clarinet. I may be wrong though.
@@bapofbread6751 Differents classical musicians use the BD5 or M30 by Vandoren, and this is interesting... Maybe make more easy play with these mouthpieces and the right reed. V12 3.5 for example.
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
1st movement: 1:30
2nd movement: 7:56
3rd movement: 11:33
I like this tonguing and staccato..
11:30 is my solo for solo and ensemble😍
How did it go?
Same, solo and ensemble is tomorrow for me :,)
mvment 1:
Part "1" for clarinet is at about 1:25
Part "2" for clarinet is at about 3:40
Part "3" for clarinet is at about 5:30
mvment 2:
part "1" for clarinet is at about 7:52
mvment 3:
part "1" for clarinet is at about 11:30
part "2" for clarinet is at about 11:50
part "3" for clarinet is at about 12:22 (oops, that was the cadenza. The cadenza ends at 12:40)
This is so helpful for studying how Ms. Choi performs certain sections! Thank you!
@@methew3982 :)
im playing it now and im on 7th grade on clarinet. wish me luck!
I believe that your clarinet performance is the best one in the world. thank you very much for giving us your great performance. With My Love from Japan!
Thank you so much for this video! I’m doing the Third Movement for a solo competition and this really helps! Once again, thank you!
i love her staccato
which one
fr it’s so good
What a performance, bravo!
Great to see the Korean people appreciate the 250-old music of Czech émigré composers such as Karel Stamic, son of Jan Stamic - composers who established the clarinet as a serious symphonic (as well as solo - 13 concertos by Karel) instrument at Mannheim. Mozart wrote admirably of the Stamic's Mannheim orchestra having a "glorious sound of clarinets ..." (which to me, as a serious Czech/Bohemian American clarinetist, is "music to my ears"!)
As far as this performance, the soloist is a great artist and I appreciated her "spunk" & energy as well as musical creativity in ornamentation & embellishments, making this performance of the No. 3 quite unique in the last 50 years. At a few places in the piece, however, I would be a bit more conservative & observe carefully that, just because a "riff" is repeated, does not automatically imply embellishment, as repetition also accentuates the composer's intended emphasis effect. That said, the embellishments I heard here were quite amazing and fairly tastefully done in the spirit of the rococo style of the music.
I look forward to hearing more recordings from Jaehee Choi, I am sure she is quite aware of more clarinet music by the Stamic's as well as other early Bohemian composers.
I like clarinet music. Perfectly done.
I'm currently working on this piece right now sounds amazing
전고전파 스타미츠의 숨겨진 걸작이군요. 모차르트의 클라리넷 협주곡 비슷합니다. 아마도 모차르트가 이곡을 들었거나 알고 있었을것 같다는 추측이 듭니다. 최재희 클라리넷 연주자분 테크닉은 신기에 가깝네요. 시원하고 쭉쭉 벗는 음색이 너무나 좋습니다. 최상의 연주, 숨겨진 걸작을 알게 되어 감사 합니다.
직장가지고 취미로 클라리넷 배우면서 이 영상 도움 많이 받았습니다. 피아노랑 다른 관악기의 맛을 이 곡을 통해서 알았습니다!
Really love her interpretation of this. Planning to use parts of the 1st movement for two school of music auditions that I have coming up.
I'm seating here like - It's my senior I should play 1st movm but those tutti over 32s are dangerous.
PLAYING THIS ON SATURDAY THANKS FOR THIS VIDEO!!
Bravissimi tutti :-) in Particolare la Clarinetista :-)
아주 멋진 연주늘 하십니다 굿
Beautiful performance!
¡¡Extraordinaria interpretación!!
Maravilloso!!!
Great!
Muy bien.
Con esta interpretación me puedo guiar gracias.😊
10:16 wow that circular breathing was so smooth
Prachtige vertolking, zowel door orkest als de uitstekende soliste !!!! Bravo !!!!
this is for my solo on Saturday (I’m a sophomore in high school) I feel inferior now lol. Great performance!!
How did the competition go?
Really well! I scored a 97 I believe. Now I'm auditioning for music school at the end of the month. Thank you for asking!
@@juva_duva8119 wow a 97!!! That’s awesome!! I’m doing this piece next month for a competition I really hope it’ll go well
@@God_is_my_Oath-wwjd aw thank you!! Good luck, I hope you do great!!
@@juva_duva8119 thx I’m trying my hardest
댓글단 사람다 외쿡인 난 한쿡인 is song good;;😋
이상우 위아더 코리안
Wonderful performance! Would u pls let me know what is yr clarinet model and the mouthpieces setup.
I have 40 measures of rests in a row OwO
bravoooooo!!!
👍👍👍👍👍🙂
6:49 cadenza
good
와
I didn't see the cor anglais next to the oboes playing a single note in the entire concerto.
1:27 / 3:48 / 5:35
Staccato is perfekt. Sound very perfekt. Yamaha Instrument?
Nope buffet festival
Je joue ce concerto à la clarinette
Excelente, cómo todo lo escrito por Mozart
1:23
Me pregunto si las 33 personas que han dado que no les gusta es porque no les gusta el vestido que lleva... porque si no no lo entiendo...
Escute e sinta.
Do anybody know the name of the clarinet so the brand.
Buffet Festival model. Thank you.
Thanks for the the fast answer
😁💚🎵🎶♾
😍🖤
There are a number of embellishments or alternate phrases in this performance that I don't see written into my sheet music for the same piece. Can anyone explain why this might be? The edition I am working from is C. F. Peters # 4859.
For example, in the first movement, the first two beats of both measure 139 and measure 145 are quite different from what is written in my edition.
Probably because of the editor? I heard that there were some mistakes or something with the tounging/articulation in some of the parts of the pieces. I think it just might be that it's a different editiong? IDK the song has a few trills that I don't have on my music.
Yes very showy offy but polished performance and excellent staccato. Not sure about all the additions.
I dont know if you are still wondering but this piece is mostly about improvisation and the soloist changing things to fit how they like to play while fitting into what is written. That is part of it, and the rest is because of editors interpreting the original version into something the musicians of today can play and each one does it a little bit differently.
I think it ist perfekt!
Me too I'm also looking for the sheet of this version especially the second movement
이거 텅깅이 안되서 못하고 있는데
Which kind of mouthpiece could to help me to play like that ?
I don't think the mouthpiece type affects the playing much unless you're using a specially created one vs. the one that comes with a clarinet. I may be wrong though.
@@sedumzz3289 I find personally that mouthpieces can make or break a setup, that some mouthpieces work better with different clarinets etc
I would say the Vandoren black black diamond is a good upgrade from the mouthpiece that comes with the clarinet.
@@bapofbread6751 Differents classical musicians use the BD5 or M30 by Vandoren, and this is interesting... Maybe make more easy play with these mouthpieces and the right reed. V12 3.5 for example.
입시곡으로 이거 3악장 내면 될듯;;
Her technique is great, but I feel like she's trying to do to much with her additions and interpretations...
1:25
2:09
1:23
1:30
1:30