VENETIAN CARNAVAL pas de deux - Obraztsova & Lopatin / Венецианский карнавал из балета «Сатанилла»
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- Опубликовано: 4 сен 2017
- DanceOpen | / danceopen | dance_open
Венецианский карнавал из балета «Сатанилла»
Исполняют Евгения Образцова, Вячеслав Лопатин (Большой театр) и артисты театра балета им. Л. Якобсона
Хореография: Мариус Петипа
Музыка: Цезарь Пуни
Гала-концерт международного фестиваля балета Dance Open 2017
VENETIAN CARNAVAL pas de deux from the ballet "Satanilla"
Performed by Evgenia Obraztsova, Viacheslav Lopatin (Bolshoi theater) and Yakobson Ballet Theater
Music by Cesare Pugni
Choreography by Marius Petipa
Gala of International Ballet Festival Dance Open 2017
www.danceopen.com/
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Видеоклипы
Тот самый случай, когда я безмерно горжусь нашим русским балетом - we are the best!)
No concibo a otra bailarina q Eugenia en este ppd. Tecnica perfecta, gracia y una interpretación q ninguna otra q he visto puede igualar. Es un verdadero placer ver este pdd cada vez q puedo. Bravo Eugenia, en este caso la acompaño el talentosisimo Lopatin pero es ella la q lo hace incomparable!!!
Конечно здорово ,очень красиво Наши лучшие в мире!
Восхитительно, отточенная техника, обаяние и харизма ,браво!
Oh how I love Evgenia
BELLEZA!!!
who on earth can dislike this? wtf is wrong with people? I have watched many interpretations and attempts from professionals and pre pro, no one does it better than Russians and beautiful Evgenia!
Very well dancedd with nothing new. Just well done and boring.
@@dimitriganzelevitch9296 boring ? “ nothing new “? What are you looking for a comedy ?
There are 2 major problems with this performance -
1. the tacky 8-member corps de ballet is a total distraction from the principal dancers, and to make matters worse, the choreography for the corps is awful....for instance, why are the men pretending to play their prop mandolins to a violin solo?
2. the tempo in this performance is a perfect example of the Russian's very bad habit of performing to musically incorrect, abysmally slow tempo, a habit that unfortunately has spread to the rest of the world. Interestingly, Petipa's choreography for the famous variation for the ballerina @ 5:54 has survived virtually unchanged ever since he created this pas de deux for the Italian ballerina Amalia Ferraris in 1857. Although modern-day ballerinas perform this variation with the choreography intact, they nevertheless significantly slow the music down by over a fourth. I encourage everyone to watch the adagio and female variation with the video speed taken up to 1.25x to see the choreography and hear the music as they are supposed to be performed. The entrée, male variation and coda are also supposed to be performed at a quicker pace, but 1.25x speed is a little to fast!
@@mrlopez-pz7puПочитала все ваши другие отзывы. Для вас в русском балете плохо всё. Идите вы мимо к своим любимым западным танцовщикам, больше похожим на гимнастов, зато быстрых. О женщинах вообще не пишу, чтобы не обижать, там женщинами и не пахнет. Но нет, вы сюда лезете, видимо негде больше яд выпускать.
Soooooo Beautiful!!!!! Thanks a lot!!!
Балерина просто прелесть!
Bellísimo
Deliziosa, as usual. A great Professional and Artist...🌟🌟🌟🌟🌟
Beautiful dancers, costumes and music. The partnering was very fluid and technically strong. C❤❤
I think I've heard this music before, don't recognize the choreography or remember it.
These dancers are great. Really brilliant and fun.
素晴らしい❗素敵すぎる🎵
Bravoooooo, Bravoooooooooo
Ottimo controllo corale delle positure figurali e leggerezza sbarazzina d'una ballerina che induce ed interpreta mirabilmente l'atmosfera della festa coadiuvata dal partner. MOLTO BRAVI TUTTI.BIGHIN GIULIO RENZO
Amazing ! Thank you so much for posting !
Beautiful!
Прекрасное.исполнение.соло.скрипки.особенно.
Какие ,всё - таки, парни красавцы...!
Gracias!hermoso!!!
Perfeito!lindo!,,
Bellísimo. Gracias por compartir
Bravo !!!
Magnifici !!
Thank you!
04:41 Man's variation
Bravo bravo bravo bravo bravo
¡¡Lindo !!!
すごいかわいい💖💖💖💖💖
Bellisimo
This might as well say, would you like the file or the colt? I love it.
Балерина красивая женщина.
Will you post Grand Pas Classique with Tereshkina and Askerov? Please??
Ochen horosho buonisimo
Техника бесподобна у обоих! Вячеслав на Высоте! Но большой вопрос к форме Евгении ..
Скорее всего, она вскоре после родов. У неё двойня. Потом всё стало хорошо.
0:05
QIEJ
De acordo com a "Dance Magazine", Obraztsova é uma das bailarinas preferidas do presidente Putin!!!! =)
Костюмы хороши. Эффектные моменты складывают недостатки и слабые места хореографии.
Вялая публика,боятся аплодировать
I think that Obraztsova has a problem with the sync with the music. Her movements, especially in her variation (the turns during the flute melody, 6:53) and the coda (the entree, 8:57), overtake the music with one or even more beats. I have seen many interpretations of this pas and the problem is present only in the interpretations of Evgenia. I have found three of her recordings in RUclips and all of them have the same problem. Even at first I thought that the audio and video were not well synchronized, but Lopatin's movements are completely in sync with the music beats. I ask those who understand more to comment. For comparison, please watch this: ruclips.net/video/ryTWgWDHs9o/видео.html (6:54 and 9:04).
Watched it. Evgenia appeared steadier on pointe. There looked like a couple of dicey lifts by Lopatin. The tempo of music of the other seemed slightly slower. Of course, I am neither a dancer nor an expert on dance. 😉
Whose idea was it to add that tacky, distracting corps de ballet? 🤮 Also, the tempo is entirely to slow, particularly for the adage and female variation. I encourage everyone to watch the adage and female variation @ 1.25x speed to hear the music and see the choreography as its proper speed.
Парный прыжок несинхронное и не параллельное движение
Юноши в парах статичны, не понимают что такое артистизм. Так и пробудут в кордебалете. И прически у юношей, да и у солиста тоже!!! Какая это эпоха? Прямо самоделка.
Танцовщик непропорционально сложен.