And suddenly it all makes sense. Not only is this the best explanation I've ever encountered but you also tell us exactly how to use this. Only someone who 1. has a vast amount of knowledge and experience and 2. can put himself in the position of a beginner is capable of delivering all that is to be known in a nutshell like this. Hats off!
The visuals in this video really help with understanding how the compressor works. Like most of the comments I've watched a ton of compression videos and didn't really grasp the full detail at the end. This finally makes it so much more clear. Thank you! 🏆
i wanted to add a note to the last thing you said about OTT, you said "even when the amount is on 0, it will have an effect. i think it has to do with how the bands are separated" thats actually correct, OTT's bands are not in phase with each other, this causes the crossovers to phase with eachother creating artifacts
Thanks!! This helps a lot! I watched tons of vids and this one clarify almost everything I didn't get in the other vids. Looking forward to watch more satisfying videos
thank you very much for this. it really helped me to get to grips with understanding compression. your videos are very well made, enjoyable and helpful. cheers again 👍🔉🔊🎶
I wish I found/had this channel two years ago when I started producing. Nonetheless, its still super useful right now, and the fact that you edited your videos to show the effects VISUALLY is immensely INSANE. Thank you for your content!
Great video. However lots of ppl get it wrong. The RELEASE is not related to the signal dropping below d treshold, but related to the gain reduction... so most of the time the release is taking plce above the threshold...
Stacking several OTT's in series will cause frequency dispersion due to the crossover points. This goes for every multiband plugin really. You can achieve the same effect with EQ3 as well
@1:35 Does ableton change the wave form in real time when you adjust the attack/release? I'm a very visual learner so having this visual reference would solidify a lot of compression questions for me. Thanks.
No, the waveform is an animation I made for the video. But the compressor has 3 types of display. There's one where you see better how and when it compresses the sound
Amazing video, thank you! I'm just curious about one thing - why set release time to one 1/4 note specifically? How did you know this would sync it to your tempo?
The length of a 1/4 note is 1 beat. That's why that's the first one I calculate, so I have a note on ever beat (this is naturally bound to the tempo, that's why the tempo is in the equation). From there is can divide or multiply the value I find by 2 if I need a shorter or a longer time, that will still be synced to the tempo.
You can make the attack longer to reduce the click, but I usually don't bother a lot with as there would be a kick or a snare playing at the same time, so it would be drown in another transient
Sibilance is the Serpent of high end frequency It isn't arbitrary that we call them symbols then call them cymbals. The serpent represents high end frequency because it hisses like the white noise from old TV sets which is the sound of the leftover radiation after the Big Bang.
And suddenly it all makes sense. Not only is this the best explanation I've ever encountered but you also tell us exactly how to use this. Only someone who 1. has a vast amount of knowledge and experience and 2. can put himself in the position of a beginner is capable of delivering all that is to be known in a nutshell like this. Hats off!
facts! this video is so helpful
this is the best compresssor explenation that ive ever seen on youtube
Thanks :)
The visuals in this video really help with understanding how the compressor works. Like most of the comments I've watched a ton of compression videos and didn't really grasp the full detail at the end. This finally makes it so much more clear. Thank you! 🏆
Hands down this is one of the best videos I've seen on the subject! Great info and great presentation! 👏 Clear, concise and to the point
I agree too
Thank you for your intuitive and gentle explanation
This video would have made my 1-2 months or studying compression much easier. Amazing
i wanted to add a note to the last thing you said about OTT, you said "even when the amount is on 0, it will have an effect. i think it has to do with how the bands are separated" thats actually correct, OTT's bands are not in phase with each other, this causes the crossovers to phase with eachother creating artifacts
Thanks for the clarification!
Just wanted to say thank you for these sound design videos. So much info packed into a quick explaination with examples. Very well done - bravo!!!
Thanks! :)
Best compression video so far.
Your content is valuable! Greetins from Brazil! Thank you!!
I'm truly impressed! Your teaching skills are on a high end level! Amazing video! Congrats!
this channel is going to be big
Great video man it’s like a cheat sheet for compression.
And I love cheat sheet! :P
Best youtuber ever..thanks man
Hope you can complete the sound design series as soon as possible. It’s most helpful videos I found on RUclips
I watched a lot of videos on compression but could never understand it apart from just the definition but this video is so good....god bless you
Very generous of you to make these videos. They are both entertaining and educational.
my compliments on this sound design theory serie videos, it's great. I learned a lot of this so fast, that I've been struggling with for a while.
Thanks!! This helps a lot! I watched tons of vids and this one clarify almost everything I didn't get in the other vids. Looking forward to watch more satisfying videos
Great series! I learned a lot and will come back to these videos in the future. Thank you!
thank you very much for this. it really helped me to get to grips with understanding compression. your videos are very well made, enjoyable and helpful. cheers again 👍🔉🔊🎶
Thanks! I'm glad that helped
thank you for the course. it's so useful!
I wish I found/had this channel two years ago when I started producing. Nonetheless, its still super useful right now, and the fact that you edited your videos to show the effects VISUALLY is immensely INSANE. Thank you for your content!
Thanks ! I'm glad it was useful :)
Glad you are back with vids! Super useful, thank you!
thank you, this was veeery useful, and u explained everything so clearly
thank you for making these
Good job on this subject, this video will have lots of plays I hope
This channel is pure gold! Continue the great job! Bravo!
Badly wating for next video please upload asap.
Great video. However lots of ppl get it wrong. The RELEASE is not related to the signal dropping below d treshold, but related to the gain reduction... so most of the time the release is taking plce above the threshold...
Can you please explain this further. Wouldn't the signal need to go below the threshold for the ratio to become lower than the set value.
Stacking several OTT's in series will cause frequency dispersion due to the crossover points. This goes for every multiband plugin really. You can achieve the same effect with EQ3 as well
Really nice Explanation
thanks for this clear information!
Only 13.9k people know about best music channel.👌👌👌
Which softwares are you using to make these video man.Great presentation and videos..
Thank you so much it's very clear!
Happy you like it :)
Fantastic video!
thanks a lot for this video
More 5 min music theory PLS🙏 [11th chords]
thank you! 👏
This is the best video I ever seen you have a new subscriber 🎉
Thanks a lot!
Thanks! Great video and love the tips!
I am going to try out that sidechain trick now 💪🏻
thank you a lot
how did you create the live waveform preview infographic? this is fantastic
The one at the start ? It's a screenshot of the waveform that I animated in première with several instances of the screenshot and masks ^^"
Good work bro!
6:00 wait, just setting the Dry/Wet knob to 50% has the same effect, doesn't it?
@1:35
Does ableton change the wave form in real time when you adjust the attack/release?
I'm a very visual learner so having this visual reference would solidify a lot of compression questions for me.
Thanks.
No, the waveform is an animation I made for the video. But the compressor has 3 types of display. There's one where you see better how and when it compresses the sound
Amazing video, thank you! I'm just curious about one thing - why set release time to one 1/4 note specifically? How did you know this would sync it to your tempo?
The length of a 1/4 note is 1 beat. That's why that's the first one I calculate, so I have a note on ever beat (this is naturally bound to the tempo, that's why the tempo is in the equation). From there is can divide or multiply the value I find by 2 if I need a shorter or a longer time, that will still be synced to the tempo.
@@Woochia Ah ok I get it now. Thanks for explaining :D
Thanks for the examples! Do you have a video about EQ aswell?
@@Woochia will do, keep up the good stuff 🙃
good job :)
How to avoid that click made by sidechain? In older versions (8 i think)of ableton there was an option to eliminate that click
You can make the attack longer to reduce the click, but I usually don't bother a lot with as there would be a kick or a snare playing at the same time, so it would be drown in another transient
Using the 'mix' knob on a compressor like Ableton's will achieve the same effect as parallel compression, right?
From what I understand, yes. The advantage to put the compressor in a parallel chain would be if we put other effects in that chain.
@@Woochia Thanks & thank you for your videos! They are great :) Keep them coming and wishing you a good 2023
🎉
How did you make these sounds that start at 9:46?
That's a recording of a little Jew harp / mouth harp I had
@@Woochia got it, thanks!
Sibilance is the Serpent of high end frequency It isn't arbitrary that we call them symbols then call them cymbals. The serpent represents high end frequency because it hisses like the white noise from old TV sets which is the sound of the leftover radiation after the Big Bang.
❤❤❤❤❤❤
10:26 Virtual RiOTT be like
Not gonna lie, kinda lost it at the sidechain math. but then again i use logic and fl
ableton looks very complicated
420