This is a very good lesson on minor 2-5-1 because as a non-pianist I'm used to Major 2-5-1 which is the most thought progression. I'm motivated to dig deeper into jazz piano. Thanks.
Tremendous lesson. Wow! Packed with the most beautiful rich and spicy harmonies from the golden age of jazz. I finally now understand the drop two voicings and how the added space between notes gives the harmony a distinctive sparkle.
Great lesson to learn how to comp on such songs but how do you get from here to playing the songs with the melody notes on top? There seems to be a big gap to fill between the two….
OMG wow. I love the ease you play and explain wit, Jonny. This is some type of rocket science stuff for mortals, but you make it look like childs play. :) Can almost imagine being able to learn it, too (to some limited extent:))). Thank you for your work.
At 6:00, you explain how to determine spice notes "above root." Is that "counting of notes" from the root's major scale? I thought so but noticed when you counted four notes from D for the 11, you used F key as third note instead of F# Hoping for clarification... great lesson, Jonny!
In tunes like these the melodic notes come directly from the chords that are dressed up with added 9ths, 11ths, and 13ths. I’m pretty sure the implication is once you have these harmonies securely under your fingers the melody more or less falls into place. It’s predicated on some familiarity with the songs in the standard repertoire.
00:00 - Intro
00:45 - Tunes with this Progression
01:34 - Minor 2-5-1 Progression
03:04 - Chord Structure
05:13 - 5 Essential Exercises
05:38 - Spice Notes
06:54 - Level 1 (Beginner)
09:00 - Level 2 (Late Beginner)
09:50 - Level 3 (Early Intermediate)
11:15 - Level 4 (Late Intermediate)
13:00 - Level 5 (Advanced)
15:45 - Conclusion
Great teacher and pianist
superb simply the best on the internet all of his videos highly recommended
Thank you so much!
Wonderful lesson, so much to try! Thank you for this great course.
Fantastic Jonny May. Missing your longer lessons on the site. But all are great teacters.
This is a very good lesson on minor 2-5-1 because as a non-pianist I'm used to Major 2-5-1 which is the most thought progression. I'm motivated to dig deeper into jazz piano. Thanks.
Jonny! You are one of my favorite piano gurus. Keep up the awesome content!
Tremendous lesson. Wow! Packed with the most beautiful rich and spicy harmonies from the golden age of jazz. I finally now understand the drop two voicings and how the added space between notes gives the harmony a distinctive sparkle.
What a video Jonny! Greetings from Brazil. You are a super star!!
Great lesson to learn how to comp on such songs but how do you get from here to playing the songs with the melody notes on top? There seems to be a big gap to fill between the two….
Very good i liked the chords in level 4+ 5 this lessons teaches me to play more advanced i am very happy that they are available to download as PDF
Well taught Johnny! Great stuff to know!!
Thank you, Jonny 🌹🌹🌹🌹
OMG wow. I love the ease you play and explain wit, Jonny. This is some type of rocket science stuff for mortals, but you make it look like childs play. :) Can almost imagine being able to learn it, too (to some limited extent:))). Thank you for your work.
Well, explanations are crystal clear, but say, huh, let's me try to apply the beginner one first 😅
What is the relation between the "spice notes" and the melody notes that a singer would sing?
Hey Does anyone know What make of Jonny’s desk is? Imit seems very functional
, thanks!
At 6:00, you explain how to determine spice notes "above root."
Is that "counting of notes" from the root's major scale? I thought so but noticed when you counted four notes from D for the 11, you used F key as third note instead of F#
Hoping for clarification... great lesson, Jonny!
*sees chapter heading "spice notes"*
*singing in my head* "Let me tell you what I want, what I really really want..."
I haven't watched in a while. Is that a new keyboard?
🔥
🤩 "Promo SM"
No-one ever explains how to memorize hundreds of melodies
In tunes like these the melodic notes come directly from the chords that are dressed up with added 9ths, 11ths, and 13ths. I’m pretty sure the implication is once you have these harmonies securely under your fingers the melody more or less falls into place. It’s predicated on some familiarity with the songs in the standard repertoire.