It's demeaning that almost no one cares to identify the accompanying artistes although they are as important to the concert as the main performer. The violinist is the immensely talented HN Bhaskar. The mridangist is VV Ramanamurthy (Vankayala Ramana Murthy), a former child prodigy. On the ghatam is Giridhar Udupa, one of the most versatile young accompanists around.
I agree. That is because of the so-called draw is toward the "main artiste". The spirit of offering often gives way to drama, decorations, and display. That is why the rendition of the majestic varAli is given a light treatment.
mAmava mInAkshi - rAgaM varALi - tALaM miSra cApu pallavi mAmava mInAkshi rAja mAtangi mANikya vallakI pANi madhura vANi varALi vENi samashTi caraNam sOma sundarESvara sukha sphUrti rUpiNi SyAmE Sankari digvijaya pratApini hEma ratnAbharaNa dhAriNi ISa guru guha hRdAgAriNi (madhyama kAla sAhityam) kAmitArtha vitaraNa dhOriNi kAruNyAmRta pari-pUraNi kAma krOdhAdi nivAriNi kadamba kAnana vihAriNi variations - ratnAbharaNa dhAriNi - ratnAbharaNa bhUshaNi dhOriNi - dhOraNi kshEtra - madurai pallavi mAM-ava mInAkshi rAja mAtangi mANikya vallakI pANi madhura vANi vara-aLi vENi samashTi caraNam sOma sundara-ISvara sukha sphUrti rUpiNi SyAmE Sankari dig-vijaya pratApini hEma ratna-AbharaNa dhAriNi ISa guru guha hRd-AgAriNi kAmita-artha vitaraNa dhOriNi kAruNya-amRta pari-pUraNi kAma krOdha-Adi nivAriNi kadamba kAnana vihAriNi Meaning pallavi mAM-ava - Protect me! mInAkshi - O Goddess Meenakshi, the fish-eyed one! rAja mAtangi - O regal daughter of Sage Matanga! mANikya vallakI pANi - O one holding a ruby-studded Veena in your hands! madhura vANi - O one whose voice and speech are sweet! vara-aLi vENi - O one whose braid is (dark and glossy) like a superior bumble-bee! samashTi caraNam sOma sundara-ISvara sukha sphUrti rUpiNi - O one whose form is a wellspring of joy to Shiva (Somasundareshvara), SyAmE - O dark one! Sankari - O wife of Shiva (Shankara)! dig-vijaya pratApini - O heroic one who conquered (countries in) all the directions! hEma ratna-AbharaNa dhAriNi - O one wearing bejeweled golden ornaments! ISa guru guha hRd-AgAriNi - O one whose residence is the hearts of Shiva and Guruguha! kAmita-artha vitaraNa dhOriNi - O uninterrupted stream of bestowal of desired objects! kAruNya-amRta pari-pUraNi - O one filled with the nectar of compassion! kAma krOdha-Adi nivAriNi - O one who removes desire, anger and other such (evil tendencies), kadamba kAnana vihAriNi - O one who sports in the Kadamba forest!
In olden days Gurus will not teach thisVarali ragam to any disciple due to some superstitions that by doing so the Guru-sishya relationship will be strained and thus it can be learned only by listening cutcheries.Probably it may be due to its asymmetric nature by the vakra prayoga in ascending scale,which is considered as not good teaching! It is a vakra-sampurna-sampurna ragam (sampurna meaning containing all 7 notes. Since the madhyamam used is slightly higher than the prati madhyamam, and is also called as chyuta panchama madhyamam/ Varali madhyamam ! Many compositions in praise of Lord Ganesha are set to this raga. Bombay Jayasri presented rendition skills with powerful base voice entailing good range but at the same time sings with controlled tone...Thats the professionalism!.Having sung so eloquently with the needed phrased singing in Charanam she should have earmarked for a detailed improvisation @ the concluding line- 'karunyaamrtha paripurani kama krodhadi nivarini kadamba Gaana viharini' ..say The phrased words can be set within their original place in the tala cycle with letter higher level of pace to challenge pakkavadyams!!! . '
This is a majestic rAga with an incredible feeling. Unfortunately, this rendition falls flat in many ways. Listen to this Smt. MLV's rendition (ruclips.net/video/NOwdb83_Z_g/видео.html) or this rendition by Sri Semmangudi Srinivasa Iyer (ruclips.net/video/1ByITxFUHso/видео.html). The hallmark of a rendition of varAli is the continuity in expression of the motifs that feels like one continuous thread. To me, this rendition feels chopped up in awkward places. I am a fan of Smt. Jayashri (I have experienced tears flowing down my face listening to many of her songs, one in particular is the "kanden kanden kanden sitayai kanden raaghava" in vasantA). I am saying this so that the groupies don't jump on this comment. She is an outstanding vocalist, richly deserving of all awards and whatnot. My comment is strictly limited to this rendition of this krithi.
@@gauthamkrishnan5922 You are absolutely right....I am confusing two different versions of the same song. Smt. Jayashri sings it in Bageshri but a whole bunch of others sing in Vasantha....Here is by Shri Neyveli, ruclips.net/video/Dbjme_3693Q/видео.html...and here is one by Smt. Sowmya....ruclips.net/video/ejNgcQdrl1s/видео.html....clearly my mind is playing tricks. What I remember is how I felt about Smt. Jayashri's presentation...In any case, thank you for helping me recognize the conflation
മാഡം കേട്ടപ്പോൾ വേണ്ട സപ്പോർട്ട് തങ്ങളുടെ ഭാഗത്തുനിന്നും പക്ക കാർക്ക് നൽകുന്നില്ലെന്നു ഒരു തോന്നൽ പക്കം ഇഷ്ട്ടപെട്ടില്ലേൽ പാടാതിരിക്കുക പിന്നെ അത് റെക്കോട് ചെയിതു പോസ്റ്റ് ചെയ്യുകകുടെ ചെയ്താൽ 😮😮😮😮
I cannot believe such a quality composer is compared with the other two. There is only one Moorthy that is Dixithar and no one else. Shyama and Thiagaraja are in the distant second.
It's demeaning that almost no one cares to identify the accompanying artistes although they are as important to the concert as the main performer.
The violinist is the immensely talented HN Bhaskar.
The mridangist is VV Ramanamurthy (Vankayala Ramana Murthy), a former child prodigy.
On the ghatam is Giridhar Udupa, one of the most versatile young accompanists around.
Completely agree with u
I agree. That is because of the so-called draw is toward the "main artiste". The spirit of offering often gives way to drama, decorations, and display. That is why the rendition of the majestic varAli is given a light treatment.
Yes.They are also equally important for the concert.good rendition by them.Thanks
excellent accompaniments violin, mrudangam, ghatam.. un fortunately their nes are never mentioned in RUclips links.. singer takes center stage..
You said it.
Violin: HN Bhaskar
Mridangam: VV Ramanamurthy
Ghatam: Giridhar Udupa
On Tambura are Ms Keerthana Vaidyanathan (Chennai) and Ms Chithra Poornima (Singapore), her desciples and performing artistes now
Soulful rendition mam.what a mesmerizing voice mam ! Thanks.
mAmava mInAkshi - rAgaM varALi - tALaM miSra cApu
pallavi
mAmava mInAkshi rAja mAtangi
mANikya vallakI pANi madhura vANi varALi vENi
samashTi caraNam
sOma sundarESvara sukha sphUrti rUpiNi
SyAmE Sankari digvijaya pratApini
hEma ratnAbharaNa dhAriNi
ISa guru guha hRdAgAriNi
(madhyama kAla sAhityam)
kAmitArtha vitaraNa dhOriNi
kAruNyAmRta pari-pUraNi
kAma krOdhAdi nivAriNi
kadamba kAnana vihAriNi
variations -
ratnAbharaNa dhAriNi - ratnAbharaNa bhUshaNi
dhOriNi - dhOraNi
kshEtra - madurai
pallavi
mAM-ava mInAkshi rAja mAtangi
mANikya vallakI pANi madhura vANi vara-aLi vENi
samashTi caraNam
sOma sundara-ISvara sukha sphUrti rUpiNi
SyAmE Sankari dig-vijaya pratApini
hEma ratna-AbharaNa dhAriNi
ISa guru guha hRd-AgAriNi
kAmita-artha vitaraNa dhOriNi
kAruNya-amRta pari-pUraNi
kAma krOdha-Adi nivAriNi
kadamba kAnana vihAriNi
Meaning
pallavi
mAM-ava - Protect me!
mInAkshi - O Goddess Meenakshi, the fish-eyed one!
rAja mAtangi - O regal daughter of Sage Matanga!
mANikya vallakI pANi - O one holding a ruby-studded Veena in your hands!
madhura vANi - O one whose voice and speech are sweet!
vara-aLi vENi - O one whose braid is (dark and glossy) like a superior bumble-bee!
samashTi caraNam
sOma sundara-ISvara sukha sphUrti rUpiNi - O one whose form is a wellspring of joy to Shiva (Somasundareshvara),
SyAmE - O dark one!
Sankari - O wife of Shiva (Shankara)!
dig-vijaya pratApini - O heroic one who conquered (countries in) all the directions!
hEma ratna-AbharaNa dhAriNi - O one wearing bejeweled golden ornaments!
ISa guru guha hRd-AgAriNi - O one whose residence is the hearts of Shiva and Guruguha!
kAmita-artha vitaraNa dhOriNi - O uninterrupted stream of bestowal of desired objects!
kAruNya-amRta pari-pUraNi - O one filled with the nectar of compassion!
kAma krOdha-Adi nivAriNi - O one who removes desire, anger and other such (evil tendencies),
kadamba kAnana vihAriNi - O one who sports in the Kadamba forest!
What a melodious n soothing voice,May God bless her with healthy long life.
once again excellent performance madame. Accompanying artists have performed well. Ohm namo Venkateshaya.
Excellent performance with best & high quality accompliments.
Smt.Jayashri...nadamruta dayini... 🙏❤️
B K mam it was wonderful tq pm
WELL RENDERED VARALIIN ITS OWN BEAUTY
awsome perfomance as usual
Soulful rendition madam🙏🏼🙏🏼
In olden days Gurus will not teach thisVarali ragam to any disciple due to some superstitions that by doing so the Guru-sishya relationship will be strained and thus it can be learned only by listening cutcheries.Probably it may be due to its asymmetric nature by the vakra prayoga in ascending scale,which is considered as not good teaching! It is a vakra-sampurna-sampurna ragam (sampurna meaning containing all 7 notes. Since the madhyamam used is slightly higher than the prati madhyamam, and is also called as chyuta panchama madhyamam/ Varali madhyamam ! Many compositions in praise of Lord Ganesha are set to this raga.
Bombay Jayasri presented rendition skills with powerful base voice entailing good range but at the same time sings with controlled tone...Thats the professionalism!.Having sung so eloquently with the needed phrased singing in Charanam she should have earmarked for a detailed improvisation @ the concluding line- 'karunyaamrtha paripurani kama krodhadi nivarini kadamba Gaana viharini' ..say The phrased words can be set within their original place in the tala cycle with letter higher level of pace to challenge pakkavadyams!!! . '
Excellent mam
Very nice varali ragam
VERY NICE TO HEAR.
This is a majestic rAga with an incredible feeling. Unfortunately, this rendition falls flat in many ways. Listen to this Smt. MLV's rendition (ruclips.net/video/NOwdb83_Z_g/видео.html) or this rendition by Sri Semmangudi Srinivasa Iyer (ruclips.net/video/1ByITxFUHso/видео.html). The hallmark of a rendition of varAli is the continuity in expression of the motifs that feels like one continuous thread. To me, this rendition feels chopped up in awkward places. I am a fan of Smt. Jayashri (I have experienced tears flowing down my face listening to many of her songs, one in particular is the "kanden kanden kanden sitayai kanden raaghava" in vasantA). I am saying this so that the groupies don't jump on this comment. She is an outstanding vocalist, richly deserving of all awards and whatnot. My comment is strictly limited to this rendition of this krithi.
Kanden seethayai is in Bageshri
@@gauthamkrishnan5922 You are absolutely right....I am confusing two different versions of the same song. Smt. Jayashri sings it in Bageshri but a whole bunch of others sing in Vasantha....Here is by Shri Neyveli, ruclips.net/video/Dbjme_3693Q/видео.html...and here is one by Smt. Sowmya....ruclips.net/video/ejNgcQdrl1s/видео.html....clearly my mind is playing tricks. What I remember is how I felt about Smt. Jayashri's presentation...In any case, thank you for helping me recognize the conflation
❤
🙏🙏🙏🙏
🎉🎉🎉
Can anyone post the full concert? Thanks
super super super
WHAT IS RAGA AND COMPoSER NME
മാഡം കേട്ടപ്പോൾ വേണ്ട സപ്പോർട്ട് തങ്ങളുടെ ഭാഗത്തുനിന്നും പക്ക കാർക്ക് നൽകുന്നില്ലെന്നു ഒരു തോന്നൽ പക്കം ഇഷ്ട്ടപെട്ടില്ലേൽ പാടാതിരിക്കുക പിന്നെ അത് റെക്കോട് ചെയിതു പോസ്റ്റ് ചെയ്യുകകുടെ ചെയ്താൽ 😮😮😮😮
I cannot believe such a quality composer is compared with the other two. There is only one Moorthy that is Dixithar and no one else. Shyama and Thiagaraja are in the distant second.
***** Dont be stupid to pass such comments! you are too small to make judgements about the people that you are talking about.
+Belson Devarajan that shows your ignorance about Carnatic music and vageyakaras
Wonderful voice mam 🙏🙏🙏
All the three are raja marga to reach the divinity. They are totally different but equally great.
....
🙏🙏🙏