Incredible. If I didn't watch the video from the beginning, I honestly would have thought you were in fact playing outside in the last bit. Can't wait to try this for myself.
Wow, great video and explanation man. I like how you staged your explanations over the course of the video so you give the listener time to understand and digest the points you made before going on to the next one. I am definitely going to check out your courses online! Everyone else should too!
good stuff, a fun exercise too! My "typical" method that I use to "go out" is playing atypical arpeggiated 7th chords built on stuff a major second or third away (usually thinking in dominant or major 7ths). Stuff like an Emaj7th, Ab7, or Dmaj7 on a C7 chord; a bit cumbersome though, so I'll definitely be thinking of your method down the line too, thanks :)
Much appreciated! I’ve done a bunch of videos on actually going outside of the chords and creating harmonic tension, but I wanted to do one using no outside notes at all. You can then combine this with harmonic devices to create REALLY out stuff!
Great video and great playing! Would be very interesting to hear you applyy the "three steps approach" to a "tonal" jazz standard with a more dense harmonic structure. Thanks! Riichard
Good for you to play something besides a Selmer. Looks like a 10M or possibl.y Buescher.Sounds great and nickle keys stay better in adjustment than plain brass.
@@DavePollack Same here with the Mk 6 soprano - but it's got 'that' sound that I can't get anywhere else! Damn hard work pitch wise though, unless you only or mainly play that horn.
This is a great video! Thanks. Things I do when I want an “out sound” is to add things like long bends, overtones, and trills. Easy to resolve while still adding tension.
Well… this sounds cool and modern, but definitely not out ! That’s why you don’t need more than the C maj scale… Anyway, it’s very interesting, and playing ! thanks
hi dave i have a question that's kind of unrelated to the video but anyway: i'm just starting out on the saxophone but at the moment, i'm spending most of my week in an apartment, where the saxophone is too loud to be played. Do you have any suggestions about this issue? I can actually play the instrument only 3 days a week and spend the other 4 just practicing fingerings without the neck on.
It's worth finding a place you can play - even if there's a small commute involved. Actually, a small commute can help you focus too, so it's really worth figuring out what your options are outside of just your apartment.
Soy sauce was kinda obvious from the reaction. Other than that, 5 sounded slightly stuffy. Bad reed or olive oil? Who knows. Great playing, great summary. Coffee flavoured reeds you say?
What notes? I just improvised using the 2 major scales. I don’t want people to play a transcription of what I played - I want them to use these musical elements (applied to the major scales) to create their own sounds.
Learn to improvise beautiful melodic lines over any chord changes with this FREE masterclass:
►www.davepollack.com/masterclass
You fully deserve the success you're achieving with your playing and teaching. Go Dave.
I really appreciate those kind words 🙏
You are not Only a Great Jazz Musician , You are also a Good Teacher Dave. Thanks a lot.🙏🙋
If only my old time saxophone instructor back in 1955 taught me this technique. It is with me now. Keep up the terrific work passing it on.
Incredible. If I didn't watch the video from the beginning, I honestly would have thought you were in fact playing outside in the last bit. Can't wait to try this for myself.
This tutorial was absolutely amazing. Using intervals larger than a 3rd was the biggest help for me! Thanks for all you do! 💯🎵🎷
Love the low notes you get on that tenor. Reminds me of Brecker.
Much appreciated 🙏
Like the solo in Steely Dan's AJA.
why didn't i see this years ago???
brilliantly simple solution to a complex technique
many thanks
Wow, thanks so much! 🙏
I'm a guitar player, and transcribing your lines was really useful. Thanks!
That's great to hear!
greatest ytb sax improv teaching ive ever seen. Love your content a lot
Wow - thank you SO much!
Excelente Dave!!! Muchas gracias!!!!
Another excellent explanation & presentation once again. Always appreciated Dave cheers 🍻
Thank you so much!
Very nice, Dave!
Nice advice! Not only for sax-players!
Oh absolutely! All of the educational videos I post are for all instruments, not just saxophone.
Pollack paints Pollock musical phrases... Far out fun! with "Just the two of us": C major and Db Major
Love it!
You dog you! The C Major scale! Absolutely ingenious approach. Great stuff!
Much appreciated!
Cant stop looking at that neck dent and thinking about Your how to play smooth jazz video...
WOW - that really sounds great! I will try this concept right away :))))
Awesome! Glad to hear that
Hey Dave, I works!! A very simple way to up my game. Thanks, good video.
So glad to hear that!
Wow, great video and explanation man. I like how you staged your explanations over the course of the video so you give the listener time to understand and digest the points you made before going on to the next one. I am definitely going to check out your courses online! Everyone else should too!
Next you should do a video on Ryan Devlin's Out Approach - "How to play every not that is not in the scale" hahaha
Thank you so much for the kind words!!
good stuff, a fun exercise too! My "typical" method that I use to "go out" is playing atypical arpeggiated 7th chords built on stuff a major second or third away (usually thinking in dominant or major 7ths). Stuff like an Emaj7th, Ab7, or Dmaj7 on a C7 chord; a bit cumbersome though, so I'll definitely be thinking of your method down the line too, thanks :)
Much appreciated! I’ve done a bunch of videos on actually going outside of the chords and creating harmonic tension, but I wanted to do one using no outside notes at all. You can then combine this with harmonic devices to create REALLY out stuff!
Loved this. So simple and so effective! ❤️
Thanks!
@@DavePollack I used your suggestions in a rehearsal tonight and it was great. Thanks so much ☺
Thanks so much for sharing your insights in all those lessons Dave! It is all very interesting and helpful!
Wow / that was brilliant! Something has just clicked for me!
I'm so glad to hear that!!
Great video and great playing! Would be very interesting to hear you applyy the "three steps approach" to a "tonal" jazz standard with a more dense harmonic structure. Thanks! Riichard
Great video Dave!
Thanks so much!
Thank you very much!
You're very welcome!
i've missed these
They're back!!
yes!!! That is such great info. Going to the shed right now!!
Wooo love it!!
REALLY enjoyed this, thank you! Funny how thinking a little bit differently opens doors. You sound great on tenor! Are any stickers involved?? 😆
Thanks! No stickers on the tenor - it’s actually not mine. I’ve been borrowing it from a friend for YEARS now!
Great stuff
Thanks!
Good for you to play something besides a Selmer. Looks like a 10M or possibl.y Buescher.Sounds great and nickle keys stay better in adjustment than plain brass.
It’s a 10m - I absolutely hate the ergonomics and feel like my technique gets cut in half on it, hah
@@DavePollack Same here with the Mk 6 soprano - but it's got 'that' sound that I can't get anywhere else!
Damn hard work pitch wise though, unless you only or mainly play that horn.
Nice Dave!
Thanks!
Man it feels wrong i dont need to pay for this! Thank you dave i love your playing and content!
This is a great video! Thanks. Things I do when I want an “out sound” is to add things like long bends, overtones, and trills. Easy to resolve while still adding tension.
Much appreciated!
Super nice!
Thanks!
Massiv !!! Thanks a lot !!! 😀
You’re very welcome!
Is this the same when the venue owner says, ‘Get Out’! 😂😂😂
😂
Awesome video. Subbed +1
Thanks so much!
Good! Is that a King tenor? And what mouthpiece. Interesting sound!
It’s a Conn 10m, with a 10mfan “Classic” mouthpiece (size 7** with a Boston Sax Shop 3 reed)
How is impressions not exactly the same as "So What" Did Coltrane borrow this from Miles or the other way around?
Awesome
Well… this sounds cool and modern, but definitely not out ! That’s why you don’t need more than the C maj scale… Anyway, it’s very interesting, and playing ! thanks
hi dave i have a question that's kind of unrelated to the video but anyway: i'm just starting out on the saxophone but at the moment, i'm spending most of my week in an apartment, where the saxophone is too loud to be played. Do you have any suggestions about this issue? I can actually play the instrument only 3 days a week and spend the other 4 just practicing fingerings without the neck on.
It's worth finding a place you can play - even if there's a small commute involved. Actually, a small commute can help you focus too, so it's really worth figuring out what your options are outside of just your apartment.
Soy sauce was kinda obvious from the reaction. Other than that, 5 sounded slightly stuffy. Bad reed or olive oil? Who knows.
Great playing, great summary.
Coffee flavoured reeds you say?
This is a great lesson, but would have luvvved if it had the notes visible. Still great stuff.
What notes? I just improvised using the 2 major scales. I don’t want people to play a transcription of what I played - I want them to use these musical elements (applied to the major scales) to create their own sounds.
there is a coltrane flavor into that plying
It doesn’t sound out at all, because it’s not.
Hate to be that guy, but you're "out" of tune.😁
Dave - how will I ever remember the chords w/o sheet music to apply II V I simplicity and progressions for a solo.