My Limited Palette 2024 - AC Replacement

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  • Опубликовано: 16 дек 2024

Комментарии • 26

  • @christinejoyce3113
    @christinejoyce3113 6 месяцев назад +6

    Rembrandt Permanent Madder Deep is a very good replacement for alizarin crimson, it's a single pigment too.

    • @marcjasi
      @marcjasi  6 месяцев назад

      Yes! This one was on my list too, I went for PR177, but yesterday reached its limitations when trying to paint a vivid rose. I had to pull out PV19. So I am again on the look for a replacement, might try your suggestion! Thank you 🙏🏻

    • @pjjmsn
      @pjjmsn 5 месяцев назад

      @@marcjasi I have tried both, PR177 and PR264. I like the original Alizern Crimson so much more. It has a magical quality that can not be replaced in my opinion. Every time I use it I am happy, and when I use the others, usually I am not happy as much with the result. Also I recently saw that PR177 is fugative in watercolor which suprised me.

    • @pjjmsn
      @pjjmsn 5 месяцев назад

      @@marcjasi Since you like a dark mast tone, then you will probably like PR264 because it has a very dark mast tone. Probably very similar to AC (PR83) but it seems darker in mixes. PR83 has a more firery quality. PR264 is heavier in my experience.

    • @marcjasi
      @marcjasi  5 месяцев назад

      @@pjjmsn Yeah sadly I am starting to have similar thoughts, Alizarin Crimson might still remain unmatched for a while. I will keep running a few test for my own knowledge and will share my results. Thank you for your feedback!

    • @marcjasi
      @marcjasi  5 месяцев назад

      @@pjjmsn alright I see, thank you 🙏🏻 I am looking forward to try it!

  • @lophoflora
    @lophoflora Месяц назад +1

    In my limited palette of 8 colors I prefer to have ultramarine and cobalt turquoise. With these I can mix cobalt blue and cerulean, and I can do without a green since I can use turquoise to mix saturated greens. My colors are: titanium white, cadmium lemon, yellow ocher, cadmium red light, magenta, ultramarine, cobalt turquoise, burnt umber.

    • @marcjasi
      @marcjasi  Месяц назад

      @@lophoflora this seems a great limited palette indeed! Thank you for sharing. Yeah I used cobalt teal for a while, which is probably close to the one you mentioned. It was great! 🙏🏻

    • @lophoflora
      @lophoflora Месяц назад

      ​@@marcjasi Yes its the same of cobalt teal. 😅
      Cobalt teal and magenta make wonderful violets too.

    • @marcjasi
      @marcjasi  Месяц назад

      @@lophoflora yeah it’s definitely a great limited palette ❤️

  • @Lalupin464
    @Lalupin464 8 месяцев назад +2

    I use PR177. If you mix it with a little viridian you can get very close to true alizarin.

    • @marcjasi
      @marcjasi  8 месяцев назад +1

      Thank you for your feedback and tip! That’s great to know! I am looking forward to use it. Will probably mention how I feel about it in future videos! PR177 definitely seems like the best match from what I have seen so far

  • @BryanJRiolo-q5h
    @BryanJRiolo-q5h 23 дня назад

    You can also try PR 264 and PR 187. They are both decent substitutes for alizarin crimson. For a greenish blue, try PB 15.3. or if you want a really greenish blue try PB 16. If you want opaque versions then you've already got them from what I see on your pallette.
    As others here in the comments have pointed out, PR 177 is also an excellent substitution for alizarine crimson. There is also a shade of PV19 that looks like an alizarine crimson. Winsor and Newton offer it in their oil paints.

    • @marcjasi
      @marcjasi  23 дня назад +1

      @@BryanJRiolo-q5h thank you 🙏🏻 yeah I am finishing a tube of PR264, which I liked a lot, also liked PR177 that I used just before. It’s good to see that there are great replacements for Alizarin Crimson. For the blue leaning towards green, I just tested Cerulean Blue PB35. Very weak tinting but interesting color for sure. PB16 is too staining for my taste, so I stop using it. Might go back to it one day but so far I have preferred PB35 or PB28 and a touch of Viridian.

    • @BryanJRiolo-q5h
      @BryanJRiolo-q5h 23 дня назад

      @marcjasi You might also want to try cobalt chromite blue. I think it is pigment blue 36. I have used it in watercolor, in which I find it useful. In oils that is sold in Rublev oils of Natural Pigments. There might be other companies that sell it. I'll be glad to look further for it if you want. You probably know about Rublev already, but if you don't I can vouch highly for their integrity and their art supplies. I recommend them very highly.
      You and I have different ideas on the colors we like to paint with. As far as I can see the stronger more finely ground organic pigments for the most part yellow far less in oils than the more crystalline weaker colors like the cobalts. Over the years in various artist quality paints I have probably bought and used and experimented with several hundred different colors, including colors and paints no longer available as far as I can see.
      If you are interested in some of the older pigments that artists before the first half of the 20th century used, Natural Pigments and Kremer Pigments will have you covered, although except for watercolors, the latter company sells mostly the raw pigments. I have dealt with them a few times and they are fine to work with...and they have a huge selection.
      Guerra pigments also has a huge selection, but they deal mostly with liquid solutions of pigments that can be mixed with both acrylics and oils.
      They sell a lot of mostly extinct and a heck of a lot of commonly available colors. As far as I can see they have a lot of pigments with lightfast and permanence ratings that you're going to have a very hard time finding anywhere else.

    • @marcjasi
      @marcjasi  23 дня назад +1

      @@BryanJRiolo-q5h thank you for sharing your knowledge with us 🙏🏻 yeah I know PB36, haven’t tried it yet. So far I have tried to keep my palette fairly limited in order to learn correctly. I’ll be happy to experiment with new colors for my studio palette in the future. Natural pigments does a great job at sharing knowledge about colors and pigment, haven’t got the chance to try their colors yet, but I only heard great things about it.

  • @ryanembry9875
    @ryanembry9875 5 месяцев назад +1

    Rembrandt permanent madder deep is an almost perfect match for true alizarin crimson

    • @marcjasi
      @marcjasi  5 месяцев назад

      @@ryanembry9875 thank you for your recommendation, this one is definitely the next one on my testing list 🙏🏻

    • @carlosdommar
      @carlosdommar 5 месяцев назад

      This is exactly what I use. PR264 from Rembrandt!

  • @jc-aguilar
    @jc-aguilar 3 месяца назад

    I just found your channel, I really enjoy your videos. It’s so frustrating how each color is so different between brands, even between the same brand. I just watched a video from the channel “Drezrale” who is a pigment expert. He doesn’t use Ultramarine Blue because it’s so inconsistent even from the same brand. I think the Quinacridone Rose from Daniel Smith could give you better results, Daniel Smith has perfected working with the Quinacridones IMHO. Geneva oils replaced alizarin crimson with Pyrrole Rubine PR264 which has a darker mastone, Drezrale also uses this pigment.

    • @marcjasi
      @marcjasi  3 месяца назад +1

      @@jc-aguilar thank you 🙏🏻 yeah differences of same pigment between different brands can be frustrating, but you get quick use to, and stick with the brands you like. I never experienced differences within the same brand though. I never had any issues with ultramarine blue, please check my videos about this color.

  • @LittleMew133
    @LittleMew133 6 месяцев назад

    Is the cad yellow light a warm yellow? Since you have the cad lemon which is cool yellow.

    • @marcjasi
      @marcjasi  6 месяцев назад +1

      Yes! I use Cad Yellow Light as my warm yellow