I think the Marquee Moon album came out perfect to my ears, but I love hearing what Television sounded like when they first hit the scene, complete with Richard Hell and torn clothes. It definitely makes it easier to see how they were considered a "punk" band at that time (albeit while that label was new and still being fully defined).
@Ubermensch18 1974-75 trying to sell a demo to Island but dunno why it failed. I suppose Eno liked them (enough to play with them) but it wasn't enough.
No they weren’t. As influential as the final product of Marquee Moon is, I prefer these demos. Andy Johns was the producer for The Rolling Stones; completely uncool and un-punk. This sounds much more punk-like with a bass-driven sound that’s more raw and lo-fi. This version for me is better. Idk what they were thinking…
@@curly_wyn Rubbish, this sounds more glam-rock/Stones/Velvets/New York Dolls. These demos have their place in history, but 'Marquee Moon' as an album is absolute perfection, and they somehow morphed these songs into something entirely their own and unique.
I love Hell's bass lines at the end of each chorus.
Chills on the skin every times i hear this music! Great Verlaine and great Television!
I think the Marquee Moon album came out perfect to my ears, but I love hearing what Television sounded like when they first hit the scene, complete with Richard Hell and torn clothes. It definitely makes it easier to see how they were considered a "punk" band at that time (albeit while that label was new and still being fully defined).
I think this was when Richard Hell was still in the band.
This should be on CD!
@Ubermensch18 1974-75 trying to sell a demo to Island but dunno why it failed. I suppose Eno liked them (enough to play with them) but it wasn't enough.
This sounds a bit more...experimental than the original. Eno's influence?
In fact this is the demo, after this they recorded what you say is the original. This was recorded yet not produced by Eno.
@@humbertobastida8154 Interesting...
Listening to this you can tell that Hell's chops were not up to scratch
everyone starts somewhere
That's as maybe, but it's part of its attraction to me.
They were right to go with Andy Johns.
No they weren’t. As influential as the final product of Marquee Moon is, I prefer these demos. Andy Johns was the producer for The Rolling Stones; completely uncool and un-punk. This sounds much more punk-like with a bass-driven sound that’s more raw and lo-fi. This version for me is better. Idk what they were thinking…
@@curly_wyn Rubbish, this sounds more glam-rock/Stones/Velvets/New York Dolls. These demos have their place in history, but 'Marquee Moon' as an album is absolute perfection, and they somehow morphed these songs into something entirely their own and unique.
Great bass.
how does a snake get out......................
of his skin
Bryan?
a misspelling on the Italian vinyl from the late 70s
1974!!!
Eno was at the sessions but had No Contributions.
he produced it
the money man$$$
Not true
When did Television work with Brian Eno, through who?
guitar vocals sound good, drums and bass are a mess
Beats me. Not my video.