Color grading ARRI footage

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  • Опубликовано: 8 сен 2024
  • A demo of Kodak 500T, Kodak 250D, and Fuji 160T emulations on Arri Alexa footage, plus some discussion about halation & grain.
    The new CinePrint35 500T, 250D, and 160T film emulations can be downloaded as PowerGrades or as LUTs. Available here:
    www.tombolles....

Комментарии • 23

  • @stmfilms.2
    @stmfilms.2 2 месяца назад +7

    Would you ever make a video/teach about how to create your own Emulation power grades?

  • @FrameDevlopment
    @FrameDevlopment 2 месяца назад

    keep going , i already got them your work is amazing i been follow your work since you upload the 16mm film emulation

  • @jhonesreece4946
    @jhonesreece4946 2 месяца назад

    Very good tutorial, very nice color grading in DaVinci resolve thanks bro 🎉🎉🎉🎉🎉🎉

  • @radioicer3374
    @radioicer3374 8 дней назад

    I've tried various film stocks that have come into my hands from different cameras, different focal lengths, and directors, but none work as easily as here I think there must be a specific way to prepare the material

  • @orange6852
    @orange6852 2 месяца назад +1

    excited to use this in my work! do you have a promo code for early comers hahaha

    • @thenono91
      @thenono91 2 месяца назад

      Si ya habías comprado cineprint16, te llega a tu correo la información y un código del 50% de descuento! 😊

  • @thenono91
    @thenono91 2 месяца назад

    Ya lo adquirí! Está de maravilla! 🥹😍 Gracias!

  • @MojoPapiFPV
    @MojoPapiFPV 2 месяца назад +1

    Did you fix the issue with the "legacy" tone mappings in the "To Linear" and "To Log" compound node of halation?

    • @TomBolles
      @TomBolles  2 месяца назад +1

      The issue I’ve seen people have with the halation node is because they were using the wrong color science & color space in their Project settings, resulting in data clipping. If you use the recommended project settings it works as intended 👍

    • @MojoPapiFPV
      @MojoPapiFPV 2 месяца назад

      @@TomBolles I own the CinePrint16 V2 and don't see any mention of that in the PDF. Can you point me to where I can find that?

    • @TomBolles
      @TomBolles  2 месяца назад +1

      Color Science: Davinci YRGB
      Timeline Color Space: Rec.709 Gamma 2.4
      Output Color Space: Rec709. Gamma 2.4

    • @MojoPapiFPV
      @MojoPapiFPV 2 месяца назад

      @@TomBolles I keep the timeline at DWG maybe that's what it was.

  • @kwanist
    @kwanist Месяц назад

    I buy cineprint35. There is monitoring lut. I have FX3. what lut should I use? A7 series lut or just sony lut?

  • @fyroega
    @fyroega 25 дней назад

    How do I install the LUTs and get them into the Gallery window?

  • @zenvisx
    @zenvisx 2 месяца назад +1

    1:00

  • @joeshifman
    @joeshifman Месяц назад

    Do I need the paid version of DaVinci Resolve for CinePrint35 Film Emulation to work properly?

    • @TomBolles
      @TomBolles  26 дней назад +1

      It works in the free version if you disable grain & don’t use denoising. You can use free alternatives for grain like overlays/mattes

    • @noahdness2757
      @noahdness2757 25 дней назад +1

      dont buy it if you dont have the full version, it doesnt work properly

  • @familygonzcartwright
    @familygonzcartwright 2 месяца назад

    Does this work with HDR instead of Rec.709?

    • @TomBolles
      @TomBolles  2 месяца назад

      By that do you mean making HDR deliverables for a high nit HDR display?
      Or are you talking about project settings color management?

  • @gior12_
    @gior12_ 2 месяца назад +1

    8mm film emulation?