@2:50 might help us to understand if you put the # for the sharp notes. Since we dont know what notes are in a G mag or E min we wont know there are sharps. You say they both have am F# without showing the F# on the staff
Have to study this for exam, this helps thank U! Ugh I wish face to face is coming back I don't understand our topic. Its much more better when the teacher is infront of us to explain cause this studies we don't care anymore what we think is just like "atleast it has an answer" we don't care if it's correct or wrong anymore...damn...covid really ruined us students
I'm a bit confused. I can hear it sounds different but since the relative keys contain all the same notes what exactly did you DO at and from the key change. Is the changed sound due to the chords (triads) being different (and your melody is based on these) or is it something else?
I believe your tonic(starting note) changes. For example with C major, you’d typically end on a C or C major chord to finish a composition, but with the relative minor you can transition to a Minor which then a minor becomes the tonic for the rest of the piece. I’m still learning it too but I hope this helps. Typically when you’re in a certain key, notes revolve around your tonic. Transitioning to a minor key shifts that to revolve around the relative minor while still using all the same notes. It’s very cool how it works. Hope I helped any.
Thank you for a well explanation on how to get the minor key from its relative major key and vice versa. Love it ❤️
That was a beautiful composition. Thank you for sharing.
Thanks for the lesson. It's straight to the point and easy to understand...
Vraiment bien expliqué et présenté, je m'en vais regarder les autres vidéos. Merci
Your composition was beautiful!
Nice explanation sir!!!!!
Please make a video on minor hormonic, melodic scales... 🙏
Beautiful composition....love it! Touches my soul...
@2:50 might help us to understand if you put the # for the sharp notes. Since we dont know what notes are in a G mag or E min we wont know there are sharps. You say they both have am F# without showing the F# on the staff
wow...great video, and loved the example composition, thanks!
thanks, thanks, thank you, sir
and that contrast makes me smile :)
Beautiful explain, thanks
Fantastic lesson mate.
that piece was beautiful!
Great explanations, thank you
Marvelous. Thank you so much.
Have to study this for exam, this helps thank U! Ugh I wish face to face is coming back I don't understand our topic. Its much more better when the teacher is infront of us to explain cause this studies we don't care anymore what we think is just like "atleast it has an answer" we don't care if it's correct or wrong anymore...damn...covid really ruined us students
wow thank you so much!
thank you
I'm a bit confused. I can hear it sounds different but since the relative keys contain all the same notes what exactly did you DO at and from the key change. Is the changed sound due to the chords (triads) being different (and your melody is based on these) or is it something else?
I believe your tonic(starting note) changes. For example with C major, you’d typically end on a C or C major chord to finish a composition, but with the relative minor you can transition to a Minor which then a minor becomes the tonic for the rest of the piece. I’m still learning it too but I hope this helps. Typically when you’re in a certain key, notes revolve around your tonic. Transitioning to a minor key shifts that to revolve around the relative minor while still using all the same notes. It’s very cool how it works. Hope I helped any.
@@nathanyuelle Thank you 🙏 for a very clear explanation, very clear and makes sense now. Thanks again.
Your song sounds Familiar I heard it once in my car.