Amigos; nesta peça, Villa-Lobos fez uso de um procedimento um tanto inovador -- ano de 1944!....A ideia foi dele....Ele fez um gráfico em papel milimetrado, onde foi demarcado os contornos de montanhas e serras famosas....O cruzamento dessa pontuação gráfica, com uma barra vertical ( graduada com a escala cromática ascendente ), determinou ou sugeriu, as frases melódicas e seus períodos!....Dessa forma, Villa-Lobos compôs a sua "6ª Sinfonia".....Esse "processo de composição", depois, veio a ser adotado, por alguns compositores europeus!....( Walmir Dantas ).
Me sinto um pouco solitário em meu AMOR por Villa-Lobos, mas fico feliz em saber que em algum lugar desse país tem alguém que o ama também... é um prazer compartilhar algumas 'linhas' com vocês
@@romulo5177 Difficult to answer, since on one hand this is partly subjective and n the other hand I am far from knowing the whole orchestral work written by VL. Choros 10 appears to me as a total success in orchestral writing
I had just finished listening to the St. Clair performance of this work, and on comparison I find Karabtchevsky's a more compelling one, and in better recorded sound. He lets this music breathe and sing more, yet is also more dramatic. I had forgotten that this was the symphony that Villa-Lobos "etched" out of the mountains; I don't know how he accomplished it, but the end result is an engaging, thought-provoking, musically satisfying opus.
ronald b woodall "Symphony No. 6 ‘On the Outline of the Mountains of Brazil’(1944), which launched his mature symphonic style, derives partially from his educational work. “Millimeterization” was the process he invented for obtaining a melody from an image. On a piece of transparent graph paper he would allocate the vertical lines to the pitches and the horizontal ones to the durations; this transparency would be superimposed onto a photograph, whose main points would determine the melodic contour. A skilled teacher could then harmonize the often unusual tune thus obtained, and the result was intended to encourage creativity in children. Villa-Lobos used this process twice in concert works, New York Skyline (1939), for solo piano, and this Symphony No. 6. This method was occasionally adopted, later, by such composers as Messiaen and Cage." Esta informação está no folheto do CD. Google Translate: This information is in the CD booklet.
Rique Borges Tenho a impressão de que como as montanhas do Brasil, essa massa sonora possante não chega a conformar uma fisionomia muito definida, não se eleva. É algo que se estende de forma horizontal. Google Translate: I have the impression that as the mountains of Brazil, this powerful sound mass does not quite conform a very definite face, does not rise. It is something that extends horizontally.
+ronald b woodall Hy Mr. Woodall. I think and I feel it masterpiece overcomes the technical aspects of the geometry of these mountains. You got the goal! The most important thing is that music is fabulous! And the Karabtchevsky with the OSESP got a fascinating sound! Congratulations and grateful for the file.
I'm not sure. I think the best version I heard was from Roberto Duarte, Slovak Symphony Orchestra... (I do find this OSESP version 'sleeping' a bit, but I'm still only on the first movement..)
![Rachmaninoff: Symphonic Dances, Op 45 (with Full Score) [4K UHD]](http://i.ytimg.com/vi/V3uWZFJ6EOI/mqdefault.jpg)
Villa Lobos, cada dia me envolvo mais com a musicalidade dele.Quem aprecia Bach, vai amar Villa Lobos.
Não paro de ouvir esta sinfonia...uma viagem sonoraxpelas serras e montanhas do Brasil.....
Eu vivo nessas belas montanhas. Nada melhor de senti-las coroadas por esta sinfonia.
O terceiro movimento é simplesmente espetacular. Um dos pontos mais altos de toda obra sinfônica de Villa-Lobos.
Não há palavras que possam descrever a perfeição musical das obras de Villa-Lobos. Meu ego desaparece e fica só a música
Villa Lobos: o maior compositor erudito das Américas
Obrigado por compartilhar essa joia por aqui. Villa Lobos é gênio! É triste como um cara desses não é cultuado no Brasil...
Nós fazemos isso, com muito prazer!
Amigos; nesta peça, Villa-Lobos fez uso de um procedimento um tanto inovador -- ano de 1944!....A ideia foi dele....Ele fez um gráfico em papel milimetrado, onde foi demarcado os contornos de montanhas e serras famosas....O cruzamento dessa pontuação gráfica, com uma barra vertical ( graduada com a escala cromática ascendente ), determinou ou sugeriu, as frases melódicas e seus períodos!....Dessa forma, Villa-Lobos compôs a sua "6ª Sinfonia".....Esse "processo de composição", depois, veio a ser adotado, por alguns compositores europeus!....( Walmir Dantas ).
@@vavaocabeleira5462 cá pra nós, bárbaro....
@@vavaocabeleira5462 minha mais profunda gratidão por essa informação valiosa
Me sinto um pouco solitário em meu AMOR por Villa-Lobos, mas fico feliz em saber que em algum lugar desse país tem alguém que o ama também... é um prazer compartilhar algumas 'linhas' com vocês
Heitor Villa-Lobos:6.Szimfónia ,,Brazília hegyei körvonalán''
1.Allegro non troppo 00:00
2.Lento 06:53
3.Allegretto quasi animato 18:40
4.Allegro 22:43
São Paulo-i Szimfonikus Zenekar
Vezényel:Isaac Karabtchevsky
Köszönöm at értékelést
Köszönöm az értékelést
Zhay otros compositores comparables a Villalobos en América :ginastera, Chávez , cárter, revueltas, Santa Cruz, y unos cuantos mas
@@javiervivanco919 Camargo Guarnieri, Marlos Nobre, Santoro etc.
Köszönöm, Dávid Rehák! :-)
This is a very wonderful symphony. It dates from 1944. Note that the title is ambitious but Villa Lobos met perfectly that challenge.
In your opinion, what is the most complex orchestrated work by Villa-Lobos?
@@romulo5177 Difficult to answer, since on one hand this is partly subjective and n the other hand I am far from knowing the whole orchestral work written by VL. Choros 10 appears to me as a total success in orchestral writing
To me, Symphony 10...
Adoro os 2 clímax do primeiro movimento.
Que som glorioso!
GeoSinfonia, a terra se eleva ao céu... grato pela postagem, audição soberba!
Geosinfonia 👌
I had just finished listening to the St. Clair performance of this work, and on comparison I find Karabtchevsky's a more compelling one, and in better recorded sound. He lets this music breathe and sing more, yet is also more dramatic. I had forgotten that this was the symphony that Villa-Lobos "etched" out of the mountains; I don't know how he accomplished it, but the end result is an engaging, thought-provoking, musically satisfying opus.
ronald b woodall "Symphony No. 6 ‘On the Outline of the Mountains of Brazil’(1944), which launched his mature symphonic style, derives partially from his educational work. “Millimeterization” was the process he invented for obtaining a melody from an image. On a piece of transparent graph paper he would allocate the vertical lines to the pitches and the horizontal ones to the durations; this transparency would be superimposed onto a photograph, whose main points would determine the melodic contour. A skilled teacher could then harmonize the often unusual tune thus obtained, and the result was intended to encourage creativity in children. Villa-Lobos used this process twice in concert works, New York Skyline (1939), for solo piano, and this Symphony No. 6. This method was occasionally adopted, later, by such composers as Messiaen and Cage."
Esta informação está no folheto do CD.
Google Translate: This information is in the CD booklet.
Rique Borges Tenho a impressão de que como as montanhas do Brasil, essa massa sonora possante não chega a conformar uma fisionomia muito definida, não se eleva. É algo que se estende de forma horizontal.
Google Translate: I have the impression that as the mountains of Brazil, this powerful sound mass does not quite conform a very definite face, does not rise. It is something that extends horizontally.
Rique Borges Thanks for the interesting information. Villa-Lobos was certainly a great composer, and an innovative one as well!
+ronald b woodall Hy Mr. Woodall. I think and I feel it masterpiece overcomes the technical aspects of the geometry of these mountains.
You got the goal! The most important thing is that music is fabulous! And the Karabtchevsky with the OSESP got a fascinating sound! Congratulations and grateful for the file.
I'm not sure. I think the best version I heard was from Roberto Duarte, Slovak Symphony Orchestra... (I do find this OSESP version 'sleeping' a bit, but I'm still only on the first movement..)
Magnífico
Tive q escutar essa musica pra aula de artes
nice
👏👏👏👏👏👏👏👏👏👏👏
Dévico