I was at the Repin back in the 1990s. The long poses (30 hours!) were a revelation, as at that time there was little to no atelier or classical drawing instruction in the USA. My skills improved a lot and I had a great time.
Now this is a real class and an extraordinary lesson. when you finish 30 hours of figure drawing you will be just scratching the surface. But it will be a deep scratch. I Am glad to see New Masters offering this class. Whatever the cost, it would be worth it.
Excellent! Thank you very much for this material! I just returned from the Repin Academy and seeing that room with so many plaster casts impressed me! and of course, what a great artist Iliya Mirochnik is!!!! greetings from Argentina.
Should be studying for my university tests but this is just too good to skip it. Thanks for the simple yet complete explanation. Cheers from Argentina.
The way I draw is I like to build up tones. I don’t do dark tones first then mid thin light immediately. I do start with darkest areas but with light strokes and keep building up layer over layer
Great tutorial. Helped me out a lot with the musculature of the back. The scapula has always caused me problems. especially enjoyed the part where he steps back in front of the camera to "reveal" the finished work. :)
Thank you a lot. Masterful. I wish I could pay my way through your school at the academy; their in Russia. I could be so much more. But, this example is very generous of you.
So overwhelming to watch your tutorials......thanks...and bless you...wonderful work... Should one study the skeleton in detail before working nicely on the muscles as you did where is the proper starting point and how much in detail or in depth one should go...thanks for your worthy demonstrations.......
Adam Sandler this is a sample from the full course on our website. The course covers everything you need to know including materials, how to stretch paper, etc
Is this typical of the courses, or is this just a demo of him applying techniques that were covered in other courses? It is a nice demo, and the points he makes are great, but it's not enough for me to pay the subscription.
jonathan criner this is just a tiny sample. Iliya is not covering the basics here because students will have already went over them with many assignments, lectures, and demonstrations. The full Russian course is 67 hours long and covers absolutely everything you need to know to draw with this technique. We have recently updated it and in a few weeks will be adding drapery and plaster cast sections bringing the whole course to over 100 hours. There is a ten day trial on the site if you want to see what exactly is included with your subscription or just browse the library here: nma.art . Of course you don’t just get the Russian course with your subscription but all of our courses. Over 1,300 hours of video tens of thousands of reference images and 3d models to study from and our active community. 👍🏼
@@NewMastersAcademyorgNMA Yes, but there are only so many hours a week, and I would expect to be drawing more than watching videos. The website says 7 days, is there a promo code to get the 10 days? I work more than full time, and that is why I haven't done the trail yet, I expect in seven days, I would get two to three hours to actually watch video (while spending double that on assignments. Ten days would give me two weekends, practically double my time to decide. Thanks so much for the quick response.
jonathan criner this approach (and all of the approaches we teach at nma) takes months of study to really get somewhere. It takes years to master. If you’re only able to dedicate an hour a week you’ll still make progress but obviously it will take much longer and you will also lose time having to “warm up.” The best case it to draw to draw daily even if it’s just for 5-10 minutes. 👍🏼
@@NewMastersAcademyorgNMA Yes, I fully understand, that is where I am at, if the monthly fee is worth only getting a couple hours in a week to split between watching and drawing. If I were a student able to put full days to this it would be a wonderful value, I wish this kind of thing exsited 30 years ago when I originally went to art school. Unfortunatly back then it was kind of if you already knew how to draw/paint, great, if not you were spending a lot of money to basically teach yourself. Only one or two instructors actually instructed, the rest gave assignments and critique afterward, and then off to the next assignment. I have learned more in a month from some of the various online content creators (you, Proko, Steve Huston's personal channel, etc) than I did in my entire second year of art school, and those two years cost me over $60k. Thanks again.
very informative video, thank you very much for sharing, but i have a couple words in my throat i need to pour out.. i kinda see the model more leaning to the right, with his left shoulder wrapped to front, and clearly aged person.. in your drawing, he's standing straight, and looks much younger.. i'm not trying to criticize or anything, i'm just trying to reassure myself that i have a good observative eye..
The camera can’t be in Iliyas line of sight because one would obscure the other so it must be offset somewhat meaning that what Iliya sees as he draws is not what we see in the video.
Nonsensical ilustration of the process of sketching from the model. Firstly the angle of the model is very different from the one that the artist is producing. The model is bending forward , while the drawing shows a very straight posturing. Secondly all this nonsens od anatomical so called necessity to take into account. The skeletons differ. So do the particulary bones. What artist is dealing with , is ONLY the exterior : inside of the body could be anything ...like a clay. Or the air , if this is the bronze monument , - so often used , actually , while practicing sketching. The persons could be literally covered with pounds of fat - the knowledge of anatomy will have NO bearings on their external looks. Period. Conclusions : the knowledge of anatomy is helpful to a degree , but only as a general , and NOT a very important help. The most important thing is to be UNBIASED - meaning to be able to see what REALLY is there , represented by the sketched object , or subject. The whole matter of anatomical studies , simply were invented for artists painting "from their heads" , without models. Today with the ease of taking the photographs , the modelling person can take any pose , making it a very easy to put in the context of actual painting. And think about this : the author of this movie has actually a very square ( cubic ) head , like most so called academists , so do not try to paint him with an anatomical atlas.
New Student Special Offer: 25 dollars a month for our Library plan.
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I was at the Repin back in the 1990s. The long poses (30 hours!) were a revelation, as at that time there was little to no atelier or classical drawing instruction in the USA. My skills improved a lot and I had a great time.
May I see your works please? Are you active as an artist nowadays?
Now this is a real class and an extraordinary lesson. when you finish 30 hours of figure drawing you will be just scratching the surface. But it will be a deep scratch. I Am glad to see New Masters offering this class. Whatever the cost, it would be worth it.
Excellent! Thank you very much for this material! I just returned from the Repin Academy and seeing that room with so many plaster casts impressed me! and of course, what a great artist Iliya Mirochnik is!!!! greetings from Argentina.
Should be studying for my university tests but this is just too good to skip it. Thanks for the simple yet complete explanation. Cheers from Argentina.
Can't wait for it! Thank you for your amazing courses and all the effort
The way I draw is I like to build up tones. I don’t do dark tones first then mid thin light immediately. I do start with darkest areas but with light strokes and keep building up layer over layer
Great tutorial. Helped me out a lot with the musculature of the back. The scapula has always caused me problems. especially enjoyed the part where he steps back in front of the camera to "reveal" the finished work. :)
Thank you a lot. Masterful. I wish I could pay my way through your school at the academy; their in Russia. I could be so much more. But, this example is very generous of you.
Мммм. Будет интересно. Но, наверное, это больше подходит для студентов, нежели чем для новичков. Но всё равно ожидаю с нетерпением.
Wow! Incredible production and great information. Thank you team. Well done
So overwhelming to watch your tutorials......thanks...and bless you...wonderful work...
Should one study the skeleton in detail before working nicely on the muscles as you did where is the proper starting point and how much in detail or in depth one should go...thanks for your worthy demonstrations.......
I'm willing to dedicate the next few weeks for this course, especially that it has beginner lessons.
You need longer than that… it’s a 98 hour course lol
Thank you
It’s legitimately funny how good this guy is. Like I’m not sure whether I should be smiling or crying. XD
Glass completely haha. Hopefully it’s inspiring. Our goal is to help artist get to higher skill levels in their work. 👍🏼
Great process! Thank you for sharing
thank you master for the great lesson
Can we have lists of products used please 🎉🎉🎉🎉
Great Video, Ilya is a talent!
Oh, no. I didn't get an e-mail this time warning about the premiere. Was looking forward to asking Iliya some questions.
Wow!
Very nice
Great lesson
Great teaching 👍 👏 👌 ❤
Espetacular !!!!!!
Gracias, excelente!!!
The pencil… which is it ?
What pencil is he using?
Cool
What mediums did you use? Could you please tell me so I can follow the tutorial.
Adam Sandler this is a sample from the full course on our website. The course covers everything you need to know including materials, how to stretch paper, etc
круто! :)
I'm exhausted just having watched you
Is this typical of the courses, or is this just a demo of him applying techniques that were covered in other courses? It is a nice demo, and the points he makes are great, but it's not enough for me to pay the subscription.
jonathan criner this is just a tiny sample. Iliya is not covering the basics here because students will have already went over them with many assignments, lectures, and demonstrations. The full Russian course is 67 hours long and covers absolutely everything you need to know to draw with this technique. We have recently updated it and in a few weeks will be adding drapery and plaster cast sections bringing the whole course to over 100 hours. There is a ten day trial on the site if you want to see what exactly is included with your subscription or just browse the library here: nma.art . Of course you don’t just get the Russian course with your subscription but all of our courses. Over 1,300 hours of video tens of thousands of reference images and 3d models to study from and our active community. 👍🏼
@@NewMastersAcademyorgNMA Yes, but there are only so many hours a week, and I would expect to be drawing more than watching videos. The website says 7 days, is there a promo code to get the 10 days? I work more than full time, and that is why I haven't done the trail yet, I expect in seven days, I would get two to three hours to actually watch video (while spending double that on assignments. Ten days would give me two weekends, practically double my time to decide. Thanks so much for the quick response.
jonathan criner this approach (and all of the approaches we teach at nma) takes months of study to really get somewhere. It takes years to master. If you’re only able to dedicate an hour a week you’ll still make progress but obviously it will take much longer and you will also lose time having to “warm up.” The best case it to draw to draw daily even if it’s just for 5-10 minutes. 👍🏼
@@NewMastersAcademyorgNMA Yes, I fully understand, that is where I am at, if the monthly fee is worth only getting a couple hours in a week to split between watching and drawing. If I were a student able to put full days to this it would be a wonderful value, I wish this kind of thing exsited 30 years ago when I originally went to art school. Unfortunatly back then it was kind of if you already knew how to draw/paint, great, if not you were spending a lot of money to basically teach yourself. Only one or two instructors actually instructed, the rest gave assignments and critique afterward, and then off to the next assignment. I have learned more in a month from some of the various online content creators (you, Proko, Steve Huston's personal channel, etc) than I did in my entire second year of art school, and those two years cost me over $60k. Thanks again.
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very informative video, thank you very much for sharing, but i have a couple words in my throat i need to pour out..
i kinda see the model more leaning to the right, with his left shoulder wrapped to front, and clearly aged person.. in your drawing, he's standing straight, and looks much younger..
i'm not trying to criticize or anything, i'm just trying to reassure myself that i have a good observative eye..
The camera can’t be in Iliyas line of sight because one would obscure the other so it must be offset somewhat meaning that what Iliya sees as he draws is not what we see in the video.
Nobody reading this dude
Nonsensical ilustration of the process of sketching from the model. Firstly the angle of the model is very different from the one that the artist is producing. The model is bending forward , while the drawing shows a very straight posturing. Secondly all this nonsens od anatomical so called necessity to take into account. The skeletons differ. So do the particulary bones. What artist is dealing with , is ONLY the exterior : inside of the body could be anything ...like a clay. Or the air , if this is the bronze monument , - so often used , actually , while practicing sketching. The persons could be literally covered with pounds of fat - the knowledge of anatomy will have NO bearings on their external looks. Period. Conclusions : the knowledge of anatomy is helpful to a degree , but only as a general , and NOT a very important help. The most important thing is to be UNBIASED - meaning to be able to see what REALLY is there , represented by the sketched object , or subject. The whole matter of anatomical studies , simply were invented for artists painting "from their heads" , without models. Today with the ease of taking the photographs , the modelling person can take any pose , making it a very easy to put in the context of actual painting. And think about this : the author of this movie has actually a very square ( cubic ) head , like most so called academists , so do not try to paint him with an anatomical atlas.